From a brief introduction to its geographical location in Manhatten and how Broadway got its name, Where is Broadway? quickly moves on to the history of theater; opera, vaudeville, minstrel shows, ragtime, and musicals. It's packed with supporting information on all things theater related.
A book for theater fans or those interested in learning about the history of stage performance in America.
Be warned, though.. your favorite Broadway stars and shows may or may not be mentioned.
Lin-Manuel Miranda deservedly gets a mention and illustration performing in Hamilton, plus later in the book, a full page bio. I love Lin-Manuel.
However, Julie Andrews, Nathan Lane, Carol Channing, Bette Midler, Barbara Streisand, Bernadette Peters, and Angela Lansbury are several Broadway greats off the top of my head who don't get a mention.
Chapter two focuses solely on African American theater, segregation in theater and famous theater members of color.
I'm not saying that should be left out, just that this book seemed to be less focused on answering the title question than I'm used to from this series. ("The Who HQ team is always working to provide simple and clear answers to some of our biggest questions..")
The following is an excellent summary paragraph from chapter two:
"Amecan theaters today embrace diversity with black actors playing many rolls that were historically portrayed by white actors. Plays and musicals are rightly cast based on talent rather than color."
This is a solid inclusion, one I would expect from these books. On a personal note: When I got to see The Phantom of the Opera on tour, Derek Davis was performing as the first Phantom of color. It was an honour and great pleasure to witness his smashing performance.
The chapter as a whole, though, and its abrupt placement, felt like an instance where striving to make a statement seemed to somewhat overshadow the main topic.
There's a lot of information for anyone who wants to learn more about American theater in a compact book. It just felt a bit disjointed to me.