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304 pages, ebook
First published March 26, 2019
I received this e-ARC from Netgalley! But this won't affect my review in any way!
I'll be honest, this was a strangely addicting book... but I didn't rate it higher because the plot near the end had so much potential... and then it sort of fell flat.
It starts off really fun and it feels like I'm watching a PG-13 sort of rom-com style version of The Social Network and I was here for it! The characters are interesting and fun to follow (even if rich boy Braden really got on my nerves) and I liked getting into each of their minds.
In the beginning, I had to take a moment to make sure I got acquainted with the characters since when the chapters change, it's in first person POV and that took a second to get used to. I liked reading in each of the characters' voices and I especially appreciated Roberto because he was really the only sensible one and the fact that he really cared about his family was really great.
Now, when reading this story, I was all for watching the drama unfold knowing full well that the app they decide to create for a class is pretty disgusting (and Roberto says that when they're making the app, so it made it interesting--I'm a sucker for morally grey areas!). It was great seeing the inner turmoil based on the fact that the app wasn't exactly helping people.
The first half of the book was fun, especially because it seemed to be leading to a big climax and what I was hoping would be a big crash and burn since the book was moving pretty fast paced and that's what it SEEMED to be leading to...
HOWEVER, the big crash and burn that could've been never happened. What was meant to be a big surprise reveal just seemed like a plot that was too rushed. The last quarter of the book seemed like the author had a bit of a page limit and so the ends were tied too quickly and a bit roughly. I feel like the ending could have been paced out and had a nicer dramatic touch to it, but alas, that was not the case.
What made up for the flatness was that I really enjoyed the characters (especially Roberto and Sara.). The dialogue and their inner monologues made it interesting and fun, especially with the little sub-plot romance.
I especially enjoyed the female friendship between Yaz and Sara. In the beginning, the I was incredibly worried that when Yaz was introduced the author would automatically pit the two females against each other because they're in a competitive class, but I was pleasantly surprised when they actually became good friends.
The other sub-plot I enjoyed was Roberto and his family (can you tell I love this man?). But I don't want to spoil it because that was one of the highlights of the book. And although I really didn't like Braden because he was a spoiled white rich kid, I did think there were some good moments with him and it really added to the interesting dynamic between the three characters!
It was a strangely addicting book that fell flat but had its perks. I would recommend this to someone (if they're mentally prepared for that plateau) who enjoys a good college drama, hating on really rich guys that take their parents' money and act all high and mighty, cute cinnamon roll coding nerds that end up creating an app and getting in way over their heads, and some fun and cute moments here and there.
The Dating Game follows the story of 3 college freshmen who develop a new dating app that gathers more attention than they ever intended. From the synopsis, which describes hell breaking loose, I was ready to see the app take off, the consequences of fame, fortune and more than a little chaos. What I got instead was the slow-moving build-up of the actual creation of the app.
There is always a bit of a long build-up at the start of a book - to introduce the characters and establish relationships. However, Roache appears to do neither. The characters appear on surface-level, mere physical descriptions and one-liners that seem to be their whole personalities - Braden's money, Sara's Hermione-esque personality type and Roberto's family troubles. The character voices are, therefore, one-dimensional, leaving the characters themselves flat. As a result, I feel that we don't properly engage with the characters and its harder to care about vital moments to the story because we don't care about the characters these events are happening to.
I put this down to Roache's use of the three different first-person perspectives. Alternating P.O.Vs can be effective in conveying a complex storyline which has overlapping subplots and narratives, but the plot of The Dating Game is rather simple, if not predictable. In addition, aside from the names written at the start of each chapter, there is no other distinct aspect that sets each voice apart. Not only does this limit the depth of the characters, but the short length of time we are in each P.O.V also makes the story feel disjointed. On reflection, Roache's choice to use the first-person perspective is the easy one and as a result, makes each narrative seem forced, rather than seamless.
Having said that, I appreciated Roache's exploration of the effect of deportation in America on families such as Roberto's. Roache's discussion of relevant and important sociopolitical topics are her hallmark and something that is not limited to her YA readers.
The pacing issues of the first half of the book, thankfully, do not continue into the second half. In fact, everything seems to happen at once and we finally feel the sense of chaos suggested to us by the book's blurb. The plot thickens, characters become more likeable, others unlikable, and there is a definite sense of contented fulfilment as the story draws to a close.
Writing this review, it has been three days since I finished The Dating Game and I reflect on it more fondly than I did while reading it. The characters have lingered, their messages of moral importance sticking in my mind, which to me, suggests the effect of a stimulating book. So, in a word, I would describe this book as thought-provoking.