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The Plays of Æschylus: Translated Into English

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Excerpt from The Plays of Æ Translated Into English

20 Bunyan' s Pilgrim's Progress, Large Type, 50 Illustrations 21 Bogatsky' 8 Golden Treasury. Large Type 2 5, 26. 27 Boswell's Life of Johnson, 3 Vols. 28 Crabb' 8 Dictionary of Synonyms.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

300 pages, Hardcover

Published August 24, 2018

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Aeschylus

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Greek Αισχύλος , Esquilo in Spanish, Eschyle in French, Èsquil in Catalan, Eschilo in Italian, Эсхил in Russian.

Aeschylus (c. 525/524 BC – c. 456 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Only seven of Aeschylus's estimated 70 to 90 plays have survived. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus' work. He was likely the first dramatist to present plays as a trilogy. His Oresteia is the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians, is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.

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Profile Image for Michael Vallery.
14 reviews2 followers
June 22, 2025
Pivotal characters predismentions autonomous relativism of the aged Aeschylus, exhortions grasping youths, proctors historical parthenon euphemism gained indebted souls character quanti-mechani; beautiful copy, vestige.
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