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Interpreting the God-Breathed Word: How to Read and Study the Bible
This biblical interpretation textbook provides an accessible introduction to the latest approaches in evangelical hermeneutics. Having many years' experience teaching hermeneutics to undergraduates, Robbie Castleman explains complex themes in an engaging way. She addresses all the current schools of thought in contemporary evangelical hermeneutics and incorporates recent important trends in biblical interpretation. This book helps students recognize the living Word as they read and study Scripture as an act of being engaged by the triune God of grace who breathed and still breathes "the word of the Lord."
144 pages, Paperback
Published July 17, 2018
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January 18, 2022
Summary: A book for all who want to be students of scripture focusing on how to study and understand the texts employing inductive study, speech-act theory, and canonical interpretation.
Robbie Castleman, not unlike this reviewer, discovered the joys of studying and understanding the meaning of scripture through what is known as inductive Bible study. She eventually became a biblical studies professor at John Brown University. This book reflects both her joy of discovering scripture and additional practices that address some of the ways inductive study may go off the rails in interpretation unrelated to what the passage meant for its intended audience, interpretation that fails to account for the rest of scripture and the framework of biblical theology.
Castleman begins with one of the great strengths of inductive study–careful observation of the text. She speaks of the attentive disciplines involved in hearing the God-breathed Word. Reading it over and over (including aloud!), printing out and marking up the text, asking questions of genre, setting, who, what, when, where, and how, and using our senses. One is looking for what the text says and how it says it. She shows the difference between exegesis and eisegesis–reading out of rather than into the text. I love the image of being careful to not cast our own shadows onto the text. She offers another image–that of studying as a surgeon rather than a pathologist, studying something alive to which we are attentive rather than something dead over which we assert mastery.
Castleman addresses the story or narrative character of much of scripture, and how important the particularities of time and space are. It is vital to grasp the “there and then” before we consider “here and now.” Drawing upon speech-act theory, she calls our attention that scripture is a God-breathed record of how God has spoken and acted out his will in those particularities of space and time. But something else is at work as well. Through God’s Spirit this Word of scripture speaks into our present, accomplishing God’s intentions in our lives as well.
The next three chapters further develop this idea of the three voices. The first is the actual event in which God speaks and acts that we only know indirectly through the biblical record, a voice we must listen to by faith, as we attend to the details of the text. The second voice then is the voice of the writers of the text, the time, and the circumstances in which they wrote as God breathed upon them. She uses the four gospels to illustrate this idea, accounting for both the distinctive voices and the one Lord to whom they attest. With the third voice, we step into the story as we grasp through the Spirit’s illumining work the “here and now” implications in the second voice’s “there and then.” She also shows how “third voice” dynamics work within the canon as later Old Testament writers act upon earlier material, and likewise, as the New Testament writers reflect on the Old Testament voice in light of Messiah come. Using the language of theatre, we must pay careful attention to our lines, and then step up onto the stage, loving the one who has spoken so much that we even risk “flubbing our lines.”
In the final chapter, Castleman advocates the importance of canonical interpretation, speaking of the centrality of creation, the gospel of Christ, and biblical theology as shaping how we read all of scripture. She uses C. S. Lewis image from “Meditation in a Tool Shed” to speak of how we look both at the light cast by a passage of scripture and along it, seeing how it is connected to the whole story of scripture. She then concludes with an epilogue reminding us that the God who has spoken is a fire before whom we take off our shoes and bow and listen, that scripture is not a vending machine to dispense the answers we want, and that our interpretation of scripture is music best made as we play in sync with the rest of the orchestra, stretching back to the earliest fathers, not a solo act.
There are several features that make this book a valuable resource for the person wanting to grow in reading and understanding scripture. One is the author’s warm love of scripture, that breathes in the pages. Second is the distillation and integration of some of the best practices of good hermeneutics into a brief, 120 page text. Finally, she offers numerous examples and praxis exercises that show and then allow us to practice what we are learning. This is both a good introduction for the student learning to study scripture and as well as the Bible teacher who wants to review and sharpen his or her understanding of how to lead those instructed, not only to understand the God-breathed Word but to heed and obey the One who has spoken and is speaking.
Robbie Castleman, not unlike this reviewer, discovered the joys of studying and understanding the meaning of scripture through what is known as inductive Bible study. She eventually became a biblical studies professor at John Brown University. This book reflects both her joy of discovering scripture and additional practices that address some of the ways inductive study may go off the rails in interpretation unrelated to what the passage meant for its intended audience, interpretation that fails to account for the rest of scripture and the framework of biblical theology.
Castleman begins with one of the great strengths of inductive study–careful observation of the text. She speaks of the attentive disciplines involved in hearing the God-breathed Word. Reading it over and over (including aloud!), printing out and marking up the text, asking questions of genre, setting, who, what, when, where, and how, and using our senses. One is looking for what the text says and how it says it. She shows the difference between exegesis and eisegesis–reading out of rather than into the text. I love the image of being careful to not cast our own shadows onto the text. She offers another image–that of studying as a surgeon rather than a pathologist, studying something alive to which we are attentive rather than something dead over which we assert mastery.
Castleman addresses the story or narrative character of much of scripture, and how important the particularities of time and space are. It is vital to grasp the “there and then” before we consider “here and now.” Drawing upon speech-act theory, she calls our attention that scripture is a God-breathed record of how God has spoken and acted out his will in those particularities of space and time. But something else is at work as well. Through God’s Spirit this Word of scripture speaks into our present, accomplishing God’s intentions in our lives as well.
The next three chapters further develop this idea of the three voices. The first is the actual event in which God speaks and acts that we only know indirectly through the biblical record, a voice we must listen to by faith, as we attend to the details of the text. The second voice then is the voice of the writers of the text, the time, and the circumstances in which they wrote as God breathed upon them. She uses the four gospels to illustrate this idea, accounting for both the distinctive voices and the one Lord to whom they attest. With the third voice, we step into the story as we grasp through the Spirit’s illumining work the “here and now” implications in the second voice’s “there and then.” She also shows how “third voice” dynamics work within the canon as later Old Testament writers act upon earlier material, and likewise, as the New Testament writers reflect on the Old Testament voice in light of Messiah come. Using the language of theatre, we must pay careful attention to our lines, and then step up onto the stage, loving the one who has spoken so much that we even risk “flubbing our lines.”
In the final chapter, Castleman advocates the importance of canonical interpretation, speaking of the centrality of creation, the gospel of Christ, and biblical theology as shaping how we read all of scripture. She uses C. S. Lewis image from “Meditation in a Tool Shed” to speak of how we look both at the light cast by a passage of scripture and along it, seeing how it is connected to the whole story of scripture. She then concludes with an epilogue reminding us that the God who has spoken is a fire before whom we take off our shoes and bow and listen, that scripture is not a vending machine to dispense the answers we want, and that our interpretation of scripture is music best made as we play in sync with the rest of the orchestra, stretching back to the earliest fathers, not a solo act.
There are several features that make this book a valuable resource for the person wanting to grow in reading and understanding scripture. One is the author’s warm love of scripture, that breathes in the pages. Second is the distillation and integration of some of the best practices of good hermeneutics into a brief, 120 page text. Finally, she offers numerous examples and praxis exercises that show and then allow us to practice what we are learning. This is both a good introduction for the student learning to study scripture and as well as the Bible teacher who wants to review and sharpen his or her understanding of how to lead those instructed, not only to understand the God-breathed Word but to heed and obey the One who has spoken and is speaking.
October 30, 2025
One of the best books on how to read the Bible. It was refreshing, deep, and practical. Could not recommend it enough!
Displaying 1 - 2 of 2 reviews