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雷諾瓦:必須美化

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叢書系列:發現之旅 40

「對我而言,一幅畫應該是可愛、愉悅而美麗的。」

儘管雷諾瓦謙虛地認為繪畫「只為裝飾牆壁」,然而他五十餘年數以千計的畫作中,不論是「煎餅磨坊的舞池」、「船伕的午宴」、「浴女」;還是仕女、孩童、友人們的肖像,都在他抽象派的光線和色彩鮮豔的筆觸中,展現出優雅而動人的氣質,彷彿他們都從平凡的生活中跳脫出來,成為神話中的人物。

「我像個被擲於水中、隨波逐流的小瓶塞!放任自己、順其自然地去畫!」與其他的藝術家相比,雷諾瓦的一生更淸楚地反映在其畫作而展現在世人之前──不論他是否期待望如此。「我相信自己從未一整日不作畫,他在晚年時說。」

「『圓餅磨坊』一作是出自深切觀照兼具明亮氛圍之完整寫照;露天聚會中的舞曲、談笑、陽光、塵煙所構成的炫目景象──臉頰的興奮之情、姿態的隨意自然──某個節拍讓那些粉紅、淺藍、深藍、灰暗裙襬隨之忽轉、忽停──一
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Paperback, 192 pages
Published February 28th 1997 by 時報文化出版企業股份有限公司 (first published 1993)
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Anne Distel est conservateur général honoraire du patrimoine au Musée d'Orsay et auteur de nombreux ouvrages sur la peinture du XIXe siècle. Elle est aussi professeur d’histoire de l'art à l’Université Paris Sorbonne-Paris IV et spécialiste de peinture impressionniste.