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Twentieth-Century Boy: Notebooks of the Seventies
by
A celebrated New York City painter's rollicking and vividly immediate account of his life amid the city's glamorous demimondes in their most vital era as an aspiring artist, roaring boy, dandy, cultural omnivore, and far-from-obscure object of desire.
Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for ...more
Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for ...more
Hardcover, 480 pages
Published
March 13th 2018
by Knopf Publishing Group
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Start your review of Twentieth-Century Boy: Notebooks of the Seventies
Although a few years older than me, and the fact that we never met, until I had him sign his book at a public event, I feel somehow I know Duncan Hannah. I first discovered his artwork through Dennis Cooper's fantastic blog, and his paintings just spoke to me directly. First of all, I have a thing for illustrations from the mid-century, especially drawings from the various titles of the Hardy Boys, and somehow Hannah's work reminds me of that type of work. But done on a plane that's serious art
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For some inexplicable reason, I am obsessed with the New York art and music scene post-WWII to the mid-80's. So when I saw "Twentieth Century Boy" by Duncan Rathbone Hannah, I snapped it up and consumed it feverishly in a weekend. Hannah was there, man, Zelig-like. Attended Bard and Parsons in the early 70's. Lower Manhattan habitue, residing in a weird intersection of art/music/drink/depravity. He used his David Cassidy good looks to curry favor with gay men who thought they just might be the o
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Slight, breezy autobiography by a guy who drank and slept around a lot.
I like oral histories, New York in the 70's, music, movies, books and art so this book of journal entries by artist & scenster Duncan Hannah was pretty perfect for me.
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Artist Duncan Hannah began keeping a journal when he was 17, living with his parents in Minneapolis and in constant pursuit of sex, drugs and the budding punk rock scene. "I'm writing these journals to capture my youth," he confesses. "I'd like to fulfill a dream and become a pop star, but I can't sing!" By the end of these journals (1981, at age 28), the transplanted New Yorker's oil paintings were earning him lasting fame.
Like Patti Smith's JUST KIDS, Hannah's TWENTIETH-CENTURY BOY captures th ...more
Like Patti Smith's JUST KIDS, Hannah's TWENTIETH-CENTURY BOY captures th ...more
I'm not a big fan of the diary/journal genre, so at the outset I wasn't sure what to make of this book. I decided to give it a listen (audio book, read by the author) at the suggestion of a friend who shares my taste for the pre-punk demimonde of New York and because the book title is borrowed from one of my favorite songs by '70s-era glam rocker T-Rex.
Author Duncan Hannah, a well-to-do Minnesota kid-turned-New York City bohemian/artist, documented his life and times in journals he kept from his ...more
Author Duncan Hannah, a well-to-do Minnesota kid-turned-New York City bohemian/artist, documented his life and times in journals he kept from his ...more
I absolutely LOVED this book! Obvious touchstones have been mentioned in other reviews ('Andy Warhol Diaries', 'Just Kids', 'Catcher In The Rye'); another (for me, anyway) is Sebastian Horsley's 'Dandy In The Underworld'. What makes this collection of Hannah's notebooks/journals special is that they are presented (so he claims) in relatively unedited form and in chronological order...written from when he was 17 through about 28. We get a glimpse of what it is like to be those ages where most of
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I really enjoyed this book although I barely knew who the author was beforehand. If you were a teenage rock n roll fanatic in the late 60's to late 70's- read it. This comes from his journals, with detail that brought back memories of teen life in NJ and NYC. Got a cheap thrill knowing that we were at the same T.Rex show although I was in the balcony while he was hanging out with the stars. And I was two tables behind him and Andy Warhol at an early Talking Heads show at CBGB's. Great anecdotes
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A precocious talented art school student is lost and found in the demimonde of NYC art scene in the 1970s. This compilation of Hannah's diaries from the decade is compelling even as it remains somewhat superficial (as many diaries of young people are). But like the diaries of Sylvia Plath, Hannah is a gifted writer, and he is an acute observer, even if the starry-eyed name dropping is sometimes too much. This book makes me crave a memoir from Hannah, wherein 40 years later, he adds that layer of
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I feel bad giving this book a one star review but it just really was not for me. The author seemed self-centered and very narcissistic in his writing. I assumed the story would obviously be about his life in the 70s as the title suggests but it got really old reading about his sexual escapades and how he was so beautiful and wonderful and everyone either wants him or wants to be him, over and over again. I didn't find the story enjoyable at all and really struggled to finish it.
Thank you to Goo ...more
Thank you to Goo ...more
Well, I always wondered what those other kids were doing, those ones on the downtown scene who seemed to be out every night getting wasted, dressed up as if in costume and being inexplicably connected to everybody and everything going on around them. Duncan Hannah's book affords a lurid look into his scene - what was he doing? Well, it seems like he was going through all the usual young artist meandering and confusion, except he took phenomenal quantities of liquid courage. The book is filled wi
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We live in an era of media restoration--streaming films from that have been carefully attended to so that they appear close to how the appeared at the time. Lately I've been watching films from the 1970s that are crisp in their visuals, the past isn't seen through fading film stock and scratches, but with an uncanny clarity. Duncan Hannah's "Notebooks" have that quality. The first line of his preface is "This is not a memoir." (Perhaps this is a slight riff on Public Image LTD's "This is Not a L
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Apr 05, 2019
Peter
rated it
it was amazing
·
review of another edition
Shelves:
memoir-bio,
non-fiction
It caught me by surprise how much I enjoyed Duncan Hannah's diaries from the seventies. He was between 17 and about 28 or so during this time. Duncan lived the kind of life many of us probably dreamed we could step into when we were in our twenties. He did all the drugs, drank all the booze, slept with too many people. He saw Bill Evans play the same week that he saw the Stooges (if my memory serves). He hung out with Danny Fields and Nico and shared a cab with Andy Warhol, Bowie, and Bryan Ferr
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Interesting look into the 70's through the eyes of a kid coming up, trying to figure himself out. Fun cameos by all kinds of folks on the art and punk scene in 70's NYC. Surprising well written by someone so young, especially at the beginning when he was only 17. The sex talk, in a modern context, can sometimes read a little creepy, but it's not like he's writing it now looking back. It was written at the moment. All in all sounds like Duncan Hannah has a pretty sweet dong.
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These are unvarnished journals and while it's fascinating to tag along through his debauched high school years in Minneapolis, and college years and beyond in New York, you can feel the toll of the alcohol and substance abuse, and feel for the sad girls who throw themselves his way. To his credit, you also get a sense of the artist and the dedication to his work. He seems quite aware of the advantages that came his way thanks to his upbringing and his appearance.
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I enjoyed this book very much. A little peek, perhaps, into the minds of my parents when they were teens/young adults. Duncan Hannah was born the same year as my mom! In these journals, he comes across as a likable kid and goes through what most of us do in youth - searching for yourself, your people, your scene - but the backdrop of HIS journey are the bars, clubs and shitty apartments of glamtastic 1970s New York. Well edited and entertaining.
If you find it hard to imagine what it might be like to be an art-school student in New York in the '70s, just casually hanging out with the likes of Nico and Warhol, this book will take you there. Also, there's sex on almost every page. I reviewed 20th Century Boy for The Current.
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What a great collection of tales! Each diary entry reads like a series of verbal Polaroids taken in the 70’s glitzy & gritty underground of Manhattan... Painterly documented by a young artist pulling colors from an eclectic clique of up-and-coming artistic cohorts & major Rock ‘n Roll maestros of the day... all covered in a syrup of booze and sex!
A well written, smart memoir of life in 1970s NYC with cameos from at least a dozen of my favorite bands should be catnip to me. Would have been a solid four star read if it wasn't for the constant nagging suspicion that much of the events were way too convenient and a little massaged after the fact.
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A 70's memoir of sex, drugs and rock 'n roll that kept me rapt for 250 pages, but flamed out halfway through. But isn't that the 70's? It starts off fresh, wild and exciting, but then those things that made it unique become monotonous, repetitive and without meaning.
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Fun fucking book to read....esp. you like Stooges, Roxy and up to say Talking Heads...sort of superficial but that's the fun, these are a young man's journals, lots of art, drinking and fucking...Hockney, Patti, Television, Rivers, Dlugos, Warhol and that whole crowd...
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This was an amazing read. It's compiled from authors years of journals and you truly feel like a witness to each situation. Lots of name dropping from the avant garde rock'n'roll world of the 70s & 80s.
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Addictive read, fits beautiful in between Just Kids and The Basketball Diaries... Must read if you're interested in the 70s NY scene.
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