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60s Decorative Arts: A Source Book
Hippie or Pop? Opposing styles in 1960s design
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.
Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.
Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.
576 pages, Paperback
Published April 8, 2000
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About the author
Charlotte Fiell
109 books28 followersCharlotte Fiell is a leading authority on the history, theory and criticism of design and, to date, has written 60 books on the subject.
Charlotte initially studied at Heatherley School of Fine Art in London and then later at the British Institute in Florence. She subsequently took a BA(Hons) degree in the History of Drawing and Printmaking with Material Science at Camberwell College of Arts (UAL), London. Following on from this, she trained at Sotheby’s Institute of Art in London.
Charlotte initially studied at Heatherley School of Fine Art in London and then later at the British Institute in Florence. She subsequently took a BA(Hons) degree in the History of Drawing and Printmaking with Material Science at Camberwell College of Arts (UAL), London. Following on from this, she trained at Sotheby’s Institute of Art in London.
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