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Paul Cezanne: Drawings and Watercolours

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Drawing was central to Cezanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing.

This book's six chapters are arranged thematically covering the whole range of Cezanne's ouvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native. Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes.

In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cezanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.

320 pages, Hardcover

Published August 3, 2015

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About the author

Christopher Lloyd

40 books2 followers
Christopher Lloyd CVO is a British art historian and was Surveyor of The Queen's Pictures (1988–2005). Lloyd worked in the Department of Western Art at the Ashmolean Museum in Oxford for twenty years. In 1972, he was appointed to a fellowship at Harvard University's Center for Renaissance Studies, Villa I Tatti, in Florence, Italy. During 1980–81, he was a visiting research curator at the Art Institute of Chicago, concentrating on the art of early Italy.

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