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忘却探偵 #4

掟上今日子の遺言書

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中学生がビルから飛び降りた自殺未遂事件。現場に居合わせた二十五歳の青年・隠館厄介は、生来の冤罪体質が災いし、容疑者とされてしまう。現場には少女が書いたとされる遺書が残されていて―。今日子さんは厄介の疑いを晴らし、事件を解決できるのか?眠るたびに記憶を失う忘却探偵の、タイムリミットミステリー!

258 pages, Tankobon Softcover

First published October 6, 2015

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About the author

NisiOisiN

288 books967 followers
Nisio Isin (西尾維新 Nishio Ishin), frequently written as NisiOisiN to emphasize that his pen name is a palindrome, is a Japanese novelist and manga writer. He attended and left Ritsumeikan University without graduating. In 2002, he debuted with the novel Kubikiri Cycle, which earned him the 23rd Mephisto Award at twenty years of age.

He currently works with Kodansha on Pandora, the Kodansha Box magazine, and Faust, a literary magazine containing the works of other young authors who similarly take influence from light novels and otaku culture. He was also publishing a twelve volume series over twelve months for the Kodansha Box line; Ryusui Seiryoin was matching this output, and the Kodansha Box website stated that this is the first time in the world two authors have done twelve volume monthly novel series simultaneously from the same publisher.

In February, 2008, his novel Death Note Another Note: The Los Angeles BB Murder Cases was released in English by Viz Media. Del Rey Manga has already released the first volume in his Zaregoto series. His Bakemonogatari, Nisemonogatari and Katanagatari novels have been adapted into anime series. Nekomonogatari (Kuro) has been adapted into an anime TV movie, and Kizumonogatari will be release in theaters this year. Monogatari Series: Second Season, adapted from 6 books in Monogatari Series will air in July 2013. Another of his works, Medaka Box (manga), has been adapted into a two-season anime series.

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Profile Image for ツバキ.
538 reviews37 followers
July 28, 2023
連續劇中也有的事件,沒有想到竟然花整整一本在寫,有點讓我驚訝。這本也是久違的厄介視點。說實在的其實我覺得誰的視點都沒差,不管是親切的視點還是之前不同警察的視點,我覺得大家都差不多囉嗦,厄介跟親切到底差在哪裡我也講不出來,但莫名的就是比較喜歡厄介。

而且我覺得這集比親切視點那集還要有CP感,明明大家起跑點都一樣,都是「初次見面」。

因為書中只有厄介視點,所以沒有寫出今日子進到學校調查之後發生什麼事情,沒想到這段的內容是電視劇原創的。這集事件還滿多細節都跟電視劇不同,所以也造成兩邊的主軸不太一樣,電視劇著重在自殺女生的原因理由,小說中雖然也是要找出這個原因,但是重點卻放在創作自由上,所以兩者的氣氛其實有差。看到日本那邊很多人提到無法理解自殺原因,讓我覺得很不可思議耶,我以為類似的想法大家或多或少都會有,但也許在這個SNS發達的時代,展現在眾人面前的表現欲其實遠比過去還要高吧?所以少女不想被擅自解讀扭曲的想法反而非常難懂?

但整體來說這集應該是我這系列中最喜歡的一集。忘記電視劇中有沒有這段,但留言在厄介石膏上的那個橋段是否太可愛了?
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