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Daisy Miller

Henry James,

Frank Lekens (Translator)

3.37 · Rating details · 24,114 ratings · 1,487 reviews

Het dubbelzinnige portret van de innemende Daisy Miller is nog even intrigerend als een eeuw geleden.

Aan het einde van de negentiende eeuw toert de jonge Amerikaanse Daisy Miller met haar moeder door Europa. Het is bon ton voor dochters van nouveaux riches uit de Nieuwe Wereld zich te laven aan de cultuur en de charmante omgangsvormen van het Oude Continent.

Daisy is een ty ...more

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Hardcover, 128 pages

Published February 2016 (first published 1878)

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Sep 09, 2011 Henry Avila rated it really liked it · review of another edition

Customs of different countries and people seem of little importance today to many, we are basically the same , underneath... all humans, yet language, religion, history or even weather and geographic features divides us , what is accepted in one place is not in another: Daisy Miller, (real name Annie) is making the required Grand Tour of Europe, for wealthy Americans, those with aspirations to join high society, this novella was written in 1878. A typical American teenager , a girl, friendly, ne Customs of different countries and people seem of little importance today to many, we are basically the same , underneath... all humans, yet language, religion, history or even weather and geographic features divides us , what is accepted in one place is not in another: Daisy Miller, (real name Annie) is making the required Grand Tour of Europe, for wealthy Americans, those with aspirations to join high society, this novella was written in 1878. A typical American teenager , a girl, friendly, needing no proper introductions to speak to anyone, adventurous, never told to behave in a certain manner, in other words like a lady. This causes misunderstandings in Europe, scandals in fact but to Daisy the innocent, what is the big deal? With her timid, silly, unwise mother and rambunctious, nine- year -old brother , Randolph, a big pest, constantly getting into trouble. Miss Miller , is from a rich Schenectady, New York family, the father remained in America, taking care of business, no time to waste on trivial pursuits . Daisy is a great flirt, she doesn't realize the harm her reputation is suffering, ( quite an innocent child in the woods) the result, the Victorian era Europeans, are shocked...Going on walks with grown men , unchaperoned, disgusting, the gossip spreads far and wide, they say, she's gone too far. At a luxurious Swiss hotel, high in the always snow-capped mountains, by the gigantic, exquisite Lake Geneva, a Mr. Frederick Winterbourne, an idle expatiate of well to do Americans meets the unpretentious Daisy, unbelievably... without being properly introduced, an error that shows the upper class, she has no class, her kid brother informally did , after asking for a lump of sugar, from Winterbourne. Since Miss Miller, is very pretty and beautifully dressed, Frederick becomes obsessed with her, following Daisy to Rome, he's a gentleman though and was requested to do so, a promise is a promise . Besides Mr. Winterbourne, has an Aunt there. Daisy, of course, has many suitors, in the Eternal City, particularly a young, mysterious Giovanelli, an Italian without any apparent job, you can guess what he is, maybe wrongly. The small American community, are naturally offended and stop giving invitations, to their parties, the funny part is Daisy doesn't even realize it again, being much too busy. Winterbourne can't leave Rome, always hanging around , to get a chance to talk to Miss Miller, visiting the Roman Colosseum, in the moonlight........and surprisingly seeing Giovanelli and Daisy there together . She, tells the lovesick gentleman, Mr. Winterbourne some bad news indeed, states rather in an offhanded way that they're engaged... he can't believe it...Tragedy soon happens. One of Henry James's best books, it encompasses everything that the great author wanted to convey to the reader about Europe and America, they are similar...but not quite the same. ...more

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Jul 06, 2014 Duane rated it really liked it · review of another edition

Shelves: 2014-book-challenge, rated-books, reviewed-books, american-classics

Daisy Miller is a short novel that seems to me like a condensed version of The Portrait of a Lady. Daisy is a young American girl traveling abroad in Europe with her mother and younger brother. Doing what any young American girl would consider normal, she is ridiculed and scorned for not adhering to the rigid and uncomprising moral standards and customs that existed in 19th century Europe, especially relating to young ladies actions in society. James writes his stories in a style that is uniquel ...more

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Jan 07, 2012 James rated it really liked it · review of another edition

Shelves: 1-fiction, 4-written-pre-20th-century

Book Review
4 of 5 stars to Daisy Miller by Henry James, a story about a free and unattached American girl who is spending some time in Europe after being removed from American society for some time. She unwittingly defies the moral code of European society, never realizing it until the very end when she dies. All throughout the story, “Daisy does what she likes, responds to what she likes. To the world around her she is a young girl, an American girl, she represents a society and a sex. She Book Review
4 of 5 stars to Daisy Miller by Henry James, a story about a free and unattached American girl who is spending some time in Europe after being removed from American society for some time. She unwittingly defies the moral code of European society, never realizing it until the very end when she dies. All throughout the story, “Daisy does what she likes, responds to what she likes. To the world around her she is a young girl, an American girl, she represents a society and a sex. She is expected to be what she appears-whether that is an innocent girl or a fallen woman” (Allen 337). In America, Daisy was free to roam about, flirting occasionally with the men. Once she enters Rome though, her behavior with a “dubious native [is] in defiance of the system of curfews and chaperons which [the society] holds dear” (Dupee 298). James sets up the plot of the story by having Daisy run into a man who is also an American transplant. Frederick Winterbourne, a kind free-spirited and unemployed gigolo, has lived in Europe for quite a few years searching for an older, rich woman to marry. When he meets Daisy, he is immediately intrigued by the “pretty American flirt” (James 102). Once this connection is established, Daisy’s innocence becomes the focus of the text. In the very beginning, “when contrary to the code of Geneva, [Winterbourne] speaks to the unmarried Daisy, he wonders whether ‘he has gone too far.’ . . . When he attempts to classify her, she undermines all of his stuffy and inapplicable generalizations. He decides that [Daisy] may be ‘cold,’ ‘austere,’ and ‘prim’ only to find her spontaneous and as ‘decently limpid as the very cleanest water’” (Gargano 314). Daisy and Winterbourne have now established their relationship at this point; They are attracted to one another and would like to go and see the Chateau de Chillon. When Winterbourne asks her to go with him, Daisy says, with some placidity, “With me?”. Winterbourne responds by respectfully inviting her mother along also. However, after the flirtatious exchange between the two, “[Daisy] didn’t rise, blushing, as a young girl at Geneva would have done” (James 103). The process in which Daisy loses her innocence begins here.
However, James’s short story is told from the perspective of Winterbourne, which overshadows the true story of Daisy’s innocence. Readers see and understand Daisy’s actions through Winterbourne’s eyes and actions. After Winterbourne leaves town to care for his aunt, he and Edna find their way back to each other. However, Winterbourne is non-committal to Daisy because of her flirtatious behavior with him and other men. Nevertheless, Daisy is not alone when they meet up this time. She is dating an Italian man named Giovanelli, who is obviously only after her money. Daisy continues to see Giovanelli, but she also spends some time with Winterbourne. Society begins to see that she is involved with both of these two men, quite intimately apparently. Daisy’s mother thinks she is engaged to Giovanelli, but Daisy is also seen out with Winterbourne every once in a while. F. W. Dupee remarks that when society is “judging [Daisy’s] morals by her manners, they imagine the worst and they ostracize her. They are wrong” (Dupee 299). However, “all the chattering tongues of Rome do not bother Daisy. She knows that Winterbourne, the one person whose opinion she values, believes in her innocence and chastity” (Buitenhuis 310). Daisy later focuses her thoughts on Giovanelli, and ignores Winterbourne even though he has always believed in her innocence and cared for her.
After losing track of Daisy for quite some time, Winterbourne runs across her at the Colosseum in Rome. The Colosseum was known to be a place where young lovers would go to experience passion and love. Daisy and Giovanelli are standing in the arena when Winterbourne notices them. Winterbourne tries to leave without making his presence known, but Daisy sees him. He asks her if she is engaged to Giovanelli, and Daisy tells him that she is. Winterbourne, at this point, believes that Daisy is nothing but a flirt who toys with men’s emotions for her own self-interest. It was also very dangerous for one to go near the Colosseum at such late hours because it was common for people to catch Roman Fever, a form of malaria. When Winterbourne tells Daisy this, she seems to hardly care at all about getting sick, and her actions even lead the readers to believe that she is going there purposely. Daisy’s actions appear suicidal. Winterbourne is concerned and he “not only expresses his concern for her health so recklessly exposed, but [by doing so,] he also lets her see that he has lost faith in her purity” (Buitenhuis 310). Shortly after, Daisy takes ill and begins to die. On her death bed, she can only think of telling Winterbourne that she really is not engaged to Giovanelli, who skips out on her once she gets sick.
Daisy eventually dies from the Roman Fever. It seems as though “Daisy dies because she cannot be fitted into any European scheme of things” (Allen 337). At this point, “[Winterbourne] realizes too late that he could have loved Daisy, and that Daisy could have loved him” (Buitenhuis 310). It is sad that it has to come to this, but society binds women to the strict standards of what they can and cannot do. If Daisy was in America, she would have gotten away with her behavior, but she was in Europe. European culture expects women to conform to specific standards. Just as Daisy is expected to live by the customs of Europe, so is Edna Pontellier from Kate Chopin’s novel The Awakening.

About Me
For those new to me or my reviews... here's the scoop: I read A LOT. I write A LOT. And now I blog A LOT. First the book review goes on Goodreads, and then I send it on over to my WordPress blog at https://thisismytruthnow.com, where you'll also find TV & Film reviews, the revealing and introspective 365 Daily Challenge and lots of blogging about places I've visited all over the world. And you can find all my social media profiles to get the details on the who/what/when/where and my pictures. Leave a comment and let me know what you think. Vote in the poll and ratings. Thanks for stopping by. Note: All written content is my original creation and copyrighted to me, but the graphics and images were linked from other sites and belong to them. Many thanks to their original creators. ...more

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Jan 21, 2008 Fred rated it really liked it · review of another edition

This little story catalyzed a lot of late 19th century debate about American values and European values and--particularly--the confident, un-blushing American girl who is not inclined to conform to the snobbish tastes and attitudes of the upper class people she meets as her family becomes wealthy.

"Daisy Miller" became a debatable type of American girl, Daisy Millerism a controversial kind of topic.

Contemporary readers should give some thought to how Daisy's major sin against expatriate society i This little story catalyzed a lot of late 19th century debate about American values and European values and--particularly--the confident, un-blushing American girl who is not inclined to conform to the snobbish tastes and attitudes of the upper class people she meets as her family becomes wealthy.

"Daisy Miller" became a debatable type of American girl, Daisy Millerism a controversial kind of topic.

Contemporary readers should give some thought to how Daisy's major sin against expatriate society is that she spends time with and values the company of local people. Compare Winterbourne abroad, spending time only with people of means and breeding, to Daisy, who chooses to spend a lot of her time with Mr. Giovanelli, who is not--as Winterbourne's friends say--a treasure hunter but really a respectable and clever Italian man of modest means. (Daisy does not choose to spend to with scoundrels and criminals and men of low character, though Winterbourne's set sees her that way.) And then think about how middle class American kids backpacking around Europe and staying in hostels are Daisy's descendants, mixing and mingling with the local people because that's who interests them. And think of how in some ways contemporary horror movies about American kids running into trouble Europe--the Hostel films, for example--echo Daisy's troubles. The kids are too bold, brash, and confident, interested in local culture but on their own terms, and they run into trouble because of it.

Of course, James doesn't run blame in one direction in "DM"; Daisy's overconfidence and naivete are not the only factors contributing to her fate. Winterbourne and his people antagonize and irritate Daisy so much that she disregards even their good advice (about, say, staying out of the Colosseum). And Winterbourne never gets around to admitting to himself that he likes Daisy very much more than he likes the upper class women who scare him with their threats of social ostracism. He never notices how Daisy's interest in culture is tied not to snobbish intellectual achievement but to understanding how people relate to and care about things. E.g., Rome comes alive for her when Giovanelli explains it, and the Chateau de Chillon is interesting only when Winterbourne--rather than the dry, dull tour guide--is explaining it. (For his part, Winterbourne is constantly hoping that Daisy's lapses from social propriety mean that she will yield up her person to him in some naughty way, and he even makes arrangements for that sort of thing at Chillon. Contrast to Giovanelli.)

So it's a godo story, and it's short, and it deals with James's great Americans-scandalizing-Europe theme, so if you think you'd like to try out some Henry James, it's a great place to start. ...more

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Jan 29, 2018 Kalliope rated it it was amazing · review of another edition

Shelves: 19-century, 2018, american, fiction-english, jamesian

WINTRY DAISIES

I rarely discuss plot, and doing so in a book on which so much has been written, seems to me like jumping into a bottomless pit.

But I was sad, no; I ought to say that it irked me that Henry James had her Annie, ‘Daisy’, die at the end.

For I was becoming more and more interested in her. Was she a superficial and provincial flirt? Or was she extremely modern and free in her defiance of stringent rules?

For even if the stiff Winterbourne, when faced with a similar riddle eventually ...more

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Jul 09, 2017 Agnieszka rated it really liked it · review of another edition

Shelves: 2017, henry-james, short-stories-and-novellas, reviewed

Henry James in a nutshell. This novel contains all typical and topical for him issues, to mention only freshness and spontaneity contra preciosity and social niceties, differences between young and puritan country and fossilized and sophisticated Old World, clash between America and Europe, innocence of the first and corruption of the latter, though in that particular example we have rather America versus America.

Daisy Miller, a young American, stays with her mother and younger brother at a hote
Henry James in a nutshell. This novel contains all typical and topical for him issues, to mention only freshness and spontaneity contra preciosity and social niceties, differences between young and puritan country and fossilized and sophisticated Old World, clash between America and Europe, innocence of the first and corruption of the latter, though in that particular example we have rather America versus America.

Daisy Miller, a young American, stays with her mother and younger brother at a hotel in one of the Swiss resorts, Vevey where she is acquainted with Frederick Winterbourne, American by birth but European by education and choice. The man is smitten with her beauty and unpretentious behavior. He considers her a charming coquette, a flirt even, more attractive than European ladies he used to know. From his censorious aunt he learns, however, that Daisy is not a good catch and what's even worse due to her overly casual, inappropriate manners and reckless behavior she’s considered a thorn in local social scene’s flesh.

Did I enjoy Daisy Miller? Yes, a lot though I perceive it as a prelude to Henry James’ later works portraying an independent and self-sufficient protagonists. Did I like Daisy? Not that much. But my not succumbing to her charm or behaviour had different roots than disliking and ostracism she was subjected to by her compatriots. She was too infantine and flirtatious to my liking; you could say that there’s nothing wrong with flirtatiousness, agreed, but I felt that behind her coquettish way of being, that could be only a mask, nothing really was hidden.

Daisy was carefree and naïve young girlie, not giving a damn what people think of her. Very well, I liked that particular quality in her for I didn't care about this hypocritical, mutual admiration society either, but unfortunately I thought she was empty and shallow too. Even if at first I was willing to think about her attitude as a façade so why I constantly had the impression that innocence felt more like silliness ? Did she discard social restraints ? Yes, though rather out of sheer contrariness than conscious choice. Was she an innocent victim of the ruthless and snobbish milieu? Yes, again but it didn't make her a heroine I would identify with.

She was charming, spontaneous and easily giving in to a charm of the moment but that's not enough for me. I expected more complexity here, I expected a woman ahead of her times. She wanted attention, she wanted to shine and she wanted to remain herself. Go for it, Daisy ! But constant babbling about nothing and batting your eyelashes or forbidden forays to mark your independence not especially spoke to me. Maybe I look at the novel from the wrong angle, too contemporary, through the times when young unmarried girl on the tryst with handsome foreigner is nothing that scandalous, at least in most countries. Perhaps if I have changed a perspective I could admit her actions being more brave than frivolous? I was looking at her like at rare colourful specimen by some unfortunate accident wrongly placed and not like a person who was to herald a modern and self-aware woman. For more complex and multifaceted personalities in Henry James’ oeuvre I rather look around for Catherine Sloper or Isabel Archer.

I’m not up to reading too much in symbolism though maybe Daisy and Winterbourne are not that accidental names after all, and choosing Coliseum, place where people were dying for their beliefs, for fateful excursion somewhat appeals to me as well. And, on reflection, that’s not true that Daisy didn’t care about others, after all her last words witness that she did care what Winterbourne would think about her. And I find it highly ironic if not tragic too.

3.5/5 ...more

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Aug 23, 2014 Luís C. rated it liked it · review of another edition

Shelves: on-my-own, us-canada-author, 100-200, gallimard

Henry James, much like other authors around the twentieth century, believes that society is all powerful, even to the extent that it obliterates any moral impulses that we have been born with. In Daisy Miller, the embodiment of a completely naive American girl is presented in the character of Daisy, unaware of the rules of European society. Even though Winterbourne, the protagonist, readily acknowledges the fact that she is common and uncultivated, he cannot help his fascination with her fresh, Henry James, much like other authors around the twentieth century, believes that society is all powerful, even to the extent that it obliterates any moral impulses that we have been born with. In Daisy Miller, the embodiment of a completely naive American girl is presented in the character of Daisy, unaware of the rules of European society. Even though Winterbourne, the protagonist, readily acknowledges the fact that she is common and uncultivated, he cannot help his fascination with her fresh, unsophisticated elegance. Her beauty and simplicity of manner is something that he often remarks on, even describing her as a sylph. However, throughout his interactions with Daisy, Winterbourne does not have a single moment when he is able to free himself from societies conventions. He wonders constantly at the conditions and limitations of one's intercourse with a pretty American flirt, unable to simply act naturally and be himself. In fact, he openly admits that by instinct, he should not appreciate her justly. In this way, Winterbourne embodies a man whose individuality has been completely obliterated by society. Thus, when he meets Daisy, a girl whose actions show a complete disregard for societal conventions, the only possible result is in her termination. When Winterbourne encounters Daisy in the Colosseum, he finally makes up his mind that she is a young lady whom a gentleman need no longer be at pains to respect and his words cuts her accordingly. In effect, this cut metaphorically led to Daisy's death.

The world that James presents to us is an extremely chaotic one, which is why he chooses single consciousness as the method of narration to create a structured and meaningful version of this world through the eyes of one person. This effectively limits the reader to only Winterbourne's thoughts and emotions. What happens within Daisy's mind remains hidden, and we are only able to judge her, as Winterbourne does, through her external actions. If Daisy had only trespassed society laws mentally, she would not have met with the same tragic end. This fact can most clearly be seen when examining how Mrs. Walker passes judgment upon Daisy, telling her that her actions aren't the custom here. In reality, she has absolutely no interest Daisy's inner motives or intentions whatsoever when she walk. ...more

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May 10, 2013 Tea Jovanović rated it it was amazing · review of another edition

Shelves: read-for-pleasure

Ovo je prva knjiga koju sam pročitala na engleskom, od korica do korica... :) U prvom razredu gimnazije... I to je u to vreme bilo neobično... A sada klinci još u osnovnoj školi čitaju knjige u originalu, što je dobro :) Henri Miler je bio i ostao jedan od mojih najdražih pisaca...

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May 08, 2018 David rated it really liked it · review of another edition

Shelves: american

Qui se passes ses fantaisies....

She does what she wishes. Daisy Miller, published in 1879 brought Henry Miller his first success. The short novela (72 pages) casts an eye of societal norms of the day.

Told through the eyes of a fellow American but raised in Geneva, Winterbourne is charmed by the open spirited Daisy Miller, who is traveling in Europe with her mother and nine-year brother, Randolph.

This is a book about class, elitism, snobbery and money. The Millers have enough money for part of t ...more

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Aug 31, 2018 Alex rated it liked it · review of another edition

Shelves: 2018

It's so hard, when you are a pretty young lady, to find any old closeted priggish gentlemen to warn you that you're about to die of flirting. "But what," you always find yourself wondering, "Would a middle-aged bachelor from the 1800s do?"

Thank heaven, into the void steps Henry James. And y'know when books like this get written - books where women do what they want and are punished for it - there's always this, like, "But you can see that his sympathy lies with the woman" argument, right? Peopl ...more

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Nov 09, 2016 Frona rated it liked it · review of another edition

To condemn values of victorian origin it is necessary to demonstrate that they cannot overcome some of their essential antagonisms. If a critique of questionable morals is the intention of this book, the second part is more vauge, since it lacks any struggle worth struggeling for. We get to meet a young woman without many redeeming qualities that lives only to charm man-kind. She fights for nothing but her right to annoy, which meets some reservations among others, readers as well. "All I want i ...more

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Feb 01, 2018 Stephen P rated it really liked it · review of another edition

Recommended to Stephen by: Kalliope spurred on this review that was never to be

Shelves: henry-james

Ah Daisy. What to do with you. You scuttle about this novel innocent, coquettish, a young pretty American in a foreign land. Why is it you won’t listen? Neither to James or to me. Even your name sounds fresh, innocent. You, in such young years have disarmed Rome’s society by seeing through their mountains of hypocrisy by not caring about what they consider scandalous or any careless dreams of joining their ranks.

Of course the narrator is too stiff for you, caught in his own web of threaded conce Ah Daisy. What to do with you. You scuttle about this novel innocent, coquettish, a young pretty American in a foreign land. Why is it you won’t listen? Neither to James or to me. Even your name sounds fresh, innocent. You, in such young years have disarmed Rome’s society by seeing through their mountains of hypocrisy by not caring about what they consider scandalous or any careless dreams of joining their ranks.

Of course the narrator is too stiff for you, caught in his own web of threaded concealments barricaded against the throb of his own heart. But the Roman? Hmm. Handsome and pliable. A remainder to keep and mold. A lingering phantasm.

And about James? He is a well known author you know. You were in good hands. Set down debutant-ish, and through your naivety and good looks much was to happen to and for you. When was it Daisy? When did you take the reigns from James, the master, and from me and what is now looking back my metronomed reading of comforting expectations. Did James know about it? Maybe up to a point. Or not.

Your shedding Daisy of James’ cast and mold, tossing aside the mask of coquetry for the emblem of Revolution? What? Poor James. Poor me. Fools that we are. You had no intention of, being deeded by a man as a parcel of property to be owned, of a society to set you to work to climb into the tiered class above through fools tricks, nor by family name or the interworking of family constrictions, and certainly not by a reader who now has to reformulate this buzzing readerly world and recompose himself with a new idol. A gleaming freedom fighter.

So, why did James kill you off? He can be, you know, a bitter old man. Well. maybe that’s a little too strong but if it were you Daisy you would come right out and say it.

One possibility I think is that you went your own way leaving him with his masterly pen in his masterly hand. He was pissed. The only means of gaining control of you and the story, your story, was to kill you. But could it have also been a cautionary tale James was trying to work out? That if you fly too close to the sun your stalwart wings will be seared? As I think more about it the master might have been saying, you, we, can never reach total freedom though it may be worth trying, centering one’s life around, since there is the body weighing us down. It is moving towards death as soon as it is, if not cared for, or even so…

You left him flailing with your meteoric rise to the heights of universal hero battling for what freedom we can have, which is why his ending this tale in your absence seemed something tacked on both hollowing the story out and weighing it down.

I closed the book but don’t worry Daisy you will remain on for the foreseeable future. ...more

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Dec 09, 2012 Darwin8u rated it really liked it · review of another edition

Shelves: 2019, american, fiction, novella

"She seemed to him, in all this, an extraordinary mixture of innocence and crudity."
- Henry James, Daisy Miller

description

Who killed Daisy Miller? Americans? Italians? Americans in Europe? She was certainly killed socially by a combination of all of those, but she was killed also by her own indiffernce to what people thought of her. This novella, written in 1878, seeks to explore the interplay of social norms between Europe and America. Like many "great writers" in the late 19th Century, James' most popula ...more

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May 10, 2016 Melki rated it liked it · review of another edition

Shelves: classic-fiction, guy-written-chick-lit

"I'm very fond of society, and I have always had a great deal of it."

In no time at all, Winterbourne becomes infatuated with young Daisy Miller, a "pretty American flirt," whom he considers to be "uncultivated," and an "inscrutable combination of audacity and innocence." His aunt disapproves, considering the girl and her family to be "common." And indeed, Daisy wastes no time in flaunting society's rules, setting tongues wagging.

As a member of the proletariat, I should not enjoy a book concerni ...more

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May 23, 2018 Sue rated it liked it · review of another edition

Shelves: 19th-century, culture, europe, historical-fiction, travel, novellas, classics, read-2018

I have not read many of Henry James' works to date and am slowly adding some to my list. Today was time for Daisy Miller, originally published in 1878. This is really a novella, the story of a young woman seeing the Continent with her mother and young brother and catching the eye of one Mr. Winterbourne, an American who resides in Europe. James himself is present as narrator occasionally to exclaim in some way on the activity or thoughts of his characters.

The young woman is Daily Miller from New ...more

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Aug 08, 2017 Brierly added it · review of another edition

Shelves: reviewed

If you haven't read Henry James, I would recommend Daisy Miller over the longer works. James crafts beautiful sentences with a lot of description and semicolons. His nickname is "The Master" and you can see why. Not much happens in a James narrative, but I love 19th century literature (formalities and all) so he's always been a favorite of mine.

The narrative follows a young American man, Winterbourne, as he observes and critiques a young American woman--Daisy Miller--through their brief acquanta ...more

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Feb 25, 2018 Ivana Books Are Magic rated it really liked it · review of another edition

I would say that Daisy Miller is a great introduction to Henry James. This book is not only shorter, but also less complex than other works of his that I have read. However, it bears a close resemblance to his novels and explores similar themes. Having previously read The Portrait of a Lady, I found it hard not to compare the two. Moreover, while I was reading Daisy Miller I experienced, perhaps predictably, a feeling of déjà vu. Daisy Miller was, if I recall well, James' first commercial litera I would say that Daisy Miller is a great introduction to Henry James. This book is not only shorter, but also less complex than other works of his that I have read. However, it bears a close resemblance to his novels and explores similar themes. Having previously read The Portrait of a Lady, I found it hard not to compare the two. Moreover, while I was reading Daisy Miller I experienced, perhaps predictably, a feeling of déjà vu. Daisy Miller was, if I recall well, James' first commercial literary success. Anyhow, I came to this novella with high expectations, but I wasn't disappointed.

Annie Miller aka Daisy is, just like Isabelle the heroine of his novel The Portrait of a Lady, an American girl visiting Europe for the first time. We could say that both girls are ‘discovering’ not only Europe but themselves for isn’t there something about travel that can make us open our eyes? One could argue that travel always makes us compare and reevaluate things, and while we are about it, perhaps we could also add that travelling can make us learn something about ourselves? Youth is all about trying to discover who we are. In addition, when one is young, everything can feel like a discovery.

If one wants to write a novel that comments on society, a young woman always makes for a good protagonist. Why? Because society is especially diligent when it comes to paying attention to young ladies. This attention is not always a positive one, indeed, our society can be quite judgemental when it comes to young women. Young ladies are the ones who have to keep ‘their reputation intact’. They are expected to behave accordingly to certain society rules, and while the society rules of this novel may seem ‘archaic’ to a modern reader, one can still appreciate the sharp contrast between personal desires and social norms.

The description of pressure that society can put on an individual is often a part of James’ writing. The relationship between our social and individual identity is always an interesting subject. Henry James excels at portraying the society and emphasizing the social pressure on individual. James’ dialogues are always well written and natural sounding, but at the same time they capture the social norms with finesse. In this novel James compares and contrasts American and European society on more levels than one.

The novel opens up in Switzerland with Daisy meeting a fellow American Fredrick, who falls in love with her shortly. Daisy is not approved of by his aunt. Fredrick seems to be uncertain of his views of Daisy, but remains attracted to her. They socialize and spend some time together, but eventually Fredrick has to leave Daisy who invites him to visit her in Rome. They do meet in Rome, but there Daisy has made a new friend, a young Italian man nobody seems to approve of.

I would lie if I said that I cared deeply about what happened to Daisy. I cared, but not that much, it was more a feeling of detachment than indifference. Naturally, I was sad to see Daisy treated unfairly but I couldn’t relate to her fully, because I found it hard to figure out who Daisy really was. Was Daisy provocative or was she just stubborn? Was she daring or was she just a flirt? Henry James is ever the master of ambiguity and while I usually enjoy the elusiveness of his writing, in this case I think there just wasn’t enough space for proper character development. With this book James manages to capture our attention, create a credible character and build a tragic story around her, but the writer doesn’t attempt a complex character study. Perhaps this decision only makes sense considering the length and the organization of the book. Speaking of the plot and the narrative, the ending was somewhat abrupt, but perhaps only more powerful because of that.

James' prose flows as beautifully as ever. His sentences are elegant and well crafted, his social observations clever and to the point. Is it enough? Quite frankly, for me it is. This novella was a wonderful read. It lacked the depth and the complexity of A Portrait Of a lady, but it makes for a lovely read. The story is somewhat predictable, yet by the time I finished reading this novella, I was glad I read it. It sure wasn't a wasted effort. It wasn’t much of an effort at all. Daisy Miller was easy to read, an enjoyable book with enough food for the thought. I would recommend it to all fans of Henry James as well as those who want to read more of him but lack the time or the motivation to tackle his longer works.
...more

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Sep 11, 2016 Julie added it · review of another edition

Shelves: 19th-century, american, james

7/10

In a previous life, Daisy Miller garnered five glowing stars, and she shone unabashedly here for all my time on goodreads. But if you'd ask me now about the inimitable Daisy, I would demur. She's a little too coy and flirtatious for me. In fact, I find Henry James just a little too annoyingly clever in this novella. (Or was it cleverly annoying? I couldn't make up my mind whether it was his cleverness that annoyed me more ... or that he was more annoying than clever in playing fast and loose 7/10

In a previous life, Daisy Miller garnered five glowing stars, and she shone unabashedly here for all my time on goodreads. But if you'd ask me now about the inimitable Daisy, I would demur. She's a little too coy and flirtatious for me. In fact, I find Henry James just a little too annoyingly clever in this novella. (Or was it cleverly annoying? I couldn't make up my mind whether it was his cleverness that annoyed me more ... or that he was more annoying than clever in playing fast and loose with Daisy's life, and being so gosh-darn-obvious about Winterbourne's seasonally-accurate disposition.)

I once revelled in the melodrama of it all. Now, I look at it and see only an artist's sketch of a later masterpiece. This, to me, is James-The-Apprentice, working out his angst on the then-modern-woman; working out his feelings on the sensibility split between European and American ideals; working it all out, in fact, like a young artist with his first set of coloured pencils: doodling away at what he only has a premonition.

The brickbat that came sailing through the window at one point made me realize the heavy-handedness of the (youngish) artist that I had not noticed before. Ostensibly describing Daisy, he is of course reflecting on America itself in the following passage:

"They ceased to invite her; and they intimated that they desired to express to observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behavior was not representative -- was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned toward her, and sometimes it annoyed him to suspect that she did not feel it at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism, or even to have perceived it. The at other moments he believed she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence, or from her being, essentially, a young person of the reckless class. It must be admitted that holding one's self to a belief in Daisy's "innocence" came to seem to Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at this want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were
personal."

Powerful words, at first reading. And then it seems all a bit ho hum, because I ask myself ... how many times have I encountered this exact sentiment in James ... in almost the exact words.

As I make my way through James's oeuvre once again, I'm finding a lot of these artist's sketches, in fact, and I'm surprised that I didn't pay attention to them in quite the same way the first time 'round.

The grand master is a bit tarnished in my eyes, of late, not so much because his major works don't deserve great merit -- but that all the minor works are ... indeed ... quite minor. Too much has been made of them, unreasonably. There's too much of working, and reworking, the same theme, with the same characters. They come to me now as cardboard cutouts -- paper dolls -- where one simply adorns the characters with new outfits and a new (European) city but they live the same lives as their predecessors, agonize over the same things in the old familiar way, and often come to the same resolution in exactly the same way.

James's characters have become a bit of a blur in my mind, in the way that Dickens's, or Hardy's, or Eliot's do not. While each writer, admittedly, works on familiar, comfortable themes repeatedly, their characters are uniquely memorable in all their works. With James, I'm finding that only his major works "work" for me.

And so, the halo is tarnished, after all.

...more

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Jun 04, 2017 Anne rated it it was ok · review of another edition

Shelves: classics, cotton-candy-fluff, gentleman-like-heroes, not-my-cup-of-tea, victorian-era, victorian-literature

How to make this book better: Winterbourne meets Daisy Miller and decides he does not like her. He returns home. THE END.

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Jul 12, 2007 Yulia rated it liked it · review of another edition

a flimsy glance of an unintriguing character. i couldn't feel sorry for her; she seemed too frivolous to pity. and the double standard at the end is rather heavy-handed.

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Apr 05, 2013 James rated it it was amazing · review of another edition

Shelves: fiction, classics, coming-of-age

I loved this book, in less than 90 pages, a wonderfully understated tragedy unfolds, society is judged and found wanting in a way that resonates today. In Daisy Miller, a young woman has her every move dissected by a hovering society unwilling to ascribe anything but the most base of motives to behavior that falls out of their norms. The norms defined by the late 19th century may seem ridiculously stifling to our modern eye, but I would argue that these norms have been eased, replaced but not re ...more

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Dec 03, 2018 Christian Doig rated it really liked it · review of another edition

Recommends it for: soñadores

Shelves: novels

El maestro James recrea la lección de su maestro Flaubert y nos ofrece una temprana especie nueva de Madame Bovary, pero todo es tan complejo como ya se percibe en la sutileza y brevedad de esta conspicua joya de la novela breve (o del cuento largo). Precisamente es el misterio que envuelve a su encantadora protagonista lo que hace de Daisy Miller un relato tan provocador. Se trata de una miniatura, además, el parco retrato de una pequeña dama que me hizo recordar no solamente la obra posterior El maestro James recrea la lección de su maestro Flaubert y nos ofrece una temprana especie nueva de Madame Bovary, pero todo es tan complejo como ya se percibe en la sutileza y brevedad de esta conspicua joya de la novela breve (o del cuento largo). Precisamente es el misterio que envuelve a su encantadora protagonista lo que hace de Daisy Miller un relato tan provocador. Se trata de una miniatura, además, el parco retrato de una pequeña dama que me hizo recordar no solamente la obra posterior de su propio autor, sino un abanico bastante amplio de reflejos literarios, desde La muerte en Venecia, de Mann, hasta A Room with a View, de Forster. Entre paréntesis, después de los destinos de Aschenbach y la señorita Miller, ¿a quién se le ocurre viajar a Italia? El diálogo entre la novela de James y la de Mann (1912) empieza con esa familia polaca vislumbrada al inicio de la narración, en otro hotel europeo (esta vez en Vevey, Suiza).

Por supuesto, lo que más me atrae de la bella Daisy Miller es su rebeldía. Como tantos otros lectores, he conocido muchachas con cualidades o defectos parecidos de locuacidad, torpeza y básica vulgaridad, pero, en realidad, ninguna era hermosa como la heroína de esta novela. ¿Qué es lo que redime a la señorita Miller, su belleza femenina o su presencia contestataria, entre la ingenuidad y la osadía, frente a las exigencias represivas de la sociedad? Naturalmente, ambas virtudes, porque, a fin de cuentas, la fascinación que ejerce el personaje, dentro y fuera del texto, hace de su belleza única rebeldía, y de su rebeldía insólita belleza. De esta manera, Daisy Miller emerge como criatura que el estilo de James convierte en verosímil, a la vez que en símbolo de los sueños contra la realidad, del arte contra la misma frágil constitución humana, que James sugiere, en la fatalidad del tramo final de su novela, se encuentra en carne propia tras los barrotes o la línea del exilio impuesto por la comunidad de sus semejantes. Como antes Emma Bovary, o mucho después Gabriela, la similarmente "salvaje" heroína de Amado, la señorita Miller no podrá salir incólume de esa confrontación con la convivencia que todos conocemos, dejando renovada constancia de la batalla inmemorial de nuestros deseos. ...more

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Feb 02, 2019 Erin rated it it was ok · review of another edition

Shelves: classics, short-stories

First written in 1878, Daisy Miller is a novella focusing on a Henry James staple- Americans travelling in large numbers on their "Grand Tour" of Europe and the clashing of cultures between Americans and Europeans. Other than that, I really don't have anything to add.

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Jun 14, 2017 Roberto rated it really liked it · review of another edition

Shelves: nord-america

Il giorno della civetta

Daisy è una graziosa ragazza americana che durante una vacanza incontra in Svizzera un giovane americano residente da anni in Europa.

Inutile dire che sono tutti di buona famiglia, siamo in un racconto nell'ottocento, e che della differenza tra la cultura europea e americana si parla a ogni pagina, è Henry James.

La ragazza è molto spigliata e poco attenta alle convenzioni. Il ragazzo è focoso come un merluzzo surgelato.

Chi è Daisy? Una civetta o una ragazza per bene? E' poc
Il giorno della civetta

Daisy è una graziosa ragazza americana che durante una vacanza incontra in Svizzera un giovane americano residente da anni in Europa.

Inutile dire che sono tutti di buona famiglia, siamo in un racconto nell'ottocento, e che della differenza tra la cultura europea e americana si parla a ogni pagina, è Henry James.

La ragazza è molto spigliata e poco attenta alle convenzioni. Il ragazzo è focoso come un merluzzo surgelato.

Chi è Daisy? Una civetta o una ragazza per bene? E' poco seria o anticonformista? Frivola o spensierata? Leggera o istintiva? Zoccola (si direbbe oggi) o semplicemente libera e emancipata?

Cosa significa essere una ragazza per bene? Sfortunatamente i costumi sociali non sono uguali in ogni luogo, in ogni tempo e in ogni cultura e ognuno di noi lo sa bene. Si può indossare una minigonna a Parigi ma non a Ryad, si può mangiare con le mani a Calcutta ma non a Londra, ci si può soffiare il naso a Roma ma non a Tokyo (dove invece si tira su col naso...). Il punto è che ogni cultura ha i suoi canoni e le sue regole. E se ci si vuole comportare in modo diverso c'è inevitabilmente un prezzo da pagare, più o meno alto.

Daisy non fa nulla di male. Si limita a passeggiare sola con uomini soli, è indifferente alle regole e si gode la vita per quanto possibile. Ma siamo in un'altra epoca e il giudizio della comunità è chiaro: la ragazza è volgare e immorale. E non può che pagare al termine del romanzo per questa sua imperdonabile "leggerezza".

Il romanzo è breve, folgorante e ha una fine inattesa. Ma nonostante scorra velocissimo come fosse una storia banale e leggera, ha invece un significato e un razionale importante e molto ben definito.
Oggi fortunatamente i costumi sono abbastanza cambiati, anche se ancora troppo spesso sento apostrofare impropriamente come zoccola (specie dalle nuove generazioni) una donna che si veste in un certo modo o che ha un comportamento critico o spiacevole.
Mi domando: quante Daisy hanno dovuto (e devono ancora) soffrire e combattere per cambiare convenzioni e discriminazioni? ...more

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Mar 16, 2012 Diane rated it liked it · review of another edition

Shelves: classics

I wanted to like this novella more than I did. The writing is lovely but the character of Daisy Miller is so annoying that I wanted to either lecture her or throttle her (preferably the latter). She is nothing but a vexing, silly flirt -- she has no redeemable qualities.

"He set her down as hopelessly childish and shallow, as such mere giddiness and ignorance incarnate as was powerless either to heed or to suffer."

The portrait of Daisy is so severe that one could wonder if Henry James hated all A ...more

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Nov 16, 2009 jess rated it it was ok · review of another edition

Recommended to jess by: olympia public library

Shelves: 2009, audiobook-d, fiction

Okay I picked this up because, with only three discs, it was the shortest audiobook I could find at the library and I wanted something brief for a shortened week of commuting. I had never read Daisy Miller, not heard much about it, and I hardly feel much like discussing it now that it's over. It bored the crap out of my kid, which goes to show that none of us have any appreciation for classic literature these days. Reading this felt a lot like being back in high school english class. The languag Okay I picked this up because, with only three discs, it was the shortest audiobook I could find at the library and I wanted something brief for a shortened week of commuting. I had never read Daisy Miller, not heard much about it, and I hardly feel much like discussing it now that it's over. It bored the crap out of my kid, which goes to show that none of us have any appreciation for classic literature these days. Reading this felt a lot like being back in high school english class. The language is simple, so the book is really accessible. This was perfect for an audiobook on my commute. It's easy to get lost in fancy sentence structure when you're dodging semi-trucks on a major interstate in the rain. Daisy Miller is an American tourist, traveling around Europe with her mother and young brother. She is acquainted with several Americans also living in Europe, but her flirtatious manner toward men is totally unbecoming to her social station and reveals her as a terribly uninformed, ignorant American flirt. She is young and having a good time and behaves irreverently toward the more conservative social conventions. The major plot conflicts arise from tension between new money and old, Europe and America, & women and men. Daisy Miller is something of a spitfire in a totally tedious and ignorant sort of way, defying convention, refusing to cowtow to elitism and perception, and rejecting the idea that she should "behave" in a "ladylike manner," so maybe we could like her for her resilient and resistant spirit, like a zygotic feminist. I mean, usually I do side with that kind of girl. But Daisy Miller is simpering, manipulative and she whines so much, it was absolutely impossible for me to feel sympathy for her or her bad social graces or her untimely death. She was so very unlikable, as were all of the characters, and at the end of the book I wasn't left with any sort of grand allegorical insght. I was just thinking, "GOD I would kill myself if I had to interact with people like that."
...more

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Dec 15, 2017 George K. rated it really liked it · review of another edition

Shelves: 19th-century

Τον Μάιο του 2015 ήρθα για πρώτη φορά σε επαφή με το έργο του Χένρι Τζέιμς, διαβάζοντας το κλασικό "Το στρίψιμο της βίδας". Ήταν ένα από τα χειρότερα βιβλία που διάβασα εκείνη τη χρονιά. Βαρετό, φλύαρο, κουραστικό, μονότονο, και πάει λέγοντας. Όμως δεν ξέγραψα τον συγγραφέα, γιατί από την μια πρόκειται για έναν συγγραφέα που έχει γράψει κάμποσα κλασικά μυθιστορήματα και διηγήματα, και από την άλλη συνήθως πάντα δίνω και δεύτερη και τρίτη ευκαιρία σε συγγραφείς που δεν με ικανοποίησαν από την πρώ Τον Μάιο του 2015 ήρθα για πρώτη φορά σε επαφή με το έργο του Χένρι Τζέιμς, διαβάζοντας το κλασικό "Το στρίψιμο της βίδας". Ήταν ένα από τα χειρότερα βιβλία που διάβασα εκείνη τη χρονιά. Βαρετό, φλύαρο, κουραστικό, μονότονο, και πάει λέγοντας. Όμως δεν ξέγραψα τον συγγραφέα, γιατί από την μια πρόκειται για έναν συγγραφέα που έχει γράψει κάμποσα κλασικά μυθιστορήματα και διηγήματα, και από την άλλη συνήθως πάντα δίνω και δεύτερη και τρίτη ευκαιρία σε συγγραφείς που δεν με ικανοποίησαν από την πρώτη στιγμή. Είπα να διαβάσω το "Ντέιζυ Μίλλερ" που αγόρασα χθες από παλαιοβιβλιοπωλείο, μιας και είναι και αυτό από τα πιο πολυδιαβασμένα έργα του, αλλά ταυτόχρονα μικρό σε μέγεθος. Αυτή τη φορά μπορώ να δηλώσω ικανοποιημένος. Έχουμε να κάνουμε με μια νουβέλα που αναδεικνύει τις κοινωνικές νόρμες της εποχής που γράφτηκε (1878), τους κώδικες ηθικής και συμπεριφοράς των λεγόμενων μελών της αριστοκρατίας, καθώς και τις διαφορές μεταξύ του Ευρωπαϊκού και του Αμερικάνικου τρόπου ζωής εκείνων των χρόνων. Εντάξει, σίγουρα είναι μια νουβέλα που δείχνει τα εκατόν σαράντα χρόνια της (!), όμως προσωπικά την διάβασα με ενδιαφέρον και ευχαρίστηση από την αρχή μέχρι το τέλος. Μου άρεσε η γραφή του Τζέιμς, οι περιγραφές και η υποδόρια ειρωνεία του, καθώς και η όλη ατμόσφαιρα της ιστορίας. Ο Τζέιμς κατάφερε να με μεταφέρει με περισσή ευκολία πίσω στον χρόνο και να μου δείξει έναν άλλο κόσμο. Το μόνο σίγουρο είναι ότι θα διαβάσω και άλλα βιβλία του. ...more

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Mar 20, 2013 Dolors rated it liked it · review of another edition

Shelves: read-in-2011

A short story which deals, as many other novels by James, with the changing role of women in Society and the differences that begun to arise between the old stiff Europe and the America at the end of the XIXth century.

Daisy Miller is not like any other heroine of the time, she speaks her mind, defies the imposed roles of propriety and goes unchaperoned with as many gentlemen as she chooses to. Her transparent ways might have found a true companion in the sophisticated American Mr. Winterbourne, ...more

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May 05, 2016 Andrei Tamaş rated it really liked it · review of another edition

Shelves: literatura-anglo-americana

Încă de la început, autorul îi atribuie personajului eponim o aură de ambiguitate. Ea nu se dezambiguizează decât vag, în ultimele pagini. Despre Daisy Miller pot afirma că este un fel de exponent al clasei, în corelaţie cu epoca în care acţiunea este plasată. Mi-a plăcut în mod special remarca la adresa percepţiei societăţii asupra moravurilor, în contrast cu aparenta frivolitate a protagonistei: "Dacă a fi iremediabil vulgar înseamnă sau nu a fi rău, asta e o chestiune pentru metafizicieni..."

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Oct 27, 2007 Linda rated it it was ok · review of another edition

Shelves: i-don-t-get-it

I still don't get it. And I still don't care.

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About Henry James

Henry James

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Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the ...more

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Trivia About Daisy Miller

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Quotes from Daisy Miller

“I have never allowed a gentleman to dictate to me, or to interfere with anything I do.” — 29 likes

“My father ain't in Europe; my father's in a better place than Europe."

Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father's in Schenectady.” — 13 likes

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