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Murder on the Einstein Express and Other Stories
This collection of stories touches upon many genres: "Normed Trek" is a clever and witty Alice-in-Wonderland-type narrative set in the realm of mathematical analysis, "The Cantor Trilogy" is a dystopia about the consequences of relying upon computer-based mathematical proofs, "In Search of Future Time" bears the flavor of Tales from Arabian Nights set in the future, and last but not least - "Murder on the Einstein Express" is a short, non-technical primer on probabilities and modern classical physics, disguised as a detective story.
Written primarily for an audience with some background or a strong interest in mathematics, physics and computer science (in particular artificial intelligence), these stories explore the boundaries between science and fiction in a refreshingly unconventional fashion. In the Afterthoughts the author provides some further insights and annotations."
Written primarily for an audience with some background or a strong interest in mathematics, physics and computer science (in particular artificial intelligence), these stories explore the boundaries between science and fiction in a refreshingly unconventional fashion. In the Afterthoughts the author provides some further insights and annotations."
86 pages, Paperback
First published June 22, 2016
About the author
Harun Šiljak
1 book5 followersHalf Dilbert, half Tintin: I am an engineer and an amateur radio operator with a passion for science fiction and popular science.
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Displaying 1 - 4 of 4 reviews
December 24, 2016
I've seen a fair number of books that try to combine science fact with fiction, but fewer in the world of mathematics. This extremely slim collection of just four short stories attempts the maths/fiction crossover, and is one of the strangest collection of stories I have ever read. I am honestly not sure if this is a good or bad thing.
The collection begins with a conceit that can in some ways be compared to Edwin Abbott's Flatland. That book had geometric shapes as its main characters. In the first of Harun Siljak's stories it is equations and mathematical concepts that take the leading roles. But where Abbott uses mathematical concepts in a story that any reader can follow (if few can honestly enjoy, in one of the dullest pieces of fiction known to man), Siljak produces a story that only a mathematician can love (or for that matter understand). It's a bold move. And for most of us, that leaves just three readable stories.
These are certainly more interesting. We meet a collection of computers that write mathematical theorems, a confusing Arabian Nights-ish storytelling story and the title story, which as you might imagine by now is not so much a murder mystery as a series of nine mini-lectures that might be thought as a good way to put across physics concepts (we've definitely strayed into physics here), but are fairly impenetrable. It may seem that the later stories are more conventional than the one based on equations, but in practice it's difficult to get any feeling of identification with the characters and the plots seem very much designed to get the point across without necessarily giving a lot of thought to how the narrative should develop.
In the end, the biggest problem throughout is the quality of writing. It's very much at high school level, and even there, the author clearly hasn't grasped the English use of articles. The likes of Isaac Asimov have shown that you don't have to be a sophisticated writer to be a great science fiction writer, as sheer weight of ideas can carry the reader past cardboard characterisation and so on. And it's true that Siljak has some genuinely interesting ideas, particularly computers taking over the generation of mathematical proofs, but working on a flawed basis and so getting it wrong. However, the author clearly needs considerably more practice before his writing is publishable, so it's slightly strange that it appears in print.
In summary, interesting ideas, but dire fiction, and at over £3 a story, it's a no from me.
The collection begins with a conceit that can in some ways be compared to Edwin Abbott's Flatland. That book had geometric shapes as its main characters. In the first of Harun Siljak's stories it is equations and mathematical concepts that take the leading roles. But where Abbott uses mathematical concepts in a story that any reader can follow (if few can honestly enjoy, in one of the dullest pieces of fiction known to man), Siljak produces a story that only a mathematician can love (or for that matter understand). It's a bold move. And for most of us, that leaves just three readable stories.
These are certainly more interesting. We meet a collection of computers that write mathematical theorems, a confusing Arabian Nights-ish storytelling story and the title story, which as you might imagine by now is not so much a murder mystery as a series of nine mini-lectures that might be thought as a good way to put across physics concepts (we've definitely strayed into physics here), but are fairly impenetrable. It may seem that the later stories are more conventional than the one based on equations, but in practice it's difficult to get any feeling of identification with the characters and the plots seem very much designed to get the point across without necessarily giving a lot of thought to how the narrative should develop.
In the end, the biggest problem throughout is the quality of writing. It's very much at high school level, and even there, the author clearly hasn't grasped the English use of articles. The likes of Isaac Asimov have shown that you don't have to be a sophisticated writer to be a great science fiction writer, as sheer weight of ideas can carry the reader past cardboard characterisation and so on. And it's true that Siljak has some genuinely interesting ideas, particularly computers taking over the generation of mathematical proofs, but working on a flawed basis and so getting it wrong. However, the author clearly needs considerably more practice before his writing is publishable, so it's slightly strange that it appears in print.
In summary, interesting ideas, but dire fiction, and at over £3 a story, it's a no from me.
January 12, 2019
I don't know why Springer has published this book in its current form. I found it deeply disappointing. The ideas are undeniably unusual, probably unique, and with work could potentially be made into enjoyable stories. Unfortunately the writing is not in fluent English, to the point that in places the meaning is different to that intended. But the biggest problem is the lack of skill in creative writing (or teaching - the title story is a set of lectures that would make the best students despair). The stories lack any point of access to any reader without postgraduate level knowledge in specific topics. In one case there is no explanation of what the story is about except within a coded message.
December 7, 2016
Odd, numbers.
January 7, 2017
A nice book for geeking out.
Displaying 1 - 4 of 4 reviews