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During his career as one of America's most sought-after illustrators, Andrew Loomis (1889-1959) taught at the American Academy of Art in Chicago, and in 1939 he codified his lessons in his first manual, Fun with a Pencil. Four years later it had already been through six printings, and he followed up over the next two decades with a series of even more successful how-to boo ...more
Hardcover, 300 pages
Published October 9th 2012 by Titan Books
(first published 1947)
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(More pictures on my blog)
This is the fourth book of Andrew Loomis that Titan Books have published. The other three are Figure Drawing for All It's Worth , Drawing the Head and Hands and Successful Drawing . All are wonderful reprints, including this one.
This is a huge and thick hardcover at 300 pages.
There are seven chapters in the book covering the line, tone, colour, telling the story, creating ideas, fields of illustration and experiment and study. The first few chapters explain more on ...more
This book bases a series of artistic observations upon a formalism of Loomis' testimony and invention. He claims, and rightly so in my own opinion, that art is nothing but an interpretation of a subject. He argues against cameras saying that art is preferable to the lifeless unemotional camera, because the public prefers to know what they are looking at, not just looking at it mechanically. They prefer something illustrated, because illustrations can move and communicate more than cameras can, s ...more
Whether you choose to read through all the text in this book (and there's valuable, if sometimes dated advice there), or just concentrate on the visuals, "Creative Illustration" is a boon to artists. The only caveat is that this isn't really a beginner's book, nor a "how to draw" book, but more of an explanation of how to approach the thinking process behind your work. So, once you've got some technical skill, a book like this one can help you figure out what to draw and why to draw it in that m ...more
Fantastic! I first read this book while in college studying Technical Communication. For that field, it was recommended as an aid to making technical illustrations easier to understand. Also, by using artistic concerns (line, color, etc.) we could make the illustrations more appealing and less intimidating to our audience. As an artist, I immediately recognized how many ways it could help me improve. With practical tips and creativity boosters, this book is a must-have for artists who want to ha ...more
لا أستطيع التشديد على أهمية هذا الكتاب لدارسي الفنون الجميلة وخصوصًا الرسم، رغم مرور سنوات عديدة على نشر هذا الكتاب، لا زال الكثير مما يُدرسه منطبقًا على وقتنا الحالي، تعلمت الكثير عن التكوين تحديدًا وطرق بناء رسمة متكاملة وخوض العديد من التجارب قبل الرضى بتكوين واحد من هذا الكتاب، لوميس لا يكتفي ببعض الرسومات فقط لشرح نقطة ما، بل يشرح المفهوم كمشروع ويناقشة من جميع جوانبة، أعتبره مرجعًا مهمًا لجميع دارسي الرسم.
A better resource than all of my illustration classes put together. If you have self-discipline enough to learn on your own and don't want to put yourself in debt going to art school for an Illustration degree, this is one of the books you should start with.
William Andrew Loomis was an American illustrator, author, and art instructor.More about Andrew Loomis...