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The Fraternity
During pledge week for the fraternities of Mantis College in Sweet River, Alabama, the pledges seeking membership in the rival Alpha and Omega houses get more than they had bargained for when they discover that they must be willing to surrender their humanity and choose between everything that everlasting life has to offer, or to succumb to their darkest, most evil desires. Original.
- GenresHorror
384 pages, Paperback
First published April 1, 2004
About the author
Stephen Gresham
32 books36 followersSuspense, supernatural, and young adult fiction writer Stephen Gresham (1947- ) has been intrigued by the gothic tradition of the South since moving to Auburn, Lee County, in 1975 to take a teaching position at Auburn University. This area of Alabama provides the backdrop for his novel The Fraternity (2004) and imbues works such as Rockabye Baby (1984) with the horror and fantasy elements of the southern magic genre that guide him as he writes of supernatural creatures and forces.
Gresham was born in Halstead, Kansas, on September 23, 1947, to Chester Gresham, a building contractor, and Helen Kennedy, housewife and wartime riveter. He was raised with five brothers. Gresham's literary passion was sparked by listening to his grandmother read him everything from comic books to Edgar Allan Poe and watching 1940s B movies by horror film producer Val Lewton. Gresham studied journalism for two years at Wichita State University, where he began his professional writing career as a freelance sports reporter at the Wichita Eagle. He then transferred to Kansas State Teachers College (present-day Emporia State University) to earn a bachelor's and a master's degree. In 1975, he completed a Ph.D. in English Renaissance literature at the University of Missouri. While in Missouri, Gresham married Linda Duffy in 1969, and the couple had their only child, Aaron, in 1974.
In 1975, Gresham joined the English Department at Auburn University as a professor of creative writing. By the later 1970s, he had published several pieces of short fiction with two small presses. Gresham is drawn to the mythical South and has described east Alabama as an inspirational place. Moon Lake, Gresham's first novel, uses such a backdrop to tell the tale of two honeymooners who encounter evil hidden in the water hyacinths on Moon Lake.
Gresham's novels have aimed to mesh the supernatural world of ghosts, magic, and witchcraft with the real horrors of places like his boyhood Kansas, with its tornados, polio scares, and threats of nuclear war. The most distinctive aspect of his writing is the centrality of unrequited love and the unexpected yet powerful bonds formed by his characters. When Teddy, the teenage hero of Haunted Ground, battles ghosts at a neighboring farm, he must also come to terms with his adolescence and the wrath of his dysfunctional family. This focus on the destructive innerworkings of families is balanced by a respect for what Gresham refers to as "soul" families, those united not necessarily by blood but by heart or circumstance. Even after Teddy is assaulted by his own brother and neglected by his psychologically unfit mother, he is able to find solace with his cousin Judith, the black sheep of his extended family.
Another characteristic of Gresham's books is his attention to research and historical settings. In the 1990 novel Blood Wings, Gresham researched the field of cryptozoology to create the massive batlike creature from which the novel gets its title. In The Fraternity (2004), two warring vampire fraternities battle against the backdrop of Depression-era America where the only threat greater than the crumbled economy of the Hoover years is the risk of being kidnapped by rival vampires.
In addition to the many novels he has published under his own name, Gresham has also written under two pennames to establish a distinct identity between his suspense thrillers and his young adult fiction. For the 1994 suspense/thriller Primal Instinct, he adopted the name John Newland from the 1950s television series "One Step Beyond." The next year, he paid homage to director Val Lewton when he published two novels, Just Pretend and Called to Darkness, under the name J. V. Lewton. Gresham's best selling novel to date has been Midnight Boy (1987), and Haunted Ground (2003) has garnered the most favorable response from readers. Reception from readers, especially young ones, has been largely favorable, and he continues to publish thrillers.
Gres
Gresham was born in Halstead, Kansas, on September 23, 1947, to Chester Gresham, a building contractor, and Helen Kennedy, housewife and wartime riveter. He was raised with five brothers. Gresham's literary passion was sparked by listening to his grandmother read him everything from comic books to Edgar Allan Poe and watching 1940s B movies by horror film producer Val Lewton. Gresham studied journalism for two years at Wichita State University, where he began his professional writing career as a freelance sports reporter at the Wichita Eagle. He then transferred to Kansas State Teachers College (present-day Emporia State University) to earn a bachelor's and a master's degree. In 1975, he completed a Ph.D. in English Renaissance literature at the University of Missouri. While in Missouri, Gresham married Linda Duffy in 1969, and the couple had their only child, Aaron, in 1974.
In 1975, Gresham joined the English Department at Auburn University as a professor of creative writing. By the later 1970s, he had published several pieces of short fiction with two small presses. Gresham is drawn to the mythical South and has described east Alabama as an inspirational place. Moon Lake, Gresham's first novel, uses such a backdrop to tell the tale of two honeymooners who encounter evil hidden in the water hyacinths on Moon Lake.
Gresham's novels have aimed to mesh the supernatural world of ghosts, magic, and witchcraft with the real horrors of places like his boyhood Kansas, with its tornados, polio scares, and threats of nuclear war. The most distinctive aspect of his writing is the centrality of unrequited love and the unexpected yet powerful bonds formed by his characters. When Teddy, the teenage hero of Haunted Ground, battles ghosts at a neighboring farm, he must also come to terms with his adolescence and the wrath of his dysfunctional family. This focus on the destructive innerworkings of families is balanced by a respect for what Gresham refers to as "soul" families, those united not necessarily by blood but by heart or circumstance. Even after Teddy is assaulted by his own brother and neglected by his psychologically unfit mother, he is able to find solace with his cousin Judith, the black sheep of his extended family.
Another characteristic of Gresham's books is his attention to research and historical settings. In the 1990 novel Blood Wings, Gresham researched the field of cryptozoology to create the massive batlike creature from which the novel gets its title. In The Fraternity (2004), two warring vampire fraternities battle against the backdrop of Depression-era America where the only threat greater than the crumbled economy of the Hoover years is the risk of being kidnapped by rival vampires.
In addition to the many novels he has published under his own name, Gresham has also written under two pennames to establish a distinct identity between his suspense thrillers and his young adult fiction. For the 1994 suspense/thriller Primal Instinct, he adopted the name John Newland from the 1950s television series "One Step Beyond." The next year, he paid homage to director Val Lewton when he published two novels, Just Pretend and Called to Darkness, under the name J. V. Lewton. Gresham's best selling novel to date has been Midnight Boy (1987), and Haunted Ground (2003) has garnered the most favorable response from readers. Reception from readers, especially young ones, has been largely favorable, and he continues to publish thrillers.
Gres
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Displaying 1 - 1 of 1 review
October 21, 2021
The general premise of the book is interesting: rivaling vampire fraternities (the Omegas and the Alphas). What makes it so strange is it's time and setting, which is the 1930s in Alabama. These themes are extremely contrasting and not well integrated with one another, making the story and its characters feel...out of place. The Omegas are written as, and are most comparable to, modern day edgelords who recite mantras of cruelty in an effort to give the illusion of dominating through fear. Their aesthetic completely clashes with the book, so much so that I thought I was back in my middle school angsty days all over again. The writing itself really isn't bad. There were just too many strange and unrelated ideas overlapping within the book, preventing it from being enjoyable. I found myself hyper focusing on the micro details that were meant to ground the story rather than the overall plot. If this story was more "modern" (or at least made more use of its setting) and contained more detail to flesh out character relationships instead of focusing on flowery prose, it would be more gripping.
Displaying 1 - 1 of 1 review