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867 pages, Paperback
First published May 19, 2015
Moira walked into the room. [5 pages of backstory about Moira] She looked at Dinah. [10 pages of backstory about different people who have looked at Dinah].
The moon blew up without warning and for no apparent reason.I guess in order to indulge in a bit of world-building one must destroy the world first.
The kernel around which the story nucleated was the space debris problem, which I had been reading about, both as a potential obstacle to the company's efforts and as a possible opportunity to do something useful in space by looking for ways to remediate it. Some researchers had begun to express concern over the possibility that a collision between two pieces of debris might spawn a large number of fragments, thereby increasing the probability of further collisions and further fragments, producing a chain reaction that might put so much debris into low earth orbit as to create a barrier to future space exploration. - from Stephenson’s siteAnd the story is a compelling one, not so much in the sense of classic plot construction, but in terms of how we get from the biggest “OH CRAP” moment in human history, to something not guaranteed to soil pants. Stephenson looks most attentively at the engineering details of what is involved in trying to salvage the human race, once it is clear that the sky will go all to pieces, that the term scorched earth will be applicable to all the land on Earth, that the homeland will become a wasteland. What hardware is necessary? What is available? What can go wrong? How do we get from here to up there? This is his gig. He loves this stuff and it shows. He also does a good job of portraying the ensuing struggles down below. Who will be selected to survive? How will they be picked? How will the politics of the selection be handled? What will the criteria be? Ideas bang into other ideas, which fracture and crash into even more ideas, and so on, until you have an entire layer of nifty concept blanketing your brain.