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492 pages, Hardcover
First published April 19, 2016
FITZWILLIAM DARCY ATHERTON, CA, Liz typed into Google, and after reading through the results, she tried, sequentially, Fitzwilliam Darcy Harvard Medical School, Fitzwilliam Darcy University of Cincinnati Comprehensive Stroke Center, and, just for the hell of it, Fitzwilliam Darcy girlfriend.The sisters have been updated quite admirably. All are adults, most living at home with their weary parents, Mr. and Mrs. Bennet. They were all expensively educated, and besides Jane and Liz, most are doing absolutely nothing with their lives, unless you consider Crossfit lessons a lifelong calling (I say that in jest, although if you ask a Crossfitter, I'm sure they'll actually agree). The sisters are rather true to the original, down to Mary's tendency to annoy the living shit out of people and her dad's tendency to wish he had had a vasectomy.
“Tease me all you like, but the clock is ticking. No, Jane doesn’t look like she’ll be forty in November, but any man who knows her age will think long and hard about what that means. And Liz isn’t far behind her.”In this book, Darcy is a neurosurgeon, and our first impression of him ain't that great.
“Plenty of men don’t want children.” Mr. Bennet took a sip of coffee. “I’m still not sure that I do.”
���Here’s what I’ve learned about the people in this city,” Darcy was saying. “They grade their women on a curve. If someone is described as sophisticated, it means once during college she visited Paris, and if someone is described as beautiful, it means she’s fifteen pounds overweight instead of forty."He's talking about Cincinnati, a city that's not exactly on my bucket list, but still. Ouch.
”My dear,” said Mr. Bennett, “if a sock puppet with a trust fund and a Harvard medical degree moved here, you’d think he was meant to marry one of our girls.”It is a truth universally acknowledged that, like the works of William Shakespeare and Bill Finger, some stories demand reinterpretation every generation or so. Using the ancient structures provides a framework within which the re-inventor can bring to the older foundations and i-beams some more contemporary facades. The one that stands out best for me is a reinterpretation of Richard the Third, the one with Ian McKellan, in which Dickie has been transformed, through the use of genius-level staging, from a sociopathic, murderous dwarf to a Hitlerian monster practicing his calumny on a much larger scale.