Goodreads helps you keep track of books you want to read.
Start by marking “The Art of Perspective: Who Tells the Story” as Want to Read:
The Art of Perspective: Who Tells the Story
Enlarge cover
Rate this book
Clear rating
Open Preview

The Art of Perspective: Who Tells the Story

4.14  ·  Rating details ·  234 ratings  ·  44 reviews
A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Chr ...more
Paperback, 160 pages
Published January 5th 2016 by Graywolf Press
More Details... Edit Details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about The Art of Perspective, please sign up.

Be the first to ask a question about The Art of Perspective

Community Reviews

Showing 1-30
Average rating 4.14  · 
Rating details
 ·  234 ratings  ·  44 reviews

More filters
Sort order
Start your review of The Art of Perspective: Who Tells the Story
Dec 31, 2016 rated it it was amazing
I keep going back to this craft book to remind myself that there is no right answer. Only the best answer for now. "A story—a novel, in particular—is an imperfect thing. So in the end, is a narrative strategy, no matter how airtight it appears, how neatly form and content complicate and complement each other." ...more
Crystal King
Feb 16, 2016 rated it it was amazing
Shelves: writing
If you are a writer, get this book ASAP. Castellani is brilliant and this book is a serious gem for any writer looking to understand point of view and writing perspective.
Mar 17, 2016 rated it it was amazing
For anyone who loves to write, for anyone who loves to read about writing, this book is a pearl. Using a wide range of texts, from E.R. Forster, Nabokov & Dostoyevsky, to Grace Paley, Lorrie Moore and Virginia Woolf (and everything in between), Chris Castellani examines and illuminates choices of narrator, what effect each one has, what makes different perspectives successful or not for different stories, all in a clever and entertaining fashion.

It is a MUST READ for any writer on an essential
Mar 22, 2019 rated it it was amazing

I was taking this book with me everywhere, reading it over breakfasts, at lunch, on the train, thoroughly engaged by just how excited Castellani got about the subject matter - about as far from dry, academic text as you can get, so I’m reading and re-reading, flipping back and forth and skipping around the many different ways to approach Story and how to tell it. And then – and then! Reading on the train, getting off at my stop, barely pausing in my read, the book leaped – leaped! – no, it wasn’
Alissa Hattman
Jul 28, 2020 rated it it was amazing
This is an excellent book for writers considering who tells the story and at what distance. I particularly appreciated that Castellani talks about power and the politics of perspective. His writing is warm and insightful and he provides thoughtful examples on point-of-view from E.M. Foster, Grace Paley, Tayeb Salih, Lorrie Moore, and others. A wonderful craft book.
Robert Wechsler
Mar 06, 2019 rated it really liked it
a perfect book to get one thinking about the which and how of narration. It answers no questions, which is appropriate to this issue.
Jul 21, 2017 rated it it was amazing
Part literary criticism, part craft book. I couldn't put this book down. ...more
Angela Boyd
Jul 17, 2020 rated it it was amazing
This book really helped me think about the nuance of perspective - how the narrator can stand alone, how the narrator can fuse with characters. This is the thing I’ve been struggling with in my novel-in-progress and while I’ve had no epiphanies, I do feel closer to figuring out how this needs to work for these particular characters in this particular project.
Lynne Griffin
Mar 17, 2016 rated it it was amazing
Lots of insight in this special little book. Part of the Graywolf "the art of series" edited by Charles Baxter. Chris Castellani does a terrific job broadening the writer's understanding of point of view. ...more
Oct 15, 2020 rated it liked it
This was an interesting little read. I read it all in one sitting. But that's not to say that there were not some deep thoughts here.
The author uses several works to illustrate the idea of perspective, from Howard's End to The Things They Carried. It is not just point of view, but he talks about narrators and the idea of separating a narrator from an author, breaking the fourth wall, switching point of view, clues to point of view in the text, and how some authors can pull off what John Gardner
M.C. Easton
Dec 31, 2020 rated it really liked it
A helpful tour of perspective as a literary technique, Castellani’s slender volume argues that there is no perfect point-of-view choice in a literary work. Rather, it’s always a question of the writer’s goal—to locate the individual within the societal, or to immerse the reader within the individual—and whether their narrator(s) support this overarching “narrative strategy.” Ranging from E. M. Forster to Grace Paley, from Lorrie Moore to Faulkner, Castellani reflects on his own struggles as a ga ...more
Feb 02, 2021 rated it it was amazing
Such a sophisticated consideration of perspective. I was a little nervous to read another book on reading/writing so close after finishing George Saunders's A SWIM IN A POND IN THE RAIN, since I went so totally gaga for that, but I thought this was excellent too. Castellani doesn't romp around ecstatically pointing out wonders the way Saunders so winningly does, yet his eloquence and insights, too, clearly issue from both heart and mind. Castellani, like Saunders, conveys an openness and modesty ...more
Jun 29, 2017 rated it liked it
Shelves: writing
This is a short book focusing on narration. I think it's interesting to reflect on who tells stories, and how who tells stories affects the story itself. The author uses literary examples as a way to illustrate different methods of perspective telling, in a helpful manner (you don't have to be familiar with the book he is using to illustrate something, but it is helpful if you are familiar). One of my favorite characteristics is the way the book illustrates how a good story trumps flaws of a mor ...more
Elizabeth  Higginbotham

The Art of Perspective by Christopher Castellani gives writers much to think about as he approaches the issue of point of view. Who is the person telling the story? I read three of Castellani’s novels, so I know he can shape a story. The insights are powerful in terms of consider how to approach writing. It is not just first, second or third person, but the voice you selected. It takes work to identify how one wants to share how they see the world. It took a while to read it, but I did finish it
Oct 21, 2018 rated it it was amazing
If I were to recommend one book to read out of The Art of series, Perspective would be a top choice. Castellani wrestles us through a variety of narrative strategies in published works that show “who tells the story” is not always an easy determination. He warns us readers may not know how but will know if a narrator to the story is off kilter. While craft choices are not easy, he also encourages writers to take risks. “The big problem is that, of all the crimes a writer can commit, playing it s ...more
Quinn da Matta
Aug 27, 2020 rated it really liked it
I have always struggled with books that tackle the art of writing, that try to dissect and teach the craft because they always read like outdated textbooks. But, this is one of the few that reads—and feels—like a friendly conversation with a successful friend. There are great gems of wisdom and wonderful moments of insight, and it’s all expressed in a very relatable and easy to read, style that made learning about perspective enjoyable.
Jun 07, 2017 rated it liked it
Shelves: writing-how-to
This is not my favorite book on perspective. There is some great discussion of perspective in a Lorrie Moore short story collection midway through, but that's after a really lengthy discussion of E.M. Forster, which, to me, misses the point of more contemporary writing. Perspective is such a vivid and powerful tool for use in 21st century writing, that I think this book misses the mark by not talking about more recent progression in what makes voice powerful in writing today. I was disappointed ...more
Sep 16, 2017 rated it really liked it
I thought it was an interesting read. Don't read it if you're looking for an instructional book. This book analyzes the different ways writers use pov (point of view) to progress the narrative and develop it by looking at specific texts.
I'm working through the entire series (the ones relating to fiction/nonfiction anyway).
It was good. I'd recommend it.
Feb 14, 2018 rated it really liked it
A sometimes humourous, sometimes academic view in the role of narrator and perspective in writing. While geared towards novels and short stories and a little sluggish in the first third, I was pleasantly surprised but the shift to less known literature and plays (Angels In America) in the last bit. A fascinating examination of writing indeed.
Matt Sautman
Mar 17, 2019 rated it it was amazing
Castellani provides here an easily digestible text on point of view that can provide a basis for scholars who engage in literary criticism and creative writers who are interested in having a stronger understanding of their craft. The Art of Perspective’s strength lies in Castellani’s ability to gesture towards narration’s affect on readers.
Libre Livre
Oct 17, 2019 rated it it was amazing
This was absolutely fantastic. I have no words. Or rather, I’ll save them for my own pages.

This has been a slow companion read for me, and will be a gift for any writer who makes the time for it and the work.
Oct 07, 2017 rated it it was ok
Not as good as some of the others in The Art of....series.
Dec 12, 2017 rated it really liked it
A brilliant discussion of how to choose and use perspective in storytelling. A must for all existing and inspiring writers.
Daniel Goldhagen
Good introduction!

Too short (but that's the format), still, it's a lively read and quite insightful.
A good introduction to a complex topic.
Sarah Goldhagen
Feb 18, 2018 rated it it was amazing
My favorite Art of yet!
Charlie Quimby
Mar 26, 2018 rated it liked it
A quick and useful read but supplemental on the topic, not essential.
Billy Colley
Jun 17, 2018 rated it really liked it
A brief look at perspective highlighting some interesting examples from some fantastic authors. There isn't a lot of specific knowledge imparted, but what is there is well reinforced with examples. ...more
James Smith
Jun 09, 2019 rated it liked it
60% | okay (B-)
Dec 17, 2019 rated it it was amazing
What a great craft book. It’s so intelligent and never preachy but instead reflective and thoughtful. Highly recommend!
Whitney Borup
Jul 13, 2020 rated it really liked it
Shelves: non-fiction, i-own
Wonderful - and it reminded me to read more Lorrie Moore.
« previous 1 next »
There are no discussion topics on this book yet. Be the first to start one »

Readers also enjoyed

  • The Art of Time in Fiction: As Long as It Takes
  • The Art of Description: World into Word
  • The Art of Subtext: Beyond Plot
  • The Art of Death: Writing the Final Story
  • Meander, Spiral, Explode: Design and Pattern in Narrative
  • The Triggering Town: Lectures and Essays on Poetry and Writing
  • The Art of Intimacy: The Space Between
  • A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
  • Negotiating with the Dead
  • The Book of X
  • Indelicacy
  • Get in Trouble
  • How Much of These Hills Is Gold
  • Kink: Stories
  • Consider This: Moments in My Writing Life After Which Everything Was Different
  • Night of the Mannequins
  • Polysecure: Attachment, Trauma and Consensual Nonmonogamy
  • Prosper's Demon
See similar books…
Christopher Castellani is the son of Italian immigrants and a native of Wilmington, Delaware. He lives in Boston, where he is the artistic director of Grub Street, one of the country's leading independent creative writing centers. He is the author of three novels: All This Talk of Love (2013) -- a New York Times Editors' Choice -- A Kiss from Maddalena (2003)--winner of the Massachusetts Book Awar ...more

News & Interviews

Need another excuse to treat yourself to a new book this week? We've got you covered with the buzziest new releases of the day. To create our...
2 likes · 0 comments
“she would indeed like to tell that kind of story, except that it requires a plot, “the absolute line between two points which [she’s] always despised. Not for literary reasons, but because it takes all hope away. Everyone, real or invented, deserves the open destiny of life.” What’s despicable about the absolute line between two points is its danger of becoming a single story. For Paley, there was no “defining” experience of women or Jews or New York or activists or the 1960s, or of one female Russian Jewish activist-writer in New York in 1965. There were stops and starts, inconsistencies, loyalties forged and broken, discordant voices. People made themselves up as they went along. In the meantime, there was daily life to endure.” 0 likes
More quotes…