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Вот как это было
Трогательная, по-детски непосредственная повесть о блокадных днях - таких, какими их видит маленький Миша, оставшийся вместе с родителями в осажденном Ленинграде, не только раскрывает перед читателем приметы времени и рассказывает, "как это было", но и учит быть сильным: ведь не каждый день болеешь "очень милой скарлатиной" или пробуешь ходить с костылём, потому что у тебя - осколочное ранение. И, конечно, гордиться настоящими героями: Мишкиной мамой, которая сама может разминировать фугасную бомбу, или милиционером Иваном Фёдоровичем Блинчиком, который, что бы ни случилось, не бросает свой пост. Да и сам Мишка и его друзья, решившие давать представления для раненых солдат, чтобы поддержать их, - чем не герои?
- GenresRussia
96 pages, Hardcover
First published January 1, 1978
9 people want to read
About the author
Yuri German
27 books2 followersYuri Pavlovich German (Russian: Ю́рий Па́влович Ге́рман) (April 4 [O.S. March 22] 1910 – January 16, 1967) was a Soviet Russian writer, playwright, screenwriter, and journalist.
German was born in Riga (then part of the Russian Empire) and accompanied his father, an artillery officer, during the Civil War. He graduated from high school in Kursk and studied at the Technical School of Performing Arts in Leningrad in 1929. At age 17, he wrote the novel Rafael iz parikmakherskoi (Raphael of the barbershop), published in 1928, but did not consider himself a professional writer until he published the novel Vstuplenie (Entry), which met with the approval of Maxim Gorky, in 1931.
In 1936, together with director Sergei Gerasimov, he wrote the screenplay for the movie Semero smelykh (The courageous seven), about researchers in the Arctic; among his other screenplays were Pirogov (1947) and Belinsky (1951), both directed by Grigori Kozintsev, and Delo Rumyantseva (The Rumyantsev case, 1955), directed by Iosif Kheifits.
During World War II German was a war correspondent for TASS and the Soviet Information Bureau with the Northern Fleet. He spent the entire war in the north; from Arkhangelsk he often flew to Murmansk or Kandalaksha, living in the Arctic for months on end, traveling to the front, visiting forward positions, and spending time on the warships of the Northern Fleet. During this time he wrote essays and articles for TASS, and still found time for short stories and novels. During the war he wrote the short novels Bi kheppi! (Be happy!), Attestat (The certificate), Studyonoe more (The frozen sea), and Daleko na Severe (The far north) and the plays Za zdorov'e togo, kto v puti (To the health of the man on the road) and Beloe more (White Sea). He was a member of the Communist Party from 1958.
After the war he wrote a historical novel about the era of Peter the Great, Rossiya molodaya (Young Russia, 1952). From his novels and short stories his son Aleksei German made the films Proverka na dorogakh (Trial on the road, or road check, from the novel Operatsiya "S Novym godom") and Moi drug Ivan Lapshin (My Friend Ivan Lapshin), and Semyon Aranovich made the film Torpedonostsy (Torpedo bombers).
German died in Leningrad and was buried at the Bogoslovskoe Cemetery.
AKA:
Юрий Герман (Russian)
Jurijs Germans (Latvian)
German was born in Riga (then part of the Russian Empire) and accompanied his father, an artillery officer, during the Civil War. He graduated from high school in Kursk and studied at the Technical School of Performing Arts in Leningrad in 1929. At age 17, he wrote the novel Rafael iz parikmakherskoi (Raphael of the barbershop), published in 1928, but did not consider himself a professional writer until he published the novel Vstuplenie (Entry), which met with the approval of Maxim Gorky, in 1931.
In 1936, together with director Sergei Gerasimov, he wrote the screenplay for the movie Semero smelykh (The courageous seven), about researchers in the Arctic; among his other screenplays were Pirogov (1947) and Belinsky (1951), both directed by Grigori Kozintsev, and Delo Rumyantseva (The Rumyantsev case, 1955), directed by Iosif Kheifits.
During World War II German was a war correspondent for TASS and the Soviet Information Bureau with the Northern Fleet. He spent the entire war in the north; from Arkhangelsk he often flew to Murmansk or Kandalaksha, living in the Arctic for months on end, traveling to the front, visiting forward positions, and spending time on the warships of the Northern Fleet. During this time he wrote essays and articles for TASS, and still found time for short stories and novels. During the war he wrote the short novels Bi kheppi! (Be happy!), Attestat (The certificate), Studyonoe more (The frozen sea), and Daleko na Severe (The far north) and the plays Za zdorov'e togo, kto v puti (To the health of the man on the road) and Beloe more (White Sea). He was a member of the Communist Party from 1958.
After the war he wrote a historical novel about the era of Peter the Great, Rossiya molodaya (Young Russia, 1952). From his novels and short stories his son Aleksei German made the films Proverka na dorogakh (Trial on the road, or road check, from the novel Operatsiya "S Novym godom") and Moi drug Ivan Lapshin (My Friend Ivan Lapshin), and Semyon Aranovich made the film Torpedonostsy (Torpedo bombers).
German died in Leningrad and was buried at the Bogoslovskoe Cemetery.
AKA:
Юрий Герман (Russian)
Jurijs Germans (Latvian)
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Displaying 1 of 1 review
February 27, 2021
Вполне детская книга про блокаду.
Если читаете её с детьми вместе, обязательно обсуждать, потому что взрослые-то понимают, что голодали и весьма долго, а тут пару раз упомянуто, что есть хочется, да нечего, ну и что решили побольше полежать, чтобы силы не тратить. Остальное на быстрой промотке.
С другой стороны, если ребёнок читает один, то он что-то чуточку узнает, о чём-то подумает, но зато хоть кошмары сниться не начнут.
Если читаете её с детьми вместе, обязательно обсуждать, потому что взрослые-то понимают, что голодали и весьма долго, а тут пару раз упомянуто, что есть хочется, да нечего, ну и что решили побольше полежать, чтобы силы не тратить. Остальное на быстрой промотке.
С другой стороны, если ребёнок читает один, то он что-то чуточку узнает, о чём-то подумает, но зато хоть кошмары сниться не начнут.
Displaying 1 of 1 review