Les Misérables by Victor Hugo

Aug 15, 2012 Emily May rated it it was amazing · review of another edition

Shelves: clothbound-own, classics, 2012

Les Misérables can be translated from the French into "The Miserable Ones", "The Wretched", "The Poor Ones", "The Wretched Poor" or "The Victims". So, as you will have concluded, this is not a happy book.

In fact, it is the very opposite of fluffy happiness. It is a story about the lowest and darkest parts of French society in the first half of the nineteenth century. Hugo takes the reader on a 1200+ page journey around France and into the lives of criminals, prostitutes, those wasting away under ...more

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Dec 25, 2007 Hippo dari Hongkong rated it it was amazing · review of another edition

Recommends it for: Everyone

Shelves: classic, book-to-movies, all-time-favorit

One of the "biggest" book I've ever read, and I remembered Mick Foley's "warning" about a big book.

"A big book is like a serious relationship; it requires a commitment. Not only that, but there's no guarantee that you will enjoy it, or that it will have a happy ending. Kind of like going out with a girl, having to spend time every day with her - with absolutely no guarantee of nailing her in the end. No thanks."

Haha... Well, I took my chances reading this big book. I made my commitment, I spent ...more

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Aug 07, 2010 Aubrey rated it it was amazing

Recommends it for: Human Beings

Shelves: 5-star, books-are-the-best-invention, ever-on, translated, cross-my-heart-and-hope-to-die, french, r-goodreads, reviewed, 1-read-on-hand, r-2012

Let's say that I could choose a single book with the guarantee that every man, woman, and child would read it. I would not choose my top three favorites, nor would I choose the one whose remnants are permanently inked upon me. I would choose this one. You argue, the length! The time period! The cultural barriers! It's just another long expounding by some old dead white guy whose type has suffocated literature for centuries! Women will be frustrated with poor representation, people who aren't whi Let's say that I could choose a single book with the guarantee that every man, woman, and child would read it. I would not choose my top three favorites, nor would I choose the one whose remnants are permanently inked upon me. I would choose this one. You argue, the length! The time period! The cultural barriers! It's just another long expounding by some old dead white guy whose type has suffocated literature for centuries! Women will be frustrated with poor representation, people who aren't white will be angered by no representation, and everyone will bored to tears! Alright, I see that. Now, let me explain.

Human rights have not been perfected. They are as much a work in progress now as they were 150 years ago when this book was first published. If you wish to find the book that gives every variation on the theme of humanity its due, it does not exist, and in all likelihood never will. With that in mind, it is this book that I choose, as while Victor Hugo may have been limited by the era he grew up in, he did a damn good job in dreaming beyond it. He wrote what he knew, but he also wrote what he hoped, and together they form a piece of writing that can mean something to everyone, whatever their life consists of.

The book is called 'The Miserables'. I have a feeling that it is the blatant despair that this title provokes that has dissuaded publishers from rendering it into English, instead keeping it in that slightly prettier to the ear French form. It can even be shortened to that chic and oh so clever 'Les Mis', as is the norm whenever the play is discussed. In that light, when you say that truncated phrase it brings to mind not the triumphant book in its majestic entirety, but the abridged version, or perhaps the even more abridged play. You think of the story, but you do not think of the author's ideas, ones that he devotes full chapters to and are just as important to this tome as the characters he has sent running through it. And this is a tragedy.

Is tragedy too harsh a word? I don't think so. The book itself is one where tragedy heavily outweighs every other emotional aspect, and reducing it to a pittance of itself is flat out disgraceful. You have countless flavors of human sorrow worked out here: imprisonment, ostracization, slavery, decay of health, decay of morals, decay of life through the brutality of war as well as the slow grind of society’s wheels. There are also the more subtle restrictions on the human spirit, propagated by a firmness of belief that slowly stagnates into constricting bigotry, where humans substitute bias for their reality and confine themselves to a small and mean existence. These confines are more difficult to escape from than the strongest chains, which may bend and break under pressure, whereas prejudices will turn in on themselves and feed on the opposition. It is these barriers that build the barricades, it is these walls that let slip the dogs of war, it is these restrictions that make someone relish petty glories gained in the downfall of their fellow human beings. Where a difference of opinion exists, there will be conflict, and Victor Hugo was intimately familiar with the facets of this violent mechanism.

He did not want this for the world. More specifically, he did not want this for his France, his Paris, his creative beacon that teems with contagious culture and ridiculous fashions to this very day, one that can be silly but is often so very, very brave. Like Gavroche the gamin, it thumbs its nose at the world and thinks it slow and stupid, but all the same it loves its fellow human beings, and lives for the times when it can lead them, striding forward towards that thing called Progress. Victor Hugo loved the concept of Progress, and he wished that everyone would love it as well. In his words:
Go on, philosophers—teach, enlighten, kindle, think aloud, speak up, run joyfully toward broad daylight, fraternize in the public squares, announce the glad tidings, lavish your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, tear off green branches from the oak trees. Make thought a whirlwind.
He sent his characters off with this dream of Progress, of finding a life for themselves, of living in a world that bettered itself by the passing day, where the future was not dreary but vibrant and brimming with unlimited potential. Many of them do not succeed. Many fall by the wayside, desiccated by sickness, shot down in wars, slain by grief and the resignation that life is not so much better than death. Some survive in miserable conditions, as restricted by their morality as by a chain around their neck. Some survive only by having stripped their morality as easily as a snake sheds its skin, and in the conditions, who can blame them? The weight of society squeezes the supports, and one is so much lighter and flexible without cumbersome thoughts of being good and kind.

In all this sadness and life cut short by miserable conditions long before its time, there is still hope. Victor Hugo illustrated this in his diverging sections as thoroughly as he did in his main story, as hard as that may be to believe. It is true, though. For example, his section on the Battle of Waterloo seems no more than an endless list of casualties, pages of warfare and tactics, and death, so much death. But at the very end, he points out it is not this battle that we remember in so much detail, nor any that came before it. We remember literature. In Hugo’s words:
Nowadays when Waterloo is merely a click of sabers, above Blücher Germany has Goethe, and above Wellington England has Byron.
And what of the other sections? There are many, but two that are particularly powerful in their own subtle ways are the sections on argot and the sewers. Argot is the language of criminals disguising their speech from the ignorant and the all too interested. It is an ever-changing labyrinth of slang, idioms, innuendos, wordplay that whips itself into more contorted evolutions in its effort to escape the law. If this kind of creativity runs rampant on the street, how would it fare if given a warm place to sleep, three meals a day, and a chance to improve its station in life? And the sewers. When first described, they are dirty, desperate, despicable things that do nothing but spread filth and disease and provide a home for the equally depraved. This however was Hugo’s vision of how it had been in the past. In his time, they were clean and meticulous in their function, as well designed as the streets above and ten times as useful. If humans can so improve the lot of that out of sight contraption that carries their shit, imagine what they could do with the parts of life that are meant for open viewing and enjoyment.

One last mention. Victor Hugo’s prose has been accused of excessive flouncing about, rambling sentences that quickly devolve into meaningless lists without form or function beyond the enjoyment of their own existence. I say, isn’t that last part enough? Reading his sentences brings to mind a dance, an endless waltz, to a symphony that builds and builds to a final crescendo, for Hugo is very good at taking his countless paragraphs and using them to reach a final glorious message. He could have said it plainly, but it would not have been nearly as powerful without all the exposition; just as his point about the memory of Byron outliving the memory of Waterloo would not have been nearly as striking had he not gone through the motions of describing every minute detail of that terrible battle. To bring the reader to his level of understanding and to make them feel as much as he does about these things, the prose is essential. And frankly, I have yet to come across another author that is as joyous to read as he is, for even while he is going on and on about useless trivia from a time long past, his enthusiasm is contagious. He loved what he wrote about, and he wanted you to love it too, progressing sentences growing more and more triumphant much like the Progress he wished for mankind. An ideal where all, I repeat, all are allowed to flourish and grow, developing their own ideas while more importantly learning to accept those of others, where a stretch of one's limb doesn't require the injury or confinement of another's.

So, read the full version, if you can. You’re welcome to the other, shorter versions, but read the full one at least once in your lifetime. Read the introduction even, for in this particular edition there is a wonderful amount of detail about Victor Hugo’s life that brings the book into beautiful focus. The introduction also calls the abridged version insufficient, and says:
It is almost impossible to predict the individual detail, the flashing image or human quirk precisely observed, that will burn its way into a reader’s mind for good.
I cannot agree more.

And lastly, for the tl;dr'ers, a summary for what I have said above, which rests within the very first pages of the book:
So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century—the degradation of man by the exploitation of his labor, the ruin of woman by starvation, and the atrophy of childhood by physical and spiritual night—are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this.
–Hauteville House, 1862

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Apr 28, 2008 Ahmad Sharabiani rated it it was amazing · review of another edition

Shelves: fiction, 19th-century, 1001-book, literature, novels, historical, classics

873. Les Misérables, Victor Hugo

Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title.

However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed.

Beginning in 1815 and culminating in the 1832 Ju 873. Les Misérables, Victor Hugo

Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title.

However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed.

Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption.

عنوانها: «ژان والژان»؛ «بینوایان»؛ نویسنده: ویکتور هوگو؛ انتشاراتیها: (مطبعه ایران، جاویدان، بدرقه جاویدان، امیرکبیر ، توسن، نگته، گنینه، فنون، قصه جهان نما، سمیر، آسو، افق، هفت سنگ، پیروز، سکه، اسب سفید، سروش، مشر قره، دبیر، گاج، پارسه، آبان مهر، سپیده، معراجی، توسن، فنون، بنیاد) ادبیات فرانسه؛ تاریخ نخستین خوانش: در ماه مارس سال 1966میلادی؛ آخرین بار در ماه ژوئن سال 2006میلادی

عنوان: بینوایان؛ نویسنده: ویکتور هوگو؛ مترجم: حسینقلی مستعان؛ تهران، مطبعه ایران پاورقی، 1310، سپس به صورت کتاب در ده جلد، و سپس در پنج جلد؛ چاپ دیگر تهران، جاویدان، 1331، در دو جلد، چاپ دیگر تهران، امیرکبیر، 1349؛ در دو جلد 1647ص؛ چاپ دیگر 1363؛ چاپ چهاردهم 1370؛ شانزدهم 1382؛ شابک دوره 9640004189؛ هفدهم 1384؛ هجدهم 1387؛ شابک دوره دوجلدی 9789640004180؛ نوزدهم 1388؛ بیستم 1390؛ بیست و سوم 1391؛ بیست و چهارم 1392؛ چاپ دیگر تهران، بدرقه جاویدان، 1386، در دو جلد، موضوع داستانهای نویسندگان فرانسوی - سده 19م

مترجمین دیگر متن کامل خانمها و آقایان: «نسرین تولایی و ناهید ملکوتی، تهران، نگاه، 1393، در دو جلد، شابک دوره: 9789643519568»؛ «عنایت الله شکیباپور در دو جلد، چاپ دیگر تهران، گنینه، 1362، در دو جلد؛ چاپ دیگر تهران، فنون، 1368، در دو جلد؛ چاپ دیگر تهران، قصه جهان نما 1380، در دو جلد و 962ص»؛ «کیومرث پارسای، تهران، سمیر، 1389؛ در پنج جلد، شابک دوره 9789642200474»؛ «محمد مجلسی، تهران، نشر دنیای نو، 1380، در چهار جلد (جلد یک - فانتین، جلد دو - فانتین، جلد سه - ماریوس، جلد چهار - ژان والژان)؛ چاپ سوم 1390»؛ «مرضیه صادقی زاده، تهران، آسو، 1395، در دو جلد؛ شابک دوره 9786007228982»؛ «مینا حسینی، تهران، فراروی، 1393، در دو جلد، شابک دوره 9786005947434»؛ «محسن سلیمانی، تهران، افق، 1388، در دو جلد؛ چاپ دوم 1389؛ چاپ ششم 1392»؛ «وحیده شکری، گرگان، هفت سنگ، 1395، در دو جلد»؛

مترجمین دیگر متن خلاصه شده: «گیورگیس آقاسی، تهران، پیروز، 1342، در 335ص، چاپ دیگر تهران، سکه، 1362، در 335ص»؛ «فریدون کار، اسب سفید، 1345، در 480ص»؛ «محمدباقر پیروزی، در 340ص، سروش، 1368»؛ «بهروز غریب پور، نشر قره، 1385، در 208ص؛ شابک 9643415155»؛ «مهدی علوی، تهران، دبیر، در 112ص؛ چاپ سوم 1395»؛ «شایسته ابراهیمی، تهران، گاج، 1395، در 136ص»؛ «صدف محسنی، تهران، پارسه، 1395، در 399ص»؛ «مصطفی جمشیدی، امیرکبیر از ترجمه مستعان، در 129ص»؛ «سبحان یاسی پور، آبان مهر، 1395، در 140ص»؛ «اسماعیل عباسی، تهران، سپیده، در 47ص»؛ «الهه تیمورتاش، تهران، سپیده، 1368، در 248ص؛ چاپ دوم 1370؛ شهاب، تهران، معراجی، در 184ص»؛ «امیر اسماعیلی، تهران، توسن، 1362؛ در 237ص»؛ «عنایت الله شکیبا پور، تهران، فنون، 1368، در 384ص»؛ «ابراهیم رها، 1382، در 64ص»؛ «ابراهیم زنجانی با عنوان ژان والژان»؛ «ذبیح الله منصوری، تهران، بنیاد، 1362؛ در 177ص؛ چاپ سوم 1370؛ »؛

نمیدانم. یادم نمانده این کتاب را چندبار خوانده ام.؛ در کودکی نسخه های کوتاه شده، و خلاصه ی داستان را...، و آخرین بار چند سال پیش بود، باز هم ترجمه جناب «حسینعلی مستعان» را خواندم.؛ اگر بگویم مدهوش شدم، راه به سوی گزافه نبرده ام.؛ «ویکتور هوگو» بزرگترین شاعر فرانسه در سده ی نوزدهم میلادی، و شاید بیش از همین جمله باشد که بنوشتم.؛ ایشان با بزرگواری، با انقلابی بزرگ زندگی کردند، و عمری طول کشید تا بینوایان را نوشتند.؛ یادم مانده جمله ای که نمیخواهم بنویسم.؛ بیشترش شاید از یادم رفته باشد.؛ نیز تا فراموش نکرده ام نوشته باشم که همین داستان بینوایان نیز همچون بیشتر شاهکارهای جهان چند لایه دارد.؛ «ژان والژان»، و «ژاور»، دو شخصیت رمان، «ژان والژان» مردی ست که بیست سال از عمرش را، در زندان با اعمال شاقه بگذرانده، مردی ست که قانون او را مجازات کرده، و پس از آن که دوره ی مجازاتش تمام شده، جامعه او را طرد نموده؛ اسقف «میریل» او را مییابد، و درک میکند که والژان، نیاز به امید دارد؛ نیاز به بازگشت دارد؛ پس به او امید میدهد، و برش میگرداند؛ از آن پس، «ژان والژان» مظهر خدای مسیحی میشود؛ مردی که در باقیمانده ی عمرش، کاری جز عشق ورزیدن، حتی به کسانی که از آنها بیزار است، نمیکند؛ در برابر او، «ژاور» مردی ست که به گفته ی خود، در تمام عمر، حتی یک قانون را هم نشکسته است؛ مردی ست که تمام هم و غمش اجرای قانون است؛ تا جاییکه آنگاه که خود مرتکب جرمی میشود، با سرافکندگی خود را معرفی میکند، تا به سزای کارهایش برسد؛ این دو شخصیت، یکی نماد خدای مسیحی، و آن دیگری نماد خدای یهودی ست، بارها باهم درگیر میشوند؛ یکی از درگیریها، بر سر «فانتین» است؛ زنی روسپی که شاید شباهتی به «مریم مجدلیه» داشته باشد؛ «ژاور» بی آنکه به گریه زاری «فانتین» گوش دهد، و یا به دختر کوچک او «کوزت»، اهمیتی بدهد، او را محکوم به شش ماه زندان میکند؛ اما «والژان»، با اینکه «فانتین» به او اهانت میکند، و به رویش، تف میاندازد، دستور آزادی او را صادر میکند؛ یکی، هیچ نرمشی در برابر قانون شکنی نشان نمیدهد، و آن دیگری، آغوشش را برای گناهکار میگشاید؛ یکی دیگر از تنشها، در پایان داستان است؛ جاییکه «والژان»، آغوش خود را برای خود «ژاور» میگشاید.؛ با اینکه توانایی کشتن «ژاور» را دارد، او را زنده رها میکند.؛ «ژاور» نمیتواند این رفتار را تاب آورد، و درک کند، گیج میشود.؛ او که تا آندم همه چیز را با دیدی انعطاف ناپذیر میدید، دچار تزلزل میشود.؛ میبیند که مردی قانون شکن، توانسته مرد بزرگی شود؛ میبیند که هم بازداشت کردن آن مرد اشتباه است، و هم بازداشت نکردنش بشکستن قانون است؛ نهایتاً، نمیتواند دوگانگی را تاب آورد و بپذیرد، خود را در رودخانه ی «سن» میاندازد، و خودکشی میکند و اینگونه، از دیدگاه «ویکتور هوگو»، خدای یهودیت میمیرد، و خدای مسیحیت زنده و باقی میماند

تاریخ بهنگام رسانی 05/06/1399هجری خورشیدی؛ ا. شربیانی ...more

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Feb 27, 2017 Melissa ♥ Dog/Wolf Lover ♥ Martin rated it liked it

Shelves: own

I'm in the minority unfortunately. I thought the book was okay. I was hoping it would blow my mind and be a favorite like The Count Of Monte Cristo, as I was afraid of that book too, but alas, it was not =(

I might as well put the ole spoilers tag up on here! Oh and even though Jean's name will be changed in the book, I'm sticking with Jean so I won't get all messed up!

FANTINE

1)An Upright Man
2) The Fall
3) In The Year 1817
4) To Trust Is Sometimes To Surrender
5) The Descent
6) Javert
7) The Cha
...more

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Jun 13, 2008 Ahmad Sharabiani rated it it was amazing · review of another edition

Shelves: novels, classics, literature, historical, 1001-book, fiction, 19th-century

873. Les Misérables, Victor Hugo

Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed.

Beginning in 1815 and culminating in the 1832 Ju 873. Les Misérables, Victor Hugo

Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed.

Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption.

بینوایان - ویکتور هوگو (جاویدان ، امیرکبیر ، توسن) ادبیات فرانسه؛ تاریخ نخستین خوانش: ماه مارس سال 1966میلادی، بار دیگر در ماه مارس سال 2006میلادی

عنوان: بینوایان؛ نویسنده: ویکتور هوگو؛ مترجم: حسینقلی مستعان؛ تهران، مطبعه ایران پاورقی، 1310، سپس به صورت کتاب در ده جلد و سپس در پنج جلد؛ چاپ دیگر تهران، جاویدان، 1331، در دو جلد، چاپ دیگر تهران، امیرکبیر، 1349؛ در دو جلد 1647ص؛ چاپ دیگر 1363؛ چاپ چهاردهم 1370؛ شانزدهم 1382؛ شابک دوره 9640004189؛ هفدهم 1384؛ هجدهم 1387؛ شابک دوره دوجلدی 9789640004180؛ نوزدهم 1388؛ بیستم 1390؛ بیست و سوم 1391؛ بیست و چهارم 1392؛ چاپ دیگر تهران، بدرقه جاویدان، 1386، در دو جلد، موضوع: داستانهای نویسندگان فرانسوی - سده 19م

مترجمین دیگر متن کامل خانمها و آقایان: «نسرین تولایی و ناهید ملکوتی، تهران، نگاه، 1393، در دو جلد، شابک دوره 9789643519568»؛ «عنایت الله شکیباپور در دو جلد، چاپ دیگر تهران، گنینه، 1362، در دو جلد؛ چاپ دیگر تهران، فنون، 1368، در دو جلد؛ چاپ دیگر تهران، قصه جهان نما 1380، در دو جلد و 962ص»؛ «کیومرث پارسای، تهران، سمیر، 1389؛ در پنج جلد، شابک دوره 9789642200474»؛ «محمد مجلسی، تهران، نشر دنیای نو، 1380، در چهار جلد (جلد یک - فانتین، جلد دو - فانتین، جلد سه - ماریوس، جلد چهار - ژان والژان)؛ چاپ سوم 1390»؛ «مرضیه صادقی زاده، تهران، آسو، 1395، در دو جلد؛ شابک دوره 9786007228982»؛ «مینا حسینی، تهران، فراروی، 1393، در دو جلد، شابک دوره 9786005947434»؛ «محسن سلیمانی، تهران، افق، 1388، در دو جلد؛ چاپ دوم 1389؛ چاپ ششم 1392»؛ «وحیده شکری، گرگان، هفت سنگ، 1395، در دو جلد»؛

مترجمین دیگر متن خلاصه شده: «گیورگیس آقاسی، تهران، پیروز، 1342، در 335ص، چاپ دیگر تهران، سکه، 1362، در 335ص»؛ «فریدون کار، اسب سفید، 1345، در 480ص»؛ «محمدباقر پیروزی، در 340ص، سروش، 1368»؛ «بهروز غریب پور، نشر قره، 1385، در 208ص؛ شابک 9643415155»؛ «مهدی علوی، تهران، دبیر، در 112ص؛ چاپ سوم 1395»؛ «شایسته ابراهیمی، تهران، گاج، 1395، در 136ص»؛ «صدف محسنی، تهران، پارسه، 1395، در 399ص»؛ «مصطفی جمشیدی، امیرکبیر از ترجمه مستعان، در 129ص»؛ «سبحان یاسی پور، آبان مهر، 1395، در 140ص»؛ «اسماعیل عباسی، تهران، سپیده، در 47ص»؛ «الهه تیمورتاش، تهران، سپیده، 1368، در 248ص؛ چاپ دوم 1370»؛ «شهاب، تهران، معراجی، در 184ص»؛ «امیر اسماعیلی، تهران، توسن، 1362؛ در 237ص»؛ «عنایت الله شکیبا پور، تهران، فنون، 1368، در 384ص»؛ «ابراهیم رها، 1382، در 64ص»؛ «ابراهیم زنجانی با عنوان ژان والژان»؛ «ذبیح الله منصوری، تهران، بنیاد، 1362؛ در 177ص؛ چاپ سوم 1370»؛

نمیدانم؛ یادم نمانده، این کتاب را چندبار خوانده ام؛ در کودکی نسخه های کوتاه شده، و خلاصه ی داستان را...، آخرین بار چند سال پیش بود، باز هم ترجمه «حسینعلی مستعان» را خواندم؛ اگر بگویم مدهوش شدم، راه به سوی گزافه نبرده ام؛ «ویکتور هوگو» بزرگترین شاعر «فرانسه» در سده ی نوزدهم میلادی، و شاید بیشتر از همین جمله باشند که بنوشتم؛ ایشان با بزرگواری، با انقلابی بزرگ زندگی کردند، و عمری طول کشید تا آن را نوشتند

نقل از متن: امپراطور گفت: کیست این مردک که مرا نگاه میکند؛ میری یل گفت: اعلیحصرتا، شما یک مردک را نگاه میکنید و من یک مرد بزرگ را، هر یک از ما میتواند، استفاده کند؛ پایان نقل از کتاب بینوایان، قسمت اول فانتین، کتاب اول یک عادل - 1 - مسیو میری یل

تاریخ بهنگام رسانی 23/06/1399هجری خورشیدی؛ ا. شربیانی ...more

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Feb 16, 2015 Fabian rated it really liked it

I chose to read the hefty Victor Hugo classic for my thirtieth birthday, &, let me tell you, the experience was One Biiiig Bitch. I mean, why EVEN go to the 200 + year old text when the Broadway musical exists! THAT work of art exudes all beauty and majesty in one continuous song that unites the characters through time; ultimately giving us a true theme, or feeling of genuine victory over adversity. The plot, one gorgeous telenovela of a story, replete with jailbreaks, insurrections, betrayals, I chose to read the hefty Victor Hugo classic for my thirtieth birthday, &, let me tell you, the experience was One Biiiig Bitch. I mean, why EVEN go to the 200 + year old text when the Broadway musical exists! THAT work of art exudes all beauty and majesty in one continuous song that unites the characters through time; ultimately giving us a true theme, or feeling of genuine victory over adversity. The plot, one gorgeous telenovela of a story, replete with jailbreaks, insurrections, betrayals, war, calamities multiplied & order restored is, in short, too much Muchness for one reader to possibly occupy himself with.

This is the longest novel I have ever read (probably Don Quixote, which took me an entire month to read, is the closest second). & as such, it is difficult--a staggering activity indeed--to maintain order in its review, much less in the colossus text itself that's just very disordered, odd, beautiful-but-not-always; it is a mixture (an irritating one at that, & less than a boost toward modernism) of myriad tones & paces, a gargantuan monster from the abysmal depths of time: a list of lists, basically; a lexicon in Everything French Revolution.

What is the purpose of so many compilation of details to make a heap of facts that, quite frankly, fail to make either a juicy romance or gory history. It's infuriating because it takes up so much of your time. And, bottom line, the characters, even Jean Valjean the lament-filled hero who feels guilt palpably like the feel of the guillotine, is a beacon that illuminates but also dis-illusions. (...and Cosette is a ninny, and Fantine gets duped awful by a group of boys and girls, & Javert is a true mystery that ends up having less to do with our story than other less famous villains like M. Thenardier...)

It is basic Law to read this, so I did. It has not aged well, dudes, fur reels. Like some expensive wine that got rancid. A French one.

&, just because I am very generous, these here are the top four best parts (AKA the most heartwarming) in all of Les Mis., if you wanted to know, followed by the four worst:

1) How Valjean gets Cosette from the clutches of the Thenardiers (the dude simply won't let go!)
2) Gavroche's taking-in of the two Thenardier "brats"
3) Marius' self-inflicted poverty
4) the Bishop's story

The worst are these girthy diatribes that provoke (gasp!) some paragraph skippage:
1) on the Sewers
2) on the slang
3) on the Streets of Paris
4) on the barriacades, which reminds the reader that so many French pre-Revolutionary factoids withholds reader's pleasure, somewhat barricading the avid reader's truest delight. ...more

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Jun 25, 2014 Lisa rated it it was amazing

Shelves: favorites, 1001-books-to-read-before-you-die

What makes a favourite book?

In this case, I will have to say: one single character that broke my heart and shaped my idealism and stirred my anger: Gavroche Thénardier.

"Si l'on demandait à la grande et énorme ville : Qu'est-ce que c'est que cela ? elle répondrait : C'est mon petit."

One of those street children that see and hear more during their childhood than most people ever experience, who carry pain and neglect with them on their daily adventures to survive in a hostile, careless environm ...more

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Jan 17, 2018 Michael rated it it was amazing

This will be another review-as-I-go!

First, a thank you to Rachel for recommending the Fahnestock and MacAfee translation, which is wonderful so far!

Next, a question: Why have I been so drawn lately to these 1,500 page 19th century behemoths? War and Peace, The Brothers Karamazov, Crime and Punishment, and now this. Am I just a glutton for punishment? Or just showing off? I hope not. When I think about it, I think it has to do with the moral scope and depth of the work and the way these books rea ...more

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Feb 27, 2017 ~Bookishly~ rated it it was amazing · review of another edition

Shelves: classics, i-love-love-love, broke-my-heart

This is the longest book I've ever read (one might call it a beast) and it is without a shadow of a doubt, the best book I've ever been privileged enough to read. I mean, WOW. I struggle to put into words how I feel about this. Hugo had me smiling, laughing and most of the time crying, all in one chapter. This is in no way a happy tale, as one can probably tell by the title, but it has affected me more than I had anticipated. Hugo certainly knows how to captivate the reader, and captivate, he di ...more

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Jan 17, 2014 Sean Barrs rated it really liked it

Shelves: classics, love-and-romance, 4-star-reads

I saw the movie version of this before reading it and I was utterly shook by the powerful nature of the story. When I read it I hoped for the same experience, instead I had one more powerful. In life there are few truly great men: there are few men that are truly and incorruptibly good. Jean Valjean is such a man; he is a paragon of goodliness: he is a superb character.

At the beginning of the novel he sacrifices everything: he steals a loaf of bread knowing full well of the consequences. He ri I saw the movie version of this before reading it and I was utterly shook by the powerful nature of the story. When I read it I hoped for the same experience, instead I had one more powerful. In life there are few truly great men: there are few men that are truly and incorruptibly good. Jean Valjean is such a man; he is a paragon of goodliness: he is a superb character.

At the beginning of the novel he sacrifices everything: he steals a loaf of bread knowing full well of the consequences. He risks his freedom in order to save his starving family; he risks his mortality and his morality: he risks everything. He is a truly selfless man, a great man. And what are the consequences for trying to save a starving boy? What is the justice of the land?

Imprisonment.

Servitude.

Pure Corruption.

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In this the author captures social injustice in its most brutal form; he shows the foolishness of unbending laws, of a system that refuses to open its eyes, and how the common man will always suffer under the yolk of the powerful. But, somehow, Valjean just about retains his decency and his humanity. Somehow in the face of sadistic ruling, he manages to remain Valjean; he even manages to better himself and improve the world around him. Yes, he makes a mistake that leads to the death of an innocent; yes, he was responsible for the snuffing of the life he ignored. However, he redeems himself in a truly extraordinary way, and eventually pays an even greater sacrifice. The world needs more men like Valjean.

Then if that wasn’t enough, Valjean even offers his nemesis forgiveness. He sees Javert for the product of society that he is; he looks at him and only sees pity rather than hatred, which would have been a much easier emotion to experience. Valjean does what few men would have the strength to do, and in the process shows his true inner-strength. Javert was fully responsible for his actions. He is a pitiable character. To his cold, singular, narrow-minded, law based logic, Valjean was a simple criminal. Nothing more, nothing less. Javert cannot look beyond the surface. He dedicated his life to preventing this villain form getting away. In this, he is as much a victim as Valjean. When he eventually realises the true errors of his ways, he is broken. He is no more. Javert is not the real villain: it is society.

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And this is only one aspect of this superb novel. Javert and Valjean are not the only victims of this novel. Pushed aside, forgotten about, is the miserable Fantine. She represents the tragic state of women’s place in such a society. No one cares about her. She is just another woman in the street, another countless victim of misrule: someone to be trampled over. But, Valjean shows that life isn’t completely dark. From such corruption, a heart can remain true to itself and continue beating.

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...more

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Jun 13, 2020 Greta rated it really liked it · review of another edition

Shelves: classics, best-reviews

The French Revolution of Love and Compassion

Les Miserables is tale of injustice, politics and love and thought me everything I knew so far about the French restauration period 1815-1830, while being a truly moving story.

The story follows the fortunes of Jean Valjean, an escaped convict determined to become a better person. But his attempts to become a respected member of the society are threatened by his own conscience, when another man is arrested in his place and he becomes object of the relen ...more

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Apr 15, 2011 Petra-X Off having adventures rated it it was amazing · review of another edition

Shelves: fiction, reviewed, 2015-reviews

It is a couple of years since I read and reviewed this book. I asked a question in a spoiler, "How come Valjean never recognised Thénardier no matter how many times he met him?" And just now I had an ah-ha moment and realised it was because Victor Hugo himself might well have had prosopagnosia.

How did I get to this? I reviewed Oliver Sacks' On the Move and made a point about his prosopagnosia, face blindness, I have it too. It just struck me that although it is very odd for the hero never to rec ...more

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Jun 10, 2019 Matt rated it liked it · review of another edition

Shelves: classic-novels, epics

“They fought hand to hand, foot to foot, with pistols, with sabers, with fists, from a distance, from up close, from above, below, everywhere at once, from the roofs of houses, from the windows of the tavern, from the basement windows of the cellars that some of them had slipped down into. It was one against sixty. The façade of Corinthe, half-demolished, was hideous to behold. The window, speckled with shot, had lost both glass and frame, and was just a shapeless hole, crazily stopped up with c ...more

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Sep 17, 2012 Jonathan Terrington rated it it was amazing · review of another edition

Recommends it for: Everyone!

Shelves: classic-literature, classic-challenge, historical, has-a-musical, 1001-books-to-read-before-you-die, personal-favourites, books-with-films

"We can only suppose that its new life as a musical - and what an appropriate fate for that most operatic novelist - will help to bring Les Misérables to the attention of a new generation of readers, reminding them perhaps that the abuses Hugo catalogues are still alive elsewhere, awaiting their own chroniclers in the brave new world of the twenty first century." - Peter Washington, Introduction

There are few novels which one can consider true masterpieces and among the greatest pieces of writing "We can only suppose that its new life as a musical - and what an appropriate fate for that most operatic novelist - will help to bring Les Misérables to the attention of a new generation of readers, reminding them perhaps that the abuses Hugo catalogues are still alive elsewhere, awaiting their own chroniclers in the brave new world of the twenty first century." - Peter Washington, Introduction

There are few novels which one can consider true masterpieces and among the greatest pieces of writing ever written. The Lord of the Rings, The Chronicles of Narnia, Alice in Wonderland, Peter Pan, The Complete Sherlock Holmes and Complete Stories and Poems number among these as examples. However there are some momentous epics in terms of themes such as Jonathan Strange & Mr Norrell and this great work: Les Misérables, which despite their length are well worth the investment.

Les Misérables, as a novel, is far grander than its worthy adaptations (of which the 1998 film with Liam Neeson and the stageplay are the finer works). It is not the simple tale of Jean Valjean escaping from Inspector Javert. It is so much more. It is: a love story, the love story of France as well as a romance; a tragedy, a catalogue of the miserable citizens of historic France; a historical chronicle, a mapping out of the cultural landscape of one image of time; above all it is a literary masterpiece.

Victor Hugo may have his failings in this novel. At times he falls into pompous verbosity, rambling on about subjects which appear to lack relevance to the story. However, what he has achieved in this novel is nothing short of remarkable. This is literature at its finest, a book recording the suffering and beauty of humanity and reflecting upon it in language which is both complex and simple despite translation. Speaking of translation, this version by Charles E. Wilbour appears quite excellent (if old fashioned). And therefore anyone interested in reading this work is encouraged to get a true unabridged version. Reading the abridged versions will only ruin the charm of the story and perhaps your understanding of the story itself.

This review has been moved to my site, click this link to read the rest! ...more

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Aug 08, 2007 Miriam rated it it was amazing · review of another edition

Shelves: myfavorites

This is without question one of the most beautifully written novels I've ever read. Jean Valjean is quite possibly the most complex and compelling character you will meet in a work of literature of this magnitude, and the lives and personalities of the secondary characters are interwoven into subplots that make it almost an easy thing to get through the 1400+ pages of this book. I read the novel after seeing -- and falling madly in love with -- the musical, and this is one of the rare cases in w This is without question one of the most beautifully written novels I've ever read. Jean Valjean is quite possibly the most complex and compelling character you will meet in a work of literature of this magnitude, and the lives and personalities of the secondary characters are interwoven into subplots that make it almost an easy thing to get through the 1400+ pages of this book. I read the novel after seeing -- and falling madly in love with -- the musical, and this is one of the rare cases in which familiarity with one helped me to appreciate the other more; naturally the musical had to cut out and/or alter significant portions of the novel's plot in order to fit a reasonable time frame, but even as I read the novel and discovered all the things that were left out of the musical, my respect for the artistic choices made for the latter were increased tenfold. Of course the characters were portrayed in significantly richer detail in the novel, Fantine and Marius in particular. The adult Cosette, however, is singularly droll in both the book and the musical, paling in comparison to the character of Eponine in both; Hugo seeks to set Cosette up as the perfect angelic virgin, and in doing so, he makes her both unrealistic and mind-numbingly boring -- this is my only complaint about the book, other than the ways in which Hugo sometimes deals with women in general, though you have to consider that he was, to some extent, a product of the times.

Hugo does shoot himself in the foot in one way; his plots are so absorbing that I found myself temporarily skipping over chapters-worth of exquisite prose to find out what happened next, as Hugo had a nasty little habit of setting up wonderfully tense scenes full of suspense and intrigue, only to present you with something like the history of the French sewer system on the next page. But his descriptions are every bit as rich and wonderful as his action plots; my favorite line from the novel is, "Every bird that flies has a shred of the infinite in its claw," which can be found in the middle of a breathtaking paragraph praising the complexities of the natural world, but I cannot for the life of me remember what that was supposed to relate to in terms of the actual storyline of the book.

This book is not to be missed. But if you have too short an attention span, then at the very least, see the musical, on Broadway or better if you can. There is, after all, a very good reason why they call it the greatest musical of all time. ...more

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Jan 09, 2013 Matthew rated it it was amazing

Shelves: classic, favorites, 2013, own, historical-fiction

I dreamed a dream of reading this book - and I accomplished it! Surprisingly easy to read - even though it did take quite some time. Hugo does go off on quite a few tangents, but the whole experience was fantastic!

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Jun 15, 2016 Amalia Gkavea rated it it was amazing

Shelves: historical-fiction, france, european-heritage, 19th-century, classics

“The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.”

“Even the darkest night will end and the sun will rise.”

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Nov 30, 2019 Piyangie rated it it was amazing · review of another edition

Shelves: french-lit, favorite-classic, my-library

This is one of the most beautiful and best books that is ever written about human suffering; a true masterpiece. It is no exaggeration on my part to say so, and those who have read and liked it would agree with me. I have seen the musical and a miniseries, but the book surpasses them all. In my opinion, nothing can be compared with the book. Reading this was such a rewarding experience.

While many areas including politics, progress, religion, morals are discussed in this lengthy work, the story This is one of the most beautiful and best books that is ever written about human suffering; a true masterpiece. It is no exaggeration on my part to say so, and those who have read and liked it would agree with me. I have seen the musical and a miniseries, but the book surpasses them all. In my opinion, nothing can be compared with the book. Reading this was such a rewarding experience.

While many areas including politics, progress, religion, morals are discussed in this lengthy work, the story as we all know is the story of Jean Val Jean, a victim of human injustice. Val Jean is an unorthodox hero – a social outcast. Through his story, Hugo brings to life the immense suffering the underprivileged class goes through. This is the central theme of the story. The physical suffering, the mental agonies, the moral dilemmas the people of this class go through is heartbreaking. Poverty, lack of education, ignorance, and negligence of the rulers have heavily contributed to the dreary lives and living conditions of this deprived class. Hugo penetrates deep into their lives and captures their misery sincerely and sympathetically. His compassion for them flows through his heart-touching writing.

The background to the story runs from the eve of the battle of Waterloo to the Paris insurgency of June 1833. Hugo presents an account of these turning points of French history to the readers while entwining his story well with it. The chosen background in which the story is set gives Hugo the freedom to freely express his political and social perspective.

Jean Val Jean, Fantine, and Cosette are the main characters Hugo creates to portray human suffering. Hugo covers all classes with them. There are other minor characters too, but these three characters stand out in the story for the unaccountable miseries they go through.
Jean Val Jean, as was said above, is the hero. He is constantly persecuted by society and by the law. The early encounter with the bishop Bienvenu helps him to replace his hatred with love; love for the god and mankind. He starts a new life and becomes successful, and remembering the kindness and guidance of the Bishop, he becomes generous and benevolent. Society reaps all the benefits and law respects him, only till his identity is revealed. When his identity is exposed, both law and society become his pursuers, feigning a blind eye to his virtues. This cruelty is shocking and heartbreaking. The despair he goes through of being a social outcast all his life no matter how reformed and close to god he has become is strongly portrayed. Hugo accuses the society of its cruelty, condemns their actions, and shows that despite the stones cast at Val Jean, his faith in God and his righteousness is never impaired. He suffers, yet forgives and loves. Hugo brings out a Christ-like hero in him.

One shouldn’t, however, think that Les Misérables is only about misery and suffering. There is also love and happiness. There is fatherly love between Val Jean and Cosette, and love and perfect bliss between Cosette and Marius. These happy relations pour sunshine to the story amidst the heavy, dark clouds.

Hugo’s writing is beautifully descriptive, poetic, passionate, dramatic and emotion arousing. I cannot recall a book that broke my heart as much as this book did. There were many moments that I truly cried. And there were certain parts which were too painful to read. These include two heart-stricken moments, one concerning Val Jean when he revealed his true identity at Champmathieu's case and to Marius, and the other is when the insurgency is described where many innocent and youthful lives were lost fighting for an idealogy.

The book has been criticized for its too detailed historical accounts. Perhaps they are too detailed, but for my part, I found them informative and helpful to fully understand the backdrop in which the story is written.

The story, apart from the historical details, was emotionally exhausting, but at the same time rewarding. I loved the read, although it mercilessly broke my heart. Thank you, Hugo, for leaving with us such a remarkable and unique literary treasure. ...more

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Aug 05, 2012 Elyse Walters rated it it was amazing

I noticed a few friends currently reading this masterpiece. I read the unabridged version over 20 years ago. ( with a class )
I enjoyed reading Goodreads member, Chrissie's process with this book and the many comments.
Highly recommend reading her process, followed up by what others have to say.

I was blessed reading this -with a class - and with my daughter who was only in the 8th grade at the time. Her brilliant literature teacher got each parent and student involved ( my husband was too).
Afte ...more

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Oct 03, 2013 Duane rated it it was amazing

Shelves: rated-books, french, favorite-books, reviewed-books, 5-star-books, guardian-1000

I'm obsessed with everything Les Miserables. The novel, the musical, the movies, especially the latest adaptation of the musical. I actually saw the musical before I ever read the novel. It's musical score is second to none and yes I have been known to shed tears during the performance.

The novel is epic, a timeless classic and described by some as "the greatest story ever told". I don't know about that but it is one of the most detailed and intricately constructed novels I have ever read.

The le ...more

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Feb 10, 2015 Corinne rated it it was amazing

Shelves: compassion, classic, courage, literature-of-quality, social-justice, sacrifice, constructive, hope, favorites, dignity

In my vacation, over the last two weeks, I visited the birthplace of Victor Hugo in Besançon, his home in Paris where his children were born, and his grave in Pantheon. I also read his “Les Miserables” again, that is 21 years after I read it for the first time in my High School in France, and I was surprised to see how differently I reacted to this book.

Then I realized the book has not changed over these 21 years, but it’s me who has changed!

At the school, I was obliged to read this book as a p In my vacation, over the last two weeks, I visited the birthplace of Victor Hugo in Besançon, his home in Paris where his children were born, and his grave in Pantheon. I also read his “Les Miserables” again, that is 21 years after I read it for the first time in my High School in France, and I was surprised to see how differently I reacted to this book.

Then I realized the book has not changed over these 21 years, but it’s me who has changed!

At the school, I was obliged to read this book as a part of our curriculum, and it came across as something heavy. But, now that I have been blazed a few times in my life, I could relate to this book a lot better, and, at times, even felt healed by it.

The aspect that struck me the most is how Victor Hugo has constructed his characters: they’re neither entirely good, nor entirely bad; they’re humane, yet extraordinary.

The police inspector Javert values his duty of keeping law and order above human beings, until he is humbled by Jean Valjean, when he saves the life of Javert, his worst enemy, during the barricade. Then Javert enters his irreconcilable internal conflict between ethics and law, that is between his moral duty to preserve a good man like Jean Valjean and his legal duty of turning him in as a fugitive, and Javert ends his life to save Jean Valjean.

This comes across as a surprise, because Victor Hugo had set up all along Javert as a man of unbending principles, yet not incredible, because we’ve also seen Javert to be a man of good heart and conscience.

Victor Hugo didn’t set up Jean Valjean as a paragon of virtue either. We can see his humane side, even after his conversion into a good man, when he enters his severe inner conflict vis-a-vis the man about to be condemned in his place, for having stolen the forty sous from Petit Gervais. You can see his temptations to evade law and save his own life; you can also see traces from his life of ex-convict when he gets angry with people, and the use of his force when his personal ethics conflict with the law. And, even for a powerful man like him, you can see his fears, his anxieties, and his insecurities about Cosette.

Even for the rogue Thenardier, Victor Hugo has made him humane, by letting him save the father of Marius in the battle of waterloo!! Hugo also gave Thenardier a realistic end, in the sense that, in spite of all his dirty tricks, he ‘succeeds’ in life, from Thenardier’s perspective of course.

Gavroche, the son of Thenardier, earns his bread by stealing, but he also steals your heart when he saves the two kids, and gives up his life at the barricade. His sister, Eponine, is another thief and manipulator, but she sacrifices her life at the barricade too, trying to save Marius, her secret love. Marius, the closest in resemblance to Victor Hugo (whose middle name is ‘Marie’ by the way), is a political idealist, yet insensitive to many in life, including Jean Valjean; you’re in love with him, and angry at him at the same time.

It’s this powerful use of contrast, in the characters and in the events of the novel, that I find absolutely fascinating in Victor Hugo’s work, particularly in Les Miserables. And, I think this is what makes his works so lifelike, because, just like in life, you can’t really put a definite label on any of his characters or story events; that’s why you can never predict anything, and you remain hooked in suspense till the end.

Of course, there are his big philosophical discourses about life and love, but, if you focus on the core drama of this novel, it’s just absolutely gripping. The way he details the inner landscape of the characters, and the values of the society he touches upon, are as universal today, as they were during his time. It’s because those details are so unique and specific that they no longer remain individual; they become us, the universal.

This evening I’m going to see the grave of Juliette Drouet, who was the muse of Victor Hugo, for fifty years!! As a woman, I wonder what was there in her spirit that could inspire a writer like Victor Hugo, for so long.

(Review updated on 29/07 for my second read) ...more

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Feb 03, 2021 Roel ✿ rated it really liked it · review of another edition

Shelves: 4-stars, ouch

If there ever was a book that took me by surprise, it would be Les Misérables. And I am not just talking about the many plot twists.

This book contains, quite possibly, the largest number of literary themes and personas I have ever encountered in just one single body of work. Rogues, rebels, police officers, prostitutes, bishops, the poor, the rich, social injustice, love, hate, compassion, redemption, death... All merged together into one gigantic mishmash of storylines and character backgrounds ...more

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Mar 01, 2010 Jason rated it really liked it

Recommends it for: Speed readers; people who like to curl up to month-long books

1466 pages!! And I've isolated the best single sentence in the whole book. It describes how you die in warfare:

If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, ...more

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Sep 16, 2011 Kirstine rated it really liked it · review of another edition

Shelves: 1-men, classics, own, historical-fiction, reviewed, translated

I don't believe I've ever been this ambivalent about a book. I don't remember having ever read anything that I loved and hate the way I do this.

Okay, it got four stars, so maybe there are more loveable than loathsome parts, but still, thinking about it tugs my heart in both directions.

When it's good it's excellent, and completely deserves 5 stars - more even. The descriptions of the moral complexities a man is faced with are spectacular and Jean Valjean's internal struggles are always a wonder I don't believe I've ever been this ambivalent about a book. I don't remember having ever read anything that I loved and hate the way I do this.

Okay, it got four stars, so maybe there are more loveable than loathsome parts, but still, thinking about it tugs my heart in both directions.

When it's good it's excellent, and completely deserves 5 stars - more even. The descriptions of the moral complexities a man is faced with are spectacular and Jean Valjean's internal struggles are always a wonder to witness. Hugo really nails large parts of the human condition in much of the book; the compassion, the cruelty, the greed, the forgiveness, the love. He presents us with some memorable characters, who each possess qualities and flaws that we're all familiar with. Enjolras and Grantaire are great examples of this, of two men who, in their contrast, fulfill each other somehow, and both together and apart help describe a part of human life. It's brilliant, I loved it. I want to go into detail with all the major characters, and some of the minor, but I'll refrain. I'll have nothing new to say anyway. But the characters are the best part about this book, no doubt.

Unfortunately, when this book turns bad, it turns goddamned awful. Before that, however, let me address the length and version of the book I read.

I read a fourth of this unabridged before I gave up and got an abridged version. I both regret and don't regret this decision (there it is again, the fucking ambivalence). The unabridged version simply had too much ridiculous filler chapters in it. Yes, the battle of Waterloo is interesting, no I don't want 6 effing chapters of it. That's not what the book is about. However, the abridged version meant you lost some of the details and character descriptions and I regret not getting that. There was one hilarious moment in this particular edition, after Marius sent Cosette his love letter, it shows us one and a half page of his lovesick rambling, and then goes something like "The letter goes on like this for another 4 pages". 4 PAGES! YOU HAVE NEVER EVEN SPOKEN TO HER YOU CREEP! (in actuality the letter is described as being 15 pages, but maybe he just has terrible hand writing?)

Which cleverly brings me back to what is so awful about this book. The love story.
Holy. Shit. No. Get it away from me. I know how you all love to say Edward and Bella have an abusive relationship and Edward is a shady stalker, but guys? He has fucking nothing on Marius. A year he follows Cosette around. A YEAR. He sends her a 15 page long love letter, without having spoken a word to her. How did he get her address? He asked someone to track her down.

But, you know, okay. Fine. People like what they like and times were different back then. I could have forgiven it somewhat if that was it, but it isn't.

Before her marriage and before her ridiculous infatuation with Marius, Cosette actually seemed to have real character, she could stand on her own, but then Marius enters and she slowly evaporates. She lets her entire soul and being be overtaken by Marius. It's worst after their marriage. She turns into a pretty, shallow shadow of her husband. It is absolutely despicable. I wanted to throw the fucking book through a window, I was so mad. That, ladies and gentlemen, is not a healthy relationship and it irked the hell out of me. Unforgivable, Hugo, I don't care how much you thought you couldn't write women, that's no excuse for not even trying.

And for this reason I also feel a wonderful kinship with Enjolras as he sings to Marius in the musical: "Who cares about your lonely soul?". Because indeed, who cares? Not me. Marius is a pawn in this book and probably one of the least interesting characters.

In contrast, I love the story of Jean Valjean - it's breathtaking and immensely moving - and I love the story of the barricades and the revolution. I just also absolutely despise the story of Marius and Cosette. The great thing is that my anger toward that one part hasn't tainted my love of the other part. It simply makes it difficult for me to love the book as a whole.

This got very long, I apologize. I urge you all to read it. It has some amazing philosophy in it - another part I regret about reading it abridged; a lot of Hugo's own musings were gone. I'd love to have someone collect and organize of his thoughts on various things as they are presented throughout this book and make into a separate book. That'd be very interesting. ...more

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Jun 20, 2020 Edward rated it it was amazing · review of another edition

Shelves: 2020, favorites, literary-fiction

It took Hugo nearly 20 years to write Les Misérables, and it shows. The novel is as comprehensive a work as is imaginable. Digressions, essays and asides make up a large percentage of the word count, and nothing seems omitted for the sake of narrative pacing. The first fifty or so pages are devoted almost entirely to the detailed personal history of a priest. Later, there are sections of comparable length containing a detailed account of the battle of Waterloo, a series of essays on the clergy, It took Hugo nearly 20 years to write Les Misérables, and it shows. The novel is as comprehensive a work as is imaginable. Digressions, essays and asides make up a large percentage of the word count, and nothing seems omitted for the sake of narrative pacing. The first fifty or so pages are devoted almost entirely to the detailed personal history of a priest. Later, there are sections of comparable length containing a detailed account of the battle of Waterloo, a series of essays on the clergy, an editorial on street urchins, accounts of French history and the reigns of monarchs, even a lengthy description of Paris's sewer system. But the novel is far better for their inclusion, than if they had been edited out. While these digressions may sound indulgent, in fact there is very little that is truly extraneous. Hugo's asides provide an essential framework through which the story weaves. Rather than disrupting the narrative flow, they immerse the reader in this turbulent period of French history, frame the characters and locations, and in fact serve to elevate the stakes, when the action resumes.

The story itself is utterly compelling, and brilliantly composed. Les Misérables is an epic moral drama, in which characters are at once the embodiment of societal forces, while being themselves simultaneously subject to those same external forces. This creates a sort of circular philosophical perspective, a reciprocal resonance between the individual and the society he inhabits. Hugo exposes the corrupt contradictions inherent in the morality of his age; the moral inversion that is brought about by the inequitable economic system. One really feels the true horror of industrial-era poverty, the way it subverts humanity and eliminates moral choice.

But beyond any analysis of the novel's plot or themes, what I must emphasise here, and what I cannot overstate, is the experience I had reading this novel, which was one of the most intense and satisfying in memory. Simply, this is one of the greatest novels ever written. ...more

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Nov 25, 2012 Kim rated it it was amazing · review of another edition

Shelves: french-language, audiobook, all-time-favourites

I put off tackling this novel for more years than I can remember. This was mostly because I wanted to read it in French and the length of the book daunted me somewhat. That, and the fact that every time I was in the local foreign language bookstore they didn’t seem to have all of the volumes. The fact that I was relying on a local bookstore rather than the Internet to obtain a book in French indicates how many years it’s been since I gave reading the novel any serious thought.

The last two month
I put off tackling this novel for more years than I can remember. This was mostly because I wanted to read it in French and the length of the book daunted me somewhat. That, and the fact that every time I was in the local foreign language bookstore they didn’t seem to have all of the volumes. The fact that I was relying on a local bookstore rather than the Internet to obtain a book in French indicates how many years it’s been since I gave reading the novel any serious thought.

The last two months have been a Les Misérables immersion experience as I listened to the audiobook downloaded for free from this site. The narrator, who goes by the name of “Pomme”, is superb. Although she doesn’t use different accents or create obviously different voices for the characters, she renders emotions quite beautifully and is a pleasure to listen to.

I can now understand why so many people consider Les Misérables to be the great French novel and, for that matter, one of the greatest novels of all time. The plot is well known to anyone who has seen the musical. However, the novel is so much more than the story of Jean Valjean’s redemption, than his pursuit by the determined Inspector Javert, than the love story of Marius and Cosette, than the world of the villainous Thénardiers. Rather, it is the recreation of the world of Victor Hugo’s youth, with vivid and detailed descriptions of Paris in the 1820s and 1830s, with digressions on topics as varied as the Battle of Waterloo, the manufacture of jet jewellery, French politics, the difference between a riot and a revolution and the Parisian sewerage system. For some readers, Hugo’s essays on these and other topics get in the way of the story. For me, they are the story. Or at least they make the story so much more than the elements of the plot which form the basis for the stage adaptation.

This is a vast, sprawling, hugely digressive, powerful, sentimental monster of a novel. It is by no means flawless. Hugo suffers from the failing of so many male writers of the 19th century, that is, an unhealthy preoccupation with the virginity and purity of nice young women. This means that he makes the adult Cosette not only dull in her perfection, but stupid as well. She is infinitely less interesting than the brave Eponine, the frightening Madame Thénardier or the tragic Fantine. However, Cosette’s blandness is easy enough to deal with in a novel otherwise populated with such wonderful characters. Of them, Jean Valjean and Inspector Javert are of course the standouts. Hugo creates intensely detailed psychological portraits of these two fascinating men, who have such different philosophies of life.

I sorely regret not reading the novel sooner, because the number of times I will be able to re-read it is so much more limited than it would have been otherwise. Listening to the novel over the past few weeks has been a fabulous literary experience. I appreciate that not all readers will appreciate its length, its language or its digressive nature, but for total immersion in a different world there can be nothing more satisfying.

For anyone interested in the geographical locations described in the novel and planning a trip to France, a blogger has written a great account of travelling through France while reading the novel. He has also created a fabulous interactive map which shows the locations of various events in the novel. The blog can be found here and the map can be found here.
...more

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Feb 17, 2014 Lazaros rated it it was amazing · review of another edition

Recommends it for: everyone, really

Shelves: classics, historical-fiction, literature

“Teach the ignorant as much as you can; society is culpable in not providing a free education for all and it must answer for the night which it produces. If the soul is left in darkness sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness.”

A literary masterpiece. This is truly one of the best books I've ever read and I'm glad I took my time with it. So many characters, so many stories woven into one; a powerful & soulful book.

Victor Hugo is wor
“Teach the ignorant as much as you can; society is culpable in not providing a free education for all and it must answer for the night which it produces. If the soul is left in darkness sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness.”

A literary masterpiece. This is truly one of the best books I've ever read and I'm glad I took my time with it. So many characters, so many stories woven into one; a powerful & soulful book.

Victor Hugo is wordy, not in a bad way but in the way you want to read and read and read because this author had a talent for taking the smallest of things and creating something beautiful & amazing out of it without ever creating that feeling of unneeded information.

There were historical details, many historical details and although I'm not a big fan of history, I enjoyed reading how Victor Hugo perceived several historical milestones, such as the battle of Waterloo and more importantly the French Revolution. He gave his own personal note to these events, more so to the French Revolution where he put characters and events and gave us every single feeling of how it was to living through something like that, something so important to the nation of France.

The story follows many characters. Protagonist of it, is Jean Valjean, a convict who were for 19 years in the galleys for stealing a piece of bread because he was too hungry. We can see Jean changing throughout the book, changing to become the man he always was supposed to be but life got in the way and prevented him from becoming the good, kind and loving man he was to become. We can see the struggles of living in post-Revolution France and how dire the situation for everyone who wasn't rich was. Jean Valjean, we cannot exactly say he was a man who regretted for stealing that bread although he definitely was sorry for losing all those years from his life. But if he hadn't stolen that bread, then maybe nothing of all the things that followed would have happened and maybe he never would have grown to known love & care like he did.

I do not wish to write about all of the characters, Jean Valjean is enough I think. I think he is the core of the book, the one character we all awaited greatness from. He is a frank man, who makes honest mistakes and will give you all of his love if you're worthy of it.

We can see what happens when you're too far from the truth and finally that truth catches up to you. The lies, the fear of being denied the very thing that we were born to give and receive, love.

Mr. Hugo did an excellent work of captivating moments, of explaining situations in a way no else can. I just simply wish I spoke French just so that I could have read this book in its prototype & not a translation of it. I believe that the feelings would have been more magnified and more tense.

If you decide to read this, do it because you want to not just because someone told you to. Be conscious of your decision and when you do read it make sure you take your time with it, savor every moment and cherish every second of this book. Don't be hasty, don't read it in the heat of the moment, keep at it slowly and let it speak to you and let yourself get lost in this tale of pain, hate, obsession, redemption, pride & lastly, the lesson of love this book will teach you.. ...more

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Mar 09, 2020 Nayra.Hassan rated it really liked it · review of another edition

Shelves: classic

There are moments when the soul is kneeling on its knees, regardless of the position of the body. "In prison, your bitterness increases and your heart prevails.

In all kinds of "imprisonment" that we are thrown behind bars by "our choice" our souls will become darker
So what if you were imprisoned 19 years for stealing a loaf of bread ?
Well
This is one of the coming classics that I hate because it "made my brain go" .. When you read the eyes of world literature before the twentieth "literally" wil There are moments when the soul is kneeling on its knees, regardless of the position of the body. "In prison, your bitterness increases and your heart prevails.

In all kinds of "imprisonment" that we are thrown behind bars by "our choice" our souls will become darker
So what if you were imprisoned 19 years for stealing a loaf of bread ?
Well
This is one of the coming classics that I hate because it "made my brain go" .. When you read the eyes of world literature before the twentieth "literally" will re-raise you ...they will shape your principles no matter how you evade..You will believe them unfortunately

Jean Valjean is an innocent young man who turns into a sinful criminal, deprived of the sympathy of the judges. He is imprisoned for nineteen years for stealing a loaf of bread. Silver candlesticks and be caught
But the priest sympathizes with him and claims that he has given him the silver as a gift

Then Valgan is startled and transformed completely after the "second" gesture of sympathy he receives
And silver symbolizes the nature of Valgan metal
Well, lucky you, Merrill

In our life, we will sometimes be Meryl and sometimes Fajan; according to our destiny, sometimes it will be fair and sometimes oppressed. “The unjust do not read the miserable at all.”
But we will all meet those who teach us every letter of the phrase “Fear the evil of the one you have done well to”
Or we will do good and throw it at sea

And on the journey of Valjean to Madeleine, the act of benevolence will turn to an infection, we will meet Cosette, Fantine and Javier. Men of authority, workers, daughters of the night, and dozens of personalities without exaggeration can only be combined with them: misery there are those who impose it.. and there are those who live it

This historical human philosophical political epic is one of the longest literary epics. Its chapters number 365 days of the year and was published in 48 parts when it was published in 1862.

Its pages in French are close to two thousand .. And the beautiful thing is that at a time when we did not know that we read it in summary.

Rather, when we find that we have read 400 pages, we believe that our achievement is impressive..and it will still deserve one of the ten most important world classics that promise you with tears ...more

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Oct 29, 2020 CarolynMarieReads added it · review of another edition

So many thoughts and I still have no clue what my star rating is... more thoughts and opinions to come!

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