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Vasari on Technique
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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
328 pages, Paperback
First published January 1, 1907
About the author
Giorgio Vasari
1,051 books159 followersGiorgio Vasari was an Italian painter and architect, known for his famous biographies of Italian artists.
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Displaying 1 - 4 of 4 reviews
March 3, 2018
If you've seen Vasari's Lives of the Artists, it's usually published without the technical introduction; mainly because who wants 300 pages of technical "how to" before getting into 1500 pages of the lives of the artists.
If you really want Vasari's idealised view of how to paint, sculpt, design etc, then here it is.
Here Vasari is just as biased as he is in the Lives, he's trying to elevate the practise of the arts from a manual craft to a higher status akin to poetry and literature, hence he plays down the physical and emphasises the design (conceptual) aspects. With that in mind, this is a fascinating (if slightly repetitive) read.
If you want to know what actual painters did (a bit earlier) go to Cennino Cennini's The Craftsman's Handbook (the Book of the Art) or Alberti's On Painting.
If you really want Vasari's idealised view of how to paint, sculpt, design etc, then here it is.
Here Vasari is just as biased as he is in the Lives, he's trying to elevate the practise of the arts from a manual craft to a higher status akin to poetry and literature, hence he plays down the physical and emphasises the design (conceptual) aspects. With that in mind, this is a fascinating (if slightly repetitive) read.
If you want to know what actual painters did (a bit earlier) go to Cennino Cennini's The Craftsman's Handbook (the Book of the Art) or Alberti's On Painting.
June 1, 2025
Vasari is great to read with a grain of salt - he provides insight into the Renaissance thoughts on techniques and materials for architecture, painting, engraving, sculpture, and drawing, however it is biased with his personal preferences and likes.
This edition leaves much to be desired though as the author's commentaries on Vasari's writing impedes the original flow of the book and should be its own book. For example, the first 100 pages are Vasari, then pages 101-142 are the author's commentaries on Vasari. This bloats the book unnecessarily and I only wanted to read Vasari, not the 1960s author.
This edition leaves much to be desired though as the author's commentaries on Vasari's writing impedes the original flow of the book and should be its own book. For example, the first 100 pages are Vasari, then pages 101-142 are the author's commentaries on Vasari. This bloats the book unnecessarily and I only wanted to read Vasari, not the 1960s author.
September 1, 2022
This is definitely worth reading - it is a good overview of all the craft techniques in Italy at the time, though he doesn’t go in depth. His rant about Gothic architecture, however, was hilarious.
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November 5, 20101960 Edition, of the 1907 Original
Displaying 1 - 4 of 4 reviews




