Twentieth Century Music: An Introduction

Prentice Hall History of Music Series

by Eric Salzman

Offering complete, accurate coverage in a tightly condensed, simple format, this comprehensive exploration of modern music (to 1998) deals primarily with the music itself and musical ideas. It puts the whole century in a unified concept, helping readers make sense out of the heterogeneity. It explains the overall development of 20th century music in relation to the past and to two big cycles of contemporary music; and encompasses classical and experimental traditions as well as popular elements, media, multi-media, and theater. Twentieth-Century Music and the Past. THE BREAKDOWN OF TRADITIONAL TONALITY. The Sources. The Revolution: Paris and Vienna. THE NEW TONALITIES. Stravinsky and Neo-Classicism. Neo-Classicism and Neo-Tonality in France and Outside of France. National Styles. Musical Theater. ATONALITY AND TWELVE-TONE MUSIC. The Viennese School. The Diffusion of Twelve-Tone Music. THE AVANT GARDE. Before World War II. Technological Culture and Electronic Music. Ultra-Rationality and Serialism. Anti-Rationality and Aleatory. The New Performed Music: The United States. Post-Serialism: The New Performance Practice in Europe. POST-MODERNISM. Beyond Modern Music. Back to Tonality. Pop as Culture. Media and Theater. Music Examples. For courses anyone interested in 20th Century Music, Modern Music, or the History of Music.

Genres: Music, History

337 pages, Paperback

First published January 1, 1974

Reviews

[stefanos · Rating 3 out of 5]

Το βιβλίο αφορά τα κύρια ρεύματα της ευρωπαϊκής και αμερικανικής λόγιας/έντεχνης μουσικής μέχρι τη δεκαετία του 70, κυρίως σχολιάζοντας επιγραμματικά συνθέτες και το έργο τους. Δυστυχώς σε πολλά σημεία το κείμενο γίνεται αρκετά δυσνόητο λόγω μεταφραστικής ανακρίβειας και περίεργης σύνταξης.

[Kenny Cook · Rating 2 out of 5]

Very dense, I had to skip sections of it, but it was cool that this book talked about the introduction of rock and other things, as most music history texts always decide to leave that out

[Jon · Rating 5 out of 5]

Lots of Stravinksy and Schoenberg, not enough Messaien. But great survey of the last century's art music scene.