Pre-Code Essentials: Must-See Cinema from Hollywood’s Untamed Era, 1930-1934

by Kim Luperi, Danny Reid

From Turner Classic Movies and the creators of @precodedotcom, this is the essential film-by-film guide to must-see cinema from the pre-Code era—a wild and wonderful slice of Hollywood history before strict enforcement of a censorship code that ruled moviemaking for decades.
 
With unparalleled freedom in the Golden Age of Hollywood, movies produced during the “pre-Code” era between 1930 and 1934 dealt with a wide range of social issues, including sexual freedom, incarceration, organized crime, race, and class. Films of the period include beloved classics like King Kong (1933) but also penetrating cinema like I Am a Fugitive from a Chain Gang (1932) and Wild Boys of the Road (1933). These films, produced at the height of the Great Depression, boast work by women directors, featured diverse leads, and pushed the limits of contemporary social norms. In Pre-Code Essentials, modern audiences will engage with the history as they dive deep into movies that remain, as they were then, adventurous and uncompromising.
 
Pre-Code Essentials covers fifty-four films that take readers through the pre-Code era’s evolution. For the novice, the book includes timelines and discusses the cultural history of the period and how it connects to modern times. For completists and film aficionados, the book is chock full of detailed production and censorship histories, recommendations, and trivia. Famous names like Barbara Stanwyck, Jean Harlow, Clark Gable, and Ernst Lubitsch get their due, while sidebars spotlight lesser-known treasures of the era like Ann Dvorak, Joan Blondell, Paul Robeson, Nina Mae McKinney, Dorothy Arzner, Warren William, and Dolores De Rio. Post-Epilogue features discuss availability of the films and include the full text of the Production Code. Illustrated by more than 150 photos, Production Code Administration reports, correspondence between studios and censors, and more, Pre-Code Essentials is both a gorgeous guide and an incisive, indispensable resource of Hollywood history.
 
Among the films The Divorcee, All Quiet on the Western Front, Safe in Hell, Frankenstein, Shanghai Express, Freaks, Merrily We Go to Hell, Downstairs, Love Me Tonight, Trouble in Paradise, Three on a Match, The Sign of the Cross, Gabriel Over the White House, The Story of Temple Drake, The Emperor Jones, The Sin of Nora Moran, I Am Suzanne!, The Black Cat, Smarty, Murder at the Vanities, and many more

Genres: Nonfiction, Film, History, Audiobook

256 pages, Paperback

Published October 28, 2025

About the author

Kim Luperi was born and raised in New Jersey but has since migrated west to Los Angeles. She wrote her undergraduate thesis on the censorship battle of BABY FACE (1933) and never looked back. Currently, she curates the @precodedotcom Instagram account and is a freelance writer for TCM. She’s written for AFI Fest, the American Cinematheque, and MovieMaker Magazine and covers classic film screenings at ISeeADarkTheater.com.

Reviews

[Monica Lynne · Rating 4 out of 5]

Really enjoyed reading about these movies and the censorship that came with each film when released and on re-release. Love old Hollywood movies, and this expanded what I knew about the period.

[James Freeman · Rating 4 out of 5]

I don’t watch a lot of movies, but I’ve always been curious about the “pre-Code” era. Pre-Code Essentials was the perfect introduction. The authors explain each film in a clear, fun way that never feels too technical. The background stories, censorship notes, and photos helped me understand why these movies were so unique.

By the end, I’d already made a watchlist — something I never thought I’d do. If you’re new to classic films or just want a simple, engaging guide to pre-Code Hollywood, this book is an excellent place to start.

[Jane · Rating 5 out of 5]

I've loved pre-code.com for a long time, so delighted to get to read the book now. Danny's brand of humor is on point.

[Roy · Rating 4 out of 5]

This is a very interesting annotated discussion of 50 films that the authors believe represent a mix of the most important films of the pre-code period, the ones that most clearly indicate how that short period illuminated things film is often unwilling to touch, such as social and class rivalry in America, the impact of power relationships, the potential for political movements, the kind of power that men can use for dominating women, and certainly more attention to sexual themes for both titillation and serious insights.

This is a book format TCM has created for several topics (silent films, film noir, etc.). Like those, this does a good job of creating a filmography to explore the era in question. Like most of those books it can be read in short bursts, one film at a time, usually discussed in about 4 pages.

But this book is also very focused on the censorship battles of the short period from 1930-34, and how the films and those battles set up the strong code enforcement that dominated films for at least 30 years and influences what Hollywood considers safe even today (like violence is more acceptable than explicit sexuality, for example). The book provides extensive insights on what was considered objectionable, derived from research into the archives of both the film studios and the censorship boards. This makes for fascinating reading, especially when coupled with a discussion of the trends in the films going beyond what the censors wanted to allow.

[Alexandra Freire · Rating 5 out of 5]

Este era el libro que esperaba cuando me compré el de Precode Hollywood de Mark A Viera. Este es todo lo que yo quería de su libro y no obtuve.
Un repaso por los 50 films más importantes de la época pre-code, una de mis favoritas del Old Hollywood, y para sorpresa mía, contiene 4 films con Fredric March!!: Sign of the cross, Merrily we go to hell, Dr Jekyll and Mr Hyde y Design for living.
Amé el libro, las fotografías, las frases, el papel del libro, la portada, todo. Bellísimo.
5/5

[Mya]

Looking forward to finding some more Pre-Code films to add to my watchlist!!

[Patricia · Rating 4 out of 5]

This book is exhaustive in both a good and bad way. I liked all the stills from the movies.

[Paul Narvaez · Rating 3 out of 5]

This book is probably geared for a more general audience than the kinds of film books I normally pick up. That said, even as an entry-level, entertainment book, it still has a lot to offer. Some of its recommended film titles dug a bit deeper than the usual suspects ("Baby Face", "Night Nurse", "Red-Headed Woman", etc). I did like the fact that it provided local censorship information for each film and a reminder that film exhibition for much of its history, was always a local, rather than a national phenomenon. Unfortunately, similar to how local school districts are banning certain books in our present reactionary era.