The Violence of the Image

by Liam Kennedy (Editor), Caitlin Patrick (Editor)

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

Genres: Photography

304 pages, Paperback

First published July 23, 2014

About the author

Professor Liam Kennedy is Director of the Clinton Institute for American Studies at University College Dublin. He has diverse research interests and teaching experiences, spanning the fields of American urban studies, visual culture, globalisation and transatlantic relations.

He is the author of Susan Sontag: Mind as Passion (1995) and Race and Urban Space in American Culture (2000). He is co-editor of Urban Space and Representation (1999) and City Sites: An Electronic Book (2000), and editor of Remaking Birmingham: The Visual Culture of Urban Regeneration (2004).

Professor Kennedy's work is interdisciplinary, blending cultural and political modes of scholarly analysis, and represents American Studies as a valuable framework to study both American domestic and international affairs.

He is currently researching a monograph on photography and international conflict, and preparing two edited books - on urban photography and on cultural diplomacy and US foreign policy.