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354 pages, Hardcover
First published February 17, 2015
…nothing was as it seemedOn learning that the southern member of their group hails from a place that stages an annual Civil War re-enactment, one with a heavy Confederate tilt, four UC Berkeley sophomores decide to engage in a bit of political theater and protest the event by staging a mock lynching. What could possibly go wrong?
…when young he had admired their sarcasm and sharp wit, his older female cousins—the misanthrope, the pyromaniac, and the exhibitionist—all obviously hated their lives, lives that would never recover the hope of their youth, lives now defined by their status as old maids, though barely thirty. They were stuck here, and the finality of that sentence pained him. It was impossible to have a conversation with one of them and not feel like he was addressing a ghost.What’s in a name? D’Aron Davenport has them by the bushel. Not just the ones he was tagged with at birth, but the stream of names that attached to him through his brief life. Some of them celebrate achievement, some mark him as an outcast, some poke fun, and some offer respect. Some tell his history, and some hold a promise for the future. Many of these names will find their way back to D’Aron over the course of the story as he struggles to define himself in places where others seem intent on doing that for him. He would like to make a name for himself someplace other than Braggsville, Georgia. On graduating from high school, he gets as far away as he can.
she’d once admitted that her family wasn’t close; that her father expressed a greater affinity for moths and fruit liqueurs and her mother a keen interest in civil rights. She dubbed them emotionally abusive.Johnson extends the outsider notion to larger structures as well. D’Aron may be a fish out of water in Braggsville, but what of the residents of the Gully? An entire community that is not allowed much opportunity to get near the water, let alone jump in. You can guess the complexion involved.
Every organization, every single one, Daron worries himself, orchestrates a silent competition with the church; they want not employees but practitioners, apostles, acolytes—not workers, but worshippers. Between this observation and his reflections on school, he concludes that everyone advertises for the mind but expects you to bring the soul.or
Did his parents also look at each other with resentment born of intimacy; did they want more than anything else to reach out to each other, to close cold space; did they say things to hurt each other first intentionally and then again, accidentally, even without meaning to, in the midst of apologizing? Did they inventory their intimacies? How did you look at someone and care so much for them and hate them at the same time, be so angry that you didn’t even trust yourself to have a valid emotion, so angry it couldn’t be real?Links are drawn between the treatment of Native Americans and interned Japanese during World War II, between lynching of the traditional sort and a later day electronic equivalent, between anchors that ground one and those that keep you from moving, between being in one’s social bubble, and being in the world.
Welcome to Braggsville. The City that Love Built in the Heart of Georgia. Population 712
Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians."
But everything changes in the group's alternative history class, when D'aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation, and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences...
A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart. 'Welcome to Braggsville' reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.