This book takes place post-civil war, during the reign of King Charles II, after regaining the throne. The main characters are still part of the Heron family, and though this book is more a romance, there are many actual events portrayed within.
The London fire of 1666 is frightfully detailed, giving the readers the sights, sounds, and horrors of that catastrophic event. Another wonderful thread in the book, John Wilmot, second Earl of Rochester , renowned satirical poet and rake of the time, is woven into the story line as Alathea's lover. This is a great book, especially with Alathea making her way in a "man's world" as a portrait artist.
Belle, who also writes contemporary fiction as Alice Marlow, always wanted to be an author. As a child the books she read were adventure stories like "Treasure Island," "Swallows and Amazons," and the novels of John Buchan and CS Forester. She wrote her first book at the age of twelve and having visited the site of a lovely Elizabethan manor house called Rushbrooke and observing the bare, moated island which was all that was left, she wanted to bring Rushbrooke back and chose to do so in print. Over the next few years 'The Epic', as it became known, grew and grew. Belle drew up a huge family tree and a plan of the house very like Rushbrooke. Married and a teacher of a class of six-year-olds, she wrote in longhand and, while publishers made encouraging noises, no one was prepared to risk publishing a large book by an unknown author. Eventually the agent Vivienne Schuster was wonderfully enthusiastic about it and found a publisher. "The Moon in the Water" and its two sequels were published in the UK and the USA with considerable success. Belle gave up teaching in 1985 to spend more time researching and writing. She plans to write a book about Alfred the Great if she can fit it in between looking after the children, dogs, cats and husband.
Alethea is the oldest daughter of Thomazine Heron, whose story was told in The Moon in the Water and The Chains of Fate. Her talent for drawing is evident even at the age of eleven and her parents send her to stay with cousins in London where she can train with the famous artist Mary Beale. Once grown Alethea's only desire is to paint and has no wish to marry and lose her independence - but there are three men determined to have her. Her beauty, wit and charm captures the fancy of John Wilmot, Earl of Rochester, one of the more infamous and licentious members of Charles II's court. Also in love with her is Jasper, the country-doctor son of Thomazine's greatest friend, as well as the dark and brooding Kit who is forever scarred by his childhood and cannot let go of his obsessive and unhealthy desire for Alethea.
Can Alethea maintain her virtue against the onslaught of charm and poetry from the amusing but married Rochester? Or will she face scandal and succumb to her greatest desires? What about the staid, but oh so faithful Jasper who is willing to wait patiently? Will she escape Kit's unnatural love or will it lead to violence? Will that evil witch Meraud finally get the just desserts she so greatly deserves? Inquiring minds want to know but I am not going to tell you - read it for yourself.
Set amidst the backdrop of 17C England during the reign of Charles II, including a terrifying look at the Great London Fire, I found this an absorbing read that kept me reading well into the wee hours of the night. While it might not appeal to readers looking for an action packed novel, I loved the character developments and family relationships Belle was able to create, as well as a look at this period in England's history away from the King and his court. Belle has a nice knack for writing children and pets into her stories without them being cloying in their cuteness.
I have to say though, despite all the shenanigans with Rochester and his drinking cohorts, the all time scene stealer was Rochester's pet monkey. The scene where Alethea's parsimonious uncle pays a surprise visit during a dinner party and the pet cuts lose at the most inappropriate moment,
"The monkey shrieked rudely back and began, with intense concentration, an obscene ritual of intimate hygiene."
And the Heron's saga continues, telling now about Alethea, daughter of Francis and Thomazine Heron.
Alethea is a woman ahead of her time since her love for painting as above all her 3 admirers: Kit Drakelon, his half-brother, Jasper Sewell, a quiet country doctor and the infamous John of Wilmot, Earl of Rochester.
Her first tutor in the art of painting was Mary Beale who immediately recognized Alethea's gift to draw very quickly any portrait of mainly her family in the beginning oh her career. After acquiring more technique, she learnt to paint miniatures at the Court, during Restoration period. The description of the Fire in London is unforgettable.
Rochester's poems to Alethea are authentic, according to the author, and the order in which they appear in the story corresponds to the order in which most scholars considerer he wrote them. It also seems that the famous portrait of Rochester crowing his monkey at the National Portrait Gallery, is usually assigned to Jacob Huysmans. Since there is no signature on it, why not attribute to Alethea?
After reading this series, I will certainly read the Wintercombe series.
This is the third story in the Heron series & is set during the Restoration period, with the arrival of King Charles the 2nd to the throne and the return of Simon Heron to Goldhayes. Causing Alathea (daughter of Francis and Thomazine Heron - The Moon in the Water and The Chains of Fate books 1 & 2 of the series) and her family, to leave Goldhayes to return back to live at Ashcroft. There, Alathea discovers her talent as an artist and she is sent to live in London, to escape the threatening attentions of her jealous half-brother. Through the following years as her talent blossoms, she experiences both the Plague and the Great Fire. Alathea's path through Restoration England is vividly described, as she pursues her dreams of becoming a famous female artist during this period. A time when it was very unusual for a woman to have a career let alone a successful one. This is a well written book & the author manages to make you feel part of events.
You are also taken through a gamut of emotions. The characters are well rounded & the pace of the story keeps you turning the pages. I’d recommend it & the whole series to lovers of the Stuart period I voluntarily reviewed an ARC of this book
The third in the Herron family series. London fire. More romance than history. There is one more book in this series. Don't have it yet, but hope the author goes back to more of a history slant...
The lack of editorial attention to detail is deeply disappointing
The storyline continues well from the previous two volumes, but the lack of editorial attention to detail is positively depressing, manifesting as it does from the very start with the misspelled name of the main protagonist even in the title!
Alethea is named, and the name and its etymology explained, in the final pages of the previous volume in the series. Why, then, can the author (and the rest of the "team") not get such a basic detail correct in the telling of Alethea's story? Even as the title of the book itself!
There are other glaring blunders throughout which, as a writer myself, made me cringe on a regular basis. None should have been allowed to remain by the time the text was released or, rather, allowed to escape, into the real world. Most would seem to have resulted from three possible processes; the use of an AI package, scanning of printed pages and passing through OCR software, the use of dictation software. My point is that *none* should have been present in the final product. All should actually have been spotted and corrected by the author, let alone anyone tasked with watching for such errors during the editorial process.
My comments may seem harsh. However, as an avid reader of many genres, I am becoming increasingly irritated by the seeming arrogance of those who self-publish towards those they expect to pay for the privilege of reading these "literary" offerings. We read your products, you are paid. You allegedly pay those who help you with the final stages of making your masterpieces available. It is therefore insulting that your customers are expected not only to be subjected to all sorts of gaffs (typographical, plot-based and factual) and even to both report them via Amazon and to email the author on the topic!
Pamela, please, if you are going to continue to write (which I actually hope you do), consider your public and the image of yourself you thus present. Get your act together! Have your work read and thoroughly checked by those with a high standard of written British English (preferably native speakers), and a good grounding in the history of the chosen place and time. Stop relying upon AI software and possibly family and friends. Both you and anyone else involved need to be completely ruthless. If this is deemed good enough to be a "finished piece" I really do shudder to imagine what any earlier drafts contained.
If the final volume commences as infuriatingly as this does then I won't be finishing it, let alone looking at anything else you produce.
This was not my favourite of Pamela Belle's books. I'm reading the Heron Quartet in order and enjoyed the first two far more. It was a real struggle getting through the tedium of the London years, especially after the move to Covent Garden. It turned out okay in the end though. But one more annoying detail. Does no-one proof read anymore? Even the spelling of Alathea was changed from the previous book to this one and there were increasing errors, some where the meaning was lost entirely.
Being an art lover, I thought I'd love this book, but I was wrong about that. This just went on and on and on and on and on!!! (I had written one of Ms. Belle's books a while ago and forgot how long-winded she can be.) This is another of those novels where the story could have been told in half the pages. After a time, I just skimmed, then I just lost interest.
I'll stick to reading bios of real-life women artists. I'll bet they'll say twice as much in half the time.
This is great book that explores the role of women in society. It examines the double standard that for so long made it dif3for a woman to be a successful artist and a mother.
I adored this book. Alathea gave me everything I wanted. It gave me an insight to how happy Thomazine and Francis are (thank god after all that kept them apart!) And followed up with the supporting cast nicely. Like The Moon in The Water you spend some time growing up with the main character and it really allowed her to develop a place in my heart.
This book really doesn't have a war unlike some of the others, but I liked the slower less action packed pace.
Sometimes I like a book much more after a few years and a second read. This would be one of those books. Since the previous two books centered mainly around Thomazine and Francis Heron, I think part of my problem was picking it up and thinking, "Yes! Time for more Francis!" and then feeling somewhat disappointed to find the book was about their daughter and they weren't in it much at all. (Which was silly of me, really, because the TITLE of the book is Alethea so it only makes sense that Alethea would be the main character.) I went into it this time knowing what to expect, and I enjoyed it a lot more the second time around. (Not that I disliked it on the first read. I just didn't like it as much.) Though I was still a little let down with the treatment of some of the characters, and I will never like any of them (with the exception of Jasper) as much as the older generation from Moon in the Water and Chains of Fate.
One of a series of historic fiction that takes place in 17th century England. Out of print and tough to find, but worth the read if you can stumble across it in a used book store. Belle's writing style reflects her penchant for history and romance.
I love this book. Alathea is determined to paint. Set in Restoration London it doesn’t focus on the King and government but on the ordinary lives of people living in those times. Personally I loved Hugh. Such a lovely character. And Hen.