Since "Andam Faunos Pelos Bosques", Aquilino Ribeiro promised to "go down to the city". His first attempt at a city romance was "Maria Benigna", which, to our knowledge, is a failed attempt. But, years later, he appears to us now, already equipped with an intrigue that was almost totally lacking in that one, with his new novel "Mónica".
The subject of "Mónica" is a subject likely to be of interest. The central solution would be acceptable if the novelist intended to justify it. We cannot take it as a simple painting because the main characters lack the psychological structure that gives their case the throbbing of life that a good novelist achieves in the most abstruse situations. As a move imposed by the content of humanity, characterized by the characters, it is also not set because the particular of the case excludes any projection or purpose from it. It should note that such a situation is more dramatic than romanesque. In the drama, it will arrive through a painting of characters that would have implanted through the very intensity of the conflict.