Smoke and Blue in the Face are some great films, but I remember not liking/enjoying Lulu on the Bridge. As I suspected, it seems to read better as a screenplay than as a film. It's difficult to weigh a book of three screenplays (well, just two, really, as BitF is largely improvised) when the quality varies. But Auster's a great writer, and provided are interesting behind-the-scenes stories of how the films were pulled off, as well as smaller amusing anecdotes from the set, and in the case of BitF, a very interesting look into how they executed a mostly-improv film, patching together different scenes and interstitials from two different shoots months apart.