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Notas sobre literatura

4.13  ·  Rating details ·  38 ratings  ·  2 reviews
Introduzione di Sergio Givone - pagine XXVI

Il saggio è la forma prediletta da Adorno, accanto all'aforisma, poiché rientra nel pensiero asistematico, che non sussume il particolare alla totalità, ma lo spreme in quanto frammento, la realtà stessa essendo frammentaria e trovando «la propria unità attraverso le fratture, non attraverso il loro appianamento», sicché il saggio
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Paperback, 692 pages
Published June 30th 2003 by Akal Ediciones (first published 1974)
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Armin
Jul 07, 2015 rated it really liked it  ·  review of another edition
Shelves: philosophie
Ursprünglich nur wegen eines Aufsatzes fürs Oberseminar gekauft (WS 1989), erst Jahre später komplett gelesen, sogar mit mehr Begeisterung.
Frühstückslektüre vor meinem täglichen Aufbruch in eine Werbeagentur.
Wertung gibt die Einschätzung von vor 20 Jahren wieder, gelegentliches Aufschlagen führt heute nur noch zu erstaunten Reaktionen, so ähnlich müssen die Schriften Gottscheds auf die Romantiker gewirkt haben.
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Dünya bir açıkhava hapisanesine dönüştükçe her şey o kadar bir ve aynı olmuştur ki, neyin neye bağımlı olduğunu bilmenin artık pek önemi yoktur. Her türlü olgu mevcut olanın mutlak hâkimiyetini ifade eden işaretler gibi dikiliyor karşımızda. Sözcüğün gerçek anlamıyla ideolojiler kalmadı, sadece dünyayı kopyalayarak bize satmaya çalışan reklamlar, inanılmayı beklemeyip sessiz kalmayı buyuran
kışkırtıcı yalan var.
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Theodor Wiesengrund Adorno was one of the most important philosophers and social critics in Germany after World War II. Although less well known among anglophone philosophers than his contemporary Hans-Georg Gadamer, Adorno had even greater influence on scholars and intellectuals in postwar Germany. In the 1960s he was the most prominent challenger to both Sir Karl Popper's philosophy of science a ...more

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“Dünya bir açıkhava hapisanesine dönüştükçe her şey o kadar bir ve aynı olmuştur ki, neyin neye bağımlı olduğunu bilmenin artık pek önemi yoktur. Her türlü olgu mevcut olanın mutlak hâkimiyetini ifade eden işaretler gibi dikiliyor karşımızda. Sözcüğün gerçek anlamıyla ideolojiler kalmadı, sadece dünyayı kopyalayarak bize satmaya çalışan reklamlar, inanılmayı beklemeyip sessiz kalmayı buyuran
kışkırtıcı yalan var.”
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