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陽気なギャング
陽気なギャングの日常と襲撃
伊坂幸太郎ブームに火を点けた“史上最強の天才強盗”、あの４人組が帰って来た！嘘を見抜く名人は刃物男騒動に、演説の達人は「幻の女」探し、精確な体内時計を持つ女は謎の招待券の真意を追う。そして天才スリは殴打される中年男に遭遇――４つの奇妙な事件と、華麗な銀行襲撃の裏に、さらなる謎が連鎖する…。文庫化記念ボーナス短編付き！
349 pages, Kindle Edition
First published May 1, 2006
1 person is currently reading
11 people want to read
About the author
Kōtarō Isaka
132 books744 followersKōtarō Isaka (伊坂幸太郎, Isaka Koutarou) is a Japanese author of mystery fiction.
Isaka was born in Matsudo City, Chiba Prefecture, Japan. After graduating from the law faculty of Tohoku University, he worked as a system engineer. Isaka quit his company job and focused on writing after hearing Kazuyoshi Saito's 1997 song "Kōfuku na Chōshoku Taikutsu na Yūshoku", and the two have collaborated several times. In 2000, Isaka won the Shincho Mystery Club Prize for his debut novel Ōdyubon no Inori, after which he became a full-time writer.
In 2002, Isaka's novel Lush Life gained much critical acclaim, but it was his Naoki Prize-nominated work Jūryoku Piero (2003) that brought him popular success. His following work Ahiru to Kamo no Koin Rokkā won the 25th Yoshikawa Eiji Prize for New Writers.
Jūryoku Piero (2003), Children (2004), Grasshopper (2004), Shinigami no Seido (2005) and Sabaku (2006) were all nominated for the Naoki Prize.
Isaka was the only author in Japan to be nominated for the Hon'ya Taishō in each of the award's first four years, finally winning in 2008 with Golden Slumber. The same work also won the 21st Yamamoto Shūgorō Prize.
Isaka was born in Matsudo City, Chiba Prefecture, Japan. After graduating from the law faculty of Tohoku University, he worked as a system engineer. Isaka quit his company job and focused on writing after hearing Kazuyoshi Saito's 1997 song "Kōfuku na Chōshoku Taikutsu na Yūshoku", and the two have collaborated several times. In 2000, Isaka won the Shincho Mystery Club Prize for his debut novel Ōdyubon no Inori, after which he became a full-time writer.
In 2002, Isaka's novel Lush Life gained much critical acclaim, but it was his Naoki Prize-nominated work Jūryoku Piero (2003) that brought him popular success. His following work Ahiru to Kamo no Koin Rokkā won the 25th Yoshikawa Eiji Prize for New Writers.
Jūryoku Piero (2003), Children (2004), Grasshopper (2004), Shinigami no Seido (2005) and Sabaku (2006) were all nominated for the Naoki Prize.
Isaka was the only author in Japan to be nominated for the Hon'ya Taishō in each of the award's first four years, finally winning in 2008 with Golden Slumber. The same work also won the 21st Yamamoto Shūgorō Prize.
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Displaying 1 - 3 of 3 reviews
July 14, 2023
果然又發生了！
開始寫心得的目的是因為不記得借過的書，看了幾頁發現不對勁，然後恍然大悟，啊！原來看過了。這還算是好的，畢竟記得的比不記得的多很多。於是用寫心得來避免重蹈覆轍，避免「早發性失智」太早出現。
然而，悲劇還是發生了。這書看起來那麼新(2018出版)，大概沒看過……
被再版書騙啦！這書我在2009年早看過了！然而這次居然是等到書都看完要寫心得，心血來潮上自己的blog確認一下，哇哩~~~~早知道應該在有點懷疑的時候就查的說……
所以這次大膽偷懶，只把之前的心得改些錯字、加幾個介詞就這樣重貼一下。
這本書是「天才搶匪盜轉地球」的續集。在區公所上班的人體測謊機成瀨，和工作的後輩一起遇到強盜闖民宅造成的大騷動；開咖啡館的響野幫個客人找出他失憶背後的真相，其實是同行的同事想要掩蓋清晨撞人的罪狀；身上像是裝了計時器的雪子，用她特有的開車技能，幫擔任派遣工的同事，揭開神秘招待券的秘密；擁有扒手絕技的久遠，救了個在公園裡莫名其妙被揍的中年男子。
這四個不搭咖的故事，中間夾了個四人聯手搶銀行的插曲，在搶銀行的過程中，成瀨發現有個女子神色不定地站在一名男子前面，似乎行動受到控制。後來想起來，就是工作後輩的女朋友，一個全國連鎖店大老闆的女兒。為了營救後輩女朋友，四個搶匪變成救人的團體。
作者還是善用一些看來沒有甚麼特別意義的敘述，慢慢地，這些線索會一點一點應用到最後的畫面。有點像是點描法畫風，近近看，每個都是奇怪沒關係的顏色小點，但是身體往後踏幾步，那些沒關聯的小點，就變成了一個很具象的東西了。
伊坂的文章，總是有這種樂趣。得小心按耐這些無厘頭的描述，因為等一下，全都會變得很有關係的。
開始寫心得的目的是因為不記得借過的書，看了幾頁發現不對勁，然後恍然大悟，啊！原來看過了。這還算是好的，畢竟記得的比不記得的多很多。於是用寫心得來避免重蹈覆轍，避免「早發性失智」太早出現。
然而，悲劇還是發生了。這書看起來那麼新(2018出版)，大概沒看過……
被再版書騙啦！這書我在2009年早看過了！然而這次居然是等到書都看完要寫心得，心血來潮上自己的blog確認一下，哇哩~~~~早知道應該在有點懷疑的時候就查的說……
所以這次大膽偷懶，只把之前的心得改些錯字、加幾個介詞就這樣重貼一下。
這本書是「天才搶匪盜轉地球」的續集。在區公所上班的人體測謊機成瀨，和工作的後輩一起遇到強盜闖民宅造成的大騷動；開咖啡館的響野幫個客人找出他失憶背後的真相，其實是同行的同事想要掩蓋清晨撞人的罪狀；身上像是裝了計時器的雪子，用她特有的開車技能，幫擔任派遣工的同事，揭開神秘招待券的秘密；擁有扒手絕技的久遠，救了個在公園裡莫名其妙被揍的中年男子。
這四個不搭咖的故事，中間夾了個四人聯手搶銀行的插曲，在搶銀行的過程中，成瀨發現有個女子神色不定地站在一名男子前面，似乎行動受到控制。後來想起來，就是工作後輩的女朋友，一個全國連鎖店大老闆的女兒。為了營救後輩女朋友，四個搶匪變成救人的團體。
作者還是善用一些看來沒有甚麼特別意義的敘述，慢慢地，這些線索會一點一點應用到最後的畫面。有點像是點描法畫風，近近看，每個都是奇怪沒關係的顏色小點，但是身體往後踏幾步，那些沒關聯的小點，就變成了一個很具象的東西了。
伊坂的文章，總是有這種樂趣。得小心按耐這些無厘頭的描述，因為等一下，全都會變得很有關係的。
February 18, 2019
因為被版上推薦是輕鬆喜劇才看的。事實上也真的是喜劇，步調輕鬆，角色對話還算有趣，但伊坂喜劇故事來說，死神的精準度還比較令人驚艷。這本只能是一般水準。
September 12, 2022
真的是很歡喜的一本書；目前看完依(土反)的書裡面，應屬這本最歡樂無負擔；這個系列有作者喜歡的將故事分割重組的戲碼，可是卻沒有其他幾本的沉重、無奈以及結局的一點光明的希望!!!拿來當依(土反)的入門書應該很適合!!!^^ 網路上有人說第二集比較沒那麼好看，可是我卻是比較喜歡第二集，四個短篇都可以相互結合，然後又關係到後面的長篇，而且這集四個主角的對談拌嘴也更加有趣!!!
Displaying 1 - 3 of 3 reviews