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The Location of Culture

3.87  ·  Rating details ·  1,877 ratings  ·  66 reviews
Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is ...more
Paperback, 440 pages
Published October 1st 2004 by Routledge (first published 1994)
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Ankur Singh It is upto you to perceive the way you want to judge an academic writing which requires a writer to be located in a sphere where his awareness of the…moreIt is upto you to perceive the way you want to judge an academic writing which requires a writer to be located in a sphere where his awareness of the other essayists and critiques needs to be displayed through their reference in their writing,whether repetitively or not.
Bhabha incorporates that essence.Try not to take it up the next time, I too prefer others over him for the same reason.(less)

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This book recommended for...

1. People who like pain.
2. People who like elitist, dense, scholarship that arrogantly references a huge array of critical theory without attempting to show where any of this is coming from or what it really means, and then tries to pass itself off as politically efficacious.
3. Graduate students and academics in cultural studies or postcolonial theory.

This makes me wonder... are those in the third category just really those who fit both descriptions one and two? It's
Homi Bhabha seems to collect thinkers together, and take fragments of them and try to glue them together, but he does a really bad job of it. His typical adhesive is Lacanian nincompoopery (holy shit, spellcheck accepted that)(but not "Lacanian"), so I'm probably not the best interpreter. He's borderline unreadable, but then he has these moments of utter clarity and charm when riffing on Salman Rushdie or Roland Barthes, and you realize he has a lot of talent. Which makes me think he's probably ...more
Scott Smith
May 01, 2011 rated it really liked it
This is certainly an important book. Bhabha is one of the "Holy Trinity" of postcolonial theorists, along with Edward Said and Giyatri Spivak. He is known for being fairly difficult to read (he is a big fan of Lacan) but once you sort of get used to his style and his general thought process he becomes accessible. Spivak is still way harder to approach then Bhabha.
Anyway, his main thesis deals with the place of colonized subject somewhere in between the stereotypes of savagery and naivete that t
Matías Zitterkopf
Aug 04, 2014 rated it liked it
If you want to torture someone or yourself, go ahead and read this book. I've read some chapters for my thesis, I found some definitions I needed but it's a very complex kind of reading.

Homi takes a simple idea or concepts and goes on forever trying to explain it, repeating and saying in each paragraph what he made "clear" in the first line.
It's hard to deny that Homi Bhabha changed the entire discourse surrounding postcolonial studies, but he's also one of those figures--like Foucault, Judith Butler, Marx, or Freud--whose central ideas have become so important and so widely discussed that they are now almost taken as a baseline for discussion in literary and cultural criticism. For my money, Bhabha's two best essays in this collection are "Of Mimicry and Man" and "Signs Taken for Wonders," which develop his theories of cultural hy ...more
Melusine Parry
The ideas are fascinating, but the style is awful, terrifyingly jargonny and sometimes impenetrable. You have to read critical studies of the book to understand all of it.
Unforgivably, unnecessarily obtuse. Infuriatingly impenetrable. Rubbish.
Brilliant, demanding, challenging, insightful, and in places just plain wrong this remains one of the most important texts in post-structural postcolonial studies. It is an absolute must read in that there is a basic defining of the field in this collection of papers published elsewhere and gathered here. It contains two of the fundamental texts of the approach – 'Of Mimicry and Man' and 'Sly Civility' – that merit repeated re-reading and re-evaluation. My problem with it is part of a more gener ...more
Nov 12, 2012 added it
Shelves: partially-read
This book is the epitome of how critical theory creates its own dualism between elite theoretical discourse and other, more digestible, ways of writing. Bhabha's concepts, while worthwhile, remain buried in sentences that appear to be consciously overwritten and almost unintelligible. This is almost impossible to compare to other theorists. I would recommend Said, but never this.
Feb 22, 2013 rated it did not like it
Not readeable, even to those familiar with the terminology associated with post-structuralism and post-colonialism. Further, the content is repetitive. I didn't like this book at all.
Odlično teoretsko štivo koje se bavi postkolonijalnom kritikom.
Erdem Tasdelen
Aug 08, 2010 rated it really liked it
Interesting progression in this book. Maybe it's because I don't have a firm grasp of the specifics of these histories of colonialism that I find it easier to relate to his analysis of the last century and the effect of modernity/postmodernity on postcolonial subjectivity. Bhabha's writing has much more clarity in the later chapters where he starts utilizing the terms he lays out in the previous ones, and adds a few that are more cohesive. I enjoyed how he methodically sculpts a postcolonial sub ...more
Chon Mkliiry
Dec 19, 2012 rated it really liked it
A wonderful book on the future challenges faced by the advent of post-colonialism and postmodernism. His observations on "the third space" certainly resonates with me as a multicultural, multiracial individual. He sees human development as always "media res" and refrains from binary classifications such as past and present or this culture/that culture. His argument, which compliments Deleuze and Guattari's "rhizome", is very compelling. A great book, but by no means a quick read.
C. McGee
Oct 02, 2016 rated it did not like it
One of academia's best snake oil salesman. Bhabha says nothing, but he says nothing in an intimidatingly dense and jargon-laden fashion, so that the reader is too scared to call bullshit. No one in academia ever wants to be told that, "they don't get it," so barely anyone calls Bhabha out. What a joke.
A brief review: while some of Bhabha's ideas are rightfully praised, the obtuseness of his writing is inexcusable. Clear writing does not suggest a watering down (or dumbing down) of the content; it recognizes the importance of communication in the history of ideas. Somebody should write an "annotated" edition of The Location of Culture. But I managed to get to the end! \o/
Mar 21, 2013 rated it it was amazing
This is an awesome book for those interested in postcolonial theory.
Feb 19, 2018 rated it it was ok
Contains some nuggets of wisdom. But his language requires some deciphering.
Sometimes too theoretical.
scott noble
Jan 06, 2008 rated it it was amazing
awesome post-colonial theory
Nov 07, 2012 rated it did not like it
I'm too dumb to understand all the isms and iations and other complex-ass nouns Bhabha uses in the creation of the post-colonial studies vocabulary.
Guilherme Smee
Nov 19, 2017 rated it it was amazing  ·  review of another edition
Shelves: cultura
Neste livro, intitulado O Local da Cultura, o autor Homi K. Bhabha tenta colocar a cultura em um lugar denttro da sociedade pós-moderna. Para isso ele trabalha aspectos sociais, espaço-temporais, simbólicos, linguísticos e pedagógicos. Em constante luta entre o colonial e o pós-colonial, a sociedade global se encontra em algum entrelugar no meio destes dois conceitos. Se por um lado vemos as cultural romperem com dominações, por outro, se deixam dominar. Se um aspecto pós-colonial seria a implan ...more
Aug 13, 2018 rated it really liked it
It took me so long to read this one, which I need for my dissertation. I do love Bhabha's approach to postcolonial theory but his writing is definitely a bit too much. Anyway, this is really a comprehensive collection of essays on the topics of cultural identity, hybridity, the representation of migrants in literature, ... If you are interested in any of this or in postcolonial studies, then this is a must read.
Dec 29, 2018 rated it it was amazing  ·  review of another edition
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
May 29, 2017 rated it really liked it
Notes from thesis:
Identity could not possibly be fixed or transfixed upon spatial differences alone, for there are cultural dynamics that come into play.
Identity, as Bhabha (1994) points out, is not authentically east or west, but rather it is both, and neither.
LaToya James
Oct 24, 2018 rated it it was amazing
Compared to Spivak, I actually found him easy to read! Anyone interested in postcolonial identity or ethnic literature inside the United States should read this book.
Dec 18, 2017 rated it really liked it
Interesting, but it could've been shorter.
Dec 29, 2017 rated it it was amazing
Read part of for school
Obtuse, opaque, unnecessarily confusing, but so good. Prose gets 1 star, ideas get 4-5.
Dec 18, 2015 marked it as to-keep-ref
Los estudios poscoloniales abarcan un amplio y variado grupo de discursos, pero deseamos enfocar aquí la obra de Homi Bhabha porque representa el ejemplo más claro y mejor articulado de la continuidad entre discursos posmodernistas y poscolonialistas. Uno de los objetos primarios y constantes de los ataques de Bhabha son las divisiones binarias. De hecho, todo el proyecto poscolonial que él presenta se define por su rechazo a las divisiones binarias sobre las que se ha predicado la cosmovisión c ...more
Feb 20, 2011 rated it really liked it
Although this could have been perhaps a third of the size due to unnecessary repetition and emphasis on the major points, as well as some rambling side issues, this is an engaging and critical read on post-colonialist theory, which stresses the voice from in-between, from the liminal societies and view-points and positions in the world. It focusses on the post-structuralist view of reading culture or history or novels: there aren't simple dichotomies when talking about coloniser/colonised, white ...more
Jan 25, 2013 rated it liked it
I've read the book before, some years past while working on my MA. I enjoyed it enormously then and though I might be able to glean some working material from it for a current project. It has, with its rather dated 90s emphasis on cultural difference, rather failed to age as well as some others by, perhaps, older writers (I'm thinking particularly of Said and Spivak) and I found it less useful than I'd hoped. Moments, such as that where he decries the misguided perception that theoretical langua ...more
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Homi K. Bhabha is the Anne F. Rothenberg Professor of English and American Literature and Language, and the Director of the Humanities Center, at Harvard University. He is one of the most important figures in contemporary post-colonial studies, and has coined a number of the field's neologisms and key concepts, such as hybridity, mimicry, difference, ambivalence. Such terms describe ways in which ...more
“The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.” 23 likes
“A statement on the political responsibility of the critic: the critic must attempt to fully realize, and take responsibility for, the unspoken, unrepresented pasts that haunt the historical present.” 2 likes
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