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400 pages, Hardcover
First published July 3, 2014
I have a bibliography as long as my arm. And then there are first-hand resources—maps, paintings, diaries, prices of food, inventories, wills—and the physical city of Amsterdam itself. I first went in 2009, which is when I saw the house in the Rijksmuseum, and then again August 2012 for my birthday – with a long list of questions and locations to visit post-fourth draft. Where did they bury the bodies in the Old Church? How many windows on the front of a gable? How did they winch furniture in? A lot in the book is all historically true in terms of life in the city… - from the Richard Lee interviewNella’s search and her coming of age occur in a difficult time and place. The Amsterdam of the late 17th century, the Dutch Golden Age, is a world financial and military capital, a harsh, unforgiving place, where human failing and difference is not be tolerated, where neighbors are encouraged to spy and report on neighbors, (yes, very much like your office) and where it is always a contest whether the worship of gold or god will hold sway in any given circumstance. The two domains cross paths frequently.
It is this city. It is the years we all spend in an invisible cage, whose bars are made of murderous hypocrisy.It is a time when being a woman was much more of a challenge than it is today. Marriage, paradoxically, was seen by some as the only way for women to secure any influence over their own lives. But what if a woman wanted something more, something of her own, the opportunity to be the architect of her own fortune, and not submit to a life in a golden cage. Nella may have stepped into a wealthy man’s world, but she must still take care for the many traps that have been laid by a cold society and those jealous of her husband’s success and of her. And there are challenges as well with her marriage, which was not quite what she had bargained for.
I wanted to create women who are not more ‘strongly female’ or ‘stronger than other females’, or ‘strong’ because they are braver than men, or can physically lift more saucepans or anything like that. I just wanted some women who for once are not defined by any other ideal than that they are human. - from the Richard Lee interview
Residing at the sign of the sun, on Kalveerstraat
Originally from Bergen
Trained with the great Bruges clockmaker, Lucas Windelbreke
ALL, AND YET NOTHING.
Starling, she thinks, if you believe that building is the safer spot, then I am not the one to set you free.I was also dissatisfied with the murky, unresolved way the miniaturist subplot ended ... and, to a lesser extent, the entire novel.