Cartwheel by Jennifer duBois

Jan 21, 2014 karen rated it it was amazing

Shelves: free-from-work, girls-gone-wild

it's so rare that i review a book that is actually out, what with all my netgalleying and ARC-hoarding. but this one has been out for ages and i am only just now getting around to the ARC i hoarded last year. but this means i can say to you - go and get this now!! you don't have to wait 4 months for me to float my review and remind you that you wanted to read it.

because i loved it, and i feel like it has been so long since i truly loved a book that i want to crow and dance and maybe… do a cartw ...more

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Oct 28, 2013 kari rated it it was ok

Shelves: 2013

This book is not a compelling read. I feel like the author is too busy showing me she is smart(perhaps like Lily) instead of attempting to involve me in the story. I don't like that. At. All.
Proving to readers that you have an extensive and yet overblown vocabulary with which you are insistent on impressing them isn't good writing, in my opinion.
It is also difficult to keep the thread of dialogue going as every single character would have these pages long musings involving the past, or their fe This book is not a compelling read. I feel like the author is too busy showing me she is smart(perhaps like Lily) instead of attempting to involve me in the story. I don't like that. At. All.
Proving to readers that you have an extensive and yet overblown vocabulary with which you are insistent on impressing them isn't good writing, in my opinion.
It is also difficult to keep the thread of dialogue going as every single character would have these pages long musings involving the past, or their feelings, or the way the light looks filtered through the window, in the middle of conversations. I would get to the end of dialogue and have to go back and re-read the pages without the ponderings just to wrap my head around what is actually being said. I do not think people actually talk in this way, with huge pauses while they go over things in their head and the other person just sits there static, doing nothing until they get done ruminating and deign to speak.
This should be a book that I'd really enjoy, something of a mystery, but it is told in such a way that I simply don't know any of the characters by the end of the story. They are all still murky and nebulous and lacking definition.
They are all complex with different problems and world views, but it still adds up to a lot of nothing for me.
There are bits that seem to me to be plot holes or else sloppy writing which would seem odd since this author would appear to select each word after excessive consideration and the assistance of a thesaurus.
At one point Lily is fired for supposedly causing a scene at her workplace, but she had a discussion in a ladies room, hardly what one would call a scene. There was no screaming or yelling, just a discussion which I wouldn't consider a scene, particularly since it took place in a more private location. And that seems careless.
There are hints and bits that are simply left swaying in the breeze. There are so many viewpoints, but one of them should have been Katy. At least to let us know who she was as she didn't seem to be what everyone thought she was. For me, there was an undertone of her not actually being very nice or perhaps it would be more correct to say she was hiding her true self while Lily was being herself, but that, as much of the book, went nowhere.
Having said all that, and the reason this does just barely get two stars instead of one is that I was still affected by the story and felt such anguish and disgust over what was happening to Lily.
Even though the author tried, I never quite understood why the prosecutor would try to implicate someone for a crime they obviously didn't commit. It made no sense and the author didn't manage to make it make sense. The stuff about his weird ex-wife didn't clarify anything for me and made me think he was merely evil.
The ending is abrupt with no closure for anyone. The trial is barely mentioned.
I don't even know exactly what story the author was trying to tell me. There are far too many points of view and none of them bring much to the story.
I don't believe I would ever read this author again. ...more

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Aug 23, 2013 switterbug (Betsey) rated it it was amazing

Although there's been discussion that this novel is based on the Amanda Knox story, it is more accurate to say that it is inspired by it, and I think that if you go into it with that approach, you won't be comparing for authenticity. DuBois has taken many liberties with the familiar Knox chronicle, so that it is a decidedly different story. It reads like a mosaic of a family and a haunting labyrinth of mirrors.

American exchange student Lily Hayes, on the verge of 21, travels to Buenos Aires to s Although there's been discussion that this novel is based on the Amanda Knox story, it is more accurate to say that it is inspired by it, and I think that if you go into it with that approach, you won't be comparing for authenticity. DuBois has taken many liberties with the familiar Knox chronicle, so that it is a decidedly different story. It reads like a mosaic of a family and a haunting labyrinth of mirrors.

American exchange student Lily Hayes, on the verge of 21, travels to Buenos Aires to study abroad for a semester. She plans to immerse herself in the culture, improve her Spanish, and re-define herself. As it is, she feels that her parents perceive her as an afterthought. Tragedy struck the family before she was born. Her parents lost a 2 ½ year-old daughter, Janie, to a blood dyscrasia, and now, she and her younger sister, Anna, feel like props in their parents lives, a consolation prize to the sacred and forever 2 ½ year-old sister.

Lily and her roommate, Katy Kellers, live with a host family, and Lily feels the prickliness of being poorly appraised by the family, and is always getting in trouble with them, due to her guileless naïveté. She begins a romance with the mercurial neighbor, Sebastien LeCompte, another fall-out of tragedy. His parents, who were spies, died in a plane crash, leaving him a young millionaire in an old, crumbling house next door to Lily and Katy. Five weeks later, Katy is found brutally murdered; Lily is the prime suspect. These details and events are all revealed very early in the novel, and set up the meat of the story's riddle.

The novel unfolds gradually, even leisurely, as DuBois takes the time to pause and dig deeply into each character. The chapters alternate between characters and time periods, and the reader sees circumstances and events through a prism of different eyes and sensibilities and prejudices, and through the personal histories of Lily, her parents, the prosecutor, Sebastien, and Anna. There is tragedy or fierce rejection/abandonment in everyone's past, and how that affects each one's judgment and awareness is germane to the evolution of the story.

As Lily says of her parents, Andrew and Maureen, about their divorce:

"...when it finally came, after years of existing in a collective state of medicated and vacant life-tolerance, they merely drifted off into separate ethers, and that was that." And the death of Janie:

"...life was short...yes, a terrible thing had happened...long, long ago and one day everyone would be dead and nobody would get any extra points for having hated life so much. Because Andrew and Maureen did hate life, really; they were just always very polite about it.

CARTWHEEL does not fit the mold of genre crime fiction. If you are looking for a pulse-pounding, propulsive, cat-and-mouse thriller, this likely won't satisfy that desire. Dubois' novel progresses at a dilatory pace. it is a psychological character study and a penetrating reflection of what it is to face the impossible odds of life. How do you reconcile the immutable past with the unreliable present?

I don't think that Lily's guilt or innocence is even central to DuBois' purpose in writing the story. More importantly, it's about Lily as seen through a spectrum of various observers--for example, her "inappropriate" behaviors--a cartwheel, a kiss, a cold reaction to murder. The fact of Lily's guilt or innocence is not the apogee of this novel at all. Rather, it is built on the question of perception: How do we perceive others, and how do others perceive us? How much of that is determined by how we see ourselves? In the hands of the prosecutor, Eduardo Campos, he has the power to force his will on others. In the case of Lily, her carelessness and reckless free-spiritedness could destroy her life. She is powerless against the forces of a foreign country or the capricious media's thirst for tawdry scandal.

As Eduardo imagines saying to Lily:

"We must act as though our understanding, as limited as it might be, is the most panoramic and complete understanding possible. We must act as though everything in this life counts; as though we only have one shot to get things right. We must act as though nobody would see the truth if we did not see the truth."

There's a set of facts and there's forensic evidence, and then there is the truth. Do the facts support the truth? Or are they two different organisms? CARTWHEEL weighs facts that reflect remembrance, and evasions that simulate lies-- to safeguard the truth. This compelling book, throughout, ponders the uncertainty that dwells within us, and contemplates how we ache for merciful hope against the most ruthless odds. ...more

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Sep 30, 2013 Carol rated it did not like it

This book was supposed to be "loosely based" on the Amanda Knox story. "Loosely"? Change the names, change the city, and it was regurgitated from the news practically word for word except, of course for the author's pretentious word choices throughout the book -- phloem, ingots, scherzo, atavistic, ungulate, syllogism, sybaritic, dictum, mirabile, pentimento, quotidian, caesura, decretory, etc., etc. The writing is pretentious and ostentatious "faint crepitation of a leaf against the window". Oh ...more

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Oct 09, 2013 Delee rated it really liked it

Shelves: arc, mystery, own, reviewed

My road to finding and becoming interested in CARTWHEEL was long...

In 2008, I read a book called The Monster of Florence ( about Il Mostro- a serial killer linked to 16 murders which took place in Florence Italy between 1968 and 1985)...and also watched numerous documentaries about the killings. Douglas Preston was one of the authors of The Monster of Florence, and was also in the forefront of my favorite documentaries on the case. I found him very credible and also knew he wrote The Relic- whic ...more

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Mar 11, 2018 Julie Ehlers rated it liked it

Shelves: literary-fiction

Cartwheel is very loosely based on the framework of facts from the Amanda Knox case, but that doesn't mean it's a crime thriller or murder mystery. It starts off as a deep dive into the psyches of a few important characters: Lily Hayes (the Knox alter ego), Lily's father Andrew, the prosecutor Eduardo, and Lily's sometime boyfriend Sebastien. I assumed Cartwheel would provide no definite answers (I was wrong about that, I think) and that any conclusions the reader could draw would be based on kn ...more

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Dec 15, 2016 LeAnne: GeezerMom rated it it was amazing

Yep! 5 stars for me, although I've been putting this book off for months. It's gotten some bum reviews, and when I saw it was supposedly a sort of a Lifetime Movie version of the Amanda Knox case - the gal who was accused, convicted, then released on charges of murdering her roommate in Italy - meh. I didn't wanna. While I felt bad for the real girl that was murdered and was mildly curious about Amanda Knox, it was not something I followed or paid attention to. Call me oblivious, but until readi Yep! 5 stars for me, although I've been putting this book off for months. It's gotten some bum reviews, and when I saw it was supposedly a sort of a Lifetime Movie version of the Amanda Knox case - the gal who was accused, convicted, then released on charges of murdering her roommate in Italy - meh. I didn't wanna. While I felt bad for the real girl that was murdered and was mildly curious about Amanda Knox, it was not something I followed or paid attention to. Call me oblivious, but until reading this novel, I had zero idea why it was entitled Cartwheel!

But I'm so glad I did read this! First off, the language here is intellectual and stimulating. So many popular books today - particularly those with college aged characters - have a fifth grade reading level (check Accelerated Reader or Scholastic websites - you'll see) that I was pleased to find a brighter, wittier syntax for once.

We get an in-depth purview into the feelings and attitude of the prosecuting attorney here, and it makes one wonder how the personal lives of key governmental officials influence those in the legal system. The prosecutor here has a gorgeous, younger wife who is erratic and has left him once. While he cannot believe that she ever married him in the first place, lovely as she is, she can also be scathing and remote. He transfers some of his beliefs about his wife's neuroses - or possibly her personality disorder, as suggested by his friends - onto the accused young lady. While there is direct evidence - scads of it - that show the crime scene full of DNA of a fellow she worked with, the prosecutor is intent on taking circumstantial evidence to also accuse the young woman named Lily. Is punishing the young American woman an unconscious punishment of his strange young wife or is he just doing his job? The reader will wonder.

The author also lets us walk in the shoes of one of the accused's parents, and we see the life of her boyfriend - clinically depressed over the death of his parents some years before. We meet her younger sister as well, and between them all, there is a mosaic constructed of their combined perspectives of Lily the accused murderer, supposed wielder of knife. Instead of filling in the blanks with a book report here, I will say that each of the characters in the story seem to be locked in to a certain mindset by past events that were beyond their control. From the host-family whose home is the scene of the girls' murder to the younger sister who sees herself as merely an accessory - a playmate birthed for the accused Lily, nearly everyone feels that life is a bit unfair.

I really enjoy books with psychological insights and with unusual burdens that the story's characters must manage. Life is never predictable, and how you or I react to it might vary according to whatever else is going on in our own lives. I cannot imagine stabbing anyone to death, but in the eyes of a prosecutor and in the right, albeit bizarre circumstances, who knows what he or she would concoct and convince others of?

Ignore the correlative story of poor young Meredith Kercher, killed back in 2007 in Italy. It is offensive to tie fiction to her tragic death. But if you're up for reading how an oddly motivated prosecutor and some unusual circumstances line up, this character study will not disappoint.

Wishing peace and acceptance to the families of victims every where. And good reading to you all. ...more

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Aug 20, 2013 Bonnie rated it it was ok · review of another edition

Shelves: adult, mystery, audiobooks, arcs-netgalley, library-audio

My rating: 2.5 of 5 stars

‘Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction. None of the characters are real. None of the events ever happened. Nothing in the book should be read as a factual statement about real-life events or people.’

‘Loosely inspired’ would imply that a subject was taken and adapted and molded to fit into a new version of the story. Cartwheel is an echo, a reflection and lacks in any true substantive differe My rating: 2.5 of 5 stars

‘Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction. None of the characters are real. None of the events ever happened. Nothing in the book should be read as a factual statement about real-life events or people.’

‘Loosely inspired’ would imply that a subject was taken and adapted and molded to fit into a new version of the story. Cartwheel is an echo, a reflection and lacks in any true substantive differences from the headlines other than the location (Italy vs. Argentina). I know next to nothing about the Amanda Knox case as I never followed closely along with the court proceedings, however, even with the paltry details I have gathered I see no true differentiation that would warrant the term ‘loosely inspired’. Cartwheel is at heart a character study but ultimately lacks in creative elements.

The writing style was well-written yet extremely tedious and I found myself setting my print copy aside and opting for the audio version. The excessive use of prose was an obvious intent to place this novel solidly in the realm of ‘literary’ but it gave the story an overstated and exaggerated feel that did more harm than good. The story was told from the point of view of several individuals such as Lily’s dad, her sister Anna, the prosecutor and Lily’s boyfriend Sebastian. Each character is extensively detailed but I felt Lily herself was drawn vaguely in a possible attempt to retain the mystery behind her guilt/innocence. The details from the point of view of the prosecutor were informative but the details regarding his estranged wife felt ultimately unessential and detracted from the story.

The ending was the most underwhelming of all as questions remained unanswered and just like the actual Amanda Knox story, we’re left to decide whether or not to believe in her innocence. The examination of individuals involved was in depth and detailed yet there was an emotional disconnect. So many pages were spent delving into the intricate details of Lily’s actions and how even minor actions transformed others opinions and perceptions of her. It all felt very superfluous compared to the amount of time spent on the trial itself though and the ending was extremely rushed compared to the slower pace we became accustomed to. The fact that so much of Lily’s case was based on those perceptions vs. actual concrete evidence was interesting but made for a very ponderous read. The ultimate duplication of a big news story seems solely as a means for the author to showcase her obvious writing skills but only puts a spotlight on her complete lack of creativity. ...more

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Sep 30, 2013 Patrice Hoffman rated it liked it

Shelves: publisher-invite

Sure Cartwheel will be compared to the true events in the life and trial of Amanda Knox. Jennifer DuBois stated that Cartwheel is inspired by that true crime. After finishing Cartwheel I decided to familiaize myself with that news story since I'd never really followed it or watched the movies based on Amanda Knox. I wasn't constantly comparing the book to the real events which is definitely a plus. Because I was seeing this with fresh eyes so to speak, I could appreciate that Jennifer DuBois' de Sure Cartwheel will be compared to the true events in the life and trial of Amanda Knox. Jennifer DuBois stated that Cartwheel is inspired by that true crime. After finishing Cartwheel I decided to familiaize myself with that news story since I'd never really followed it or watched the movies based on Amanda Knox. I wasn't constantly comparing the book to the real events which is definitely a plus. Because I was seeing this with fresh eyes so to speak, I could appreciate that Jennifer DuBois' debut novel Cartwheel means so much more.

Lily Hayes is studying abroad in Beunos Aires when she is accused of killing her housemate Katy Kellers. There's no murder weapon to suggest Lily is guilty of the crime besides cleverly placed red herrings. Red herrings such as her impassive appearance following the murder, bloodstained lips, and an irrational cartwheel done while in police holding. A few other instances are thrown in about the novel in order to sway the minds of readers one way or the other. This is essentially the point. How can we know for sure if she did it or not?

Jennifer DuBois challenges us to put aside what we want to believe and what we should believe to accept the truth that no one will ever actually know what happened that dreadful night unless we were there. What or how should a killer act? How or should an innocent person behave? Is there a diffrence? Lily is either so cold that she's able to do a cartwheel (bizarre), but not calculated enough to know that she should have asked for a lawyer once it was obvious she was under suspicion.

By way of richly drawn characters, and a plot that's ripped from the headlines, Jennifer DuBois takes readers on an exploration into the many mysteries in life including human behavior, the complexities fo truth, and what we choose to accept is real in the shades of grey. We watch each character struggle with their belief in Lily's innocence or her guilt. I was left unable to decide which side of the fence I fell on.

In ending, Cartwheel is a must-read by a promising new voice in the literary world. I challenge any reader to choose a side and then end this novel not wanting more closure. Closure which is so ambiguous to true life. ...more

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Aug 11, 2013 Jill rated it really liked it

Shelves: netgalley, mystery, 2013-favorites, literary-fiction

There are two types of crime fiction: the books that explore who did it and the books that explore why the who did it. Of the interrogative pronouns, why is forever and always the most compelling. Tell me what, tell me who, tell me when, tell me how, but I will not be satisfied until I know why. And so, I’m condemned to eternal dissatisfaction because that pesky why is often unanswerable. Think of all the minute actions you take in the course of a day: can you say why you acted in that precise w There are two types of crime fiction: the books that explore who did it and the books that explore why the who did it. Of the interrogative pronouns, why is forever and always the most compelling. Tell me what, tell me who, tell me when, tell me how, but I will not be satisfied until I know why. And so, I’m condemned to eternal dissatisfaction because that pesky why is often unanswerable. Think of all the minute actions you take in the course of a day: can you say why you acted in that precise way? Maybe. But can you say why with certainty?

Jennifer DuBois tries to discover the whys in the aftermath of a murder committed in the most extreme of circumstances. 21 year old American foreign exchange student Lily Hayes is accused of killing fellow (and altogether more blond and beautiful) American foreign exchange student in Buenos Aires. Why did Lily kiss her boyfriend mere hours after discovering her roommate dead? Why did Lily do a cartwheel after a grueling police interrogation? Why does Lily refuse a lawyer, why does Lily’s boyfriend remain free, why does the media analyze her Facebook like an undergrad analyzes Ulysses, why does the prosecutor believe her guilty nearly instantly?

If you are a true-crime buff and followed the Amanda Knox case, you are probably howling to the moon right now because it is these questions that we wanted answered. It’s fiction but it feels accurate. The success of a psychological novel is gauged by the empathy you are compelled to feel for the characters. As I read I could see a part of myself in every character: the naïveté of Lily, the loneliness of her boyfriend Sebastian, the no-nonsenseness of her murdered roommate Katy, the resolve of her parents, the vigilante spirit of her prosecutor. Ever since the domination of capitalism and Western individualistic ideologies, people prefer to emphasize the differences between humans rather than to discuss our similarities. But when reduced to our base materials, we are of the same atoms, the same cells, the same decision-motivating chemicals. We are of the same species and DuBois excellently captures how alike we are even in such an incredible situation.

I don’t know if we ever learn why in Cartwheel. We learn about the whys we tell ourselves and the whys we tell others, but the true ultimate why? Indefinable. And that’s why mystery novels and crime reporting are so enduring. Murder happens to people like us and murder is done by people like us, and when we recognize all of humanity’s proximity to that darkness, we must ask—we must know—why. ...more

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Mar 17, 2015 Isidora rated it liked it

A decent book that could have been a great book. I was not familiar with Amanda Knox case, which should be the perfect starting point. However, the pretentious writing, strangely driven plot and characters I could not connect to ruined it for me. At the end I didn't even care to find out whether Lily did it or not.

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Aug 02, 2013 Blair rated it really liked it · review of another edition

Shelves: 2013-release, netgalley, read-on-kindle, contemporary, mystery-thriller-etc

Review originally published at Learn This Phrase.

First up, and as you may already know, Cartwheel is a novel based on the Meredith Kercher/Amanda Knox case. The initial set-up is exactly the same as the real-life case, except the setting is Argentina, not Italy, and the Kercher character, Katy Kellers, is American, not British. The details of the murder (what is known about it, at least) and crime scene are identical. The behaviour of the characters after the murder is, if not exactly the same a Review originally published at Learn This Phrase.

First up, and as you may already know, Cartwheel is a novel based on the Meredith Kercher/Amanda Knox case. The initial set-up is exactly the same as the real-life case, except the setting is Argentina, not Italy, and the Kercher character, Katy Kellers, is American, not British. The details of the murder (what is known about it, at least) and crime scene are identical. The behaviour of the characters after the murder is, if not exactly the same as the real case, then certainly the same in spirit. (The title refers to the controversial fact that the alleged murderer performed a cartwheel while in custody, an action used as 'proof' of her dismissive and unemotional attitude towards her friend's death.) The subject of the story is the Amanda Knox figure, here a student named Lily Hayes, and the narrative switches between Lily, her father Andrew, her former boyfriend Sebastien, and the prosecutor, Eduardo.

I am not predisposed to like books of this type, which fictionalise real events. I think they can easily be exploitative, and the use of such events to 'inspire' them is more often than not a cheap way to publicise the book itself. I can, therefore, understand why some readers might reject or dislike Cartwheel for these reasons; they are among the reasons I couldn't stand Emma Donoghue's Room - which Cartwheel has inevitably been compared to. It is, however, a hundred times better than that overrated trash. Simply put, Cartwheel broke my fucking heart.

Quite aside from the sensationalism of the premise, this book is an outstanding example of brilliant, careful, expert characterisation. The author's portrayal of Lily in particular is exceptional. In many ways she is not a particularly likeable person, and yet I loved her, simply because she seemed so real. Perhaps I loved her because she is so believably unlikeable, so recognisable as a certain type of young person filled with a naive, ignorant confidence that is both infuriating and endearing. For every unattractive personality trait there is a justification, an explanation, a snippet of history to illustrate her reasoning. The narrative gets under her skin so effectively that you understand her entirely, even though some of her actions are not, ultimately, described or explained. Such is the power of Lily's character that I found myself disliking Katy, even though Katy is outwardly more likeable, and even though, if these were real people, I would undoubtedly get on better with her, and wouldn't like Lily at all. The other characters, too, are beautifully drawn. Andrew's grief and doubt are laid bare - his soul-searching and hand-wringing over how Lily will survive and how the family can ever recover. Sebastien, who could so easily have been an empty love interest, or a plot device to prop up the more important characters of Lily and Katy, is fleshed out in the most interesting, unexpected way - as an irony-laden eccentric, as a person with his own sprawling, complicated backstory, as a boy whose own experience (or lack of experience) and insecurity colours his every interaction with others.

At the risk of sounding like I'm reviewing a YA romance... Sebastien's love for Lily made me want to weep. The awkwardness of it. All the things unsaid; the way we get to see inside the characters' heads and how their emotions never translate into the right words or actions - it's tragic. Lily's misunderstanding about Sebastien and Katy, and how it's never actually set right, because neither of them can articulate how they really feel or bring themselves to just talk about the situation. I think it's one of the most realistic depictions of a young relationship I've ever come across. This is all the more remarkable given that it takes place between an arrogant, shallow girl and a boy/man who is described at one point as a person 'left alone for his entire childhood in this collapsing house with nothing but Evelyn Waugh books to read', and at another, even more amusingly, as 'a post-apocalyptic butler'.

In the end, the murder is by far the least important thing in the book. The outcome remains uncertain, there is no definitive answer about exactly how Katy died, and no attempt to leave this as anything other than open-ended. Even if you have formed a strong opinion (like I did), there is no way to even guess how right, or wrong, you might be. And it doesn't matter, because the characters are the thing. In fact, I am tempted to say it's a pity duBois chose to base her plot on a real crime: the controversial setup may have drawn more attention to the book, but in some ways it works to obscure the beauty of this character-driven novel, an accomplishment a writer of such talent could surely have managed without the need for such a device. It also means the book is generally bracketed as crime fiction, when it actually has little in common with any typical crime novel.

The more I think about this book the more I like it. It's such a great character study. If you don't find the idea offputting, then it is absolutely, definitely recommended. ...more

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Aug 10, 2013 Nicole~ rated it really liked it

Cartwheel
It ...was...a...split!

The story of Amanda Knox reminds me vividly of Joe McGinniss' true crime bestseller Fatal Vision, the 1970 case of Jeff MacDonald- ex -Green Beret surgeon accused of killing his family in "Manson-style" at his Fort Bragg military based home (it was suggested that MacDonald murdered in a drug-induced fit of rage; he is still serving concurrent life sentences).
Similarly, it recalls to mind, Truman Capote's true crime classic In Cold Blood - the gruesome Kansas killin ...more

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Aug 22, 2013 Jill rated it it was amazing

Last year when I read A Partial History of Lost Causes, I was convinced that Jennifer DuBois was a writer to watch. After turning the last page of Cartwheel, I am sure of it. This is an exceptional novel: poised, confident, filled with strong prose and fully fleshed-out characters.

There’s no getting around the fact that the book is inspired by the highly publicized Amanda Knox case. Instead of Italy, the setting is Buenos Aires. But Lily Hayes, like Amanda, is studying abroad when her roommate, Last year when I read A Partial History of Lost Causes, I was convinced that Jennifer DuBois was a writer to watch. After turning the last page of Cartwheel, I am sure of it. This is an exceptional novel: poised, confident, filled with strong prose and fully fleshed-out characters.

There’s no getting around the fact that the book is inspired by the highly publicized Amanda Knox case. Instead of Italy, the setting is Buenos Aires. But Lily Hayes, like Amanda, is studying abroad when her roommate, Katy, is found murdered. Again, like Amanda, her emotional affect is “off”; put another way, she’s “not likeable.” In fact she performs a cartwheel while waiting for interrogation (Amanda Knox performed splits), which doesn’t prove that she’s guilty but DOES indicate that she’s “not sad.”

This novel, though, is not a “did she do it?” book, nor is it a nod to sensationalism. Rather, it explores the prisons of our own making…and how perceptions can sometimes create reality. Each major character is confined in his or her own prison-of-choice (Lily’s parents are suffering from the death of a child that preceded Lily in the birth order, Sebastien – her boyfriend – is fossilized in a mansion where he hides from the world, and the beautifully-portrayed prosecutor, Eduardo, has imprisoned himself within his rules.) Only Lily appears to be “free” (or is freedom just another word for nothing left to lose?) as she drinks in the sights and sounds and experiences of Argentina, waiting for life to explode around her.

Lily and her prosecutor, Eduardo, are philosophical opposites. Lily, as described by her younger sister, “thinks the whole world revolves around the gaping vacuum of her needs.” Lacking in authentic emotions and believing her needs are “the vortex of reality”, she is not a sympathetic character, yet she bursts forth with life. Her philosophy: “Someday we’ll all be dead, but we’re not dead yet. And something is finally happening.”

Eduardo, on the other hand, is a highly principled man who trusts the rules and his instincts to a fault. He believes: “We must act as though our understanding, as limited as it might be, is the most panoramic and complete understanding possible. We must act as though everything in this life counts; as though we have only one shot to get things right. We must act as though nobody would see the truth if we did not see the truth.”

The reader, unwittingly, will become a major player in the equation. Your reactions to Lily and Eduardo – your belief or disbelief in her innocence or guilt – will say a lot about your own view of the universe. As a character-focused reader, I cannot recommend this book highly enough. It’s a true page-turner that will make you drop everything until you finish it.

...more

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Sep 18, 2013 Diane S ☔ rated it it was ok

Had quite a while to consider my rating on this book and why so much of it just did not gel with me. I never paid much in depth attention to the Amanda Knox story, so my knowledge of said story is just bare bones. So while this is being compared to that case or said to be the trigger for this novel, I have no way of knowing. What I know is that there were two women, college exchange students and one somewhat hunky neighbor, having relationships with both and than of course there is the murder of ...more

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Jun 13, 2013 eb rated it it was amazing · review of another edition

About halfway through the first chapter of CARTWHEEL, I said, "Oh my God," out loud. It's just so good, so exciting, so literary, so incredibly fun to read. It tells a fictionalized version of the Amanda Knox story from the point of view of several key players, including the boyfriend, the Amanda character, and the Amanda's-dad character. The writing is sickeningly good, and somehow, even though you know exactly how the story will unfold if you pay passing attention to the news, it's riveting.

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Mar 24, 2017 Jenbebookish rated it really liked it

Shelves: purchased, thrillers, reminder-dont-forget-about-meee, 2017, po-po

Ok so this was a surprise in every way.

First of all, I threw this in the pile totally at random. I have well over 500 books on my TBR shelves, and that's just counting the books I really want to read. There are the books I still want to read but will undoubtedly never get around to, the books I REALLY really want to read that are high on my list (about 200+) and then that leaves around 300 or so that I also want to read, just slightly less so than the ones at the top of my list, which makes it ...more

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Jul 29, 2013 Leanne rated it it was amazing

Shelves: favourites, read-in-2013, top-2013

Whether you had passing interest in the Amanda Knox case, completely avoided any mention of it in the press, or devoured every detail, it won't matter, because Cartwheel is fantastic from any perspective. It may appear that DuBois was trying to do something gimmicky and catchy by basing her story on such a controversial real-life case, but instead the background fades away and the book stands completely on its own - its inspiration merely makes it even more intriguing.

At its heart, it shows us h Whether you had passing interest in the Amanda Knox case, completely avoided any mention of it in the press, or devoured every detail, it won't matter, because Cartwheel is fantastic from any perspective. It may appear that DuBois was trying to do something gimmicky and catchy by basing her story on such a controversial real-life case, but instead the background fades away and the book stands completely on its own - its inspiration merely makes it even more intriguing.

At its heart, it shows us how easily actions and intentions can be misconstrued; how easily the innocent can appear guilty; and that ultimately, every story has two, three, four sides. This is done through several separate narratives: Lily Hayes (our Amanda Knox stand-in) in the time leading up to the crime, Lily's father and the prosecutor in the time following the crime, and Lily's somewhat boyfriend Sebastien LeCompte (who is infinitely more fascinating than the dull-looking Raffaele Sollecito).

DuBois never quite picks a side - there are no definitive conclusions here. Things are hinted at and never quite explained, and others are the exact opposite of what they seem - several pieces of evidence that clinch Lily's involvement with the murder in the mind of the prosecutor are subsequently shown in one of Lily's flashbacks to be something completely innocent. But there is still enough material for a healthy debate regarding Lily's involvement and her guilt.

This story is all the more eerie because I completely identified with some of Lily's actions and motivations, and I don't think that would be uncommon for other readers of this novel. Although there are certainly some strange quirks in her personality and her reactions are not necessarily conventional for someone entangled in such a situation, most of them are perfectly justified by her internal monologue. She is, at heart, naive and stubborn - basically, any teenage girl.

Overall, this could best be described as a literary page-turner - and what could be better? The characters are richly developed, the writing is near-perfect, and the "who"s and "why"s are enthralling.

I read DuBois' A Partial History of Lost Causes earlier this year, and while I was impressed with it on a technical level, I never completely connected emotionally with the story. But with this, she has moved up the ranks to one of my must-read authors - in a year, I'm sure to be found Googling her name with the keywords "third novel" to ensure I miss no mention of upcoming books. I must have a soft spot for fictionalized versions of real stories - Cartwheel has joined American Wife as a favourite on my shelves, likely to be read again and again in future years. ...more

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Aug 10, 2013 Joseph rated it liked it

Shelves: american-recent

Cartwheel: A Novel by Jennifer Dubois is her second novel. Dubios has a BA in political science and philosophy from Tufts University. She has also earned her MFA in fiction from Iowa Writer's Work shop. Her work has been published in several publications and her first novel was selected for Five Under Thirty-Five program from the National Book Foundation. Currently, Dubios teaches in the MFA program at Texas State University in San Marcos.

Contemporary fiction is not usually my first choice to r ...more

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Aug 06, 2013 Amy rated it it was ok

Shelves: fiction, _own-ebook, read-in-2013

I was REALLY not impressed with this novel. It was one of those books that I had to force myself to finish. I think perhaps it was a book that I needed to read in 5 years instead of now. The Amanda Knox situation may just be too close for me to appreciate a fictionalized account of a very similar situation. I found the novel to be actively annoying and frustrating. And repetitive since it basically is the Amanda Knox story with small tweaks to the details. Although it was well written, I just do ...more

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Aug 21, 2013 Barb rated it it was ok

Shelves: vine, contemporary-fiction, fictionz-of-real-people

I finished this book several days ago and have been trying to figure out what to say about it. I try to live in a little bit of a bubble, I don't watch much TV, very rarely do I watch the news, so I actually hadn't heard about the Amanda Knox story. When I chose this book I knew it was based on Amanda's experience. Reading along I didn't have any idea how much of Jennifer Dubois's supposedly fictionalized story was in alignment with what actually happened to Amanda Knox.

I thought the writing in I finished this book several days ago and have been trying to figure out what to say about it. I try to live in a little bit of a bubble, I don't watch much TV, very rarely do I watch the news, so I actually hadn't heard about the Amanda Knox story. When I chose this book I knew it was based on Amanda's experience. Reading along I didn't have any idea how much of Jennifer Dubois's supposedly fictionalized story was in alignment with what actually happened to Amanda Knox.

I thought the writing in `Cartwheel' was very detailed and realistic, with insightful examination of the relationships between the characters. I liked the characters the author created and the way the she left the events surrounding the murder vague and ambiguous enough for the reader to believe in either the guilt or the innocence of the main character.

The pacing was good with just a little bit of a lull in the middle where the author revisits certain events from the boyfriend's perspective. The story as a whole was suspenseful, the characters sympathetic (all of those poor parents) and since I didn't know the outcome of the trial I was invested enough to keep reading. I really liked the back story Dubois gave the boyfriend and the way his character is revealed over the course of the story. I also liked the portrayal of the prosecuting attorney.

I can see how some might think the author's word choices a bit pretentious, I made a vocab list as I was reading. Here are some of the words from my list: jejune, syllogism, semaphore, ungulate, milquetoast, bloviating, mirabile dictu, sybaritic, decretory, mordancy, obdurate, atavistic, quotidian, elided, pentimento, phloem, ignots, scherzo, auricle, caesura. Look them up or roll over them either way they didn't have a negative impact on my reading experience.

After I finished the book I did a Google search and read about the Amanda Knox case and found out the events in 'Cartwheel' are so close to the events in the Amanda Knox that they are nearly indistinguishable. The setting was changed, the names were changed, the split that Amanda was reported to have done was changed to a cartwheel but the events of the crime and the way the story played out was very much the same. Which left me confused.

I don't understand why the author would choose to write a story that was so closely aligned to actual events that happened so recently and were so widely publicized. I just don't know why you would waste all of your hard work and energy writing a book that's story is already known to so much of the world. Why not focus your talents on something original? Had Jennifer Dubois written an original story line I would have given the book another star. ...more

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Aug 28, 2013 Nicole D. rated it it was amazing

One might think that this story could write itself. After all, the story of Amanda Knox is laid out on the internet in extensive detail. But this isn't the story of Amanda Knox, it's the story of Lily Hayes, and it's exquisitely and carefully written.

I didn't really know anything about this book when I selected to review it, and I didn't know anything about Amanda Knox. I had some vague Jodi Arias recollection of hearing her name before. But after reading this story, I know a lot more about her ...more

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Dec 02, 2013 Snotchocheez rated it really liked it

As I lay here idly in the hospital, having just read Ms. Dubois' latest novel Cartwheel, the word viscous keeps coming to mind (for a few reasons): the immediacy of my situation that put me here (the viscous blood clots in my leg, and pulmonary embolism), the blood flowing out of "Katy Kellers" (Ms. Dubois' victim in Cartwheel), and Ms. Dubois' skilled storytelling (at times beautiful, but sticky; run-on sentences and thoughtful, sometimes overly-wrought ideas abound, adhere to the reader's atte As I lay here idly in the hospital, having just read Ms. Dubois' latest novel Cartwheel, the word viscous keeps coming to mind (for a few reasons): the immediacy of my situation that put me here (the viscous blood clots in my leg, and pulmonary embolism), the blood flowing out of "Katy Kellers" (Ms. Dubois' victim in Cartwheel), and Ms. Dubois' skilled storytelling (at times beautiful, but sticky; run-on sentences and thoughtful, sometimes overly-wrought ideas abound, adhere to the reader's attention, and {depending on the reader's receptivity} won't let go.). (Receptivitity is key: a fellow Goodreader whose reviews I follow, filed Ms. Dubois' A Partial History of Lost Causes, and Ms Dubois' Fellow Stanford Creative Writing program alums' books {Adam Johnson's Pulitzer Winner The Orphan Master's Son AND Anthony Marra's amazing A Constellation of Vital Phenomena} in her "Pretentious Shit" file. I obviously don't agree with that sentiment, but I do understand that Ms. Dubois' writing, and others' of her oeuvre, may stick in the craws of some readers).

Particularly risky is Ms. Dubois' decision to take her viscous writing style and fictionalize a real-life sordid (and well-publicized) murder in Italy, the murder of Amanda Knox' roommate. I can totally imagine why this book hasn't been well received by many Goodreaders: this lacks the immediate punch of most True Crime books. Ms. Dubois' tale (set in a suburb of Buenos Aires, Argentina) micro-examines "Lily Hayes" (Amanda Knox' stand-in) as well as the principals in the story so thoroughly, it's exhausting, sticky (yet quietly contemplative and haunting) reading. I know very little about the real Amanda Knox (whose own verdict in her retrial is soon to be handed down in absentia in Italy) but not only has Cartwheel whetted my interest in that story, it also has me thinking of myriad other machinations of the human psyche as I sit here in bed, pondering my existence (and my role) in humankind.

Pardon the daze-y, meandering review. I liked it (despite its flaws); if you're like-minded (or find yourself in the hospital looking for something rather viscous to read), you might like it, too.

...more

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Feb 11, 2019 A. Belladonna rated it liked it · review of another edition

Zanimljiv triler, koji je imao dosta potencijala, prema mom mišljenju, ali koji nije ispuniti moja očekivanja. Radnja se odvija sporo, ali nam to omogućava da sagledamo neke stvari iz više perspektiva i da shvatimo da nije sve onako kako nam se čini na prvi pogled. Ali kraj mi je pravo razočarenje. Mnoge stvari nisu razjašnjene, a isto tako nisu neke stvari prikazane iz drugih perspektiva, a što smatram jako bitnim. Poslednje stranice su naročito bezveze napisane. Ne otkriva se apsolutno ništa. ...more

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Aug 24, 2016 Roger Brunyate rated it liked it

Shelves: mysteries-kinda

Well-written, but fatally compromised

I must be one of the few people in America not to know about the Amanda Knox case, except that she was tried for the murder of her roommate, a fellow exchange student at the University of Perugia. Which ought to have been helpful, since Jennifer Dubois writes: "Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction." So I was prepared to enjoy, unfettered, a story about another American exchange Well-written, but fatally compromised

I must be one of the few people in America not to know about the Amanda Knox case, except that she was tried for the murder of her roommate, a fellow exchange student at the University of Perugia. Which ought to have been helpful, since Jennifer Dubois writes: "Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction." So I was prepared to enjoy, unfettered, a story about another American exchange student, Lily Hayes, arrested for a similar murder, only this time in Buenos Aires. I could see that the book was well written. I was looking forward to watch with interest as the facts emerged and theories unfolded, like a good detective story. And, as with a good novel, I looked forward to seeing the fictional Lily emerge as a real person in her own right. In the end, though, I was disappointed. I read with interest throughout, but felt that Dubois had not quite succeeded in balancing the detective aspects with the novelistic ones. More seriously, I felt she had been untrue to her stated intent: despite her intention of developing her imagined characters in her own way, the book kept taking turns that I felt arbitrary in terms of Lily Hayes, but which I later discovered were close parallels with Amanda Knox. The novel was a compromise between fact and fiction that ultimately did disservice to both.

Both novel and detective aspects get a strong showing in the opening chapters. The first has Lily's father, Andrew Hayes, a college professor, arrive in Buenos Aires with his younger daughter Anna; Maureen, Lily's mother, will arrive in a few days. It is a wonderful study in psychology, as they struggle to believe how the Lily they knew could ever be accused of such a thing; it also begins a journey deep into the Hayes family dynamics. All the stuff of a good novel, although Dubois also gets in a lot of necessary exposition about the alleged facts of the crime. The detective-story aspect comes to the fore in the second chapter, where we meet Eduardo Campos, the state prosecutor, meticulously sifting the evidence—though there is a strong novelistic element even here, as we realize that part of Eduardo's fascination with Lily has to do with perceived similarities to his estranged wife, María. The novel moved into a higher gear for me at this point, and I looked forward to a kind of Rashomon: different viewpoints on the central character, each seeing a different side of her, but keeping her core a mystery.

But no. Dubois tells an increasing amount of the story in flashback scenes featuring Lily herself. We learn of her excitement at coming to Buenos Aires, the flair and confidence that gets her a job as a waitress in an upscale bar, her failure to hit it off with her landlady, and her dismissive opinion of her roommate, the all-too-perfect Katy Kellers, "dullest of all possible humans, living at the precise center of all of the world's modest expectations for her, moving in confident strides toward the exact mean of her upper-middle-class life." Despite a sophomoric tendency to make such judgments, we come to like Lily, or at least to realize that she is by no means the affectless monster that she has been painted; she is very real. Dubois' point, I think, is that you can never really know anybody, and that even nice ordinary people can be capable of things you would never expect. To do this, she has to make Lily ordinary—but in making her ordinary, she takes some of the steam out of her story. If the book moved into high gear whenever Eduardo Campos was onstage, it returned to cruise-control in the increasingly long sections with Lily. And whenever we came to Lily's boyfriend Sebastien Le Compte—an effete, prodigiously rich, affected intellectual named surely after Sebastian in Brideshead Revisited, and totally unbelievable—it ground down into the lowest possible gear, if not actually into reverse.

As it went on, I found myself reading less for character than to find out what happens. But I was disappointed in that regard. Things kept turning up out of left field that made little sense in the context of the story that Dubois was telling. One detail as illustration: the DNA evidence from the crime scene includes a tiny spot on Katy's bra strap. There is no indication of how they came to look for it, or how they found it, and nothing whatsoever conclusive is made of it. So why is it there? Reading about the Amanda Knox case after closing the novel, however, I find that fingerprints (not DNA) on the victim's bra clasp were a controversial element in the evidence there. So it is clear that Dubois put it in her book too because—despite her initial disclaimer—she wanted the factual parallels between the two. Her approach mattered most to me at the end, where the outcome of the trial, and even more the events that occur after the trial, seem inorganic and arbitrary in terms of the character portrait that Dubois has been building up, fully explicable only in terms of what actually happened in the case of Amanda Knox. So which are you doing, Ms. Dubois: writing a free-standing novel, or riffing on the Knox case? You can't do both.

P.S. This is, however, far better than Katie Crouch's riff on the same case in Abroad. ...more

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Sep 30, 2013 Julie rated it it was amazing

Shelves: e-book, netgalley

Cartwheel is a 2013 Random House publication, written by Jennifer duBois.

Andrew and Maureen lost their first child, Janie to anemia. Now divorced, the couple face another horror involving one of their children. Lily had traveled to Buenos Aires as a college exchange student. After only a month and a half, she is sitting in a jail accused of murdering her roommate, Katy.

As Andrew travels to Buenos Aires with his youngest daughter, Anna, he faces his feelings about Anna, his marriage, his current ...more

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Oct 08, 2013 Judy rated it liked it

Shelves: 21st-century-fiction

Right up front I have to say that I did not like this as much as her first novel, A Partial History of Lost Causes. I had signed up to discuss Cartwheel as part of an on-line book discussion so possibly I pushed myself to read it at a time not ideal for me. I felt annoyed while reading it.

I think that generally fictionalized accounts of real life events are not my favorite novels. Some are better than others but I can usually feel a certain constraint affecting authors I otherwise enjoy. Cartwhe
Right up front I have to say that I did not like this as much as her first novel, A Partial History of Lost Causes. I had signed up to discuss Cartwheel as part of an on-line book discussion so possibly I pushed myself to read it at a time not ideal for me. I felt annoyed while reading it.

I think that generally fictionalized accounts of real life events are not my favorite novels. Some are better than others but I can usually feel a certain constraint affecting authors I otherwise enjoy. Cartwheel is "loosely inspired" by the story of Amanda Knox, an exchange student in Italy accused of murdering her roommate. I knew nothing about Amanda Knox, but in this story of an exchange student in Argentina arrested for the murder of her roommate, I missed the emotional impact of Ms duBois's astounding first novel.

I suspect however that my annoyance stemmed from the pervasive influence of the tabloid press, social networking, and the current practice of police being able to subpoena the cell phone and internet data of an accused criminal. All of these factors now carry much more weight than ever before in a criminal investigation. Being confronted with this makes me want to never send another text or email, never post another blog and go off Facebook. It just creeps me out to the max.

I found myself desperate to know for sure whether or not Lily killed her roommate, but it was not made clear and I was unable to decide for myself. In fact, I could not decide much about any of the main characters.

I get it that really knowing another person is nearly impossible. I am aware that we all see other people through our own perceptions. Heck, sometimes I feel I don't really know the people closest to me. Lately I can't figure out how I feel about President Obama. I admit that Jennifer duBois made me look at these upsetting truths about life and that made me mad.

I recognized the skill by which she created this disturbing mess of human weakness and probable injustice. Yes, Lily Hayes was naive and careless, unable to see the consequences of her actions. But aren't we all like that to a degree? And how can anyone live if we must be so careful and savvy about the world to avoid ruining our lives irreparably? I was left feeling that life itself is a lost cause.

This author really got to me in both of her novels. The first time, I loved it. This time I almost hated it. ...more

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Aug 13, 2014 Imi rated it it was ok · review of another edition

Shelves: fiction, mystery, crime, contemporary, thriller, american, kindle, read-in-2015, multiple-povs, she-writes

Something about this seemed off to me and it never really clicked. I'm not sure if it's the characters and the fact that I never really engaged with them, or if it was the writing style, which seemed strangely passive. The only characters I really felt I gained any understanding about were Lily and Sebastien, while the motives and characteristics of the others felt a lot more vague, which is strange considering the novel was told through multiple points of views. Lily and Sebastien are both very ...more

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Aug 25, 2013 Linda rated it it was ok

I received an advanced copy of Cartwheel by Jennifer Dubois from librarything.com in exchange for my honest review.

Before Cartwheel even began, there was a disclaimer inserted that stated, "Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction...." The word "loosely inspired by" would suggest to this reader that there were mild similarities, underlying feelings, lessons learned or themes of this story that remotely resembled, those I received an advanced copy of Cartwheel by Jennifer Dubois from librarything.com in exchange for my honest review.

Before Cartwheel even began, there was a disclaimer inserted that stated, "Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction...." The word "loosely inspired by" would suggest to this reader that there were mild similarities, underlying feelings, lessons learned or themes of this story that remotely resembled, those gleaned from the Amanda Knox nonfictional story. This simply was not the case in Cartwheel. This was very much the Amanda Knox story, and the fact that a disclaimer was provided, didn't negate this fact.

To better illustrate my frustration with this book, let me provide some key, material facts of Cartwheel that were so unique to the Amanda Knox story that they could not be separated from it and labeled as a fictionally "inspired" account. This was the story of an American female foreign exchange student, Lilly Hayes, studying abroad. She had a female roommate, Katy Kellers, also a foreign exchange student, who was brutally murdered in their apartment, and Lilly was charged with the crime.

The story took place during the same time period as the Amanda Knox story, and the reader knows this because Lilly discussed the politics of the time and the actions of President George W. Bush. Lilly's parents were divorced, as were Amanda's. Lilly had a devoted sister, as did Amanda. There was a prosecutor convinced of Lilly's guilt who strong armed her into implicating an innocent person.

There was a boyfriend that was suspected of being involved in the killing, as was the case with Amanda Knox. Lilly came home after spending at least most of the night with Sebastien LeCompte. Saw the drops of the blood on the bathroom floor, didn't consider them of any real importance, and went and watched television on the couch. This was very similar to the Amanda Knox account where she reportedly came back to the house after spending the night with her boyfriend, saw the drops of blood, didn’t think that they were of concern, took a shower and left.

Lilly possessed the arrogance of youth just as Amanda Knox did. She was presented as sexually active, casually engaging in sex, as was Amanda. She spoke in Spanish during her interrogations despite her lack of proficiency, as Amanda spoke in Italian. She was a quirky character whose odd behavior during interrogation, in this case doing a cartwheel, but in the real story splits, evidenced her guilt, according to authorities. Using a cartwheel as the inappropriate behavior was especially irritating, as in the real Amanda Knox story it was incorrectly reported that she did a cartwheel.

The aforementioned, for all practical purposes, duplicated the Amanda Knox story. Making insignificant changes may have been necessary to avoid legal implications, but it certainly didn't disguise the fact that in essence, this was the Amanda Knox story. Although I found the book well-written, thus the two star rating, I could not get past these glaring similarities and the charade of characterizing this novel as an original, work of fiction. ...more

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Aug 31, 2013 Danelle rated it it was amazing

Shelves: fiction, first-reads, arc-or-uc-proofs, mine, mystery, psychological

Cartwheel by Jennifer duBois opens with a disclaimer:

Although the themes of this book were loosely inspired by the story of Amanda Knox, this is entirely a work of fiction. None of the characters are real. None of the events ever happened. Nothing in the book should be read as a factual statement about real life events or people.

Lily Hayes, a 20-year-old college student at Middlebury College in Vermont, is spending a semester abroad in Buenos Aires. She is immediately taken by her new surroundi ...more

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