Veteran journalist Gideon Haigh assesses the future of news media in light of the internet's effects on traditional forms of publishing and broadcasting.
In the last decade, customary news media have crumbled before the effects of the internet on advertising, circulation and viewership. In the next decade, they will be supplemented, if not supplanted, by new news media. In this insightful, informative and candid survey of possible futures, veteran journalist Gideon Haigh considers the options for his industry and his craft. Who wins? Who loses? What are the implications for practitioners, professionals, politicians and the public?
Gideon Haigh is the author of twenty-six books. The five sections that comprise The Deserted Newsroom first appeared as individual pieces in Crikey's Brave News World series.
Gideon Clifford Jeffrey Davidson Haigh (born 29 December 1965) is an English-born Australian journalist, who writes about sport (especially cricket) and business. He was born in London, raised in Geelong, and now lives in Melbourne.
Haigh began his career as a journalist, writing on business for The Age newspaper from 1984 to 1992 and for The Australian from 1993 to 1995. He has since contributed to over 70 newspapers and magazines,[2] both on business topics as well as on sport, mostly cricket. He wrote regularly for The Guardian during the 2006-07 Ashes series and has featured also in The Times and the Financial Times.
Haigh has authored 19 books and edited seven more. Of those on a cricketing theme, his historical works includes The Cricket War and Summer Game, his biographies The Big Ship (of Warwick Armstrong) and Mystery Spinner (of Jack Iverson), the latter pronounced The Cricket Society's "Book of the Year", short-listed for the William Hill Sports Book of the Year and dubbed "a classic" by The Sunday Times;[3] anthologies of his writings Ashes 2005 and Game for Anything, as well as Many a Slip, the humorous diary of a club cricket season, and The Vincibles, his story of the South Yarra Cricket Club, of which he is life member and perennate vice-president and for whose newsletter he has written about cricket the longest. He has also published several books on business-related topics, such as The Battle for BHP, Asbestos House (which dilates the James Hardie asbestos controversy) and Bad Company, an examination of the CEO phenomenon. He mostly publishes with Aurum Press.
Haigh was appointed editor of the Wisden Cricketers' Almanack Australia for 1999–2000 and 2000–01. Since March 2006, he has been a regular panellist on the ABC television sports panel show Offsiders. He was also a regular co-host on The Conversation Hour with Jon Faine on 774 ABC Melbourne until near the end of 2006.
Haigh has been known to be critical of what he regards as the deification of Sir Donald Bradman and "the cynical exploitation of his name by the mediocre and the greedy".[4] He did so in a September 1998 article in Wisden Cricket Monthly, entitled "Sir Donald Brandname". Haigh has been critical of Bradman's biographer Roland Perry, writing in The Australian that Perry's biography was guilty of "glossing over or ignoring anything to Bradman's discredit".[4]
Haigh won the John Curtin Prize for Journalism in the Victorian Premier's Literary Awards in 2006[5] for his essay "Information Idol: How Google is making us stupid",[6] which was published in The Monthly magazine. He asserted that the quality of discourse could suffer as a source of information's worth is judged by Google according to its previous degree of exposure to the status quo. He believes the pool of information available to those using Google as their sole avenue of inquiry is inevitably limited and possibly compromised due to covert commercial influences.
He blogged on the 2009 Ashes series for The Wisden Cricketer.[7]
On 24 October 2012 he addressed the tenth Bradman Oration in Melbourne.
Quick and interesting, but outdated, as one would expect from commentary on so rapidly changing an industry. Really enjoyed recognising Australian media personalities who ten years ago were mere bloggers or junior writers that have ascended to the top of their mastheads.
A collection of highly thought provoking insights on the future of the news media. It would be very easy for this book to be overly pessimistic or too optimistic, but it feels like it tells you the facts and gives the industry some hope as well.
Who would have thought that afl.com.au would have more reporters than Channel Ten!
The Deserted Newsroom is comprised of five pieces that originally formed part of Crikey's Brave News World series. Haigh deftly navigates the pitfalls and possibilities of a changing industry, negotiating the optimism, nostalgia, gloom, despair and utopian idealism of a decentralised media to examine the deeper implications in the changes that have already taken place and what this might mean for the future of news circulation and consumption.
I often say when I give talks about being a writer that I am not a journalist because it takes me too long to decide what I think about things. As much a junkie as the next person for the fast news cycle that abounds in online news reporting, I actually much prefer longform, deep, contemplative writing that can only happen in retrospect. The Penguin Specials offer an intriguing opportunity for curating, inspiring or archiving a variety of cultural projects and in this case it is particularly fascinating to think of the context of publication - a piece of digital writing about the future of digital writing, particularly in light of the Penguin Random House merger and what that might signify for the Penguin brand.
These 5 essays are thought-provoking even for someone like me who has already spent quite some time dealing with these issues directly at work. It felt a bit funny reading a paper book about the future of digital media, especially when the essays were first published on a (subscriber only) website! Yet it was a really pleasant experience reading a well designed and typeset book on good stock...