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Handling the Truth: On the Writing of Memoir
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In the tradition of Anne Lamott’s Bird by Bird, a critically acclaimed National Book Award finalist shares inspiration and practical advice for writing a memoir.
Writing memoir is a deeply personal, and consequential, undertaking. As the acclaimed author of five memoirs spanning significant turning points in her life, Beth Kephart has been both blessed and bruised by the g ...more
Writing memoir is a deeply personal, and consequential, undertaking. As the acclaimed author of five memoirs spanning significant turning points in her life, Beth Kephart has been both blessed and bruised by the g ...more
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There aren't enough stars for this book. I went in thinking I was reading an instructional book. I soon found myself reading music, sheer poetry.
Beth Kephart is a writers' writer. This book is a gift to us. No matter what you're writing Kephart's wisdom will elevate your work. If you listen hard there's no telling where this book will take you.
Beth Kephart is a writers' writer. This book is a gift to us. No matter what you're writing Kephart's wisdom will elevate your work. If you listen hard there's no telling where this book will take you.
Wow, read this book. Read it if you want to know what to read. Read it if you want to write. Read this book because it is a treasure of devotion to memoir. Read this book because you need Beth Kephart's wisdom, not only to read and write, but to live!
Although this is one of those books that should be read and absorbed slowly, I finished it in a couple of days. For me, Kephart's lush language is irresistible, and I also loved learning about her process, and she came into the writing life.
I'm sure that I will revisit this book often for specific suggested exercises, for the lengthy annotated reading list, and for inspiration. For now, my biggest takeaway is that I should not rush to finish my memoir.
I would recommend this book for anyone who i ...more
I'm sure that I will revisit this book often for specific suggested exercises, for the lengthy annotated reading list, and for inspiration. For now, my biggest takeaway is that I should not rush to finish my memoir.
I would recommend this book for anyone who i ...more
If you are contemplating writing a memoir, or love reading them, or just love reading writing beautiful enough to break your heart, this is a book you might want to experience. I was looking for a book on how to write memoir and my kind loving wonderful husband gave me this one two Christmases ago—and oh, it is so much more than I expected! What you can expect is a book written with intimate knowledge of memoir, the sensibility of a poet, and the nuance of a novelist. You will also find some pon
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The best teachers are those that give of themselves freely to their students and their craft, and with reference books available on various ways to write, what to write, and when to write, many will glance at yet another writing reference and dismiss it out of hand. What does that mean? That those people are fools — for Handling the Truth: On the Writing of Memoir by Beth Kephart, released today, is not a reference, it is a memoir about writing memoir (marking a 6th memoir from her). It is a ref
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Finally, a good book about writing a memoir with practical suggestions on describing landscape, weather, color, tastes, smells, love, empathy, form, voices, detail, grief, vulnerability, tone. You won't believe how many unhelpful memoir writing books are out there. This one had down to earth suggestions supported with examples from some of the great memoirs.
Handling the Truth is a practical guide to reading and writing memoir. It breaks down the various elements of the form, and offers illustrations and exercises drawn from the classroom. At the same time, it’s a memoir of Beth Kephart’s own experience with the writing, reading, and teaching of memoir...and the book accomplishes both missions without being overly self-referential or meta. It’s a celebration, examination, and defense of the form. It’s honest and direct about where and how it can go
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Quite enjoyed this, even if my contrary nature bristled a bit when she became prescriptive. ("Do [this]. Let it make you [feel this].") Not really her fault that my reaction to that sort of thing is I DO WHAT I WANT, but otherwise this was good. The appendix also has a lot of great suggestions for further reading.
This writer knows memoirs. She clearly lives, breathes and teaches them. Her writing is fluid and luxurious and her love of language is evident. I really learned a tremendous amount about the genre while reading Handling the Truth. My only hesitation was the undercurrent of perfectionism that seemed to run through this work. While Kephart consistently insists on avoiding the trap of perfectionism, she unwittingly advocates for just that. Perhaps this is because she has mastered (or is close to m
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A must read book for anyone contemplating writing their memoir. If you are stuck, don't know exactly how to start or in need of inspiration, this is the book for you. Full of ideas and thoughts about what memoir is- and isn't-, how to handle as the title states "telling the truth", and beginning the writing process. I thoroughly enjoyed reading through this book, and have "post-it" noted many pages full of inspiration. The author covers everything from the Prologue to the very end! Highly recomm
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If you love writing, any kind of writing, you will love this book. I've read many writing books but this is one of the best. I'm not going to write a memoir but after reading this I might like to go back and jog my memory just to keep a diary. Her words were brilliant and all the little stories by other writes were enjoyed. I have passages underlined in this book than any book I own. It is a book that will sit in my office and get read in pieces over and over. Yes, I will also be getting some of
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Kephart, an excellent writer, knows quite a bit about memoirs. As a faculty member in a creative writing program, she gives examples of her best student writing as well as ample samples from excellent writing. Besides being a thorough guide for writers of memoirs, she appends an annotated list of contempory memoirs. A practical book by a highly qualified writer.
Super helpful for me as I am working on a memoir. It gave me a lot to think about and I have a lot of work to do.
What a magnificent book. I feel like i learned so much about what a memoir can be... so much that was unclear to me, Kephart puts into words. Also a great resource for memoir reading!
Essential reading about the writing of memoir.
I enjoyed this book and found it gives a good introduction to writing in the genre of memoir. The author has written several memoirs and is a professor of the subject at University of Pennsylvania, so she knows what she’s talking about. I really appreciated her fresh tone.
The book does bog down in places, like when she chases her tail on the subject of what tense to write in for a chapter when the take away is that there are no rules and one should do what works for them. The book does a great ...more
The book does bog down in places, like when she chases her tail on the subject of what tense to write in for a chapter when the take away is that there are no rules and one should do what works for them. The book does a great ...more
This review appeared originally in Art Attack/Philly.com:
Pulling on dozens of literary stars — from Rilke to Nobel laureate Orhan Pamuk, New York Times columnist David Carr to Mary Karr, author of the Liar’s Club, and the work of her own students at Penn, author Beth Kephart has given us a wise new guide to writing memoir, Handling the Truth, out August 6 from Gotham Books.
Kephart is assertive and daring in her defense of memoir as a top literary form. She’s tired of it being disparaged by crit ...more
Pulling on dozens of literary stars — from Rilke to Nobel laureate Orhan Pamuk, New York Times columnist David Carr to Mary Karr, author of the Liar’s Club, and the work of her own students at Penn, author Beth Kephart has given us a wise new guide to writing memoir, Handling the Truth, out August 6 from Gotham Books.
Kephart is assertive and daring in her defense of memoir as a top literary form. She’s tired of it being disparaged by crit ...more
"Memoir is a strut and a confession." These words rang true throughout this read.
Kephart's challenge of 750 word focused writing is the second time I have seen this prompt in sources to aid the writing of a memoir. She implies that memoirs freeze people in time. What about writing focused memoirs when it is frigid outside?
I have already launched a blog of focused writing (www.considertheredsox.com). I am still trying to teach myself the range of my own written voice. It is without a doubt a labo ...more
Kephart's challenge of 750 word focused writing is the second time I have seen this prompt in sources to aid the writing of a memoir. She implies that memoirs freeze people in time. What about writing focused memoirs when it is frigid outside?
I have already launched a blog of focused writing (www.considertheredsox.com). I am still trying to teach myself the range of my own written voice. It is without a doubt a labo ...more
What do I want to say about this guide to writing memoir? Kephart clearly knows enough on the subject, having written at least five memoirs and teaching the subject at the university level, to be an expert. I feel that she sometimes gets carried away with making pretty-sounding sentences. This is good for memoir writing itself but can distract from your message in a guide. What do I know anyway?
That's the only real complaint I have about the book. The author does a decent job of delineating exac ...more
That's the only real complaint I have about the book. The author does a decent job of delineating exac ...more
When I picked up this book, I was expecting it to be a memoir of the author's journey writing a memoir. What I found was more "how to". It was enjoyable, but I felt it was too heavy with excerpts from other memoirs. I do appreciate the extensive list of memoirs she suggests at the end, and have added a few to my "to read" list. Overall I wish there had been more on her personal journey into memoir.
A lot of wisdom in these pages, and not just about memoir-writing. All writers can benefit from Kephart's insights, especially when she talks about description and voice. Also, in the back of the book is a fabulous list of recommended memoirs. Lots of books included that I'd never heard of. So much to read!
"Writing indulges the myth of continuity. Photographs suggest the significance of the single instant." There is much in this book to ponder, whether one is writing memoir or not, and the book is a pleasure to read for Kephart's lovely tender turns of phrase and gentle admonitions. A delightful read, I recommend it without reservation.
Worthy addition to any writer's bookshelf. Kephart has me dreaming memoir-sized dreams.
Everything Beth Kephart writes is poetry. Even this.
Beautifully written, hopeful book about the power of memoir.
Note: I don't write memoir. I literally have nothing to say about my life that would interest anyone. Hell, it doesn't even interest me! But I love reading memoirs and I teach a class in creative nonfiction, and I like to borrow liberally from the experts who do write memoir.
Many good points (make me feel like I'm on the right track in the classroom) about truth and memory, compassion, imagination, and grounding the personal in the la ...more
Note: I don't write memoir. I literally have nothing to say about my life that would interest anyone. Hell, it doesn't even interest me! But I love reading memoirs and I teach a class in creative nonfiction, and I like to borrow liberally from the experts who do write memoir.
Many good points (make me feel like I'm on the right track in the classroom) about truth and memory, compassion, imagination, and grounding the personal in the la ...more
Although I am not currently thinking of writing a memoir ( as it would be very short and not really have a point to it ) I did enjoy reading this book for the simple fact that it not only informed me as to the difference between a biography and a memoir, but it also taught me to see my world and my life through the eyes of a memoirist. To take in and notice all the little things that before you might not have thought significant. To relish the smell of your mother's cooking and the sound of her
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I first learned about this book from the Writing Lessons Series on Marion Roach Smith’s blog, The Memoir Project. I enjoyed reading our library copy so much that I want….no… I need my own copy to mark up. The appendix alone feels like a guided tour through a treasured collection of a writing professor. I was happy that I had read many of the memoirs listed in the appendix…but I want to read them all! I could relate when Kephart said she had lost a friend by telling her that she needed to read me
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Actual rating: 3.5
I loved this book at first. Kephart's writing is phenomenal, and her use of language is enough to inspire you to write on its own. But the book started dragging somewhere around the halfway point. Kephart gave lots of ideas for writing exercises I wanted to try, but they weren't specific enough or structured enough for me. I like my writing exercises to come with clear instructions and boundaries; having limits helps me push myself. I ended up skimming the last third of the boo ...more
I loved this book at first. Kephart's writing is phenomenal, and her use of language is enough to inspire you to write on its own. But the book started dragging somewhere around the halfway point. Kephart gave lots of ideas for writing exercises I wanted to try, but they weren't specific enough or structured enough for me. I like my writing exercises to come with clear instructions and boundaries; having limits helps me push myself. I ended up skimming the last third of the boo ...more
3.5
Beautifully written. Practical in the sense that it breaks down the more abstract tools in memoir: landscape, weather, the color of life. A very intuitive and 'feeling yourself through' way of writing your memoir.
Nice exercises. My favorite are the color of your life and empty out your pockets.
The appendix of memoirs to read is a bit bigger than i expected and takes up the bulk of the end of the book (pages 193 - 248). Feels a bit lazy, but i understand why they are there.
Great book if you ...more
Beautifully written. Practical in the sense that it breaks down the more abstract tools in memoir: landscape, weather, the color of life. A very intuitive and 'feeling yourself through' way of writing your memoir.
Nice exercises. My favorite are the color of your life and empty out your pockets.
The appendix of memoirs to read is a bit bigger than i expected and takes up the bulk of the end of the book (pages 193 - 248). Feels a bit lazy, but i understand why they are there.
Great book if you ...more
I am so afraid to write anything, as to render this review insignificant, as this piece of art was of so much importance. I feel as though I were lulled into a song. Not merely instructed as entranced.
As someone intent on writing memoir not for the pain of the memories, but the beauty in a life, the sharing of the soul, I will continue to come back to this book to remind me exactly what memoir is, life as a gift.
Thank-you Beth Kephart.
Now on to read, Michael Ondaatje, and Natalie Kusz, as gen ...more
As someone intent on writing memoir not for the pain of the memories, but the beauty in a life, the sharing of the soul, I will continue to come back to this book to remind me exactly what memoir is, life as a gift.
Thank-you Beth Kephart.
Now on to read, Michael Ondaatje, and Natalie Kusz, as gen ...more
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I'm the award-winning writer of more than two-dozen books in multiple genres—memoir, middle grade and young adult fiction, picture books, history, corporate fable, and books on the making of memoir.
I'm also an award-winning teacher at the University of Pennsylvania, co-founder of Juncture Workshops, and an essayist and critic with work appearing in The New York Times, Life magazine, Ninth Letter, ...more
I'm also an award-winning teacher at the University of Pennsylvania, co-founder of Juncture Workshops, and an essayist and critic with work appearing in The New York Times, Life magazine, Ninth Letter, ...more
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“But listen: The weight of the camera reminds me to see. It helps me decide against deciding that my world is overly familiar, already known. I look for cracks and fissures, for the new or newly announced. I look for water to run a different color in the stream, or for the sun to strike the pond in winter with delirious force. If I can’t see, then I don’t know, and if I don’t know, I’m not writing, and while some may question the value of words, or of memoir in particular, I will again make this claim: Words rendered true spook and spur us. They expect of us. They expect for us. Photographs do the same thing: “Your photography is a record of your living, for anyone who really sees,” said Paul Strand.”
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“Empathy smartens you”
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