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The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime
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The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime

3.44  ·  Rating details ·  2,192 ratings  ·  358 reviews
In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction

Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ba
Hardcover, 576 pages
Published July 23rd 2013 by Thomas Dunne Books (first published January 6th 2011)
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Bill  Kerwin
Jul 27, 2013 rated it really liked it
udith Flanders, who demonstrates an extensive knowledge of 19th century English literature and popular culture, shows us how actual 19th Century murders, and their transmuted and distorted recreations in newspaper coverage, broadside ballads, working class drama and "penny-dreadful" fiction, helped both to reflect and to forge what today we think of as the necessary accoutrements of crime: the modern police force, the private detective, the forensic investigation. Further, she shows how these c
May 01, 2015 rated it it was ok
Shelves: true-crime
I’m a true crime buff, though I hesitate to admit this. At best it makes me creepy, the kind of person you warily back away from at parties, lest you get stuck in a corner. At worst it makes me a cop in the media-driven exploitation machine, which turns the tragic into spectacle, and whips private pain into a public frenzy.

Of course, I’m not the only one. The media does not act in a vacuum. There wouldn’t be a constant stream of sensationalized crime stories if there wasn’t a large and avid aud
Victoria (Eve's Alexandria)
This was a impulsive Audible download when it first came out, and I've been doggedly listening to it in the mornings getting ready for work. Doggedly gives you a clue as it how I feel about it. There were times when I was incredibly close to defeat. Not because the subject isn't interesting but because the telling was very formulaic.

First there is the outline plot of a seminal murder, followed by a discussion of how it impacted in popular media and culture. Quite often the latter becomes a mono
Oct 06, 2013 rated it did not like it
This book needs to go back to the editor. The chapters were too long and the thesis was lost or never quite articulated. I felt like I was reading a masters thesis and not a book for popular audience. The author used the same type of examples in many chapters. By the third or forth chapter, I could expect excepts from newspapers that where widely in accurate, example of plays produced on the cases examine, and a look at the penny novels, broadsides, and ballads produced for the masses. The quest ...more
May 15, 2012 rated it it was amazing  ·  review of another edition
Although the title suggests otherwise, the Victorians did not invent murder. They were merely the first to make it profitable.

As the eighteenth century morphed into the nineteenth, public discussion of homicide in Great Britain shifted from the pulpits to the press, inspiring stage dramas and best-selling ‘penny dreadfuls’. No one was immune to the allure: the nobility attended murder trials as faithfully as the working classes, executions were witnessed by stadium-sized crowds, and literary gia
K.J. Charles
How much you enjoy this will depend entirely on your taste for Victorian murders and related social issues, Victorian pulp, and lit crit. These are some of my favourite things so I loved it. In particular the ineptitude and corruption of the entire judicial system is very well brought out, also the gross social misogyny and classism. Plus it directed me to Jerome K Jerome's hilarious Stage-Land. A nerd wallow.
Trigger warnings: murder. Obviously. Also rape, gore and infanticide. Capital punishment. Dismemberment. It's like an episode of Criminal Minds up in here, but with Charles Dickens. IDEK what I'm saying any more.

I stumbled across this not-so-little gem in one of the many bookshops I visited in London a few months back. And given that crime novels and the Victorian era are my jam, I bought it instantly because obvs. And then I put off reading it for months.

Anywho. I've read it now. And it was l
Aug 07, 2013 rated it did not like it
Very dry. I tried to read the first 30 pages and got bored. I tried to skim the next 50 pages and got even more bored. I was excited to read this book but it was big let-down. Other books that are similar (but better) are The Beautiful Cigar Girl by Daniel Stashower, and The Suspicions of Mr. Which by Kate Summerscale.
Sep 08, 2018 rated it it was amazing  ·  review of another edition
This book took some reading but I am glad that I did. It was given me a lot to think about and given me some interesting new perspectives.

So in no particular order (just what comes to mind) is that the idea of the the popular press conducting its own trials (by both popular opinion and that of the editors and owners of the paper) often before but more often during the court case is far from new. In fact the level of scandalous and incredulous behaviour these papers and publications went to is as
Emma Sea
The subtitle should be "how Victorians created modern sensationalist media," rather than crime.

Enjoyable, but to some extent a lot of the book was the same theme over and over again: acusations of crimes used to reinforce class and gender divisions. I felt sad most of the time, reading about women and men long executed, who had clearly commited no crime, but had the weight of the Victorian legal system against them.

This made it a slightly ponderous read. I think about half the length could have
Apr 03, 2018 rated it really liked it  ·  review of another edition
A very engaging non-fiction by Ms Flanders, who plunges deep into the Victorian times and provides us with details of a number of crimes committed in the 19th century, but not only. What I appreciate most about this book is that the author analyzes how the Victorians perceived crime and what their attitudes were towards the criminals. Also, Ms Flanders presents us with lots of information on how the crimes were reported in newspapers, which was especially attractive to me. A really interesting r ...more
Sep 17, 2011 rated it it was ok  ·  review of another edition
Disappointing. This book demonstrates that a lack of organization, discpline and analysis can wreck a seemingly intersting topic. The chapter designations were completely irrelevant, as every chapter followed the same pattern: description of some murders and their trial transcripts and then a summary of how the murder played out in pop culture.

Long before Law and Order, entertainment was "ripped from the headlines."
Sally Kilpatrick
Lots of great information here, but it was slow going at times. I think I would preferred more about the crimes and less about each and every book and stage adaptation.
Jun 09, 2017 rated it liked it
Wow, what a book. Beginning with the brutal murder of the Marr family in 1811, this book takes us though crimes real and fictional, through the sentimentalization of Murder in the nineteenth century. Conviction by circumstantial evidence, a morbid fascination for hangings by the public, the rise of murder as a big subject in fiction, both on the stage and in novels. Many of these novels were based on real crimes or alluded to them. I had no idea that Oliver Twist's last name was an underworld sl ...more
This is one of those books that you read that gives you lists of more books to read.
Flanders’ book is an analysis of how Victorian Society viewed murdered, as mostly seen in the literature (both high and low) of the time as well as in the media. She traces not only the rimes but the impact.
It’s a pretty compelling read not only for the information it contains about the books of the time. Among other things she traces the development of infanticide as a crime, linking the change in law to the c
Feb 27, 2012 rated it liked it  ·  review of another edition
MRS FLANDERS’ new book cat’logues the notorious rogues and vill’ans of the great VICTORIAN AGE. Recoil at such fiendish devil’ry as that committed by MESSRS BURKE & HARE, WAINEWRIGHT and the remorseless poisoner PALMER. Witness again the lamentable and notorious crimes of the sin-ful women, MADELINE SMITH and ELIZA FENNING. Embark on a colour-ful and sensational tour of BRUTALITY and EVIL, culminating in the most cruel and vicious MURDERER of the AGE, the unspeakable JACK THE RIPPER!

(I do li
May 01, 2013 rated it really liked it
I really enjoyed this book detailing various murders during the Victorian period and how they were reflected in the media of the day. It was interesting to read about the evolution of public attitudes towards violent crime and the concurrent changes in media, from the penny dreadfuls of the early 1800s through the emergence of true detective fiction. I would be interested to read an analogous work following the trends through the 20th century. One warning I will issue is that if you are planning ...more
Lori Rader-Day
Oct 10, 2018 rated it it was amazing
Shelves: read-in-2018
A big-un. Took a lot of pre-bedtime reading sessions to get this one done. Lots of great info, though.
Mar 28, 2015 rated it liked it
This book is incredibly well-researched, which is both a positive and a negative. On one side, the amount of information made for lots of gory details, which certainly satisfied my curiosity. But on the other, the book was bogged down in detail. I don't need to know the plot of every single stage adaptation based on a murder, nor do I need to know what critics said about these adaptations.

There were a few times when the author teased us with something interesting, only to delve into another topi
Lauren Albert
Jul 23, 2013 rated it liked it
Shelves: history-british
The main problem with this book is its repetitiveness. Over and over again you get:

1. The murder. The main details as known
2. The hunt for the murderer(s) with all of the failures of those searching
3. The press/writers--the money made, the circulations increased, the story altered as desired.
4. The trial of the accused--miscarriages of justice (bias, failure to present counter evidence, defendant lacking defense attorney, etc.)
5. The result of trial
6. The public opinion regarding the trial and t
Kevin McAllister
Jul 30, 2014 rated it it was ok
You'd think a book titled The invention of Murder couldn't be boring.Sadly, that wasn't the case with this book. The author discussed over 50 murders that took place during 19th century Great Britain. And while the descriptions of the murders themselves were interesting, it was the repetitive way the author then went on to describe how these murders were covered by newspapers, and then turned into works of fiction or plays. We were given, again and again. brief summaries of numerous books and pl ...more
Very detailed book about a fascinating period in England. I wish to read it again because it was so fascinating and the level of research and information presented takes diligence to absorb thoroughly.
This review has been hidden because it contains spoilers. To view it, click here.
Courtney Carlson
The book was not what I'd anticipated. Though it's well-written and well-researched, the thesis is stated early on and then apparently forgotten, never to be revived or even given a vague nod of acknowledgement. I wasn't interested in 600 pages of painstakingly researched details of gruesome murders, but in the Victorian preoccupation with death/murder and the factors that influenced the creation of the detective story genre. Ah well.
Oct 16, 2012 rated it it was amazing  ·  review of another edition
I am only about 100 pages into this one, but it is wonderful. I've read one of her other books before, but I think I'll have to read them all. Packed with facts, very interesting and extremely funny. I read it at lunch and have a hard time explaining to my colleagues why I'm giggling. "Oh, I just find this book very funny. It's about... er... murder..?"
Rabbit {Paint me like one of your 19th century gothic heroines!}
I LOVED this book. Not too surprising given my love of the macabre and a little dash of academia.

Dec 29, 2014 rated it it was ok
Shelves: nonfiction, dnf
This is a DNF for me. I have tried to read this all month, & I just can't give it any more time. It's too dry; it's too detailed; it gets lost in its labyrinth of facts. It was also full of possibility, which kept me reading. But it's not enough.
Sep 13, 2015 rated it it was ok  ·  review of another edition
just couldn't get into this book. nice idea but felt was too detailed and felt like a chore to get to the end of this book
Jul 02, 2015 rated it liked it

(Review to come, probably during the weekend)
Holly McIntyre
Jan 11, 2019 rated it liked it
This book is truly an “everything you ever wanted to know about murder in 19th century England.” The detail is both astounding and stupefying. Although murder was rare at that place and time, Flanders recounts each famous case in excruciating detail, first the facts as they are able to be known, then how it was depicted in journalism, high and low, in literature the same (appropriated, adapted, artfully rearranged by the likes of Dickens), in theater (again, high and low), even by Madame Tussaud ...more
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  • Duel with the Devil: The True Story of How Alexander Hamilton and Aaron Burr Teamed Up to Take on America's First Sensational Murder Mystery
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Judith Flanders was born in London, England, in 1959. She moved to Montreal, Canada, when she was two, and spent her childhood there, apart from a year in Israel in 1972, where she signally failed to master Hebrew.

After university, Judith returned to London and began working as an editor for various publishing houses. After this 17-year misstep, she began to write and in 2001 her first book, A Cir
“Well some are born to be hanged, and some are not; and many of those who are not hanged are much worse than those who are.” 2 likes
“It reinforces a sense of safety, even of pleasure, to know that murder is possible, just not here. At the start of the nineteenth century, it was easy to think of murder that way.” 0 likes
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