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Slime Dynamics: Generation, Mutation, and the Creep of Life
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Despite humanity s gradual ascent from clustered pools of it, slime is more often than not relegated to a mere residue the trail of a verminous life form, the trace of decomposition, or an entertaining synthetic material thereby leaving its generative and mutative associations with life neatly removed from the human sphere of thought and existence. Arguing that slime is a
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Paperback, 77 pages
Published
September 16th 2012
by Zero Books
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Start your review of Slime Dynamics: Generation, Mutation, and the Creep of Life
With a lack of punctuation and formatting, a prevalence of run-on sentences, sentence fragments, and technical terms, and references and quotations without contextualization or interpretation, the book reads like slam poetry, but I managed to understand about half of it. I feel like the author finished typing up the first draft a few minutes before it was due and submitted it without reading it? And no one else read it before it was published?
An outgrowth of the "dark" "speculative realism" thin ...more
An outgrowth of the "dark" "speculative realism" thin ...more
I would love to give this work a higher rating, but its flaws fault the thought far too much, as I shall elaborate below. First of all, I must say that Woodard has put in the thought and work, and the fundamental theme of a base and degraded, yet monstrous, material reality qua Urschleim which ruptures and rends open temporality beyond any anthrotopic time-scale is facinating and benefitial for inhumanist thought. Unfortunately, this work suffers from a number of faults which mar not only the ex
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[[Was not able to jot down my thoughts on it, but that time has finally come. If I am to agree with other reviewers, I would have to keep a blind eye to my own abysmal editing of Temporal Divergence and Cosmic Drift. So no complaints about typos. Good that I cannot or will not review my own book. I am all for systematicity, since my own instincts struggle with it and yet most of the time trying to find a clear path among the ferocious brambles of speculative theory fiction/SF fabulation defeats
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Slime Dynamic is a fun little meditation on the ontological, epistemological, biological and metaphysical roots of slime. Whether it be the microbial, the viral, the fungal, or the horror of the unknowable extraterrestrial, Woodard illustrates the notion of slime as the prima materia through which all life perpetually oozes in a pathological, random and meaningless flow trapped in the unendurable prison of the accident of consciousness and the spatio-temporality it misguidedly constructs meaning
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I admire what Woodard was aiming for here, but the stodgy exposition and wearying gluts of jargon fail to deliver the payload as explosively as this essay could and should have – i.e. Spinoza’s Ethics by way of John Carpenter’s The Thing.
As for the atrocious copyediting of the print edition, I’ll give Zero Books the benefit of the doubt and assume it was a spoofy meta-trope – the ur-grammatical undulations of slime squeezing through the pores of the galley-proofs to enmold and putrefy Woodard’s ...more
As for the atrocious copyediting of the print edition, I’ll give Zero Books the benefit of the doubt and assume it was a spoofy meta-trope – the ur-grammatical undulations of slime squeezing through the pores of the galley-proofs to enmold and putrefy Woodard’s ...more
A few interesting ideas expressed poorly.
In many ways I am reminded of some of the worst passages of my own writings. Luckily, nobody published any of my garbage so I've been saved the embarrassment that poor Woodard has landed himself with here. It's quite clear that this wasn't the primary project was working on at the time, with this reading like a brief exploration of some ideas that didn't make the cut while he was working on his PhD thesis. ...more
In many ways I am reminded of some of the worst passages of my own writings. Luckily, nobody published any of my garbage so I've been saved the embarrassment that poor Woodard has landed himself with here. It's quite clear that this wasn't the primary project was working on at the time, with this reading like a brief exploration of some ideas that didn't make the cut while he was working on his PhD thesis. ...more
May 09, 2020
Sam
added it
Whose mans is this? Someone proofread their mans.
My bathroom tub/shower grows mold. I've bleached, cleaned, pretty much whatever I can do to try to combat the mold, but no matter what it will still continue to grow - maybe it's the chemicals in the water or the chemicals in the soaps - the residue left after showering. No matter what, in the grout, in the caulk around the tub, over time, eventually, mold will begin. I've found great new ways to clean the caulk - bleach mixed with baking soda makes it look as good as new - but in the end, the m
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I can't tell if Ben Woodard suffers from not being able to develop ideas or poorly understanding how to communicate them. His introductions are always somewhat gripping and then they lead to the disappointment of his chapters. Often he just does things that are usually corrected out of writers in their later college experience, if not graduate school or the writers market. This includes: an over-reliance on citation (assuming that a quote simply *TELLS* the reader all they need to know rather th
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Good Luck With This - you are probably more intelligent than me and so will get more out of it, me, it went right over my head. I was disappointed, I have to say. Just an unfortunate mismatch - a cerebral creature of brilliant light bumping into a hairy smelly ape.
What I really wanted was a Social History Of Slime, with reference to popular culture, the great slime year of '88, when Madballs vomitted gouts of luminous gunk, when He-Man was held prone while a bird-like or dinosaur skull similarl ...more
What I really wanted was a Social History Of Slime, with reference to popular culture, the great slime year of '88, when Madballs vomitted gouts of luminous gunk, when He-Man was held prone while a bird-like or dinosaur skull similarl ...more
In the continuing tradition of pop-philosophy that has been deeply influenced by horror fiction maestros Ligotti and Lovecraft, Slime Dynamics (poor editing aside) is a breezy, light read that exemplifies in some fashion, Zero Books capacity as a publishing house. Where else could someone get away with talking about Dead Space, Parasite Eve, and other associated media in a relatively serious philosophical effort?
The core thesis of Slime Dyanmics, centered around breaking down and developing the ...more
The core thesis of Slime Dyanmics, centered around breaking down and developing the ...more
Rather meandering with many references that I find unnecessary (there is a part where all of sudden one of the worst archeological horror film The Ruins is mentioned for only one sentence) and as many have pointed out; hard to read due to the lack of editing. Would love to read more of speculative naturphilosophie as an external rendition of the mind rather than further engaging interiority through psychoanalysis. However, I like the idea of thinking ethic as an inhuman form—an ethic that comes
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I feel like I got a lot out of this work in retrospect and have many questions and avenues of inquiry, but I’m also incredibly frustrated. There are some great points and interesting ideas in here but they’re generally buried under that obfuscating style that seems to be the go-to for some (annoyingly, most) academic writers, and an absolutely infuriating lack of editing or proof-reading. The number of errors and clunky sentences made my brain bleed and coupled with the author’s propensity for d
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Straightforward language, makes for a fairly easy read. More of the recent trend in philosophy aimed at overcoming the Kantian impasse through explorations of horror. Ben Woodard takes his starting place with the beginnings of life: In slime.
By looking at the ways in which the virus, the fugus, and the swarm all contribute to inspire acute bodily horror, and the ways in which Woodard thinks that will help us see our “selves” as bodies, rather than immaterial subject.
By looking at the ways in which the virus, the fugus, and the swarm all contribute to inspire acute bodily horror, and the ways in which Woodard thinks that will help us see our “selves” as bodies, rather than immaterial subject.
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