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Artful

4.03  ·  Rating details ·  1,769 ratings  ·  255 reviews
The incomparable Ali Smith melds the tale and the essay into a magical hybrid form, a song of praise to the power of stories in our lives

In February 2012, the novelist Ali Smith delivered the Weidenfeld lectures on European comparative literature at St. Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either
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Hardcover, 256 pages
Published January 24th 2013 by Penguin Press (first published November 1st 2012)
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BrokenTune
Apr 19, 2015 rated it it was amazing
Shelves: favorites, reviewed
"All of it? I say.
Lucky for you the ands are ampersands, you say.
You are calling my bluff, of course. I call yours back. I take the book to the tattoo parlour down Mill Road and come home, after several sessions, with exactly this tattoo. I choose to have it done in deep blue, the colour of your eyes. It costs me a fortune. It hurts like irony.
I see you again only when it's finished and my skin settled down.
You're unreal, you say when you see it.
You're the real unreal thing all right.
Less than a
...more
MJ Nicholls
Oct 12, 2012 rated it really liked it  ·  review of another edition
An extended Smith short story, wrapped like bacon around the sausage of her illuminating Oxford lectures, makes up this debut non-fiction collection from the Best Living Scottish Novelist (caps mean cred). Her trope of using the second person to address an absent presence (in this case, Smith is the one being addressed, by her partner) returns, fortunately intermittent between the otherwise un-tampered-with content of her brief lectures. Not unlike Adam Thirlwell’s grandiose Miss Herbert in its ...more
Stephen P
Jan 27, 2013 rated it it was amazing
Shelves: interiority, memoir
There are books which through the softness of their sound, their words dipping into portals unseen that quiver upon memory and a haze of further meanings, set me into a mode of creative inquiry. A different state of being finding anything else an intrusion while seeking seclusion. The book has become a place I seek; wordless and serene. The early morning flower cupping the first rays of sun.

A sensitive mind filled with graceful thought faces the devastation of loss through her readings of litera
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Helene Jeppesen
Mar 11, 2017 rated it did not like it
1.5/5 stars.
While I liked the concept of this book - which is that it is based on 4 different university lectures given my Ali Smith - and while some passages were thought-provoking and interesting, this just wasn't a book for me. I have to say that I actually found it a bit pretentious. It's a long piece of work on thoughts and digressions on, amongst other things, time and form, and these thoughts connect with a lot of literature (too much of it!) to be consistent and make sense, in my eyes.
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Teresa
Jan 15, 2013 rated it it was amazing  ·  review of another edition
Reading this book of lectures made me want to reread Oliver Twist and since I'm not likely to do that anytime soon, I looked in my copy to see if Mudfog is mentioned or not mentioned in the very first paragraph and wondered if at the time I read it, I noticed that the Artful Dodger has dodged the summation of the last chapter.

Ali Smith is a genius, but not one of those geniuses who makes things hard to understand (dare I mention The Sense of an Ending: Studies in the Theory of Fiction); instead
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Neil
Mar 01, 2016 rated it it was amazing  ·  review of another edition
Shelves: 2016, 5-stars
My review will be just two quotes lifted out of this amazing book.

"All the time I read this book I felt it was feeding me".

And

"We do treat books surprisingly lightly in contemporary culture. We’d never expect to understand a piece of music on one listen, but we tend to believe we’ve read a book after reading it just once."

Enough said. 5 stars. Straight to the top of my "To Be Reread" list.
Antonomasia
Nov 24, 2014 rated it really liked it  ·  review of another edition
Recommended to Antonomasia by: I love the cover.
Jan/Feb 2015. [4.5]

(Truly Madly Deeply x The Autobiography of Alice B. Toklas) + fragments of essays on literature = Artful

Just lovely! I got it because it was my favouritest book cover I’d seen in ages (as said elsewhere, I don’t like many recent covers). The content wasn’t what I expected, but was, if anything, even nicer.

I daresay some friends have also had the experience that if something external makes you miserable whilst you’re reading a particular book, it often isn’t the right book any
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Shane
Dec 26, 2017 rated it liked it
A rather odd book, fusing notes from a series of lectures on the arts that the author gave at Oxford with a meditation on grieving for a lost partner.

I wondered why the author chose to render this book as a work of fiction. Why not present the lectures in their final form for us to digest? As they are, the individual subjects hit chords that resonate but are not presented as a cohesive whole. The dead arts professor (a proxy for Smith, I take it) is memorialized by the narrator-lover who is a bo
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Ned Rifle
Jan 14, 2013 rated it it was ok  ·  review of another edition
Shelves: from-library
I saw you last night, though you are now far away. I saw you and you saw what I was reading. You said you'd seen these lectures delivered. You looked appalled when I said that I really wasn’t enjoying them, and you chided me for my ignorance before asking why. As I rifled through the pages of the book looking for examples, another old friend came in and said what a great book it was. My frustration grew as I found it impossible to focus on the words, impossible to find anything at all in this, m ...more
Jenny (Reading Envy)
This book is a wee bit confusing. It is based on a series of lectures the author did at St. Anne's College at Oxford, but it is also a story of loss from the perspective of the left-behind lover of the dead lecturer. Except the author herself is the lecturer. You can see how this might be confusing.

There are a lot of literary and art references, all of which are highly documented in the back (including full-color photos!). I'm not sure I got a lot out of it, not nearly as much as I would have e
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Judith
Mar 06, 2013 rated it it was amazing
A blow-away book, this British novelist's 2012 Weidenfeld Lectures on comparative literature at Cambridge. A glancing sensibility, full of puns that lead to deeper thoughts in 4 lectures On Time, On Form, On Edge... For example, she asks us to consider in the Time section that literary time is not just sequence, but consequence; she brilliantly relates the root of "kindness" to family, old German kind, kinder, etc. Graspable literary reflections that stimulate and puzzle, contained within a fram ...more
Sarah
(No rating because I feel funny rating something I didn't understand)

I found this incredibly hard to follow and would be lying if I said I got much out of it. There were sections where I found I was beginning to understand what Smith was getting at, then it would change direction entirely and I would be completely lost again.

This is probably genius but 90% of it went over my head. I may revisit it in the future, but the least accessible book I have read by Smith so far.
nicky
What a strange read. Not a novel, not an essay, not a series of lectures. But all of that, too. And a love letter at the same time. To a real person? To art, for sure. To words, and films, and music and books and stories. To myths and reflections. To change and transformation.

This is a book I will have to come back to. A book full of references. Some of which I knew, most of which I did not. A book on books - sometimes at least.
FrederikeBolwijn
Apr 10, 2018 rated it it was amazing
Shelves: favorites
Ik heb deze geluisterd als luisterboek en het was het einde. Door Ali Smith zelf verteld.
Ze is zo lief en slim en menselijk en het liefst zou ik elke avond in slaap willen vallen bij haar stem die vertelt over haar oude geliefde en hun gesprekken over literatuur.
Vivek Tejuja
Jan 11, 2017 rated it it was amazing  ·  review of another edition
The more I read interesting and different forms of the novel, the more I am convinced that the book cannot die. It shouldn’t and it will not. Reading will never go out of style, and Ali Smith is one of those authors that keep proving this time and again. I started reading her when I was about twenty four or so and haven’t stopped since then. All her books are quirky and have this mischief sense about them. This is what attracts me most to her books and her writing. If a writer can make me want t ...more
Maxwell
Sep 29, 2014 rated it liked it
3.5/5

I enjoyed this because of its unique structure. It's really 4 essays, but also 4 sections of a novel. It crosses narrative with philosophical examinations of time, form, edge, and offering & reflection.

While I didn't understand some of it, I felt very enthralled by the way she weaves the genres. It is a quick read, intriguing, and insightful. Many great allusions to literature, film, art, etc.
Hugh
Jul 04, 2015 rated it it was amazing  ·  review of another edition
A beguiling, erudite, genre-defying mixture of fiction and literary criticism. The literary criticism is ostensibly presented as the work of a dead woman, who haunts the grieving narrator, her partner, whose visual interests are contrasted with the literary interests of the critic. These strands gradually intertwine. A unique mixture, which would probably reveal more on re-reading.
Paul Fulcher
Dec 09, 2016 rated it liked it
Shelves: 2016, goldsmiths-2013
It would maybe have been better if you could have come back from the dead a little differently. I mean if you could have come back as an array of different yous, like anyone with the originality of you when you were alive should naturally have done; for instance, if you'd come back as a dog, a mythical sort of one, one that could speak and would even occasionally do my bidding, occasionally sit at the table with me and converse while we ate our dinner, or if you'd come back as a small star, or a ...more
Sara
Aug 28, 2018 rated it it was amazing
Inarticulate rave to come.
Yvonne
Jan 22, 2017 rated it it was amazing
Shelves: theory
What a reading experience! My to-read-list has just grown enormously... I guess to get the full impact of this book I'll need to re-read it several times plus read a lot of the works Ali Smith makes references to. I love the mix between essay and fiction... the plot is really sad but not in a cliché kind of way. It is a book about loss but even more, I feel, about enrichment through art... what art can offer (and yes, in the sense it is described in the book). I am overwhelmed and can only recom ...more
Mind the Book
"Books need time to dawn on us, it takes time to understand what makes them, structurally, in thematic resonance, in afterthought, and always in correspondence with the books which came before them...

Visste att det var en essässamling jag hade framför mig. Var inte beredd på att det skulle handla så mycket om sorgebearbetning efter en älskad anhörig. Noterade en del diktrader och romantitlar under läsningen.
Arta
May 21, 2015 rated it really liked it
Shelves: books-i-own, uni
3.5 stars
John Madera
May 23, 2017 rated it it was amazing
Ali Smith's Artful artfully blurs the boundaries between ghost tale, memoir, and art and literary criticism, its glosses on work by Dickens, Stevens, Michelangelo, Carrington, Miłosz, Eluard, and many others, equally playful and illuminating, the strange conversations between the narrator and her dead lover reminding me of DeLillo's The Body Artist, her attempts to make sense of her lover's unfinished notes for lectures reminiscent of Angela Woodward's Natural Wonders: A Novel, where a widow ass ...more
Robin Stevens
Dec 12, 2018 rated it it was amazing  ·  review of another edition
A strange, beautiful series of essays framed by a ghost story, this is about literature, film, poetry, love, trees and about a hundred other things. Ali Smith's writing is a work of art. (14+)

*Please note: this review is meant as a recommendation only. If you use it in any marketing material, online or anywhere on a published book without asking permission from me first, I will ask you to remove that use immediately. Thank you!*
Ericka Clouther
Maybe not the best place to start with Ali Smith. I liked the language a lot and she made her grief beautiful and absurd in a way that I loved. But the essays are strange and disjointed. I also didn't really like Oliver Twist so Smith's comments on the book throughout left me a bit cold.
Lulufrances
May 10, 2018 rated it liked it
A different but still same Ali Smith.
Not entirely what I was expecting of this, but nonetheless full of golden nuggets and literary love and a pleasure to read.
(She's still a queen, mind you)




Can you tell I'm not in reviewing mood? LOL SOZ
Scott
Oct 05, 2018 added it
Shelves: favorites
It may not be for everyone, but "Artful" is *my* favorite book I've read this year and immediately goes into my top 15 favorite books. This strange, experimental book--listed as "Literary Criticism" on its back cover--is really part ghost story, part grief narrative, part literary essay. It has just as much of a right to be called Fiction. But it's really about stories, and the connections we make with literature and with each other. It's sad at times, and funny at others, and full of puns. I lo ...more
Tilly
Jun 18, 2015 rated it it was amazing
(RE-READ)

The best horror movies frequently derive their haunting authority from their ambiguity. Think American Psycho, The Thing; the reason Rosemary's Baby suddenly got a lot less scary once we get our glimpse into the pram. There's something about being forced to hold the rational alongside the irrational that makes the whole experience stretch larger in our minds. That process of screen interrogation alongside self-interrogation, sorting out the degree to which our own sensibilities will all
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Ian Young
Mar 12, 2013 rated it really liked it
Artful by Ali Smith is based on four lectures which she delivered at Oxford University. It does not fall easily into any single genre – I would categorize it as a blend of literary criticism, essay and fiction. It is therefore an unusual book and also one that demands careful reading.

The central conceit is that the narrator is mourning the loss of her partner. We encounter the narrator always on her own, in the home which she shared with her partner or on a visit to a hotel where they used to ho
...more
Mac
Feb 18, 2013 rated it liked it
Sadness while experiencing the narrator's grief over loss of a partner...appreciation for the author's range of knowledge...joy in reading the quotations and ideas expressed...admiration for the book's combining fiction and essay, story and critique, within an inventive structure...wonder at how the book forced me to consider my own experiences beyond those described in this series of four lectures (yes, the book is a collection of lectures presented in a fiction/essay format)...bafflement at no ...more
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Ali Smith is a writer, born in Inverness, Scotland, to working-class parents. She was raised in a council house in Inverness and now lives in Cambridge. She studied at Aberdeen, and then at Cambridge, for a Ph.D. that was never finished. In a 2004 interview with writing magazine Mslexia, she talked briefly about the difficulty of becoming ill with chronic fatigue syndrome for a year and how it for ...more
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“To be known so well by someone is an unimaginable gift. But to be imagined so well by someone is even better.” 85 likes
“(this is before we're living together, before we do the most faithful act of all, mix our separate books into one library)” 22 likes
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