Michael Robert Collings is an American author, poet, literary critic, and bibliographer, and a former professor of creative writing and literature at Pepperdine University. He was Poet in Residence at Pepperdine's Seaver College from 1997-2000.
Collings has had multiple collections of his poetry published on subjects such as Latter Day Saint theology, Joseph Smith, Christmas, science fiction, and horror. He is known for his literary critiques and bibliographies of the works of Orson Scott Card and Stephen King, though he has also published critiques and bibliographies of the works of Peter Straub, Dean Koontz, C. S. Lewis, Brian W. Aldiss, and Piers Anthony. His In the Image of God: Theme, Characterization and Landscape in the Fiction of Orson Scott Card was the first book-length academic look at Card's works.
Michael Robert Collings was born on October 29, 1947 in Rupert, Idaho. He graduated from Bakersfield College in 1967 with an Associate's degree, then graduated with a Bachelor's degree in English from Whittier College two years later. After graduating with a Master's degree in English from the University of California, Riverside in 1973, Collings received his Ph.D. in English literature from UCR in 1977, specializing in Milton and The Renaissance.
Before he began teaching creative writing and literature at Pepperdine University, Collings taught at UCR, San Bernardino Valley Community College, and UCLA. He taught at Pepperdine from 1979 until 2010, when he retired. He now lives in Idaho with his wife, Judi. His son, Michaelbrent Collings, is a fantasy and horror writer.
The author sums up the many facets of Stephen King's horror in a book published in 1985. Gosh, what a long time ago, the book was written on a typewriter... well, Stephen King is still there. Here you'll see what a long way he went up to present time. In the beginning he wasn't taken seriously by the critics, his search to form, the long 70s, him entering the twilight lands, ghoulies and ghosties (e.g. Shining, Pet Sematary, Salem's Lot(, the machine amok (e.g. Christine), exploring tangential worlds (The Stand, Dark Tower). This depiction ends with a bibliography and some references to articles. Good entry into the world of Stephen King's writing and imaginism. Highly recommended!