Short lyrics and sketches of emergence, whose signatures are a startling precocity of taste, judgment and reticence. The poems are organized in four sections under headings of musical direction, here indicating narrative markings and precise emotional and intellectual registers: Da Capo, from the head; Lontano, from a distance; Adagio, at ease; Cadence, a falling. These are urban poems, poems of streetscapes and street people, of movement and light, of the anonymous and disinterested gaze, reminiscent of Baudelaire, Eliot, St Vincent Millay. A first collection of surprising strength and authority.
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