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Faust: First Part

(Goethe's Faust #1)

Johann Wolfgang von Goethe,

Peter Salm (Translator)

3.93 · Rating details · 53,428 ratings · 1,003 reviews

Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. H ...more

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Paperback, German-English Edition, 327 pages

Published July 1st 1988 by Bantam Classics (first published 1808)

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Jun 25, 2014 Lisa rated it it was amazing

Shelves: favorites, drama

This is not a review.

I cannot attempt to write a review of Goethe's Faust. It is a much too personal experience, growing with each time I reread it. Since high school, I have been thinking at least five times:

"This is the perfect Goethe moment, his work is written for ME, NOW, it can't get any better, deeper, or any more satisfying."

Well, apparently it can. After maybe three or four years, I picked up Faust again, and found that I had finally grown up enough to identify with his most famous quo ...more

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Dec 28, 2013 Ahmad Sharabiani rated it it was amazing

Shelves: classic, 19th-century, fiction, plays, poetry, german, literature

Faust: First Part (Goethe's Faust #1), Johann Wolfgang von Goethe, Peter Salm (Translator)
Johann Wolfgang von Goethe's Faust is a tragic play in two parts usually known in English as Faust, Part One and Faust, Part Two. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.
تاریخ نخستین خوانش: یازدهم ماه می سال 1991 میلادی
بخش نخست با مقدم ...more

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Jan 18, 2019 دُکترْ دَرونْ‌گَرآ rated it it was amazing · review of another edition

|مثنویِ مادّی|

کلّهپزیِ گُوته
از کاریشما مِشین (راهبِ بودایی، قرن نخست میلادی) نقل شده: «اگر روحی، در چرخهیِ تناسخْ، به هیئتِ آدمی درآید اما برخی مناظر را نبیند، برخی اصوات را نشوند یا برخی کتب را نخواند، بهتر که گلنیلوفر باشد» میتونم مدعی بشم فاوست مشمولِ «برخی کتب» میشه. خُب، اگه فرهنگِ ملتی رو یک دست کلهپاچهیِ کامل فرض کنیم، برخی کتب، حُکمِ آبمغز رو دارن! به عبارت دیگه، آبمغز عصاره و چکیدهیِ هر فرهنگیست. مثلاً، «کمدی الهی» و «مثنوی»، آبمغزِ قرون وسطیٰ و عرفان ایرانیاند. بنده معتقدم هر روحِ آزاد |مثنویِ مادّی|

کلّه‌پزیِ گُوته
از کاریشما مِشین (راهبِ بودایی، قرن نخست میلادی) نقل شده: «اگر‌ روحی، در چرخه‌یِ تناسخ‌ْ، به هیئتِ آدمی درآید اما برخی مناظر را نبیند، برخی اصوات را نشوند یا برخی کتب را نخواند، بهتر که گل‌نیلوفر باشد» می‌تونم مدعی بشم فاوست مشمولِ «برخی کتب» میشه. خُب، اگه فرهنگِ ملتی رو یک دست کله‌پاچه‌یِ کامل فرض کنیم، برخی کتب، حُکمِ آب‌مغز رو دارن! به عبارت دیگه، آب‌مغز عصاره و چکیده‌یِ هر فرهنگی‌ست. مثلاً، «کمدی الهی» و «مثنوی»، آب‌مغزِ قرون وسطی‌ٰ و عرفان ایرانی‌‌اند. بنده معتقدم هر روحِ آزاده‌ای، در طول زندگیِ بیهوده‌اش، باید یک دست کله‌پاچه‌یِ کامل میل کنه، حداقل چهار تا کاسه آب‌مغز نوش کنه دیگه

چهره‌ی مرد هنرمند در جوانی
یک. فواست دو بخشِ کاملاً مجزا داره و، این‌جوری هم که بنده فهمیدم، در ادبیات جهان این دو بخش مستقلاً بحث میشه. بخش اول، چکیده‌یِ نیمه‌یِ نخستِ زندگیِ گوته‌ست و بخش دوم ماحَصَل نیمه‌یِ کهنگی‌اش[ زین پس، به جهتِ فراخی، بخش اول رو «اولی»، و بخش دوم رو «دومی» می‌نامم] اولی به معنایِ خاص نمایشنامه‌ست، یعنی با هدف اجرا رویِ صحنه نوشته شده، پس پُرکِشِش و باحاله و گوته مثل یک هنرمندِ متشخص، کار تمییزی پس داده. اما در دومی، قالبِ نمایشنامه صرفاً وسیله‌ای‌ست برای بیانِ تفکر.‌ در دومی، گوته صورتکِ فیلسوف زده و تو میدونی که فلسفه‌خوانی سخت و کُند خواهد بود، لذا حوصله خرج کن برادر/خواهر
هشتگ: هدف وسیله را توجیه می‌کند
دو. حالا، اولی یه تقسیمِ داخلی و غیررسمی هم داره: تراژدیِ دانش و تراژدیِ عشق که هردوش هم دوست‌داشتنیه. خیلی خلاصه عرض می‌کنم، گوته القاء می‌کنه: نه در دانش و نه در عشق هیچ رهایی، نجات و امیدی نیست بلکه در انتهایِ راهِ دانش و عشق، جز سُوگ(تراژدی) نخواهد بود
هشتگ: تراژدیِ آفرینش، درختِ دانش و هبوطِ آدم_ علیه‌السلام
هشتگ: نجات‌دهنده در گور خفته است

گر تو تویی و من منم، من نه منم نه من منم
گوته در عنوانِ نمایشنامه، از لفظِ «تراژدی» استفاده کرده، این لفظ دو اقتضایِ‌ ذاتی داره: پایانی مصیبت‌طور و لحنی فاخر. ایشون از دو طریق، محتوایِ کلاسیکِ این واژه رو به گند کشیده: اولاً، بویِ طنز از لفظ به لفظِ نمایشنامه بیرون میزنه. و این طنز به بهترین وجهِ ممکن در متن نشسته و این خلاف‌عادتی‌ بود در رسم تراژدی‌نویسی که ما را خوش افتاد
ثانیاً، واژه‌یِ فاؤست به معنیِ «مرد خوشبخت» است اما در پایان، بدبخت‌ترین شخص است! به عبارت جدی‌تر، فاوست کمدی‌ها رو ریخته توی تراژدی، حتی یه جاهایی از اینکه وسط فاوست‌خونی می‌خندیدم، دستخوشِ حسِ خوشِ نافرهیختگی می‌شدم. در پایانِ فاوست به نتیجه‌ای بس غریب رسیدم: مرحوم گوته، ایستگاهِ تاریخِ تراژدی رو_ در وسیع‌ترین سایز ممکن_ گرفته

پ‌ن۱: باشد که در چرخه‌ی بعدی، گل نیلوفر باشم؛ آمین
پ‌ن۲: متأسفانه، کاریشما مِشین(راهبِ بودایی، قرن نخست میلادی) وجودِ خارجی نداشته ...more

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Mar 15, 2010 Stephen rated it really liked it

Shelves: easton-press, horror-classic, angels-demons-heaven-hell, 1800s, audiobook, classics, classics-european, poetry-plays-and-essays

First impression: Goethe could write his tuckus off. Rarely have I encountered prose that commingles in such bounty the trifecta of being, at once, gorgeous to the eye, imbued with passion and saturated with depth and meaning. Faust has all three and I was pulled into the seductive narrative from the momentous opening (wonderfully titled “Prologue from Heaven”) through the final dramatic climax.

I must briefly pause here to add a qualifier to my comments which relate to the version I experienced ...more

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Aug 23, 2016 James rated it really liked it

Shelves: 1-fiction, 4-written-pre-20th-century

I read Johann Goethe's Faust in English and partially in German during a college course many years ago. It had a huge impact on me as a person and me as a writer. Due to it being somewhat "out there," I held back a full 5 rating; however, I cannot stress how much this book makes you think. Beware, it's a little heavy on the literary side, but it's still worth a read, even if you just read the first portion. That said, 4 out of 5 stars...

Detailed Review(about 1/3 of a paper I wrote about it a few I read Johann Goethe's Faust in English and partially in German during a college course many years ago. It had a huge impact on me as a person and me as a writer. Due to it being somewhat "out there," I held back a full 5 rating; however, I cannot stress how much this book makes you think. Beware, it's a little heavy on the literary side, but it's still worth a read, even if you just read the first portion. That said, 4 out of 5 stars...

Detailed Review(about 1/3 of a paper I wrote about it a few years ago)
When I first picked up Goethe’s famous masterpiece Faust, I was hesitant about reading it. I read Goethe’s work while lying on my bed a few hours before I went to sleep. My room was quiet because everyone else was already asleep. I was able to read and consciously take in the contents of the work. I generally don’t like to be told what literature to read; however, after reading through the Prologue in Heaven, I was intrigued by the plot of Faust. As I began reading the first part, I was a bit disturbed by the fact that it was not in prose, but that it was in poetical verse. I have never been a great fan of poetry as a genre of literature. Thus I had mixed feelings when it came to reading Goethe’s famous literary work Faust from the beginning.

I wanted to learn something from the story, as I do from all literature. Authors don’t just write for ‘no’ reason; they wish to accomplish something. I then strove to understand the reasons for the literary work’s existence. When I skimmed Faust for the first time, I tried to read it for pleasure, but it was a little too hard. I needed to stop and understand what as going on in each scene. However, I soon realized that I was able to place myself inside the text in several different ways. It was at this point that Faust actually appealed to me; I saw myself in the novel as the character of Faust, fighting against the devilish Mephistopheles. I have always struggled with wanting everything from material things to the admiration of others. As a man of flesh and blood, I naturally want great intelligence, power and love. I have always wanted to be number one - a perfectionist - just like Faust.

So, while I was reading Faust, I was truly reading a biography of my own life, albeit on a much larger scale. I too have lost some faith in my religion, and I wonder if I will be saved; however, unlike Faust, at the time I read it, I had yet to want someone as much as he wanted Margaret (Gretchen). Maybe if I were under the devil’s spells like Faust was, I would have fallen just as hard for the woman. I do have the addictive personality that would lead me in the same direction as Faust. With all of this in mind, I read through the novel as though I were Faust. I took on his persona, argued with Mephistopheles, and wished that I had never been born in the end of the work. It is not easy to live a life completely free from the clutches of evil. When you are hopeless and in despair, you need help. Often, humans are not strong enough to recognize from whom they are getting help. Faust enabled me to foresee what would happen to me if I were subject to the devil’s influence.

Faust is a man worthy of my admiration. All throughout the book, both Faust and the actions he sought fascinated me. Like I said before, I felt as though I was reading or watching a movie of my own life. It was as though a dream had come true where I was able to align myself with the devil. The fears that I have in reality weren’t present enough in my dreams to stop myself from associating with some Mephistophelean devil. I was able to see what would happen if I took on the persona of evil incarnate turned into man. Faust enabled me to have an out of body experience where I could see what would happen to me if I became what I have always been curious about becoming: A devil-influenced man.

Throughout the work of Faust by Goethe, I was able to live experiences vicariously. Faust enabled me to try things that I only dreamed about trying. I really felt as though I were reading a novel about myself. I think that this is why the Faustian theme has persisted throughout time; men (and women) everywhere have struggled within themselves fighting between good and evil to achieve their goals and desires. I am no different.

About Me
For those new to me or my reviews... here's the scoop: I read A LOT. I write A LOT. And now I blog A LOT. First the book review goes on Goodreads, and then I send it on over to my WordPress blog at https://thisismytruthnow.com, where you'll also find TV & Film reviews, the revealing and introspective 365 Daily Challenge and lots of blogging about places I've visited all over the world. And you can find all my social media profiles to get the details on the who/what/when/where and my pictures. Leave a comment and let me know what you think. Vote in the poll and ratings. Thanks for stopping by. Note: All written content is my original creation and copyrighted to me, but the graphics and images were linked from other sites and belong to them. Many thanks to their original creators. ...more

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Aug 10, 2016 Edward rated it it was amazing · review of another edition

Shelves: germany-prussia, translated, plays, own, 5-star, goethe

Preface & Notes
Chronology
Introduction
Translator's Note
The Writing of 'Faust'
Further Reading

--Faust, Part I

Notes

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Aug 09, 2015 Norah Una Sumner rated it liked it · review of another edition

Shelves: adult, classics, fantasy, philosophy, school, 3-star-read, read-in-serbian, drama-llama

A summary:

Faust: I WANT TO EXPERIENCE EVERY HUMAN EMOTION,I WANT TO GAIN THE KNOWLEDGE OF ALL FOUR ELEMENTS,I WANT TO FEEL THE PLEASURES OF THIS WORLD!

Mephistopheles: Yeah,sure thing bro,but before you do that I want to take you to this weird pub,hook you up with a minor whom you'll knock up & make you attend a completely pointless annual witch ball.Sounds good?

Faust: You had me at "hook up with a minor",bro.

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Dec 21, 2012 Manuel Antão rated it it was amazing

Shelves: 2004

If you're into stuff like this, you can read the full review.

To Plug the Mighty Hole Withal: "Faust - First Part" by Goethe

(original review, 2004)

I’m planning on spending a few weeks on Goethe’s Faust in multiple translations and as much of the German as I can manage, supplemented by hundreds of pages of notes and commentary.

I first read the book while in high school in the totally un-annotated Bayard Taylor translation from Modern Library – one of the texts I’m currently reading. I’m still pret ...more

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Feb 24, 2016 Jonfaith rated it liked it · review of another edition

Dear friend, all theory is gray, and green the golden tree of life.

What else to say? Towering as an archetype, akin to Hamlet, the Inferno and White Whale -- this tale of pact has been absorbed into a our cultural bones, like an isotope. It is more telling to consider that I listened to Tavener while reading this. I recently gave Pandora a spin but found that I owned more Schnittke than was afforded by my"station" but if I leave such, will I miss those Penn Station ads?

I will say that I should'v ...more

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Oct 23, 2010 Jimmy rated it really liked it · review of another edition

Shelves: classics

There's something discomforting about the vague moral convictions of Goethe's Faust character. One would assume, that even a scholar living in Goethe's time would find the typical preoccupations of Christian morality somewhat boring, if not basically delusional and overzealous. After all, the cacophony of self-doubt racing through his mind is not initially brought on by anything that resembles religious guilt. He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought There's something discomforting about the vague moral convictions of Goethe's Faust character. One would assume, that even a scholar living in Goethe's time would find the typical preoccupations of Christian morality somewhat boring, if not basically delusional and overzealous. After all, the cacophony of self-doubt racing through his mind is not initially brought on by anything that resembles religious guilt. He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought. All of his forced questions about the complexity of the universe have not been adequately revealed to him in the immense amount of reading and study that he has undertaken throughout the course of his life. Something is missing. In the opening soliloquy he desperately gropes out loud in an attempt to locate the source of his emptiness. He intones ...

"What theatre! Oh, but nothing more.
Where can I grasp you, never-ending Nature?
Breasts, where? You founts of all of life,
That earth and heaven hang upon love
And where the parched soul craves to be,
You flow, you give to drink, but not to me."

Of course, much of this monologue does hint at the power that God might potentially have to grant this wish, but Goethe is ambiguous at best. In the beginning it's difficult to tell whether Faust harbors any faith in God. The question of God's abilities and/or existence is a concern of Faust's, but his frustrations and lamentations seem more bestial and secular in tone. Faust desires some sort of ineffable experience; he desires a base inflammation of the senses, most importantly of his own passion for life. It could be argued that Mephistopheles appears essentially because Faust desires to lose himself in sublime sinfulness. God might only show up to suggest that his mortal frustrations and complex questions can in fact be answered, but only by one book. More importantly, if it were for the grace of God's true presence in Faust's existence, his questions would abate under the reverent awe of his own faith. It's obviously not there.

It's at this point that Mephistopheles appears, offering what any average mortal would desire in the throes of their own suffering, brought on by an overwhelming abundance of probing, difficult questions; namely the earthly pleasures of amorous love. To be clear, Gretchen's character is offered to Faust to appease the longings of his heart more than that of his loins. Having the position and immortal power that Mephistopheles does, he understands that Faust will be more than willing to accept his wager. But, as most critics suggest, Mephistopheles also knows that a character such as Faust, despite not really being a man of faith, will ruin such an immediate route to happiness. Naturally, Gretchen detects the way in which this internal struggle of Faust's causes him to be so distant. Not only that, but she distrusts Mephistopheles, and is committed to God.

There is a clunky and somewhat fragmented quality to the way that Goethe presents many of the difficult concerns of Faust and his wager with Mephistopheles. Initially, he is so troubled, merely by the thought that all of his worldly academic efforts are made in vain. His frustration with the futility of his effort to enlighten himself and to better understand the beautiful complexity of the world, reaches a sort of peak, at which point he loses faith in virtually everything. At first amused by the idea of the very appearance of Mephistopheles, he's eventually perplexed by how effortlessly he can access the very happiness which he could hardly even give a name to. Is he, in this sense, troubled once again by the knowledge that he possesses, the knowledge of the disappointing outcome of his temporary pleasures? One could almost draw a parallel to Nietzsche's description of the existential frustration that cripples Shakespeare's Hamlet from acting on his anger due to the knowledge that he has of the awful situation occurring around him.

To an atheist, especially an academic one, virtually all of this might sound a little silly. The reality of the situation is that Mephistopheles is actually quite fun. As he says in response to Faust's question of who Mephistopheles is, "A part of the power who wills evil always but always works the good." He perplexes Faust by presenting himself as a merely a part of a duality that constitutes peoples paradoxical understanding of the wholeness of God. This might sound confusing to some, but what he's doing is mockingly suggesting to Faust that his attachment to traditional notions of sin and goodliness is ridiculous. Toward the end, Faust ignorantly insists that the wager is destined to end in despair and disappointment. Mephistopheles, already aware of how seemingly full of disappointment most mortal situations might appeal to human beings, basically has a little fun with Faust's misguided convictions of goodness. So then is this a tragedy? Toward the end of the first part of Goethe's morally confusing masterpiece, it becomes increasingly difficult to believe that there is anything tragic about the fate of Faust.

...more

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Sep 25, 2015 poncho rated it it was amazing

Shelves: favorites, read-in-2015

Faust by Goethe was the very first book (apart from textbooks, of course) I ever put my hands on. It was assigned to me when I was in middle school for my Spanish class. I know it's a German play, but the teacher was encouraging us to read by asking the whole classroom to donate a book for the course, put it in a box with the others and then randomly pick up one of them each month — now that I think of it, the teacher should have payed more attention to the books we brought, since I don't think ...more

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Oct 12, 2007 Sophia rated it it was amazing

Goethe’s Faust is a novel rich in metaphor, elaborate verse, imagery, depth, and meaning that not only employs symbolic characters and scenes, but also through such literary techniques weaves its main philosophy of striving and experience as mankind’s rightful path.

Ironically, Faust reveals his disapproval for books as a true source of knowledge in understanding the world; we must turn to life and living, and experience instead. I call this ironic because while he denounces books, Faust is a bo ...more

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Apr 16, 2018 Chris rated it it was amazing · review of another edition

Shelves: soul-shakers-favourite-fiction

What a tragedy! How beautifully, subtly crafted. This was one of the most heart wrenching books I've read in a long time.

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Jan 02, 2013 Darwin8u rated it it was amazing · review of another edition

Shelves: 2013

Sitting on the shelf with the children of Homer, Virgil, Dante, Shakespeare, Milton and Coleridge, Goethe's Faust is amazing in its poetry and depth. There are parts of this play/poem which seem to capture the whole drama of Man's fall and redemption within a single rhyming couplet. David Constantine's translation modernizes this amazing piece of High German lit, but George Madison Priest's translation seems, at least to me, to have a more seductive flow and more tempting poetry.

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Sep 11, 2016 Michael Finocchiaro rated it it was amazing

Shelves: fiction, classics, favorites, german-19th-c

Goethe's Faust, particularly the first part is one of the monuments of western literature. The characters of Mephisto, Faust and Margarite and unforgettable. It has, of course inspired operas from Berlioz to Busoni and books writers such as Thomas Mann. It was actually adapted from an earlier version by Christopher Marlowe but Goethe's version is even more sinister and lifelike. a Must!

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Mar 19, 2014 Christopher rated it it was amazing

Shelves: 19th-century, drama, fiction, german, classics

Not since watching Breaking Bad have I been so enthralled by a man's descent into depravity.

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Oct 10, 2015 Alexandra rated it really liked it · review of another edition

Shelves: comic, deutschland

Ich verstehe ja sehr wenig vom Genre Graphic Novel, aber alles, was ich in diesem Bereich in letzter Zeit gelesen habe, hat mir gut gefallen.

Faust von Flix transportiert das uralte Thema der Versuchung des Menschen durch Mephisto in das 21. Jahrhundert. Diese Idee ist an und für sich schon sehr genial und außerordentlich gelungen: sehr modern, glaubwürdig und konsistent umgesetzt.

Die moderne Eventagentur Happy Life schließt zur Wunscherfüllung mit dem Klienten, genannt Opfer, einen Vertrag in de ...more

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Dec 22, 2014 Najla Hammad rated it it was amazing

من أجمل ماقرأت من المسرحيات ! تعد هذه المسرحية من أعظم الأعمال في الأدب الألماني.
عن فاوست العالِم الذي يحب أن يتعلم كل شيء (وهو بالمناسبة شخصية حقيقية ذكرت في كثير من القصص الأوروبية القديمة)، يتعاقد مع الشيطان على شرط ثم تحصل بعدها أحداث كثيرة ممتعة بنكهة شيطانية
الشيطان مفستوفيليس هنا حكيم ومضحك في أحيان كثيرة
كتب جوته الجزء الأول من المسرحية ثم تبعها بالجزء الثاني بعد أكثر من 20 سنة! لم اقرأ الجزء الثاني بعد، وأرجو أن يكون في مستوى الجزء الأول أو أفضل منه.
قرأتها بترجمة عبدالرحمن بدوي

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May 18, 2010 Duffy Pratt rated it it was ok

Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related? I certainly didn't. The first part is a fairly ordinary play that gets dunked in profundity through the inclusion of Mephistopheles. There are only a few main characters here, and there wasn't much depth to any of them. I've heard that the German is tremendously good, but it's impossible for me to judge. I switched back and forth in this part between two different trans Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related? I certainly didn't. The first part is a fairly ordinary play that gets dunked in profundity through the inclusion of Mephistopheles. There are only a few main characters here, and there wasn't much depth to any of them. I've heard that the German is tremendously good, but it's impossible for me to judge. I switched back and forth in this part between two different translations. I liked the free kindle version better than my Oxford edition, but I wasn't really taken in with the language of either, except in some small parts. On its own, I have to say that I enjoyed the first part.

The second part is unlike anything I've ever read. If I didn't know that it had been invented in my lifetime, I'd swear that Goethe got himself into some very, very fine LSD. It's very weird, jumps all over the place, and gives the impression that anything, no matter how fantastical, could be made to occur. It feels like it could never be produced as a play. There are way too many speakers -- I hesitate to call any of them characters. In this second part, a mood might start talking, or a mythological creature, or an inanimate object, or anything at all for that matter. And I have no idea how, if staged, anyone would know which "character" was speaking at any time. (Unless, like in a childrens play, Thales or Speed-Booty, wore a placard saying who he was.)

The stage directions can be just as dumbfounding. At one point, one direction says: "To the younger members of the audience who did not applaud." Now how exactly is one supposed to pull that direction off in a manner that is at all intelligible? What if the entire audience applauded? It is one of the stranger directions I've ever seen in a play, and it made me think that Goethe may have been over a hundred years ahead of his time. Or maybe he just realized that this was a "play" that would only ever be read, and he was just having some fun with the directions.

Ultimately, this work is a long piece of lyric poetry, and I'm willing to accept that in German it is remarkably great poetry. I suppose that people who don't speak English might have just as hard a time figuring out what's so great about Shakespeare, and that makes me sad. But, reading Proust made me decide to learn French. I never felt anything like that tug towards German while reading Faust. ...more

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Jan 05, 2017 Bine rated it really liked it · review of another edition

4,5 Sterne.

Sehr kurzweilige Faustadaption. Habe wirklich viel gelacht und es auch in einem Schwung verschlungen. Mit den typischen Comicelementen wurde hervorragend herumgespielt und sprachlich wurde Goethe ziemlich geschickt eingebunden.
Trotzdem bleibt bei mir der Eindruck haften, dass man doch etwas mehr aus Goethes Vorlage hätte machen können. Also keine volle Punktzahl, aber sehr dicht dran.

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Mar 11, 2018 Vic005 rated it liked it · review of another edition

Shelves: classics

Hat mir besser gefallen als erwartet, obwohl manche Stellen wirklich unnötig in die Länge gezogen wurden.
Dass sich fast alles gereimt hat, ist schon beeindruckend.

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Oct 21, 2018 Elisabeth rated it it was amazing · review of another edition

Die Umsetzung ist modern und absolut komisch. Flix' Humor kommt wieder wunderbar zur Geltung und nun muss ich mich endlich an das Original machen.

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Mar 03, 2018 Olivia-Savannah Roach rated it liked it

This was assigned reading for university.

I was quite confused and disconnected from the play as I read it. Although I did understand and could follow what was happening, I was lost as to the relevance of the play. I did not enjoy reading it.

But then I continued on to analysing the play and studying it - and there was where I discovered its worth, the themes it discusses and could appreciate the wit and aim of the play more. But it still couldn't be counted as an enjoyable or very enlightening ...more

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Aug 23, 2016 Christina rated it it was amazing

Shelves: classics

„Was glänzt ist für den Augenblick geboren; Das Echte bleibt der Nachwelt unverloren.”

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Jul 24, 2014 Michael rated it it was amazing · review of another edition

Shelves: murder-weapons, flawless-then-flawed, bedrock, where-have-you-been

Philosophy, blasphemy, sorcery, seduction, murder and orgy–oh my!

So at the roaring loam of time
I weave the godhead’s living garment.

I didn’t have the kind of education in which this book was required reading - not that I ever really bothered to read whatever was required anyway. And failing to remember “Goethe” in answer to an IQ question 10 years ago has ever since bothered me to some degree or another. But if such things were in the works to ensure that when I did read this book I would be mos ...more

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Dec 01, 2016 TheSkepticalReader rated it really liked it · review of another edition

Shelves: classics, scifi-n-fantasy, drama-n-poetry, translated

Boy…this is very dramatic, isn’t it?

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Oct 15, 2016 ❄ Pixelflocke ❄ rated it it was amazing · review of another edition

Shelves: ausgeliehen, classics, deutschsprachiger-autor, fiction, historical, theaterstück, reread

Proktophantasmist. Mein neues Lieblingsschimpfwort.

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Jan 30, 2015 Sookie rated it it was amazing · review of another edition

Shelves: translated

Tricksters make this world...

Lord to Mephisto: "And never come but finding fault always? Never a thing on earth gives you content?"

The first conversation between the Lord and Mephisto begins with Mephisto's discontentment towards people in earth. He cannot understand the disparity between humans. The discontentment isn't really a discontentment but inability to accept the things the way they are. Isn't that ambition all about? He doesn't say that out loud but its given to him as an answer by the ...more

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Dec 08, 2018 Azraa rated it liked it · review of another edition

- کاش اینقدر از جهان آینده به گوش ما نمی خواندند. گرفتیم بخواهیم با این حال به جهان آینده بپردازیم. در آن صورت چه کسی جهان اکنون را به سر ذوق می آورد؟ شادی حق این جهان است و این جهان شایسته اش هم باد!

-کنجکاوی است که به قدم ها پر پرواز میدهد.
- چه آدم ها زندگی میکنند، با این همه چندان از زندگی خبر ندارند.
- پیری مارا کودک صفت نمیکند، بلکه در وجود ما کودکانی راستین می یابد.

-آن نادر کسانی که به معرفتی رسیدند و چندان ساده دل بودند که خزانه ی سرشار قلب خود را بگشایند و دید و دریافت خود را با مردم غوغای - کاش اینقدر از جهان آینده به گوش ما نمی خواندند. گرفتیم بخواهیم با این حال به جهان آینده بپردازیم. در آن صورت چه کسی جهان اکنون را به سر ذوق می آورد؟ شادی حق این جهان است و این جهان شایسته اش هم باد!

-کنجکاوی است که به قدم ها پر پرواز میدهد.
- چه آدم ها زندگی میکنند، با این همه چندان از زندگی خبر ندارند.
- پیری مارا کودک صفت نمیکند، بلکه در وجود ما کودکانی راستین می یابد.

-آن نادر کسانی که به معرفتی رسیدند و چندان ساده دل بودند که خزانه ی سرشار قلب خود را بگشایند و دید و دریافت خود را با مردم غوغایی در میان بگذارند، پاداش جملگی آن ها از دیرباز میخ صلیب بوده است و لهیب آتش.

- دنیا تاریک شده است و هوا سرد. مه هم دارد فرود می آید. گرمای پناه خانه، آدم قدرش را شب که شد میداند.

- زندگی از آنِ کسی است که شجاعت به خرج دهد.

- وه که اگر در پستوی تنگ ما چراغ از نو و دوستانه نور بدواند، در سینه ی ما هم قلب روشنا می گیرد و به شناخت خود می رسد. خِرَد از نو خاموشی را به کنار می گذارد و امید باردیگر شکوفا می شود. پس شوق چشمه و جویبارِ زندگی در جان ها زبانه می کشد.

- مفیستوفلس: ... از مغازله با غم و غصه ات دست بردار. این کار با حرصِ کرکس جان ات را می خورد. در اجتماع مردم ساده به روشنی خواهش یافت که انسانی هستی در میان انسان ها.

- زدن و خرد کردنِ بی گناهی که سر فرود نمی آورد، شیوه ی دقِ دل خالی کردنِ خودکامان، خاصه وقتی است که حق با آن ها نیست. ...more

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Jan 08, 2011 Michelle rated it it was ok

Shelves: big-lipped-alligator, not-so-classic-books

This review has been hidden because it contains spoilers. To view it, click here. This book--play?--has ADD. Seriously.
We start in heaven, with Mephistopheles making some sort of vague deal with God to try and get a Doctor Faust damned. They say that this Faust is some sort of a Job, even though we then cut to him despairing enough to contemplate suicide--and he hasn't even met Mephistopheles yet! The demon then turns into a poodle--seriously-follows him in from a brief walk, and ends up making a deal with him. I'm not really sure about the deal because they throw in all so This book--play?--has ADD. Seriously.
We start in heaven, with Mephistopheles making some sort of vague deal with God to try and get a Doctor Faust damned. They say that this Faust is some sort of a Job, even though we then cut to him despairing enough to contemplate suicide--and he hasn't even met Mephistopheles yet! The demon then turns into a poodle--seriously-follows him in from a brief walk, and ends up making a deal with him. I'm not really sure about the deal because they throw in all sorts of confusing asides about "you can take me to Hell in the hour I wish for that hour to last longer" or something. It ends up being just when his natural lifespan ends, he goes straight to hell. Mephistopheles finds him a girl to seduce whose name is either Gretchen or Margareta--apparently Gretchen is a shortening of the name, but nobody told me that, and I never would have guessed--and then he leaves to go cavort with witches and fairies. When he comes back, she's in jail for having killed her mother and his baby. She wants to die, and Mephistopheles hauls Faust off as the jailers come. Why? Wouldn't Faust's death now mean he goes straight to hell? End Part One.
Part Two opens with a pastoral scene of fairies doing vague things. This is the literary version of Bambi's mother's death. We bounce around with various kings fighting, and then the story turns into an Iliad fanfic, pairing up Helen of Troy with Faust. She dies. Faust gets old and dies, then the angels come and swipe him out of Mephistopheles's grasp. No, they don't really explain this. It might be because he "strove," but if that's it, then what we have is a mess of works righteousness--and what's more, these good actions that saved him were not shown!
This book is crazy. I read that it took Goethe sixty years on-and-off to write, and it looks as if he didn't bother to go over what he'd written before. The plot halts for long stretches, characters we've never met before spout a few lines as their introduction and leave, and Faust himself is often left in the dust. There's one particularly long section in which we follow a homunculus and philosopher around, without even Mephistopheles to pretend this has anything to do with the rest of the story. Random bits of mythology are injected whenever possible, whether it makes any sense or not.
Maybe other versions of Faust are better, I don't know. If it had stopped at Part One, it would have worked, but it didn't. I only read this because Faust was in The Band Wagon. The Band Wagon is awesome. Go watch that instead. ...more

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Discuss This Book

topics	posts	views	last activity
summary/review	1	2	Jan 16, 2017 08:51AM
Best Modern Version of Faust	1	37	Jun 07, 2014 07:34AM
Classic Literature - Pretentious or Valid?	21	280	Jun 07, 2014 07:22AM
Gothic Literature: Faust, by Goethe Part one (i-XXV)	16	78	Mar 11, 2014 05:33AM
Brain Pain: Discussion - Week Four - Faust Part Two - p. 135 - 240	3	11	Mar 03, 2013 01:27AM
Brain Pain: Discussion - Week Three - Faust Part Two - p. 135 - 240	7	6	Mar 03, 2013 01:06AM
Brain Pain: Discussion - Week Two - Faust Part One - p. 63 - 133	27	29	Feb 18, 2013 04:29PM

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About Johann Wolfgang von Goethe

Johann Wolfgang von Goethe

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Johann Wolfgang von Goethe was a German writer. George Eliot called him "Germany's greatest man of letters... and the last true polymath to walk the earth." Goethe's works span the fields of poetry, drama, literature, theology, humanism, and science. Goethe's magnum opus, lauded as one of the peaks of world literature, is the two-part drama Faust. Goethe's other well-known literary works include h ...more