As a contextualized surface of event, Eventually is a platform for the elaboration of spheres of linguistic occasion. Marshaling the resources of chance, surprise and invention into an integrated sequence of variable continuity, Champion folds and refolds the panels of implication and connotation in a weird, flickering movie of total transformation. Each change (or combination), which occurs as often at the level of the phrase, as it does at the splice of the line-break, allows the reader to sample the disjunction (its distance, stretch, bull's-eye) at his leisure, without necessitating the apprehension of any larger narrative, strung together along provident or gratuitous linear vectors. If enough is happening minutely that we lose track of the larger picture, it may be that we've become so accustomed to constructing puzzles, that we've mixed up the pieces from different boxes, and so may never be able to find where this one piece fits. And maybe the picture was never really a picture at all, but a mosaic of what's simply happening.