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The Iliad

Homer,

Robert Fagles (Translator)

Frédéric Mugler (translator)

Bernard Knox (Introduction & Notes)

3.84 · Rating details · 298,575 Ratings · 5,318 Reviews

The Iliad is one of the two great epics of Homer, and is typically described as one of the greatest war stories of all time, but to say the Iliad is a war story does not begin to describe the emotional sweep of its action and characters: Achilles, Helen, Hector, and other heroes of Greek myth and history in the tenth and final year of the Greek siege of Troy.

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Paperback, Deluxe Edition, 683 pages

Published April 29th 1999 by Penguin Classics (first published -750)

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Jan 19, 2011 Grace Tjan rated it really liked it

Shelves: 2011, classics, doorstoppers

What I learned from this book (in no particular order):

1. Victory or defeat in ancient Greek wars is primarily the result of marital spats and/or petty sibling rivalry in Zeus and Hera’s dysfunctional divine household.

2. Zeus “the father of gods and men” is a henpecked husband who is also partial to domestic abuse.

3. If you take a pretty girl who is the daughter of a priest of Apollo as war booty and refuse to have her ransomed, Apollo will rain plague on your troops. And he won’t be appeased un ...more

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Oct 14, 2016 Ana rated it really liked it

Shelves: mythology, classics, fantasy

I have conquered The Iliad. I can truly call myself a Greek Mythology lover now.

Angst, love, honor, angst, family, drama, death, angst. Did I mention angst? No, I'm not talking about Beverly Hills, 90210. Oh Ancient Greece, you were a very mixed up angsty place.

This is basically how it went down. (These memes are dark and full of spoilers)

I've said it before and I'll say it again. I was born too late. Where's the Tardis when you need it?

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Jun 07, 2009 J.G. Keely rated it it was amazing

Shelves: epic, reviewed, greece, favorites

Pablo Picasso spent his entire life trying desperately to do something new, something unique. He moved from style to style, mastering and then abandoning both modern and classical methods, even trying to teach his trained artist's hand to paint like a child.

In 1940, four French teens and a dog stumbled upon a cave that had lain hidden for 16,000 years. Inside, they found the walls covered in beautiful drawings of men and animals. When the Lascaux caves were opened to the public, Pablo Picasso vi Pablo Picasso spent his entire life trying desperately to do something new, something unique. He moved from style to style, mastering and then abandoning both modern and classical methods, even trying to teach his trained artist's hand to paint like a child.

In 1940, four French teens and a dog stumbled upon a cave that had lain hidden for 16,000 years. Inside, they found the walls covered in beautiful drawings of men and animals. When the Lascaux caves were opened to the public, Pablo Picasso visited them, and as he stared at the prehistoric hunting scenes, was heard to remark in a despondent tone: "We have invented nothing".

The Iliad is equally as humbling to a writer, as complex, beautiful, and honest as any other work. The war scenes play out like a modern film, gory and fast-paced, the ever-present shock of death. Though some have been annoyed at how each man is named (or even given a past) before his death, this gives weight to the action. Each death is has consequence, and as each man steps onto the stage to meet glory or death, Homer gives us a moment to recognize him, to see him amidst the whirling action, and to witness the fate Zeus metes.

The psychological complexity and humanism of this work often shocked me. Homer's depiction of human beings as fundamentally flawed and unable to direct their own lives predicts existentialism. The even hand he gives both the Trojans and the Argives places his work above the later moralizing allegories of Turold, Tasso, or even Milton.

Of course, Homer's is a different world than theirs, one where the sword has not yet become a symbol for righteousness. In Homer, good men die unavenged, and bad men make their way up in the world. Noble empires fall to ravenous fire and the corpses of fresh-limbed young men are desecrated.

Fate does not favor the kind, the weak, the moral, or even the strong. Fate favors some men now, others later, and in the end, none escapes the emptiness of death. Though Homer paints some men as great, as noble and kind and brave, these men do not uphold these ideals for some promised paradise, but simply because they are such men.

There is something refreshing in the purity of the philosophy of living life for yourself and yet expecting no entitlement for your deeds. A philosophy which accepts the uncontrollable winds of fate; that when the dark mist comes across our eyes, no man knows whence he goes.

Later traditions make other claims: that the righteous will be rewarded, that the lives of good men will be good and the bad will be punished. In thousands of years of thinking, of writing, of acting, have we gained nothing but comforting, untenable ideals? Then Picasso was wrong, we have invented something, but it is only a machine which perpetuates itself by peddling self-satisfaction.

I read and enjoyed the Fagles translation, which may not be the most faithful, but strikes that oft-discussed balance between joy of reading and fidelity. He makes no attempt to translate the meter into English, which is a blessing to us. The English language does a few meters well, and Homer's is not one of them.

The footnotes were competent and interesting, though I could have stood a few more of them; perhaps I am in the minority. I also thoroughly enjoyed Knox's introductory essay. I would normally have had to research the scholarly history of the book myself, and so Knox's catch-me-up was much appreciated. ...more

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Jul 08, 2008 Meredith Holley rated it it was amazing · review of another edition

Recommends it for: grads

Recommended to Meredith by: Professor Borin

Shelves: favorites, classic-or-cannonical, poetry, reviewed

At my college graduation, the speaker was a gruff professor. He was one of those older men whom people somewhat patronizingly describe as a teddy bear to convey the idea that while he looks like Santa Claus, they wouldn’t be surprised to see him arraigned on assault charges at the local courthouse. I liked this professor in general, and his graduation speech was a grand: warm congratulations on a crisp early-summer day. He decided to inform us, however, that anyone who had not read The Iliad and ...more

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May 05, 2008 Alison rated it it was amazing

I’m often kept up at night brooding on my troubles, wishing I could find some solace that would help me sleep. But now I know that the best way to keep insomnia at bay is to get out of bed, hitch up my chariot, tie the corpse of my mortal enemy to the back, and drive around for a few hours, dragging him, until I cheer up and can go back to sleep. The Iliad is unmatched, in my reading, for works that describe the bloody, ridiculous, selfish lengths people will go in order to feel better. The stic ...more

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Jan 17, 2014 Riku Sayuj rated it it was amazing

Shelves: epics, translated, myth-religion, classics, r-r-rs, reference, ww1, war, great-books-quest, favorites

TROY VI: THE INVENTION OF ACHILLES

“The Classics, it is the Classics!” William Blake is said to have exclaimed, with pointed reference to Homer, “that Desolate Europe with Wars!”

Blake's exclamation might not be as atrocious as it sounds at first. There might be some truth to this, a universal truth.

Significantly however, this is not how the ancients understood it. They understood war as the catastrophe that it is.

Strabo, the Roman geographer, talking about the Trojan wars, puts it thus: “For it ...more

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May 01, 2016 Araz Goran rated it it was amazing · review of another edition

Shelves: أدب, أدب-كلاسيكي, تاريخ, شعر, اجمل-ما-قرأت

الالياذة وهوميروس يجعلان منك طفلاً صغيراً تتحدث مع نفسك طيلة ايام قراءة الملحمة تمارس الهلوسة الهوميرية بكل جنونها، تستفيق هواية المعارك في مخيلتك، تتحمس، تغضب،تشارك بعقلك وانفعالاتك، تبكيك مشاهد مصرع الابطال، تلهبك ساحة المعارك المكتظة بصليل السيوف وتدافع الاجساد المتعطشة للدماء والمجد قبل كل شئ، يتلاعب بك هوميروس كيفما يشاء هو وآلهته الخالدة وأبطاله شبه المجانين ، يرتحل بك في العالم القديم في بلاد الاغريق، في طروادة، في معبد دلفي، في جبال الاولمبوس.. نادر أن تشعر بالغربة وأنت تقرأ في الملحمة ن ...more

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Jan 10, 2017 Charlotte May rated it liked it · review of another edition

Shelves: classics, historical-fiction, war

Read as part of my degree and as part of my love of classics, however it didn't compare to The Odyssey which I adored - possibly due to the lack of mythological creatures and rather more battles and lists of ships and names, which made it that much harder to struggle through. Still a great read as one of the original classics but I would choose The Odyssey over the Iliad anytime.

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Dec 05, 2014 Scott rated it it was amazing · review of another edition

Shelves: books-that-make-you-look-smart, classics

After reading The Illiad I faced a quandary- how do you review one of the most important and enduring works of creativity in human history? What can you say that hundreds of thousands of others haven't?

My answer to this question is that I must join the chorus of those who have come before me and sing the praises of what is one of the best stories I have ever read, as fascinating and gripping now as it no doubt was when it was penned nearly three millennia ago.

There are many reasons why this book After reading The Illiad I faced a quandary- how do you review one of the most important and enduring works of creativity in human history? What can you say that hundreds of thousands of others haven't?

My answer to this question is that I must join the chorus of those who have come before me and sing the praises of what is one of the best stories I have ever read, as fascinating and gripping now as it no doubt was when it was penned nearly three millennia ago.

There are many reasons why this book has endured. It is a story of love, hate, vengeance, fate, pettiness, grief and war, bloody and prolonged war - a microcosm of human life and the furies that drive us to excess.

You know the story. Paris steals Helen away to Troy. Agamemnon and the Greeks raise and army and lay seige to that great city. Achilles, the greatest warrior history has ever seen, fights and dies, a poison arrow embedded in his ankle. The Greeks roll a massive wooden horse up to Troy's gates, and the war ends in trickery and massacre.

You know all this, but trust me, you don't know it the way The Illiad tells it. This is a glorious read, the brutal blows and shrieks of war leap from the page, and the human passions that drive the protaganists are vivid and compelling. You will read this book and wonder at how something from another time, translated from it's original tongue, can so totally enthrall a modern reader.

It's powerful, heady stuff.

So many images from this story are carved into my synapses. Hector and Achilles stalking the battlefield like avatars of death, scything down opponents in their tens. Priam begging Achilles for the return of his son's mangled body. Heroes cut down mid-fight, their souls headed for the underworld, their deaths mourned even by the gods on Olympus, who watch and guide the battle from above.

There are a handful of books that every reader must experience - books that are milestones in human culture. The Illiad is one of these books. I don't know how I lived more than three decades before I read it, and it makes me nostalgic for a time I never lived through, when a high school education in the classics was something that everyone received. ...more

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Feb 25, 2018 Loretta rated it it was ok

Shelves: classic, my-2018-reading-challenge

This was a terribly hard read for me. I struggled to finish it, but finish it I did. 😕

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Jul 16, 2016 Michael Finocchiaro rated it it was amazing · review of another edition

Shelves: fiction, classics, read-in-en-and-fr, greek-classic, favorites

The story of the siege of Troy is one of heroism and tragedy. There are so many unforgettable characters here - both gods and heroes - that it is like watching an old black and white movie with those incredible crowds like in Ben Hur. You can see the vast encampment of Greeks around Troy, you can smell the cooking fires and hear the laughter in the camp - the jeers at the wall and the frustration on both sides as the siege goes on and on. The epic battles near the end the claim the lives of some ...more

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Jan 10, 2018 Trish rated it it was amazing · review of another edition

Shelves: adventure, audio, classics, family, favorite, gritty, islands, literature, mythology, nonfiction

Foolish me. I thought I was going to look at the different editions of The Iliad and choose the one most readable but did not reckon with the overwhelming beauty of the language and story. The truth is, it does not matter which edition you choose, so long as you read at least one. It is inevitable that you will find yourself drawn to the question of the most beautiful and complete rendition but you may (wisely) concede defeat at the beauty of each.

The Homeric epics are said to be the greatest s ...more

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Apr 28, 2008 Ahmad Sharabiani rated it it was amazing · review of another edition

Shelves: classic, legends, literature, poetry, mythology, war, epic, 08th-century-bc

Ἰλιάς = Iliad, Homer
The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
عنوان: ایلیاد؛ شاعر: هومر؛ مترجم: سعید نفیسی؛ تهران، بنگاه ترجمه و نشر کتاب، 1334؛ در 720 ص؛ موضوع: داستان جنگ تروا
عنوان: ایلیاد؛ شاعر: هومر، مترجم: میرجلال الدین Ἰλιάς = Iliad, Homer
The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
عنوان: ایلیاد؛ شاعر: هومر؛ مترجم: سعید نفیسی؛ تهران، بنگاه ترجمه و نشر کتاب، 1334؛ در 720 ص؛ موضوع: داستان جنگ تروا
عنوان: ایلیاد؛ شاعر: هومر، مترجم: میرجلال الدین کزّازی؛ تهران، نشر مرکز، 1377؛ در 579 ص؛ شابک: 9643053865؛ چاپ دوم 1381؛ چاپ پنجم 1385؛ چاپ ششم 1387؛ شابک: 9789643053864؛ موضوع: داستانهای کهن از نویسندگان یونانی - قرن 08 پیش از میلاد
تاریخ نخستین خوانش: اول ژانویه سال 1973 میلادی
Characters: Ajax, Odysseus, Helen of Troy, Menelaus, Paris, Hector, Achilles, Agamemnon, Aeneas, Sarpedon, Priam, Cassandra, Patroclus, Diomedes, Ajax Oileus, Andromache, Briseis, Hecuba, Nestor, Akhilleus
اثر حماسی از هومر شاعر نابینای یونانی است، داستان جنگ تروا، بخاطر ربودن هلن، زن زیباروی منلاس یکی از فرمانروایان یونان به دست پاریس پسر پریام شاه ایلیون (تروا) است، خواستگاران هلن، باهم پیمان بسته بودند، که چنانچه گزندی به هلن رسید، شوی او را برای مکافات مجرم یاری دهند. از اینروی سپاهی بزرگ به فرماندهی آگاممنون و با حضور پهلوانانی همچون: آشیل، اولیس، پاتروکل، آیاس (آژاکس) و... آراستند و به سوی شهر تروا روانه شدند، تا هلن را از پاریس بازپس بگیرند. سپاهیان یونان، ده سال تروا را محاصره کردند، ولی با رشادتهای پهلوانان تروا، به ویژه: هکتور بزرگترین پسر شاه، و برادر پاریس، و پشتیبانی خدایانی همچون: زئوس، آفرودیت، و آپولون طرفی نبستند. در آن سالها آشیل، بزرگوارترین پشتوانه ی یونانیان با آگاممنون اختلاف داشت، جبهه را رها کرده، و در گوشه ای به همراه یاران خویش نبرد را نگاه میکرد. تا اینکه پاتروکل پسرعموی آشیل، با لباس و جنگ ابزار آسمانی آشیل، به نبرد رفت. ولی با نیرنگ زئوس، و دشمنی آپولون، و دیگر خدایان هوادار تروا، پاتروکل شکست خورد، و به دست هکتور کشته شد. آشیل از این رویداد خشمگین شد، و اختلافش با آگاممنون را کنار بگذاشت، و پس از تشییع جنازه ی پاتروکل، به نبرد تن به تن با هکتور پرداخت، و او را شکست داد. سپس به جنازه ی هکتور بی احترامی روا داشت، و آنرا با خود به اردوگاه یونانیان آورد. پریام شاه تروا، به یاری خدایان شبانه خود را به اردوگاه آشیل رساند، و با زاری از او درخواست کرد، که جنازه ی پسرش را به او برگردانند، تا بتواند مراسمی در خور بزرگی پهلوان حماسه ساز ترتیب دهد. پس از گفتگوی بسیار، آشیل پذیرفت، و داستان ایلیاد اثر هومر، با توصیف سوزاندن هکتور در تروا، و به سوگ نشستن مردمان شهر برای هکتور به پایان میرسد. در کتاب: ایلیاد، و همچنین در کتاب دیگر هومر: اودیسه، هرگز اشاره و سخنی از نحوه ی پایان نبرد تروا، و سرنوشت تراژیک آشیل نیست. داستانهای اسب تروا، در آثار نویسندگان رومی، همچون: ویرژیل، و اووید آمده است، و افسانه ی رویین تن بودن آشیل و ماجرای پاشنه ی آشیل او را نیز، که به مرگش میانجامد را، شاعر سده ی نخست میلادی: استاتیوس، در کتاب خود با عنوان: آشیلید، برای نخستین بار آراسته و پرداخته است. ا. شربیانی ...more

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May 23, 2010 Sue rated it it was amazing

Shelves: classics, read-in-college, plan-to-re-read, my-own-books, re-read-2018

I have now read The Iliad for the first time since my college days. I almost wonder if I actually read the whole book back then. It seems so different now, so much more all-encompassing, universal and timeless in dealing with men at war, issues of honor, duties of leadership, fate, individuals and community. Certainly the gods seem more petty and childlike than I remembered.

On this reading it is both more brutal and more beautiful than I expected; in that way I would guess it mirrors life. It a ...more

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Jun 16, 2017 James rated it liked it

Shelves: 1-fiction, 4-written-pre-20th-century

Book Review
3+ out of 5 stars to The Iliad, a Greek lyrical work written around 800 BC by Homer. Ah The Trojan War. We all know of the horse, but how did it come together? Who was at war? And why? You'll need to read The Iliad & The Odyssey to figure all that out... of the two, I preferred the Odyssey. I still found the story fascinating and enjoyed the read. But it's a lot to digest. It's amazing when you realize these works are almost 3000 years old. Such beauty in his words. And to thi ...more

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Jun 13, 2011 Madeline rated it really liked it

Shelves: poetry

I don't know why I read this. It isn't on The List (I guess because it's technically a poem, not a novel), and it wasn't assigned reading or anything. But for whatever reason, reading The Iliad has been on my mental to-do list for a while now, and last week I finally picked it up.

My first reaction: dude, this epic is epic. (thank you, I'll be here all week) It's full of dudes getting killed in really exquisite detail, dudes talking about killing or not killing dudes, dudes mourning dead dudes i I don't know why I read this. It isn't on The List (I guess because it's technically a poem, not a novel), and it wasn't assigned reading or anything. But for whatever reason, reading The Iliad has been on my mental to-do list for a while now, and last week I finally picked it up.

My first reaction: dude, this epic is epic. (thank you, I'll be here all week) It's full of dudes getting killed in really exquisite detail, dudes talking about killing or not killing dudes, dudes mourning dead dudes in a totally-not-homoerotic way, and dudes yelling at each other about the chicks who ruin everything. The battle sequences are long and action-packed, everybody is Zeus's kid or nephew, the men are men and the women are decoration. It's pretty awesome, is what I'm saying.

Second big reaction: I was surprised at how small the scope of this poem actually is. At the beginning, the Trojan War has already been going on for ten years, and the poem really only covers the last month or so. It's really interesting, because the poem seems to be about how the stupid actions of a few powerful people can have far-reaching and horrible consequences. The whole driving force in The Iliad is this: Menelaus takes Achilles's favorite chick Briseis (who, thanks to Movies in Fifteen Minutes, will always be known as Temple Babe in my head) for his own, and Achilles throws a massive snit fit and refuses to fight in the Trojan War until the king stops raping Achilles's girlfriend and lets Achilles go back to raping her instead. Because of this, loads and loads of people die, and the gods are no help whatsoever because they're all on different sides and keep messing things up.

That's the whole story: a bunch of guys who are fighting a war because of some guy stealing somebody's girlfriend all die horrible deaths because some other guys are having a fight over somebody's girlfriend. The lesson, of course, is that women ruin everything.

Normally this would be cause for me to get out my Feminist Rage Hat, except for the fact that the goddesses in this story kick so much ass I can't even get that angry about how lame Helen and Briseis are. (even Andromache isn't too bad, because she gets some really lovely scenes with Hector)

All in all, a pretty awesome, fast-paced action story with enough gore and bromance to keep everybody happy. I'm glad I took the time to read it.

(also if anyone's curious, I read the Richard Lattimore translation and found it very readable and well-done) ...more

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Nov 20, 2016 Sherif Metwaly rated it liked it · review of another edition

Recommended to Sherif by: Radwa Abd Elbasset

Shelves: مكتبتي-العزيزة, أدب-مترجم

هناك أعمال أدبية، مهما بلغَتْ شهرتها، ومهما بلغ احتفاء القراء بها، تظل لغزًا مُحيرًا بالنسبةلي، ودائمًا أجد بيني وبينها حاجزًا خفيًا يمنعني من خوض تجربتي الشخصية معها، وفي الغالب لا أفكر في اختراق هذا الحاجز وحدي، إنما أنتظر من يأخذ بيدي ويشجعني على ذلك بمشاركتي التجربة، وهذا ما حدث معي في هذه الرحلة، مع الإلياذة.

بدايةً، هناك سبب آخر - بجانب الحاجز الخفي - كان يدفعني دائمًا لتأجيل قراءة الإلياذة، وهو أنني لم أفهم يومًا تصنيف هذا العمل، تارة أجد من يقول أن الإلياذة هي ملحمة يونانية أسطورية، وتارة
هناك أعمال أدبية، مهما بلغَتْ شهرتها، ومهما بلغ احتفاء القراء بها، تظل لغزًا مُحيرًا بالنسبةلي، ودائمًا أجد بيني وبينها حاجزًا خفيًا يمنعني من خوض تجربتي الشخصية معها، وفي الغالب لا أفكر في اختراق هذا الحاجز وحدي، إنما أنتظر من يأخذ بيدي ويشجعني على ذلك بمشاركتي التجربة، وهذا ما حدث معي في هذه الرحلة، مع الإلياذة.

بدايةً، هناك سبب آخر - بجانب الحاجز الخفي - كان يدفعني دائمًا لتأجيل قراءة الإلياذة، وهو أنني لم أفهم يومًا تصنيف هذا العمل، تارة أجد من يقول أن الإلياذة هي ملحمة يونانية أسطورية، وتارة أجد من ينقدها بكوْنها من أشهر الأعمال الشعرية لهوميروس، وتارة أخرى أقرأ مراجعات لأصدقاء تمتدح بالأساس ترجمة دريني خشبة التي صبغت العمل بصبغة أسلوبية عذبة جعلت له مذاقًا مختلفًا وأكثر جمالًا؛ وبعد انتهائي من رحلتي مع عالم الإلياذة أقول: كل هذا غير مهم، الأهم من هذا كله أن تخوض تجربتك مع هذا العمل بنفسك، وتراه كما تشاء، ففي كل الأحوال، ومهما كانت رؤيتك للعمل، سواء كان شعرًا أو روايةً أو كتاب تاريخ حتى!، ستستمتع، وستندمج مع الحكاية.

وأنا في منتصف رحلتي مع الإلياذة كتبتُ هنا أنني لا أعلم تصنيف ما أقرأ، ولكن ما أعلمه ومتأكدًا منه أنني مستمتع، الأمر شبيه باحساسي عندما يدعوني أحد أقاربي على عزومة، فأجد على منضدة الطعام طبقًا لا أعلم ما به، فأتذوقه، فيعجبني وأظل أتناول منه حتى أكاد أنفجر من الامتلاء،حسنًا، أعلم أنه تشبيه غريب نوعًا، ولكنه بالفعل يصف تجربتي مع الإلياذة بدقة.

لستُ من عاشقي الأساطير اليونانية، وبالتالي فإن القصة ذاتها لم تبهرني، إنما أبهرتني الترجمة العظيمة لدريني خشبة كمعظم من قرأوا الإلياذة بترجمته، تلك الترجمةالتي جعلت للحكاية روحًا مختلفة، وهذا التناغم المبهر بين القصة الأسطورية لهوميروس والتعبيرات الشعرية الرنانة لدريني خشبة مع التأثر بالقرآن الكريم، هذا المزيج كان كفيلًا بصُنع إلياذة أخرى، إلياذة يتقاسم فيها كلًا من المؤلف والمترجم مواطن الابداع والجمال.

تجربة ممتعة، ولغز جديد لم يعد لغزًا بالنسبة لي بعد الآن.
كل الشكر للصديقة العزيزة للغاية/ رضوى عبد الباسط، التي رشحتْ العمل لنقرأه سويًا، كانت خير رفيقة لاختراق الحاجز الخفي بيني وبين الإلياذة، وكانت السبب في خوض هذه التجربة الجميلة.

تمت
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Jan 15, 2018 Teresa Proença rated it it was amazing · review of another edition

Shelves: n-grecia, l-100bb, e5, favorites

"E assim foi o funeral de Heitor, domador de cavalos."

Páginas e páginas de cabeças e membros decepados, de tripas pelo chão, onde "a terra corria negra de sangue." Mortos, mortos, mortos sem fim... Ainda assim, serei eu demasiado romântica (e ignorante) ao dizer que a Ilíada é uma história de amor(es)?
O amor entre Paris (Príncipe de Tróia) e Helena. O rapto da mulher de Menelau é a origem do ataque a Tróia pelos gregos, comandados pelo irmão, Agamémnon.
O amor entre Aquiles e Pátroclo. É com a m ...more

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Apr 14, 2016 Ritwik rated it it was amazing · review of another edition

They lived in a house where a narrow enfilade made up for a pitch to make up for an amateurish game of cricket with one opening to the hall room and the other two to a bedroom and kitchen facing opposite to each other. As any elder sibling is wont to do, he sneaked into the younger sibling’s bedroom and passed taunts in an attempt to slake his vengeance for the previous match lost. The challenge of a re-game to settle the dust on who is the better player would finally lead to a recollection of They lived in a house where a narrow enfilade made up for a pitch to make up for an amateurish game of cricket with one opening to the hall room and the other two to a bedroom and kitchen facing opposite to each other. As any elder sibling is wont to do, he sneaked into the younger sibling’s bedroom and passed taunts in an attempt to slake his vengeance for the previous match lost. The challenge of a re-game to settle the dust on who is the better player would finally lead to a recollection of past games which were remembered distinctly by the two challengers in a way that favored them. The younger brother readily accepted the challenge of a replay of the previous final to settle the mad confusion of pride.
In a series of events rife with verbal intimidation and disagreements they reached up to the last ball of the final over where the younger brother had to take up a run to win the game. The bowler weighed his options and decided to propel the final ball to the weak-spot of the batsman, a well-known weakness although taking the risk of the batsman correctly anticipating it. The ball was bowled out of the reach of the batsman with its first bounce onto the floor which would in its further movement move inwards leaving the batsman with no option other than to send the ball into the hallway and in order to completely execute the shot the batsman had to shift to his weaker leg leaving him in an awkward position which made it a difficult shot to play.
As feared by the bowler, the ball was anticipated correctly and was successfully sent into the hallway and the batsmen hurtled towards the opposite end to get the single run and win the game. Little did he realize the ball dragged across the complete diagonal of the hall and reached for the showcase containing the statue of the famed discus thrower.

description

The statue was bought from Italy by a young man with the same smile the boy had when he reached the crease and made the winning run. The toppling sound of the statue wiped the familiar grin of the little boy’s face. He launched a frenzied run towards the showcase. He dropped to his knees and held the tiny piece of the disc thrower’s ankle which was separated from the statue owing to the ball’s force. Contrary to reacting like a child and blaming his ill-fate, he marveled at the lithe body frame of the man holding the disc, the smooth curves of the statue and why it held a special place in his father’s heart. It wasn’t just the materialistic build of its physical form. It existed among all the other antiques in the shelf but it held a special place in his father’s remembrance of his younger days indulging in Greek mythological sculptures and paintings. It had held him in a peculiar state of rapture every time he glanced at the statue.
That is the exact point of commencement of a passion the younger brother still pursues to this date. His love for statues depicting stories of an expansive mythology where men talked to the Gods, where empires fell, where heroes retaliated against a higher force, how men exulted and pride blinded them, how the Gods would favour their mortal child and often fought against other deathless Gods only realizing the mortality of humans and their petty battles leading to nothing other than a purposeless satiation of one’s ego. What merely seemed like stories found a home in the boy’s heart.
The passion sill goes strong. Have you ever been deeply conscious of a passion you pursue so as to precisely depict the impingement of an ongoing rush of adrenaline hitting you every time you think of it? The tragedy, the unending conquest of humans as well as the Gods to extend their hands and rapaciously grab onto something higher than self ultimately leading to their downfall. The realization of hubris and the rationale behind it and yet repeating our mistakes seem to be a common theme yet the circumstances and the reasoning behind it always make the stories worth the read. This conspicuous theme with a backdrop of bloody violence and unfair dealings to the mortals leaves with the same expression and the same learnings which could be possibly abstracted from other pieces of Greek literature but it still connects me to the human side of events guided by force. Interesting thing about force is the way a human being would perceive it. It might just be the different emotions depicted as Gods. Or simply an ephemeral piece of conscious driving motives in the characters.

I had originally intended to write a review sticking to my usual skeptical reader perspective trying to base them on facts and giving ratings depending on the degree of mitigating my skeptical nature towards a book but I have failed in doing so and I’m happy I did. I apologize for the disjointed review though and would gladly agree that my bias towards Greek mythology drove me to give this book a 5 star rating.

Also, this probably might be the only passion I share with my father and in a recent telephonic conversation since we hardly meet thrice a year I told him I was reading ‘Iliad’. He replied, “Now? But you already know the complete story.” And yes I would still give it a 5-star if I re-read it.
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Mar 31, 2016 Fernando rated it it was amazing · review of another edition

Shelves: favorites

La Ilíada, este inmortal poema épico griego que la historia de la literatura le atribuye a Homero (comentaré esto más adelante), es un libro sobre la guerra, pero que también habla de una época, en la que Troya o Ilión es el campo de batalla donde se pone de manifiesto la perfecta conjunción de dioses, héroes y hombres, quienes luchan a la par y en distintos planos, como el terrenal y el del Olimpo.
Este es un libro que habla sobre la cólera de Aquiles y la bravura de Héctor y nos involucra rápid La Ilíada, este inmortal poema épico griego que la historia de la literatura le atribuye a Homero (comentaré esto más adelante), es un libro sobre la guerra, pero que también habla de una época, en la que Troya o Ilión es el campo de batalla donde se pone de manifiesto la perfecta conjunción de dioses, héroes y hombres, quienes luchan a la par y en distintos planos, como el terrenal y el del Olimpo.
Este es un libro que habla sobre la cólera de Aquiles y la bravura de Héctor y nos involucra rápidamente como testigos de traiciones y alianzas tanto entre los dioses del Olimpo como en los pueblos guerreros que combaten entre sí, puesto que los dioses apoyan tanto a teucros como a aqueos y sobre ellos inclinan la balanza alterándoles sus destinos, insuflándoles valor o aconsejándolos al punto ante una maniobra o proceder inadecuado. Los héroes, conscientes de sus destinos afrontan con honor y hombría lo que los dioses les imponen sin discusión.
Estas acciones están claramente narradas en un capítulo previo al recrudecimiento de la guerra, casi en su etapa final cuando Homero nos dice: "Así habló el Cronida y promovió una gran batalla. Los dioses fueron al combate divididos en dos bandos: encamináronse a las naves Hera, Palas Atenea, Poseidón, que ciñe la tierra, el benéfico Hermes de prudente espíritu, y con ellos Hefesto, que, orgulloso de su fuerza, cojeaba arrastrando sus gráciles piernas; y enderezaron sus pasos a los troyanos Ares, el de tremolante casco, el intenso Febo Apolo, Ártemisa, que se complace en tirar flechas, Leto, el Janto y la risueña Afrodita."
Más allá de que el rapto de Helena de Troya por Paris, hermano de Héctor desencadene la guerra, aunque esta ya estaba esta ya dispuesta por los mismos dioses (algo que anticipaba ya Hesíodo en su Teogonía). Es que es un conflicto ineludible porque así está escrito y efectivamente desencadenará en un enfrentamiento que durará diez años.
La tan famosa cólera de Aquiles, que se desdobla en dos partes: la de su enemistad con Agamenón por apropiarse este de Briseida, una doncella tomada como botín de guerra y por otro lado la muerte de su queridísimo amigo y escudero Patroclo a manos de un capitán licio, con remate de Hector y ayuda del dios Ares.
Es llamativa y sugerente esta "cólera" de Aquiles ante la muerte de Patroclo. A mí, personalmente, me hizo pensar que Patroclo oficia prácticamente como amante de Aquiles, puesto que es llamativo que haya varios capítulos que hablan del llanto, la pena y el duelo que Aquiles realiza sobre Patroclo, además de los interminables funerales y exequias que a este le dedica.
Pensemos esto: si el primer hexámetro del poema comienza diciendo: "Canta, oh diosa, la cólera del Pelida Aquiles; cólera funesta que causó infinitos males a los aqueos y precipitó al Hades muchas almas valerosas de héroes, a quienes hizo presa de perros y pasto de aves -cumplíase la voluntad de Zeus- desde que se separaron disputando el Atrida, rey de hombres, y el divino Aquiles.", esto evidencia claramente que la hecatombe que viviremos a través de las casi 500 páginas del libro responden a una simple "vendetta" de Aquiles por la muerte de su amadísmo amigo, arrastrando consigo a cuanto guerrero, rey, dios o mujer se encuentre en su camino. Son muchas las muertes que desencadena esta cólera. Es incluso llamativo que los dioses del Olimpo acepten todo este lío.
Además, si uno presta atención al desarrollo de la historia, Aquiles aparece al principio del mismo y luego, enfurruñados por sus demonios internos, desaparece para retornar casi al final del libro, cuando vuelve a la batalla para vengar a Patroclo sobre Héctor. Espero que los fieles lectores de Homero no se sientan ofendidos por este comentario ¡(y que la furia de los dioses griegos no caiga sobre mí!).
Los personajes de la Ilíada son numerosos. Son tantos que cuando el aedo (así le llamaban a los bardos helénicos en su época) narra las hazañas personales de Héctor, Aquiles, Idomeneo, Diómedes o Ajax Telamonio lo hace enumerando decenas de nombres. Son tantos que perdí la cuenta y me pregunto por qué no los anoté. Me atrevería a decir que supera los 559 nombres que Tostoi creó en "La Guerra y la Paz".
Otro detalle interesante son los atributos que Homero le da tanto a dioses como a héroes (Aquiles, "el de los pies ligeros", Apolo "el que hiere de lejos", Zeus "el que nubes reúne", Hera "la de brazos nevados", etc.), esto hace que al atribuirle al personaje características divinas o heroicas lo eleve por sobre los otros de menor linaje o jerarquía. Es un detalle que me agradó sobremanera.
La descripción de las batallas, el realismo, la sangre y la violencia, no lograron convencerme mucho. Se tornan un tanto repetitivas sus descripciones y hipérboles. Recuerdo la forma tan vívida en la que Virgilio relata las de la Eneida y siento que son más reales aún, pero esto es una cuestión más relacionada a la traducción realizada que a los gustos personales.
Los personajes en el libro son variados, como también los son así sus influencias, actitudes y predominancia para la historia. A mí me agradó mucho encontrarme por el lado de los teucros, lisios y dárdanos a Héctor, el del casco brillante, Eneas (personaje principal de la Eneída de Virgilio, uno de mis libros preferidos, que continúa la caída de Troya), Paris, Sarpedón, Polidamante y Agenor. Por el otro lado descubro a aqueos, dánaos y mirmidones y entre ellos a Aquiles, el de las grebas hermosas, a Ulises (quien continuará esta historia en la Odisea), al bravo Menelao, hermano de Agamenón, al intrépido Diómedes, a Ayax Telamonio (valiente guerrero al que ningún dios ayuda) y al polémico Agamenón, parte clave de la historia y que junto a la Odisea, lo narra Esquilo en otro regreso después de la guerra, junto con la Orestíada.
Muy interesante fue leer este poema épico en el otro plano, el de los dioses, puesto que se desarrolla casi a la par el mismo conflicto, ya que, como cito anteriormente, cada dios apoya a quien más quiere. Es fundamental la intervención de Hera, Palas Atenea, Febo Apolo, Ares, Poseidón y Afrodita en la contienda, puesto que hasta entre ellos mismos batallan, causándose graves heridas. Los veo como dioses falibles, demasiado humanos y más notoriamente en Zeus, ya que por momentos, el viejo Crónida es perverso, muy parcial y protector de Héctor, y en otros manipulador e incluso terco y obstinado. De hecho es necesario que por momentos su esposa Hera lo engañe o le haga entrar en razón ante acontecimientos demasiado desfavorables e injustos para con los aqueos.
Por último, me hago una pregunta. ¿Fue realmente Homero quien relató los poemas en forma oral? Me apoyo en la teoría de algunos especialistas que aseguran que fueron varios los aedos que contaban al pueblo la epopeya griega de la Ilíada y la Odisea a partir de distintas historias. Me resulta difícil creer que un hombre complemente ciego pueda narrar con tanto lujo de detalle los ornamentos de los guerreros, la descripción de los dioses, la violencia de las batallas, los ríos, el Olimpo, todo lo que sucede en los mares que surca Ulises en la Odisea, etc. Es más, estoy de acuerdo con que pueda haber dictado los poemas a los que después lo habrían relatado en público, aumentando la cantidad de detalles. Porque no estamos hablando de un Jorge Luis Borges o John Milton quienes quedaron ciegos ya entrados en años sino de un hombre que fue privado de su visión toda su vida.
Pero, por otro lado digo: ¡quién soy yo para cuestionar a semejante poeta! No soy nada más que un simple lector, un gotita de agua en ese vasto océano que es la literatura, que se apasiona con los heroicos versos que narran las hazañas de Aquiles, Héctor, Ulises y tantos héroes y dioses, gracias a la eterna gloria de Homero, uno de los padres de las letras más ilustres. ...more

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Mar 07, 2009 Trevor rated it it was amazing

Shelves: history, literature

I read the Odyssey at Uni and really loved it. A romp off to parts unknown with a man who is good company from a distance. As with much of fiction, the people I am delighted to spend lots of time with on the page are not necessarily those I would want to spend anytime with otherwise.

I’ve always meant to get around to reading this. I mean, this Homer guy only wrote two books and I had enjoyed the other one, so … so, a mere twenty years later (how time flies) I got around to reading this one.

The p ...more

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Jan 18, 2018 Jonathan rated it it was amazing · review of another edition

Shelves: favorites, worshiped-and-adored

What can I possibly say? Truly one of the greatest works of art our species has produced, remaining profoundly moving, thrilling, philosophically rich and emotionally complex well over 2000 year later.

I have read other translations in the past but this new version from Caroline Alexander knocked my damn socks off. Pope’s version is poetry of the highest order, and was probably my favourite up till now, but the distance between it and the “original” is pretty immense. What this version lacked in ...more

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Jun 22, 2017 Emer rated it really liked it · review of another edition

Recommended to Emer by: Penelope

Shelves: 4stars, everyone-needs-to-read-these, reviewed, general-fiction, library-loan, read-in-2017

So how do you fairly critique something that originates circa 700BC?!?!? I mean it's kinda crappy to give this any less than four stars... But you know me...

Admittedly I found this a little hard to read at times. I think partly my own fault because I kept mixing up who was who, Greek or Trojan etc and also because I'm not entirely sold on this particular translation I read. The Project Gutenberg version of the Iliad is in a very recognisable poem format and I had expected this to be similar but ...more

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Oct 23, 2016 Manny marked it as to-read · review of another edition

Shelves: donalds-are-trumps, why-not-call-it-poetry, too-sexy-for-maiden-aunts, translation-is-impossible

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May 05, 2015 João Fernandes rated it it was amazing

Shelves: greek-roman-classics, poetry, war, favorites

“The true hero, the true subject, the center of the Iliad, is force. Force as man’s instrument, force as man’s master, force before which human flesh shrinks back. The human soul, in this poem, is shown always in its relation to force: swept away, blinded by the force it thinks it can direct, bent under the pressure of the force to which it is subjected. Those who had dreamed that force, thanks to progress, now belonged to the past, have seen the poem as a historic document; those who can see th ...more

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Jan 31, 2012 Terry rated it really liked it

Shelves: this-may-take-awhile, poetry

Am I really going to bother reviewing Homer’s _Iliad_? I mean, what am I going to say that hasn’t been said by generations of scholars, reviewers or readers? Does another drop in the ocean matter? Well, even if it doesn’t I’ll give it a go I guess. Reading the _Iliad_ was mostly done by me as a correction to a perceived gap in my education. I had always known bits and pieces about the poem and its heroes from various sources and the culture in general, but I had never read the poem itself. Given Am I really going to bother reviewing Homer’s _Iliad_? I mean, what am I going to say that hasn’t been said by generations of scholars, reviewers or readers? Does another drop in the ocean matter? Well, even if it doesn’t I’ll give it a go I guess. Reading the _Iliad_ was mostly done by me as a correction to a perceived gap in my education. I had always known bits and pieces about the poem and its heroes from various sources and the culture in general, but I had never read the poem itself. Given that it is a foundational text (perhaps *the* foundational text along with its sister epic The Odyssey) of the western canon it’s a pretty big gap. Well, I did it! I found myself both compelled and, I will admit it, sometimes bored by the text (though mostly only when we came upon the epic tradition of having the lineage of each character spelled out in gruesome detail before said hero was gruesomely despatched by an enemy’s spear thrust). Still, once I made it through Book II’s interminable catalogue of the Achaean heroes who came to Troy along with the number of ships and men they brought with them I knew that nothing could stop me.

My biggest surprise was probably the way in which the heroes, all seemingly spawned by gods, are not all that unlike superheroes in a comic book: forces of raw destruction whose primary wish is for glory and the mad rush of violence and battle. And yet even these great figures pale next to the gods who play them like puppets on a string watching events unfold before them and giving a nudge here and there when the outcome for their favored side is in doubt (indeed, for me some of the most humourous moments came about when a god would unceremoniously pluck a warrior from the ground and punt him into the distance in order to keep him safe like some giant hand in a gamer’s favourite RTS strategy game). It was these images and analogies, inadequate as they may seem, that kept springing to mind for me as I read of the epic battle between the Achaeans and the Trojans. It was, in that sense at least, a surprisingly modern text for me.

The poem is chock-full, on both sides of the conflict, of men who are larger than life. Of course the great exemplars of each side, Achilles and Hector, stand heads and shoulders above the rest, but both armies are lousy with seeming giants whose every action in battle is a superhuman carnage fest; the roll call of the Achaeans alone is impressive: wily Odysseus, prideful Agamemnon, wise Nestor, courageous Diomedes, and both the Greater and the Lesser Ajax. Of course, if you’re not a hero and don’t boast either a god or at least a royal personage in your near lineage, then you’re really just spear fodder whose primary purpose is to allow the real fighters to show off their skill in the art of death-dealing. Indeed fighting is all about the individual fighter's glory and his desire for booty...stripping the corpses is more important than pursuing a tactical advantage. Ego is all. This is a frightening vision of what a world of superheroes might look like with the lowly peons at the whim of their violence and glory-seeking. The boast and the taunt are also on full display. Each hero seeks to undermine his opponent with a war of words before the spear has even left his hand. Lineages are vaunted, or disparaged; deeds are proclaimed, or ridiculed; most of all threats are made and reciprocated. Old Spidey of the glib tongue has nothing on these guys. (“I too could battle the deathless gods with words — it's hard with a spear, the gods are so much stronger. Not even Achilles can bring off all his boasts…” – Hector)

The violence in the poem is explicit and all-pervasive, a veritable orgy of death and dismemberment. From the brains splattered inside helmets by a spear’s intrusion, to the “lethal hit that’s loosed [a body’s] springy limbs”, we are constantly presented with a panoply of violence that brings down the mists of death, a “dark [that] came whirling down across [their] eyes”, upon the stricken warriors. Homer was apparently no prude and was happy to indulge his audience’s apparent appetite for such scenes. The battle scenes are also truly cinematic, both in their colourful gore and in the superhuman skill displayed by the combatants, as foe after foe is handily dispatched in an almost balletic whirl of pure violence. Achilles is perhaps the most conspicuous in this, no more so than when he at last enters the fray near the end of the poem, maddened at the death of his friend Patroclus, and fells Trojans left and right:

Achilles now like inhuman fire raging on through the mountain gorges splinter-dry, setting ablaze big stands of timber, the wind swirling the huge fireball left and right — chaos of fire — Achilles storming on with brandished spear like a frenzied god of battle trampling all he killed and the earth ran black with blood.…so as the great Achilles rampaged on, his sharp-hoofed stallions trampled shields and corpses, axle under his chariot splashed with blood, blood on the handrails sweeping round the car, sprays of blood shooting up from the stallions' hoofs and churning, whirling rims — and the son of Peleus charioteering on to seize his glory, bloody filth splattering both strong arms, Achilles' invincible arms

Indeed the rage of Achilles is a primal thing. The seemingly excessive violence of his comrades and their enemies prior to his entering the fray is made to seem a pale, simpering thing in comparison. Achilles is a whirl of bloodlust, hatred and retribution whose only aim is the eradication of the Trojans and their great prince Hector as payment for the death of his old friend.

Despite the great power that each of these heroes displays, it is not necessarily an altogether innate function of the hero’s mighty thews and prowess alone, for it is made evident throughout the text that the real perquisite for success is the blessing of a god, regardless of the native power and skill of the individual fighter. The gods seem at first content to mostly sit on the sidelines, restricting themselves to aiding and abetting their favourite hero with a nudge here and a push there until, with the advent of Achilles and his killing rage, even Zeus fears that the outcome of the battle may change and the decrees of fate may be unbalanced by a mere mortal. He then lets the gods loose and they fight for their chosen sides in a free-for-all that is impressive in its violence and imagery where one telling things comes immediately to the fore: the gods are much less interested in maintaining the balance of fate for the betterment of the cosmos than they are at using this excuse to fight their own grudge matches against perceived and real slights from their divine rivals.

In many ways the gods are perhaps even more prevalent in the battle for Troy than are the human participants. This is fitting given the fact that a contest amongst the major goddesses, and the perceived slight of its result by the losers, were the direct antecedents to the war that would destroy a civilization. I’m not sure how Paris could have judged the beauty contest between Aphrodite, Athena and Hera in a way that wouldn’t have ended in bloodshed and mass genocide, but he certainly didn’t try very hard once the goddess of love dangled the prospect of Menelaus’ beauteous wife before him. This picking of love above worldly authority or wisdom and supremacy in war may seem like a purely pacific and even noble choice, but it often seems that even love as expressed in _The Iliad_ appears to be a fundamentally selfish thing. Helen, the human paradigm of beauty, and her divine patron Aphrodite, are both interested in ‘love’ not as something that expresses affection or devotion to another, but rather something that glorifies the self. Helen’s beauty is a great power and she uses it to glorify her own position. She deserts her husband and child for Paris and even this ‘love’ seems to be more a reflection of her own egoism and an expression of her power over him than any sort of true affection for the son of Priam. That being said there is one set of relationships that seem to look beyond the demands of heroic culture and the vanity of the self: these are primarily seen in the quiet moments of humanity in Hector’s love for his wife and child (and really for all of his family, even spoiled bratty Paris, and for Troy itself). One could also point to the love of Priam for his dead son, and the need to redeem his mutilated corpse at any cost (even unto walking into the enemy camp with only a servant and a cart full of booty), as another example of the love of others overcoming the love of self.

There were a plethora of great moments in the poem, but this review is already getting overlong, so allow me to simply name the ones that immediately spring to mind: the night raid of Diomedes and Odysseus into the Trojan lines, the lone stand and battle cry of Odysseus after the Achaeans run in terror from pursuing Trojan warriors, the coming ashore of the Nereids at the bidding of Thetis to comfort Achilles, Athena’s arming with the storm-shield of Zeus, the gathering of the Rivers in Olympus, Hephaestus boiling a river god in his own bed in defence of Achilles, and the empowerment of Achilles before his death-dealing drive amongst the Trojans to name but a few. In the end this was a greatly entertaining read that surprised me in many ways. Of course, it wasn’t all dismemberment and bloody glory, there was human suffering and despair (both at the hands of the ‘heroes’ and of the gods) and many questions raised about freewill versus one’s fate (Fate seems to have the deck stacked in his favour). I was constantly surprised at little touches made by Homer: Zeus being wooed by Hera so she could distract him from aiding the Trojans (in the course of which he enumerates the allures of his former lovers as part of his seduction strategy…what a charmer!); Hector deciding to leave his men to face death alone in a tight moment and the twin episode of Hector’s very real fear of death, such a great fear that he actually runs away from Achilles in panic before deciding to face his fate (not exactly the inhuman hero I was expecting to see); Agamemnon showing himself to be a blustering politician, attempting to save face and excuse himself at the same time as he tries to apologize to Achilles. The fact that the poem both begins and ends in medias res may leave some modern readers a bit baffled (we enter the fray ten years after the war’s inception and leave with the city of Troy still standing), but it truly is a tour de force of the poet’s art. Whether Homer was one man or many, whether he composed it primarily from an amalgam of the existing tradition of epic poetic devices or it came primarily from the mind of a genius it is a work that does stand the test of time and is well worth the time of any reader (or listener) ancient or modern. ...more

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Mar 21, 2013 Yani rated it it was amazing · review of another edition

Shelves: poesía, universidad, favorites, grecolatino

Estuve mentalmente metida en la guerra entre aqueos y troyanos de agosto a diciembre. Al menos, no duró tanto como la verdadera (diez años en total). Ilíada es un poema épico extenso y arduo, repleto de descripciones de armas y combates, pero que compensa cada queja con unos pasajes sublimes y una naturalización de personajes que sorprende.

Breve reposición de argumento: Ilíada se concentra en la interminable ira de Aquiles, el mejor guerrero de los aqueos, a causa del robo de su botín, que i Estuve mentalmente metida en la guerra entre aqueos y troyanos de agosto a diciembre. Al menos, no duró tanto como la verdadera (diez años en total). Ilíada es un poema épico extenso y arduo, repleto de descripciones de armas y combates, pero que compensa cada queja con unos pasajes sublimes y una naturalización de personajes que sorprende.

Breve reposición de argumento: Ilíada se concentra en la interminable ira de Aquiles, el mejor guerrero de los aqueos, a causa del robo de su botín, que incluía a Briseida. Por supuesto, en la batalla se va a sentir su falta, a pesar de que entre los griegos hay otros buenos guerreros. Mientras tanto, los dioses luchan en el Olimpo porque algunos protegen a los aqueos (Hera, Atenea, Poseidón) y otros a los troyanos (Apolo, Ares, Afrodita). Zeus inclina la balanza de la victoria porque tiene un plan que, obviamente, no voy a revelar. Podría decir que los veinticuatro cantos son temáticos y los mortales y los inmortales se reparten el protagonismo.

Por su composición oral, hay versos que se repiten muchas veces porque funcionan a modo de “repaso”, así que no tengo ningún motivo para quitar estrellas por eso. También se advierten incoherencias (pequeñas, pero incoherencias al fin) entre una acción A y una acción B, algo que sería imperdonable en un texto escrito. Sin embargo, las fallas no lo hacen menos perfecto. A mí me encantó igual. Hay historias muy ricas que se cuentan en mitad de una pelea (los oponentes hablaban mucho entre sí antes de matarse…), recuperaciones de mitos conocidos y no tanto, heroísmo, crueldad, desesperanza. Lo único que obstaculiza un poco la lectura del libro son las descripciones de las armas, las naves, los ejércitos y algunos combates cuerpo a cuerpo que aportan material para situarse espacialmente, por ejemplo. Y es muy bueno detenerse en ellas porque señalan aspectos culturales, históricos y sociales. El problema es que causan sensación de stand by, como si no fueran a terminar nunca. Afortunadamente, lo hacen. Una vez que se reinicia la acción, hay poco para molestarse y mucho para marcar. Los cantos del final son geniales, fueron una especie de premio a mi paciencia de lectora. A partir del XIX aparecen (y reaparecen) elementos que vuelven todo más dinámico.

Los personajes no están desarrollados psicológicamente. No hay una evolución paulatina de ellos, sino que actúan de forma radical. Aquiles, que rumia su cólera lejos del combate, puede ser tan bárbaro como piadoso, así como también Zeus parece tan omnipotente como amigable. Tal vez los matices no abunden, pero se me hizo imposible no ponerme del lado de alguno de los personajes para esperar que su destino (desde temprano, ellos mismos se van a encargar de avisar cómo y cuándo van a morir) no se cumpla. Por alguna razón, uno ya siente que los conoce y se vuelven naturales, de carne y hueso. Y aprendí que Zeus es implacable hasta cuando Hera lo distrae. Comentario femenino que no quiero omitir y que puede llegar a servir: en esa época las mujeres no eran más que objetos que en el "mejor" de los casos se utilizaban como premios y aseguraban descendencia y, en el peor, eran molestas, necesitaban un par de gritos e impulsaban riñas patéticas. Ese momento ya no se puede cambiar, pero sí se puede tener en cuenta antes de decidir revolear el libro por la ventana. Y además está Atenea como equilibrio, cuyas intervenciones son fascinantes y muy importantes. Las inmortales llevan una ligera ventaja en todo este asunto.

Ilíada requiere tiempo y atención, dos cosas necesarias para no abandonarla y que actualmente los libros se olvidan de pedirle al lector. Se aprende mucho más en sus páginas que en la búsqueda disgregada de algunos mitos y las repeticiones de Homero permiten descansar en algunos puntos para concentrarse en otros. La Historia, la filosofía, la forma de ver el mundo que poseían los griegos es material para un relectura (si es que no lo piden en la universidad, como es mi caso), pero la primera puede hacerse tranquilamente. Lo realmente "malo" de este libro es que lleva a leer más textos antiguos para completar el panorama y mi lista de to read lo está sufriendo. Y ya estoy en proceso de recuperación para seguir con la Odisea.
...more

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Feb 17, 2008 Stevelvis rated it did not like it · review of another edition

This review has been hidden because it contains spoilers. To view it, click here. THE ILIAD by HOMER translated by Robert Fagles

Oh My God, I absolutely HATED the Iliad. If you want to read a bunch of reviews by people who loved this book, go to Amazon and read the reviews there. The fans of this book will say that this is the ultimate book of war and this is the best translation ever, that this story shows the courage and manliness and heroics of the soldiers on both sides of the Trojan war even as they are being manipulated by the gods who are having their own arguments amon THE ILIAD by HOMER translated by Robert Fagles

Oh My God, I absolutely HATED the Iliad. If you want to read a bunch of reviews by people who loved this book, go to Amazon and read the reviews there. The fans of this book will say that this is the ultimate book of war and this is the best translation ever, that this story shows the courage and manliness and heroics of the soldiers on both sides of the Trojan war even as they are being manipulated by the gods who are having their own arguments amongst themselves. Perhaps I have simply read the wrong translation as there seems to be the opinion that the translation by Rouse while less poetic is more prosaic and a better read as much of the repetitious poem is edited out.

The Iliad takes place in the 10th year of the Trojan War and its location is between the Argive Greek ships on the beach, the city of Troy, the battlegrounds between the beach and the city, and a tiny bit of story among the Olympiad gods. Actually there is very little of the action that isn't a bloody fight to the death on the battlegrounds. The story takes place in only about 40 days of the 10th year of the war and leaves out all of the most interesting action: the abduction of the princess Helen by Paris the Prince of Troy which starts the war, and the final days of the war in which the city is sacked and Achilles and many of the heroes are killed. What you are left with is an argument at the beginning of the story between Achilles and King Agamemnon, followed by nearly nonstop bloody fighting leading up to the death of Hector the hero of Troy. The story begins by saying that so many thousands of soldiers were killed in the war that it would be impossible to name them all. Then in the next paragraph, the attempt to name all of them begins as you have almost 600 pages of characters who are strangers with no part other than to be introduced and led off the stage as they have been killed by one or another of the heroes.

I read the Iliad because I wanted to read the Odyssey and so decided to read both of the epics together and in order. For anyone else I can now recommend skipping the Iliad altogether, and just go on to the Odyssey. The Iliad was a struggle for me, a very experienced reader, to make it all the way through. More than once I wondered if I should just stop or was it worth reading to the end. Well, now I can say with no problem that I should have skipped it entirely. It was a total waste of my time. I can't imagine being forced to read this as a book assignment in school. It might have turned me off of reading forever. If you're a teacher, please, have mercy on your students, just assign the 10 or 20 good pages. If you're thinking of reading the Iliad for pleasure, go to the bookstore and pick it up and read a few pages and then flip it forward and read another page. Try that a few times and you'll probably decide against it like I should have. The Odyssey on the other hand is a wonderful book that is thoroughly enjoyable, and full of the adventure, mystery and mythology that I had wrongly expected out of the Iliad. ...more

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Sep 13, 2016 Vasilis Manias rated it it was amazing · review of another edition

Κανονικά θα πρέπει να αφαιρέσω ένα αστεράκι από όλα τα βιβλία που έπεσαν στα χέρια μου μέχρι σήμερα.

Και εξηγούμαι.

Πριν πολλά πολλά χρόνια, όταν πρωτοδιάβασα το Όνομα του Ρόδου, υπήρχε στην αρχή του βιβλίου μία σκηνή όπου ο Έκο περιγράφει με τη σημείωση "η ζωγραφική είναι η λογοτεχνία των φτωχών" ένα βιτρό που κοσμεί τους τοίχους του μοναστηριού. Μέσα σε κοντά δέκα σελίδες ξεπετιούνται σύμπαντα ολόκληρα, ζωές και άνθρωποι και έρωτες και πίκρες και εικόνες πολύχρωμες, μία αλληλουχία διαδοχικών αλλ Κανονικά θα πρέπει να αφαιρέσω ένα αστεράκι από όλα τα βιβλία που έπεσαν στα χέρια μου μέχρι σήμερα.

Και εξηγούμαι.

Πριν πολλά πολλά χρόνια, όταν πρωτοδιάβασα το Όνομα του Ρόδου, υπήρχε στην αρχή του βιβλίου μία σκηνή όπου ο Έκο περιγράφει με τη σημείωση "η ζωγραφική είναι η λογοτεχνία των φτωχών" ένα βιτρό που κοσμεί τους τοίχους του μοναστηριού. Μέσα σε κοντά δέκα σελίδες ξεπετιούνται σύμπαντα ολόκληρα, ζωές και άνθρωποι και έρωτες και πίκρες και εικόνες πολύχρωμες, μία αλληλουχία διαδοχικών αλληλεπιδρούμενων κοσμων που αφορούσαν μία μοναχά ταπεινή τοιχογραφία.

Ομολογώ πως την Ιλιάδα δεν την είχα διαβάσει ΠΟΤΕ ολόκληρη. Πάντα πίστευα πως "ξερω την υπόθεση άσε που έχω δει και την ταινία με τον Μπραντπίτ", πάντα πίστευα πως τελειώνει με τον Δούρειο Ίππο, δυστυχώς για μένα η ραψωδία Ω κλείνει με το "και έτσι ετάφη ο Έκτορας" (wtf!!!!). Και αυτό γιατί οπως όλοι μας, έτσι και εγώ την ειχα διδαχτεί στο σχολείο με τον λάθος τρόπο αλλά πάντα είχα στην καρδιά μου τη ραψωδία Σ, στην οποία ο ποιητής περιγράφει μέσα σε τέσσερις σελίδες την Ασπίδα του Αχιλλέα, που ο ίδιος ο Ήφαιστος έφτιαξε μετά το θάνατο του Πάτροκλου παραγγελία της Θέτιδας ώστε ο ηρωας να εκδικηθεί το θάνατο του αδερφικού φίλου του με τις τιμές που άρμοζαν σε θεό. Και δεν είχα κάνει ποτέ το συσχετισμό με τον θείο Ουμπέρτο και τον τρόπο που είχε διαλέξει να αποδώσει τιμές στο Απόλυτο Λογοτεχνικό Αριστούργημα όλων των εποχών, στο ομορφότερο παραμύθι του κόσμου.

Η πολυπλοκότητα του σύμπαντος των χαρακτήρων και η εξέλιξη αυτών, οι μάχες και πάνω από όλα ο σεβασμός με τον οποίον στέκοντας διαρκώς όλοι τόσο απέναντι στους Θεούς όσο και απέναντι στους εχθρούς τους, είναι από μόνα τους αρκετά για να βάλουν το έργο που από όλους χαρακτηρίζεται ως "ο ορισμός του έπους" στη θέση του σημαντικότερου βιβλίου που έπεσε ποτέ στα χέρια μου. Και κάθε άλλο παρά τυχαίο είναι το γεγονός πως η Ιλιαδα διδάσκεται στα σχολεία όλης της γης όπως επίσης και το γεγονός πως ο Καζαντζάκης αφιέρωσε σημαντικό μέρος της ζωή του στη μετάφραση του έργου (ο Κακριδής στην εισαγωγή της Οδύσσειας αναφέρει πως εκδόθηκε το 1955 μετά από δουλειά που κράτησε συνολικά 14 χρόνια!).

Γιατί η Ιλιάδα δεν είναι μόνο οι απίθανα ιστορούμενες στιγμές της μάχης, δεν είναι η πίκρα για τα δεινά του πολέμου, δεν είναι οι αναρίθμητοι υπερήρωες που διαρκώς γλιτώνουν το θάνατο με τις παρεμβάσεις των θεών, δεν είναι ο δειλός Αγαμέμνωνας, δεν είναι ο πολυμήχανος Οδυσσέας, δεν είναι ο θηριώδης Αίαντας, δεν είναι ο Παρης που δε δίνει με τίποτα πίσω την Ελένη του, δεν είναι ο χαροκαμένος Πρίαμος, είναι ο τρόπος με τον οποίο οι πάντες έχουν μάθει και αντιμετωπίζουν τη ροή της ζωής και την υστεροφημία τους. Οι μάχες ολοκληρώνονται με τιμές και δώρα προς τους αντιπάλους και σπονδές στους θεούς, οι εκεχειρίες δε σπάνε ποτέ, όσοι σκυλεύουν τους νεκρούς έχουν κακό τέλος, φίλοι και εχθροί τρώνε στο ιδιο τραπέζι, και ο θάνατος παραμονεύει διαρκώς θνητούς και αθανάτους χωρίς όμως κανείς ποτέ να τον φοβάται και να τρέχει σαν δειλός μακριά του.

Με λίγα λόγια.

Έπος. ...more

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Feb 01, 2018 صهبا rated it really liked it · review of another edition

Shelves: یونان

سعی کنید هیچوقت زنِ کسی رو ندزدید. ...more

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The Bowie Book Club: Reading discussion and book review	22	26	May 16, 2018 01:39AM
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About Homer

Homer

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In the Western classical tradition, Homer (Greek: Όμηρος) is considered the author of The Iliad and The Odyssey, and is revered as the greatest of ancient Greek epic poets. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature.

When he lived is unknown. Herodotus estimates that Homer lived 400 years before his own time, ...more

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