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Depression: A Public Feeling
In Depression: A Public Feelings Project, Ann Cvetkovich seeks to understand why intellectuals, activists, professionals, and other privileged people struggle with feelings of hopeless and self-loathing. She focuses particularly on those in academia, where the pressure to succeed and the desire to find space for creative thinking and alternative worlds bump up against the ...more
Paperback, 278 pages
Published November 5th 2012 by Duke University Press Books
(first published January 1st 2012)
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Apr 06, 2017 Thomas rated it really liked it
A fascinating, necessary analysis and memoir about depression. Ann Cvetkovich, a professor of English and Gender Studies at the University of Texas, integrates the critical essay and memoir genres to explore her own experience with depression. She also examines why so many academics, activists, and others in positions of privilege face this onslaught of negative/debilitating feeling. From the beginning, she argues against the biomedical model of depression, while acknowledging that it may help s ...more
I am deeply conflicted about this book. On the one hand, Cvetkovich's analysis is insightful, fulfilling, and came to me at precisely the right time in my life. On the other hand, at several points throughout the text Cvetkovich minimizes the very real world-historical force of white supremacy. Even when she directly discusses racism as a form of everyday trauma, she equates white/settle guilt with the lived and historical experiences of racism. She also basically dismisses the idea of cultural ...more
Say no to drugs, except when your depressed? I've self-medicated and I've had a doctor's hand on the mortar and pestle with equal results. And the answer, for me, is that depression is a rational response to life. It's sad, and then it's not, and then it is again. So what? Life doesn't care, and neither should you. Cvetkovich doesn't deny the dismal aspects of life nor does she dismiss the joy inherent in the living, but she, through various, mostly queer-culture examples, shows that the value o ...more
More accessible and exhibiting a much greater breadth of material analyses than other books with such theoretical aims. Overall, an important intervention into both gender and affect studies and the more medicalized study of depression. Though definitely a long and sometimes difficult read because of its many varied preoccupations, it ultimately proves useful as a meditative reading practice in the same way writing it proved a meditative practice for the author. It would be too easy to say "this ...more
A queer academic self-help book! That is what Ann Cvetkovich said she "kind of jokingly" called this project, but I think it's for real. My boss lent me this along with Lynda Barry's Cruddy and Beth Ditto's memoir, which I think make good companion pieces. By the time I was about a third of the way through, I had forcibly recommended this book to almost everyone I know, but two thirds of the way in I got completely bogged down. Maybe that's fitting?
I was more invested in this book for its connections between political feelings, memoir/description, and the somatic/affective experience of depression that I was for the extended dives into literary and historical analyses of works (mainly literature and art) about depression. I found the etymological genealogies a lot more interesting than I was expecting-- really made me stop and think about how taken-for-granted ideas and even specific words are to me, when it comes to depression. For instan ...more
So, so, SO GOOD. This books look at depression's dual nature as both cultural/social and deeply personal and resists the desire to concoct narratives about depression that try to pathologize it. The book's genre switches between personal memoir, self-help, and cultural criticism in a way that is refreshing for academic scholarship.
Jul 12, 2012 Duke Press added it
“Cvetkovich offers us an introduction to thinking critically about depression's causes and its manifestations as well as, perhaps, the localised tactics that are necessary to enable recovery. At the end, she turns rather sweetly to crafting as one reparative habit, partly because of the aesthetic of connectivity that it can stimulate. Knitting yourself out of depression: it's kind of folksy, but I liked it.”--Sally Munt, Times Higher Education
“At one end, Depression is a call to expand how we f ...more
“At one end, Depression is a call to expand how we f ...more
"My contribution to this discussion is to insist that daily life in all its ordinariness can be a basis for the utopian project of building new worlds in response to both spiritual despair and political depression. As forms of practice, rituals such as crafting, knitting, and other hobbies, as well as yoga, running, and other forms of exercise, belong to what I want to call a utopia of ordinary habit. . . . The utopia of ordinary habit would be aversion of Avery Gordon's "usable utopia", a utopi ...more
Cvetkovich experiments with writing form and includes a memoir in the first section of the book in which she details the last years of her PhD and the first years of her working. She de-pathologizes depression (which she also names bad feelings for its banal connotations), and instead, demonstrates the ways in which it can open up new forms of sociality and serve as foundations for new forms of attachment. She later makes these claims theoretically (is this a kind of grounded theory? j/k!) For h ...more
This is a brilliant genre bending, interdisciplinary piece of work! I don't know how Cvetkovich does it, but she somehow managed to seamlessly link feminist crafting, post-colonial intellectualism and early Christian Asceticism. Writing about knowledges that come from the body and from practices rather than texts, we understand how the combination of both ordinary and spiritual practices can be an remedy for 'public feelings', such as despair, isolation and depression. What could easily be writt ...more
With the exception perhaps of some of The Depression Journals and some of the chapter on acedia, I adore this book. It nails precisely how my misgivings with David Burns evolved since my quasi-popular review of Feeling Good was posted. It elucidates ways in which I square my sympathies with Buddhism, mindfulness, and varying degrees of spirituality with a firmly-held allegiance to godlessness. It better addresses how and why I feel my depression to be 'queerer', in a sense, than the ones ascribe ...more
Half memoir, half critical essay, this book weaves together anecdote, medical history, race politics, high + low art, feminist + queer theory, and spirituality to create a surprisingly approachable and useful guide for reframing how we think about depression. Astute, unexpected, and highly recommended for anyone suspicious of the self-help genre, and/or fed up with the current obsession for viewing sadness as a chemical disease with only medical cures.
Very poorly executed and sloppy. If you're looking for this type of text, try Lauren Berlant. The author spends the first section talking about the dangers of anti-depressants and then begins he own journal in the second. In the final section she admits she took anti-depressants throughout the entire process of the book. The writing meanders and veers off topic frequently. Sentences are flat and the this is another text that needed serious editing before it went to publication.
This book is a stunning example of the potential of affect theory for cultural studies and academia in general. It's beautifully written and lovely to read, refreshingly sensitive in its analysis of Medieval thought, and an utter tour de force in its new perspective on depression and contemporary life.
Sep 23, 2016 Elizabeth added it · review of another edition
Recommended to Elizabeth by: http://feminismandreligion.com/2013/0... (maybe?)
It took me forever to get through the Introduction (oh, Duke University Press), so if you get stuck there, I recommend just skipping it -- but once I got through that, I really liked the book.
Ann Cvetkovich is Ellen C. Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas, Austin. She is the author of Depression: A Public Feeling, An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures, and Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism; a coeditor of Political Emotions; and a former editor of ...more