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Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema
Tracingthe rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Caché, Asbjørn Grønstad revivesthe debate about the role of negation and aesthetics, andreframes the concept of spectatorship in ethical terms.
Hardcover, 232 pages
Published December 15th 2011 by Palgrave Macmillan
(first published November 8th 2011)
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