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352 pages, Hardcover
First published February 7, 2012
Smoke within fog--that was him within the world of synaesthetes, not actually one of them, but enough like them that he could hide in their midst.*
I didn't like the way he looked at me--like I had confirmed in his mind that I was really a freak.*
The natural thing was to make Henry-Clay Yolles enter down the centre aisle so that he looked up at Decker on the bimah--like Princess Di's funeral. Did the Brits know how to stage a pageant in a cathedral or what! When the coffin came all the way down the centre aisle, then turned to the right and the huge doors opened to allow the light in and her coffin out--Decker remembered wanting to cheer.*,/blockquote>
The funeral of a woman who died under tragic circumstances is not a 'pageant', and the urge to cheer is inappropriate.
Rotenberg's style annoyed me on several occasions, but particularly in the early chapters of the novel. He makes frequent comparisons to films, but not in an appropriately-timed-pop-culture-reference kind of way. It's more like Rotenberg throws in a comparison to iconic/memorable film moments when he doesn't feel like describing a character's action. Who hasn't seen that movie? Of course they'll all get the reference. He leans too hard on his background in theatre/TV.
There's also a fair bit of tangental nonsense. When Decker witnesses an altercation between a supermarket patron and clerk, Rotenberg wastes half a page on unimportant description of how multicultural Toronto is instead of keeping the action in the supermarket. He also offers the reader a clumsy description of how to use a smartphone, in case you've been in a coma for several years.
Decker's friend and colleague, Eddie, is a likeable and quirky character, prone to making haphazard mashups of common idioms and slang. I liked him more and more as the novel progressed, probably because his introduction to the novel is a bogged-down, over-long stretch of dialogue that strives to be 'realistic' instead of to the point, and therefore loses the reader's interest.
Eddie is passionate about his family and his job. He's a caregiver, and he's also imperfect. At times I wished the story focused more on Eddie than Decker, because at least Eddie is aware of how profoundly flawed he really is. He's relatable and he carries the scenes in which he's present.
The story didn't really gain any traction or sense of urgency until chapter 23, almost 150 pages into the book, when Decker begins to dig through his past work assignments and locates a mystery to be solved. Finally, there seems to be a point to what Decker does. The reader can see his goal. Everything that happened before that chapter--his teaching, his relationship with Eddie, the craziness of the synaesthete Mike Shedloski, an arsonist burning his house down, and his estranged son Seth--seem like extraneous 'scene-setters' that built up to chapter 23 by the most indirect route possible. Most of these things end up being relevant to the climax and ending of the novel, but the pace of the book felt very uneven.
Even more troubling was the convoluted plot. The cast of characters in The Placebo Effect is extensive, and most of them don't directly interact until near or during the novel's climax. Most of the time I was lost, unable to keep track of who was on who's side, what had had motivated each character, and how much time had passed.
It's not easy to follow the long series of coincidences in The Placebo Effect. For example, a lounge singer just happens to have a grudge against Yolles Pharmaceuticals and just happens to be the girlfriend of a man that Decker Roberts just happens to know from fifteen years ago. The people he relies on don't naturally or smoothly enter into the narrative, and most of the time they leave so abruptly that the reader doesn't know whether to anticipate their reappearance or not.
I found Seth's story to be the most moving part of the book. Estranged from his family and dealing with a serious illness, his sense of loneliness and futility is heartbreaking. He's already learned the lesson that his father struggles with:Your life isn't here to entertain you--it's to be lived.
Unfortunately, Seth is barely in The Placebo Effect because he is estranged from the protagonist. The reader sees him when the events of his life are relevant to what's going on with Decker, but otherwise the book's most compelling character is left off stage. Heartbreaking as Seth's story was, I wanted to see more of him.
I felt like I fought with this book from start to finish. It was a struggle to read, to enjoy, and to understand. I might skim the sequel when it comes out, purely out of curiosity about Seth's fate, but after having such a rough-and-tumble experience with this one, I don't think I'll be reading the remainder of the forthcoming Junction Chronicles.
* Quotes not final.