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صومعة بارما

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3.82  ·  Rating details ·  13,305 ratings  ·  478 reviews
ليس من رواية تسبب مطلعتها إنذهالاً أشد؛ وليس من نص أدبي يمكنه أن يرقى إلى هذا الحد من التناقض الأدبي: مغلق مفحم كامل، يكتفي بذاته، ويبدو طيلة وقت المطالعة يخلّص القارئ من وطأة الزمن والقدر. يشعر منذ البداية حتى النهاية بلذّة سرد المؤلف وحدها كما في كتب المغامرات الساحرة أو الروايات التشرديّة.


إن رواية "صومعة بارما" هي رواية التعددية. فيها عدة روايات تتعايش معاً وتتساعد للاغ
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Paperback, الأولى, 752 pages
Published 1983 by عويدات للنشر والطباعة (first published March 1839)
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3.82  · 
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 ·  13,305 ratings  ·  478 reviews


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Bill  Kerwin
Jan 01, 2009 rated it it was amazing  ·  review of another edition

Stendhal depicts both the amorous passion and the predilection for court intrigue present in the Italian character, yet he does this with an irony and a political analysis indisputably French, thereby producing not only a great realistic novel but a work which comments on the romantic novels that have gone before.

And yet--here is the marvelous part--"The Charterhouse of Parma," for all its realism, is still an incredibly romantic novel, containing a battle, a duel, a knife fight, various disgui
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Jr Bacdayan
Jul 18, 2016 rated it really liked it  ·  review of another edition
JR was writing a little note on a piece of parchment when a cry was heard outside his door. ‘Bring him here, the rascal. I shall have his head cut off!’ There was a commotion and the door was opened and he recognized Conte Crescenzi, quite inebriated, and spouting forth such obscenities that would have made the most devilish of villains blush. Such buffooneries were uttered that even the dogs barking outside were scandalized. It was later claimed by the lowest class that at the same moment, insi ...more
Adam Dalva
Oct 13, 2014 rated it really liked it  ·  review of another edition
A sprawling, sloppy, often-exhilarating read. It is an almost absolute middle point between Tom Jones (the handsome lead, the vignette-y style, the wonderful humor, the slapsticky regard for human life, the excess coincidences that characterize the early novel) and War and Peace, which it clearly influenced in its court/war split and its fascination with Napoleon.

It is too long by half - the scenes of intrigue in Parma are remarkably redundant - and has some messy threads that never really reso
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adam
Oct 05, 2007 rated it really liked it  ·  review of another edition
Standard 19th century French novel? Not even close. This book defies almost every convention of the novel, and it was written before any of those conventions were even recognized! No hero, no heroine, no real plot; no morality lesson; Machiavellian politics for everyone; love doesn't conquer all; love doesn't even exist in this world until the main character gets locked away in prison for a womb-like nine months; a narrator who couldn't care less about the whole thing...this is so modern it hurt ...more
sigurd
ho scoperto di essere stendhaliano per sentito dire, molto prima di leggere Stendhal, e precisamente leggendo un pomeriggio Alberto Savinio (quest'anno ho il proposito di stanarlo tutto, leggendolo). Il pittore e scrittore mezzo greco ammirava molto il grande Fabrizio Clerici, suo amico: artista surreale e immaginifico, incrocio tra Attanasio Kircher, Salvador Dalì e Picasso nella loro epoche classiche. Savinio affibbia a Clerici attributi che lo incasellano in quell'atmosfera vitale che è lo st ...more
Natalia Yaneva
Jun 04, 2013 rated it did not like it  ·  review of another edition
Една от най-потресаващо скучните книги, които съм чела (да не звуча пресилено и да кажа „изобщо“) от дълго време насам. Твърде помпозният, хаотичен, превъзнесен стил на Стендал се вихри с пълна сила. Спомням си, че и в „Червено и черно“ имаше моменти, в които изпитвах подобна досада, но тук наистина ми беше неимоверно трудно да следя историята. Твърде много безсмислени случки и описания, за които, в момента, в който ги изчетеш си мислиш „Това защо се случи, дявол да го вземе? Има ли някаква роля ...more
Paradoxe
Dec 26, 2016 rated it really liked it  ·  review of another edition
Δεν υπάρχει η γοητεία της ιστορίας και των αλληγοριών του Κόκκινο και Μαύρο. Υπάρχουν όμως η ίδια αίσθηση διαχρονικότητας και ταύτισης καταστάσεων και ξυπνάει ακόμη εντονότερα τον ηθικό αντίλογο.

Σπουδαία επιτεύγματα είναι η εξαιρετική τακτική μοναδική στον Στεντάλ ώστε να μην προκαλεί ταύτιση με τους ήρωες αλλά να ξυπνά την ομοιοπάθεια και την πολύβαθη, ρεαλιστική αναγνώριση πως οι εποχές αλλάζουν, η εξέλιξη κάνει τον κύκλο της για να αποδώσει νέες αυλές που μοιάζουν με κάθε άλλη παρελθοντική αυ
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Perry
Jun 16, 2016 rated it really liked it  ·  review of another edition
Shelves: stela-eða-láni
O wretched soul, what sweetness it was!
How we burned at the moment when I saw
those eyes that I might never see again.


Lines from Petrarch, on handkerchief given secretly as a gift in novel's forbidden love affair


The 1839 Charterhouse represented a movement away and forward from the romanticism of Stendhal's time, this was one of the earliest examples of realism in a way that was considered revolutionary then; Balzac considered it the most important novel of his time. Though some elements of the r
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Cristina
Jan 13, 2016 rated it it was amazing  ·  review of another edition
Shelves: francesa

Escritores como Balzac, André Gide o Tolstoi consideraron "La cartuja de Parma" de Stendhal una de las mejores novelas de todos los tiempos.

Llego a ella después de haber leído "El rojo y el negro" y "Vanina Vanini" y podría afirmarse que contiene una mezcla de ambas, hipótesis factible si se tienen en cuenta los años de publicación de las tres novelas: "El rojo y el negro" fue publicada en 1830, "Vanina Vanini" en 1829 y "La cartuja de Parma" en 1839. De "El rojo y el negro" tomaría Stendhal el
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Fionnuala
I read this looking for more atmosphere and details about the Napoleonic wars, having just read War and Peace in which Tolstoy does a wonderful job of conveying how Napoleon's Russian campaign was viewed by some sections of Russian society. The beginning of this novel was promising with descriptions of how the people of Milan and the surrounding area viewed the Napoleonic conquest but soon the author began a long and involved courtly love saga that might have belonged more in the twelfth century ...more
Christian
I picked this up last month because I'm a huge fan of The Red And The Black, easily one of my top five novels. Stendahl was a nineteenth century French satirist who bascially invented the realistic psychological novel, and The Red And The Black is a wicked black comedy about a cunning young priest who plots to become Pope, and his subsequent adventures in high society. Like I say I loved this book so I had high hopes for Charterhouse.

Unfortunately, in my opinion after a promising start this book
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Andrei Tamaş
Pentru mine, Sthendal este unul dintre marii scriitori moralizatori de factură istorică. El surprinde funcţia educativă a istoriei expunând cu o insensibilitate apologetică (fapt pentru care este renumit) faptele istorice aşa cum au avut ele să fie, centrând în schimb spectrul de analiză asupra caracterelor pe care vrea să le scoată în evidenţă (mai mult sau mai puţin peiorativ).
În "Mănăstirea din Parma" prezintă destrămarea unei familii aristocratice de sorginte italiană. Acţiunea îl are în cen
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William2
Not bad until the end where it grows maudlin, alas, and becomes a slog. Worthwhile overall, but The Red and the Black it isn't.
Nicola
Mar 30, 2017 rated it it was ok  ·  review of another edition
Shelves: 1001-books
2 1/2 stars

Apparently Balzac considered this to be the most important French novel of its time. I haven't read anything by Balzac but just going off of this comment I think we must have vastly different tastes. Either that or all the other books released were really really bad. Or possibly the translator did a really shoddy job?

The book had its good points - it was frequently slyly funny for instance - but my overriding impression of it is just that it was a humongous mess. I never knew what the
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Bill
Jan 17, 2012 rated it it was amazing  ·  review of another edition
One of the best books I've read. Politics, action, humanism vs.conservatism, passion vs. lack of passion, lovers, rivals, extreme wealth and the values of aristocracy, all the characters with both good and bad actions and ways of thinking. Set in the autocratic monarchy of Parma in Italy between 1815 and 1830.

A fascinating exploration of what motivates people and how they act. The plot is held together by the stories of a brilliant, activist Duchess and her impetuous nephew, but includes many m
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مروان البلوشي
تاريخ القراءة الأصلي : ١٩٩٨

تبدأ هذه الرواية بواحدة من أجمل البدايات في الأدب العالمي، ثم تتشعب وكأنها تحتوي قصة داخل قصة، ولكنك لن تنسى طاقة الكتاب الدافقة
فهد الفهد
صومعة بارما

يقال أن ستاندال كتب هذه الرواية الضخمة في 52 يوماً فقط، كيف يمكن لأي كاتب أن يخلق عالماً روائياً مليئا هكذا في أقل من شهرين !! إنها لمعجزة حقيقية، جاك كرواك كتب (على الطريق) في ثلاثة أسابيع فقط، في المقابل كتب باموق (اسمي أحمر) في 10 سنوات، وكتب أنطونيو سكارميتا (ساعي بريد نيرودا) في 14 عاماً، إن الزمن الذي تستغرقه كتابة الرواية لا علاقة له بجودتها، ربما تبدو الرواية المكتوبة بسرعة، أقل إحكاماً، ولكنها مكتوبة بروح واحدة وباندفاع، بينما الرواية التي كتبت على مدى سنوات طويلة تبدو وكأن
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AGamarra
Aug 13, 2015 rated it it was amazing  ·  review of another edition
Aunque es irresistible compararla con su obra cumbre "Rojo y Negro", la Cartuja de Parma es por muchos motivos una gran obra del realismo francés.
La historia narra las aventuras de Fabricio del Dongo, joven noble de Parma, muchacho muy valiente y apasionado que busca la gloria fuera de su comarca. La narración de su aventura militar es apasionante y vertiginosa, permite conocer de cerca las bajezas y glorias del ejército napoleónico.
Luego de ello la novela cae un poco en emociones y ritmo, pero
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Σωτήρης  Αδαμαρέτσος
Η ιστορία είναι κομμάτι απλοϊκή και λίγο αδιάφορη μετά από 200 χρόνια. Ωστόσο τόσο η εμβληματική προσωπικότητα του κόμη Μοσκα όσο και το αντίστοιχο θηλυκό της, η εξυπνάδα και λογική της δούκισσας Σενσεβερινα κρατούν όλη την ιστορία σε ενδιαφέρον μέχρι το τέλος, ενώ η ερωτική ιστορία εξελίσσεται μετά το μέσο του έργου και καταλήγει τραγικά και, μάλλον, χαλάει το σύνολο! Τα πρόσωπα του Φαμπρις και της Κλαιλιας δείχνουν μοιραία αλλά το έργο γράφτηκε σε εποχες που ήταν δύσκολο να δεχτεί ο κόσμος ότι ...more
Eman Alshareef
Feb 25, 2017 rated it did not like it


في الحقيقة لا افهم أهمية كتابات ستاندل في الأدب الفرنسي، أول مرة قرأت عن ستندال في ثلاثية ميلان كونديرا لفن الرواية، ومن يومها أدخلته في خطة القراءة، سبق وأن قرأت الأحمر والأسود ولكن لم اجد أي قيمة أسلوبية فيها وبالضبط ما حدث هنا أيضا، جميع الرواية سرد سرد للأحداث وبطريقة فوضوية ،لا يوجد وصف لأي شيء، لأشحاص أو أماكن ، لا يوجد لغة أدبية أو أسلوب يحدد شخصية كاتب محدد.

ربما يوجد خطأ في طريقة قراءتي هذا الكاتب، لكن لم أستوعب أي من كتاباته
Orsodimondo
Non sono un fan di questo libro, ma non aggiungo commenti perch�� non credo di essere in grado: penso d'averlo affrontato in un periodo sbagliato.
Gabriele
Jan 15, 2016 rated it really liked it  ·  review of another edition
Shelves: owned, francese
Romanzo incostante questo di Stendhal, quasi l'autore non sapesse bene in quale direzione rivolgersi, ma avesse comunque l'obiettivo di pubblicare un racconto ricco di intrighi e di vicende. Stendhal è d'altra parte contemporaneo di un certo Dumas, e come ogni buon autore francese del periodo ama abbondare: in 400 pagine le vicende non mancano e il ritmo è sostenuto, ma quanto sia necessario raccontarci tutto ciò è un po' il dubbio del lettore che riesce ad arrivare alla fine della storia. Trovi ...more
Nelson Zagalo
52, é o número de dias que levou Stendhal a escrever “A Cartuxa de Parma”, um total de 10 páginas diárias que dão bem conta da capacidade, quase infinita, de recursos conceptuais e cognitivos do autor para lhe fornecer um fluxo ininterrupto de ideias. Falo nomeadamente da capacidade de visualizar sequências num detalhe suficiente para as descrever, não apenas nas suas ações, efeitos e reações mas também no detalhe dos seus cenários, interiores e exteriores, mais ainda no imaginar, ou personifica ...more
David Lentz
Jun 19, 2011 rated it really liked it  ·  review of another edition
I read this novel after finishing The Red and the Black, which I thought was the far better novel of the two. The scenes in which Fabrizio joins Napoleon's army at Waterloo really come to life and shine in the narrative of Stendahl, as he had been a soldier in battle for Napoleon during his lifetime. Fabrizio really is a bit too much of a narcissist and after a while, despite his handsome youth and intellect, I found myself tiring of him. He really made a number of knuckleheaded moves with his c ...more
Gaetano
Il primo libro che leggo di Stendhal non mi ha preso particolarmente: il protagonista, Fabrizio, mi è parso superficiale, indeciso, più aggrappato ai sogni che alla vita reale; la sua vocazione religiosa sembra una parodia della fede cristiana ed i suoi amori sono quasi un modo per vincere la noia ed i suoi vari rivali.

La figura che ho apprezzato maggiormente è quella di Gina Pietranera, una donna forte, capace di intrighi e macchinazioni incredibili, vera dominatrice delle volontà altrui con il
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Alex
May 01, 2013 rated it liked it  ·  review of another edition
Shelves: 2014, poison, rth-lifetime
You know, this didn't really do it for me. I found myself describing it as a poor man's Count of Monte Cristo crossed with a poor man's Madame Bovary, but not as interesting as that makes it sound. There are some great scenes, but a lot of exposition in between; I just never felt completely drawn in. For a novel with as much plot as this has, I was rarely dying to know what happened next.

It's got a terrific battle scene in it, though, just this amazing picture of "Wait, are we fighting? Am I in
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mai ahmd
May 23, 2012 rated it liked it  ·  review of another edition
Shelves: روايات


دير بارم الرواية التي أعجبت باموق وتحدث عنها في كتابه ألوان أخرى على أساس إنها من كتبه المفضلة والتي مازال يقرأ بها بين وقت وآخر ذلك أمر جذب اهتمامي وأحببت أن أتعرف على ماهية هذا الكتاب بل إنني حاولت أن أحبه مثله لكن لم استطع يبدو إننا لا نتشابه في الذائقة حسنا هي رواية كلاسيكية من الدرجة الأولى تدور أغلب أحداثها عن المؤامرات والدسائس التي تحدث في بلاط الأمراء ويذهب ضحيتها أبرياء وأحيانا ليسوا كذلك كما إنها تبرز دور المرأة وسلطتها وكيف تستطيع بجاذبيتها وأنوثتها أن تتحكم بمقاليد السلطة حين يقع رج
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EGe
Sep 08, 2012 rated it really liked it  ·  review of another edition
İlk okumaya başladığımda 200 sayfa sonrasında pes etmiş olduğum, araya onlarca başka kitap sıkıştırdığım (hatta 2-3 yıl) bir kitap bu; herhalde ters zamanıma geldi diyip tekrar başlayıp 10-15 günde bitirmiş bulunmaktayım. Açıkçası kim kiminle ne yapmak istiyoru oturtmanız biraz zaman alıyor ondan ilk 200 sayfada kitabın içine çok giremeyebiliyorsunuz; ilk başta herhalde savaşı anlatan bir roman olacak derken bir anda ters köşe yapıp sizi Jane Austen vari aşk hikayelerinin içine sokuyor.
Biraz bah
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Michael Finocchiaro
In somewhat stark contrast to the darkness of the The Red and the Black, La Chartreuse de Parme is a comedic masterpiece from a youthful Stendhal. Well, humorous as well as languorous at the end. In it is one of the funniest incidents in all of French literature (perhaps eclipsed by the "souliers rouge" incident in Coté de Guermantes) where the hapless protagonist Fabrice dreams of Napoleon and somehow wanders onto the battlefield of Waterloo - rather like someone in Universal Studios would rand ...more
Roberta
Jun 29, 2014 rated it liked it  ·  review of another edition
Shelves: classici, france, 2015
Tanto ho amato Il rosso e il nero (e devo rileggerlo, per controllare che non fossi in preda al delirio) tanto mi ha annoiato questo romanzo. Possibile? E' la storia di un giovinotto italiano che va alla guerra (a seguito di Napoleone) armato solo del suo idealismo, poi torna senza aver capito se in battaglia ci è stato o meno (dubbio lecito) e infine viene coinvolto in vari intrighi politici, viene salvato dalla zia che è innamorata di lui, viene catturato, conosce il vero amore, lo perde, dive ...more
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Henri-Marie Beyle, better known by his pen name Stendhal , was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839).
“The lover thinks oftener of reaching his mistress than the husband thinks of guarding his wife; the prisoner thinks more often of escape than the jailer thinks of locking the doors. Therefore, in spite of every obstacle, the lover and the prisoner are certain to succeed.” 7 likes
“This beautiful thought, of 'dying close by that which one loves', expressed in a hundred different ways, was followed by a sonnet in which it was found that the soul, separated, after atrocious torments, from the frail body in which it dwelt for twenty-three years, and impelled by that instinct for happiness natural to all that has once existed, would not reascend to heaven to mingle with angelic choirs as soon as it was set free, and in the event of the awful judgment according it forgiveness for its sins, but, happier after death than it had been in life, it would go a few steps from the prison where it had lamented for so long, to be reunited with all that it had loved in the world. And thus, the sonnet's last line went. I shall have found my paradise on earth.” 3 likes
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