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260 pages, Hardcover
First published August 1, 2010
"I was nothing inside but light and color"
"I took a can and my brain clicked off and my hands clicked on and I escaped onto the wall, a painted ghost trapped in a jar. I stood back to look at it and I knew the sad thing wasn't that the ghost was running out of air. The sad thing was that he had enough air in that small space to last him a lifetime. What were you thinking, little ghost? Letting yourself get trapped like that?"
"There was no skin on my voice and she heard the bones in my words like I did"
"Her words are paintings, and I'm painting them on the wall in my head as she talks"
And I am but I'm not and I want to put her on pause and paint a wall where I explain everything.
I liked that he had hair that was growing without a plan. A grin that came out of nowhere and left the same way. That he was tall enough so I had to look up at him in my dream sequences.
“I guess love's kind of like a marshmallow in a microwave on high. After it explodes it's still a marshmallow. but, you know, now it's a complicated marshmallow.”
“I like that about art, that what you see is sometimes more about who you are than what’s on the wall. I look at this painting and think about how everyone has some secret inside, something sleeping like that yellow bird.”
“Most times I look at Shadow and Poet's work, I see something different from what the words are telling me. I like that about art, that what you see is sometimes more about who you are than what's on the wall. I look at this painting and think about how everyone has some secret inside, something sleeping like that yellow bird.”
“Open skies painted above painted doorways and painted birds skimming across bricks trying to fly away. Little bird, what are you thinking? You come from a can.”
“I can't believe you're still mad at me," Ed says.
"You grabbed my arse."
"You broke my nose."
"You broke his nose?" Jazz asks. "You grabbed her arse?"
"It was two years ago-"
"Two years, four months, and eight days," I tell him.
"-and I was fifteen, and I slipped and she broke my nose."
"Wait a minute. How do you slip onto someone's arse?"
"I meant slipped up. I slipped up and she broke my nose."
"You're lucky that's all I broke," I say.
"You're lucky I didn't call the police."
Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks.
Ed closes his eyes silently and bangs his head on the wall.”
“I spray the sky fast. Eyes ahead and behind. Looking for cops. Looking for anyone I don't want to be here. Paint sails and the things that kick in my head scream from can to brick. See this, see this. See me emptied onto a wall.”
Lays its fingers on your heart
And holds it
When the next girl smiles”
“Let me meet Poet, too, but mainly Shadow. The guy who paints in the dark. Paints birds trapped on brick walls and people lost in ghost forests. Paints guys with grass growing from their hearts and girls with buzzing lawn mowers. A guy who paints things like that is a guy I could fall for. Really fall for”
“I escaped onto the wall, a painted ghost trapped in a jar. I stood back to look at it and I knew the sad thing wasn't that the ghost was running out of air. the sad thing was that he had enough air in that small space to last him a lifetime. What were you thinking, little ghost? Letting yourself get trapped like that?”
"She sounds smart." I try to make that comment seem casual but weirdly, anything I say about Beth comes out of my mouth dressed in a full-length ball gown.
Noelle did a painting inspired by Graffiti Moon after reading it.
Click on the picture to see a larger version in her review. I'm still harasking (not a typo) her to make prints.
A Sharon Hayes made this video:
Video featured in Ari's fantastic review
Mum laughs. “We raised a very conservative daughter. Too much Pride and Prejudice.”How is it that I simultaneously want to be the daughter and the parent in this situation?
“That could change,” Dad says. “There’s still time to get her onto Margaret Atwood.”
Leo/Poet is right there too. Lucy's description of Leo in the Australian edition nearly, very nearly, made me forget about Ed for a second.
I once saw him from a distance and thought a tree was strolling towards me. An oak tree with a shaved head, soft eyes, and a tattoo.Perhaps that's why they chose to leave that little snippet out of the US edition, which brings me to my next topic.
“I know that,” I say, trying to act like I’m not embarrassed for thinking love and sex are the same thing. I know they’re not, but I want them to be close enough to at least brush each other as they pass.The US edition also has two new poems by Leo, which is a nice bonus.
I loved that there was a lot of graffiti and mentions of glassblowing in Graffiti Moon. Photographs of urban decay featuring old, abandoned buildings and factories are my favorite form of art to look at, but graffiti is a close second. Whenever I see graffiti sprayed on the wall of a building or painted on the side of a boxcar moving along the railroad tracks, I always wonder, 'Who made that? When did they do it? Why did they do it? And where are they now?' It just blows my mind, and it's one of the reasons why I loved this book.
"...we watch the dirty silk of the factory smoke float across the sky."