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Don't Cry
 
by
Mary Gaitskill
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Don't Cry

3.62  ·  Rating details ·  1,160 Ratings  ·  192 Reviews
Following the extraordinary success of her novel Veronica, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.

In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-nigh

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Hardcover, 240 pages
Published March 24th 2009 by Knopf Doubleday Publishing Group (first published 2009)
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Paul Bryant
Angelique was a girl with a beautiful right shoulder, too much make-up, and a very expensive handbag made out of the skins of orphans. She had an anthropology degree but she was currently out of work. The problem was not any of that however. The problem which had been causing her sleepless nights, or nights where you just doze fitfully and never really go properly to sleep and see things which are kind of green, was that there was something in her vagina. Having looked at it from every angle, us ...more
Jessica
This is one of the places where the star system breaks down, because I loved -- five-star loved -- some of these stories so much that I became obsessed and thought about them all the time. But then I liked the ones towards the end less and less, and wound up really feeling repelled (in a bad way) by the last two stories, so.... rating books with stars is so stupid anyway. This is all ridiculously subjective and shouldn't be quantified like that, right? I looked at some reviews on here of people ...more
Greg
Don't Cry was a disappointing reading experience. At first I found the book to be kind of annoying. The first story was quite unappealing, in both the characters and whatever it was that was going on. Then for the next few stories the unappealing just kept happening. None of the stories could seem to escape feeling like there were shocking things being said for the sake of being shocking. Mostly they had to do with fucking, and oftentimes with the fact that women have vaginas. I realize this fac ...more
Imogen
Oct 16, 2008 rated it it was amazing  ·  review of another edition
While reading: My boyfriend the Random House rep gave me a proof! I know this is attributing things to an author because of the content of their work, but I want Mary Gaitskill to beat me up, cut me and make me cry.

Afterward: Yeah. An interesting thing happened in this one- I can't remember whether it happened in the previous short story collections of hers that I've read, or whether maybe I haven't actually read them- where, as it went on, the stories got less, like, evil, and while they didn'
...more
Louise
Feb 21, 2009 rated it it was amazing  ·  review of another edition
Not every story in the collection is a "wow" but enough of them are and the book works as a whole. The story, Don't Cry, which I originally read in the New Yorker, and loved at the time, grows larger and more poignant within the context of the collection- which seems to me a hallmark of a great short story collection.

There's more formal range here than in Bad Behavior and Because They Wanted To. She takes some risks in this sense.

Yes, she has a bit of a potty mouth ;) This has never bothered me
...more
Gus
Jul 21, 2017 rated it liked it  ·  review of another edition
Only one of the stories, "Description," was really good. I appreciated some of these and they are different from a lot of her earlier stories.
Kim

I remember the first time I read Self-Help and when I picked up Lust and Other Stories. There was this intimidation, this contempt, this other sadness. I wanted to be this good. I wanted to crawl, to burrow into the reader and make myself known.

Dammit.

Gaitskill's collection creeps in like that... at first I was kind of bored. I wasn't impressed with the beginning stories.. it was what I had been experiencing this entire year with the books that I've chosen to read. Meh. But, with Mirror Ball I
...more
Gregory Baird
Unmitigated, Unreadable Despair

The stories in Mary Gaitskill’s Don’t Cry reflect characters who are profoundly vexed, but not in a profound way. It seems that Ms. Gaitskill has contrived both them and their situations with the simple goal of shocking her reader. The stories are visceral, yes, but they lack substance, and the fact that Gaitskill herself seems to harbor nothing but disdain for her characters makes it impossible for the reader to feel anything for them either. That’s all that t
...more
lindsay
Apr 19, 2009 rated it it was ok  ·  review of another edition
Shelves: in-2k9, short-stories
i have a soft place in my heart for mary gaitskill for various reasons but this book was kind of bad most of the time. i admire what she does, because it is beautiful and truly grotesque, but there comes a point where it gets boring. most of the characters felt like either representations of or foils to gaitskill and that actually made me uncomfortable. but then again, it usually makes me uncomfortable to read literary fiction about people who write literary fiction. the last two stories are goo ...more
Laura
None of the characters in this selection of short stories appealed to me. Their lives didn't make me want to learn more, and the obsession with sex that permeated the book just turned me off. Pity, because I usually like Gaitskill's work.
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Mary Gaitskill is an American author of essays, short stories and novels. Her work has appeared in The New Yorker, Harper's Magazine, Esquire, The Best American Short Stories (1993 and 2006), and The O. Henry Prize Stories (1998). She married writer Peter Trachtenberg in 2001. As of 2005, she lived in New York City; Gaitskill has previously lived in Toronto, San Francisco, and Marin County, CA, as ...more
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“Dani said this woman, with whom she’d lived for two years, had never known her. “I feel like people accept the first thing I show them,” she said, “and that’s all I ever am to them.” 7 likes
“But now all the natural secrets have been exposed, and it is likely that the turtles have been sold to laboratory scientists who want to remove their shells so that they can wire electrodes to the turtles' skin in order to monitor their increasing terror at the loss of their shells. ” 4 likes
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