The first two chapters of this book isolate and describe the literary phenomenon of the Sophoclean tragic hero. In all but one of the extant Sophoclean dramas, a heroic figure who is compounded of the same literary elements faced a situation which is essentially the same. The demonstration of this recurrent pattern is made not through character-analysis, but through a close examination of the language employed by both the hero and those with whom he contends. The two chapters attempt to present what might, with a slight exaggeration, be called the "formula" of Sophoclean tragedy.
A great artist may repeat a structural pattern but he never really repeats himself. In the remaining four chapters, a close analysis of three plays, the Antigone, Philoctetes, and Oedipus at Colonus, emphasizes the individuality and variety of the living figures Sophocles created on the same basic armature.
This approach to Sophoclean drama is (as in the author's previous work on the subject) both historical and critical; the universal and therefore contemporary appeal of the plays is to be found not by slighting or dismissing their historical context, but by an attempt to understand it all in its complexity. "The play needs to be seen as what it was, to be understood as what it is."
Bernard MacGregor Walker Knox (Ph.D., Classics, Yale University; M.A. Harvard University; B.A., St. Johns College Cambridge, 1936) was a classicist, author, and critic. He taught at Yale until 1961, when he moved on to become the first director of Harvard’s Center for Hellenic Studies in Washington, DC. He was the editor of The Norton Book of Classical Literature and wrote the introductions and notes for Robert Fagles’s translations of the Iliad and the Odyssey.
In 1939 he married American novelist Betty Baur, who wrote under the name Bianca van Orden. He served in the United States Army during World War II, making his way from private to captain between 1942 and 1945 in the European Theatre, and was awarded a Croix de Guerre a l'Ordre de l'Armée for parachuting behind Allied lines in Brittany to arm and organize French Resistance forces. Knox additional was the recipient of the 1977 George Jean Nathan Award for Dramatic Criticism, 1977 George Jean Nathan Award for Dramatic Criticism (1990), and the Charles Frankel Prize from the National Endowment for the Humanities (1990).