This. The retroactive origin story, right in the middle of Midtown High, this is the genius of Bendis. Cause of *course* Jessica would fit right into this world of fucked-up accidents and experiments - and of *course* she would end up going another way entirely from the guilt-ridden fools of the red-tinged-costume brigade. (Wait, did I just start channeling my inner Doom?)
Through Alias' lens, hearing Ka-Zar tell his origin story in Matt Murdock's office is just hilarious. Like, if you were to hear Dr. Frankenstein show up at your door, asking if you had a few minutes to talk about the Great Lords of Electricity? Like that, only with better, blonder hair.
Then we take a E ticket, jump straight on crazy train. The good stuff. The high life. The head trip. The mind fuck that is the Purple Man. What a fucking looney narcissist sociopathic piece of trash.
This is a really good, tense, fucked up story - what with Killgrave breaking the fourth wall, playing games with our hero, seeing how far down the hole Jessica fell the first time, and knowing how jacked up over her the PM is, makes the whole scene preeeettty creepy, with a side of slasher flick tension just for fun.
(I wouldn't be surprised if Rob Zombie popped out of the scenery)
And man is that finale scene there to drag a tear out of your stoney eye, like they wanted to punch it out but figured it would only come willingly, so we'll make you suffer a little for it. Dat facial expression on him.
It's little wonder this story became the focal point of the first season of Jessica Jones' series. That is some fucked-up way to live a life, Killgrave. And Bendis, you one fucked-up dude to see exactly how a guy like that would live, and give it to us with as little judgment as is possible to have over a piece of shit like PM.