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How to Suppress Women's Writing

4.31  ·  Rating details ·  1,235 ratings  ·  179 reviews
By the author of The Female Man, a provocative survey of the forces that work against women who dare to write.

"She didn't write it. She wrote it but she shouldn't have. She wrote it but look what she wrote about. She wrote it but she isn't really an artist, and it isn't really art. She wrote it but she had help. She wrote it but she's an anomaly. She wrote it BUT..." How t
Paperback, 160 pages
Published September 1st 1983 by University of Texas Press (first published January 1st 1983)
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4.31  · 
Rating details
 ·  1,235 ratings  ·  179 reviews

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Lois Bujold
Mar 24, 2016 rated it it was amazing
Recommends it for: everyone
Recommended to Lois by: random intenet review reminded me

This classic book was written 40 years ago; it hasn't aged much. Still pertinent. And wonderfully jargon-free and lucid, like western mountain light.

I'd been meaning to read this book for years, but was too busy writing to get around to it. Happily, I lived in such cultural isolation that I didn't get the memo about what women shouldn't write myself, but I've certainly seen it handed out since then, variously, lately in assorted fascinating erasures. The book seems to have started (but not finis
To act in a way that is both sexist and racist, to maintain one's class privilege, it is only necessary to act in the customary, ordinary, usual, even polite manner.
I haven't allowed Goodreads users to follow me for a while now. After years of letting the silent hundreds accumulate behind me out of some misguided belief that likes for my reviews was what I was all about, I figured out that generating free content for an unresponsive audience drains like nothing else. Even now, when I am far le
Ginger K
Jul 03, 2011 rated it really liked it
Recommends it for: humans
After years of running across references to How to Suppress Women's Writing, I have finally read it. (The timing on my acquiring and reading the book and my involvement in certain online arguments that I've stumbled upon lately about how sexism really still exists, no, really is probably not coincidental.)

ANYWAY. About the book. First off, it's a lit crit book with everything that that implies. For those of us without the heavy-duty lit background, this means the reading will be slow. Interestin
May 25, 2013 rated it it was amazing
What an education! This book had a huge influence on me as a young writer, an introduction to a conversation that continues to this day, the ways in which the world has tripped up the creative woman, diminished her, sidetracked and sidelined her. In the process, the book rescues many of these neglected artists from oblivion.

(I'm reminded very much of the similar project in women's visual arts that resulted in the founding of the National Museum of Women in the Arts in Washington, DC, the rescue
Coral Carracedo
Nov 13, 2018 rated it it was amazing  ·  review of another edition
No es un ensayo que me haya abierto los ojos a por qué leer mujeres, (ya sé todo lo que me pueden ofrecer), pero a pesar de todo lo he disfrutado muchísimo porque he conocido muchas historias, datos y citas desconocidas.
Durante la lectura solo podía pensar en que podría titularse también «Señores siendo la peste, ahora con fuentes para callarles la boca cuando las pidan».
Es un ensayo muy inteligente, lleno de preguntas que se hace la propia Russ y que se contesta investigando. Cre
This book is a satirical guide on ignoring or reducing the contribution of women in literature, although the basic principles could apply to other repressed groups and other forms of media.

Although Russ lists these as discrete concepts, she describes them as building upon each other. e.g., because there are so few 'classic' women writers, women are not expected to be writers. Or even if they try, their contributions are ignored because of some personal issue or of the difference of the subject
Jul 11, 2008 rated it it was amazing  ·  review of another edition
Shelves: nonfiction
This should be required reading for all humans. If reading it doesn't make you angry, you're not paying attention.
Emma Sea
It's uncanny how 30 years after writing the same shit still gets said about women artists and writers. A great classic text.
Utterly fucking brilliant. I hesitate to be melodramatic, but it's been a few weeks now, I've renewed it from the university library twice, and I may not be over-stating the case to say that this is one of the books that changes my life. It's genuinely altered how I think about criticism, I've got a to-read list that tripled in the period I was reading it, and I've been arguing with professors and blog commenters in a really different way than I used to. It just -- the experience of reading it w ...more
Lisa Feld
Jun 15, 2016 rated it really liked it
The cover of How to Suppress Women’s Writing really says it all: for writing/popular culture to be maintained as a man’s sphere, women’s writing needs to be made illegitimate: she wrote it with someone else’s help; she wrote about boring things that only appeal to women (like female friendships, parenting, or clothes) instead of the important things that appeal to men (like male friendships, war, or sports); she wrote about male things, which makes her work indecent or off-putting; or even, she’ ...more
Davinia Muque
Dec 13, 2018 rated it really liked it  ·  review of another edition
Shelves: libros-2018
Un libro para leer varias veces y hacer muchas anotaciones sobre él. Creo que es completamente necesario y que en institutos y universidades debería leerse.
Joanna Russ' HOW TO SUPPRESS WOMEN'S WRITING was published in 1983, but so, so much of its content speaks to today. Russ also understood institutionalized racism and sexism and privilege in ways that sound like dialogue happening now:

"Conscious, conspiratorial guilt? Hardly. Privileged groups, like everyone else, want to think well of themselves and to believe that they are acting generously and justly. Conscious conspiracy would either quickly stop, or it would degenerate into the kind of unple
Should be required reading for feminists, for book lovers, for writers, and for those who don't believe women or minorities are underrepresented in the world of art. Russ understood intersections and isn't afraid to acknowledge them while staying in her own lane, and the things she says about gender and class are really insightful...and so easily overlooked or ignored in greater discussions of literature.

The big take away for me was in the end, about how women's work is done in the vernacular,
This book was full of interesting ideas but the academic style made it a little more complicated and hard to focus on for a long time (at least for me - predominantly a fiction reader). Whilst I did agree with a lot of what Russ mentioned and cited within this essay, I found the early chapters a little dated and somewhat changed in todays world, but the later chapters were far more relevant.

This looks at the suppression and erasure of women's writing within history. We don't have many female rol
“Ignorance is not bad faith. But persistence in ignorance is.”
She didn’t write it.
She wrote it, but she shouldn’t have.
She wrote it, but look what she wrote about.
She wrote it, but ‘she’ isn’t really an artist and ‘it’ isn't really serious, of the right genre - i.e., really art.
She wrote it, but she only wrote one of it.
She wrote it, but it’s only interesting/included in the canon for one, limited reason.
She wrote it, but there are very few of her.

(Chapter 8. Anomalousness)

This book was writte
B.R. Sanders
Apr 11, 2014 rated it really liked it
For reasons both good and bad, HOW TO SUPPRESS WOMEN'S WRITING by Joanna Russ reads like it could have been written yesterday. Actually, the book is older than me—published in 1983—but Russ’ smirking, clear-eyed perspective is still relevant.

HOW TO SUPPRESS WOMEN'S WRITING investigates historical and social reasons that may have kept whole generations of women from writing in the first place (things like differential rates of literacy, disparate access to education, women’s historical lack of le
Nov 30, 2013 rated it really liked it
Recommended to Laura by: Liz Henry
A quick and lucid sketch of how women’s writing is suppressed, starting with a science fiction analogy that works quite well. Things are better now, thirty years on, but I’ve seen a lot of the moves she cataloged used to silence people. Once in a great while, a friend of a friend will try to use one on me in some social media habitat or another. Generally with hilarious results. It’s good to be a lawyer.

Spends a great deal of time discussing the works of Margaret Cavendish, Duchess of Newcastle
She didn't write it.
She wrote it, but she shouldn't have.
She wrote it, but look what she wrote about.
She wrote it, but "she" isn't really an artist and "it" isn't really serious, of the right genre -- i.e., really art.
She wrote it, but she only wrote one of it.
She wrote it, but it's only interesting/included in the canon for one, limited reason.
She wrote it, but there are very few of her.

- Chapter 8: Anomalousness

4.5 rounded up

A fantastic, thought-provoking read. This was first published in 198
Feb 04, 2014 rated it really liked it
Shelves: feminism, non-fiction
Fantastic, concise, and well-structured exposé of the many ways in which women's and minority writing has been and continues to be suppressed and marginalized. Russ not only puts into clear language things you've heard, known, vaguely understood your whole life, she also offers numerous starting points for digging into the world of forgotten and ignored women's literature. I'm diving into Villette immediately.
Mar 29, 2014 rated it really liked it
Russ' book is still relevant because not everything has changed. In particular, the chapters about how women writers were recieved before it was known that they were women, are really interesting.

But its also a genre plea because many of the quotes and stories come from writers in the Sci-Fi and genre field.
Jun 09, 2014 rated it it was amazing
An excellent companion or follow-up to Virginia Woolf's Room of One's Own, Joanna Russ's work goes much deeper, offering a thorough overview and critique of the ways women's place in literature is prevented, denied, and dismissed.



If certain people are not supposed to have the ability to produce ‘great’ literature, and if this supposition is one of the means used to keep such people in their place, the ideal situation (socially speaking) is one in which such people are p
Conejo Literario
Dec 19, 2018 rated it really liked it  ·  review of another edition
Muy interesante la forma en que describe como funcionan los mecanismos de opresión a la escritura femenina, solo que al final se me hizo muy pesado con tantas referencias.
This is a very enlightening book, and it made me feel good about my effort to read primarily women writers. I hope more people do the same!
Miriam Vigo
Jan 29, 2019 rated it really liked it  ·  review of another edition
Existen nombres a los que, por su importancia, echa mano con asiduidad. Virginia Woolf es clave, para bien (y a veces para mal) en este desarrollo. Citas de Una habitación propia y de otros escritos ayudan a mover este motor. Muy importantes también son las figuras y las novelas de Jane Austen (recuerdo aquí mi crítica a Emma) y las hermanas Brönte (enlazo otra crítica de María Acebes por aquí). Nombres y obras vitales para la historia de la literatura femenina y su apertura al mundo. Es ilustra ...more
How do we suppress women's writing? Easy. Just say: "She didn't write it. She wrote it but she shouldn't have. She wrote it but look what she wrote about. She wrote it but she isn't really an artist, and it isn't really art. She wrote it but she had help. She wrote it but she's an anomaly. She wrote it BUT..."

A well-argued, lucid overview of the many ways women's writing has been ignored, suppressed and denigrated over the centuries. Though first published over 30 years ago, too many of the aut
Sep 02, 2009 rated it really liked it
I still refer frequently in conversation to facts gleaned from this book --about the diversity in reception of the Brontes, in particular, and about the practice of anthologizing, where the percentage of women represented in anthologies remains constant, largely because women writers are never ADDED to, but replaced with a new slate of writers from generation to generation, whereas their male counterparts are allowed to hold their place, despite the continued presence of a sizeable percentage of ...more
Jun 03, 2014 rated it it was amazing
"It’s important to realize," writes the late Joanna Russ in her book How to Suppress Women’s Writing, "that the absence of formal prohibitions against committing art does not preclude the presence of powerful, informal ones." Her treatise on how society suppresses writing by the "wrong" sorts of people should be required reading for every writer, reader, editor, MFA candidate, literary academic and English teacher working today.

(This review is from my "Five Things Right Now" contribution to the
Dec 07, 2016 rated it it was amazing
Absolutely fantastic! I had to skip around because I'm using it for a research paper, but definitely worth the read!
Nov 23, 2016 rated it it was amazing
Shelves: akademia
Najsmutniejszą częścią jest to, jak bardzo aktualna jest to książka i że na jej podstawie można napisać monografię dewaluacji przez krytykę twórczości takich autorek jak Gretkowska czy Tokarczuk. Jedyne, co się zmieniło to używane w tym celu chwyty stylistyczne.

Powinnam się wkurzać za to, jak Russ dekonstruuje mi pewne tezy doktoratu, ale jestem zbyt wdzięczna za wyciągnięcie mnie z dołka intelektualnego. Najbardziej urzekające jest to, że mówi pewne oczywistości, które wciąż nie są oczywiste i
Ana Navalón
Nov 04, 2018 rated it really liked it  ·  review of another edition
Sobrecoge pensar que las ideas que se reivindicaban hace treinta años se siguen reivindicando hoy. Un libro muy necesario que todas deberíamos leer. Recoge ideas que muchas nos hemos planteado, pero las plasma con un estilo brillante, con muchos ejemplos, con muchas lecturas como base. Por ponerle una pega, no aborda el tema de la censura a la hora de traducir mujeres (como las traducciones de Virginia Woolf por Borges), pero también la propia autora reconoce que se centra en literatura de habla ...more
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500 Great Books B...: How to Suppress Women's Writing - Joanna Russ 2 18 Jan 02, 2016 11:42AM  
  • The Secret Feminist Cabal: A Cultural History of Science Fiction Feminisms
  • The Battle of the Sexes in Science Fiction
  • Writing the Other
  • A Literature of Their Own: British Women Novelists From Brontë to Lessing
  • James Tiptree, Jr.: The Double Life of Alice B. Sheldon
  • Dancing at the Edge of the World: Thoughts on Words, Women, Places
  • Writing a Woman's Life
  • Transforming a Rape Culture
  • Beauty and Misogyny: Harmful Cultural Practices in the West
  • Feminism FOR REAL: Deconstructing the Academic Industrial Complex of Feminism
  • Of Woman Born: Motherhood as Experience and Institution
  • The Dialectic of Sex: The Case for Feminist Revolution
  • The Creation of Patriarchy
  • Right Wing Women
  • Whores and Other Feminists
  • Complaints and Disorders: The Sexual Politics of Sickness
  • The Newly Born Woman
  • The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination
Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction ...more
“I once asked a young dissertation writer whether her suddenly grayed hair was due to ill health or personal tragedy; she answered: “It was the footnotes”.” 46 likes
“Ignorance is not bad faith. But persistence in ignorance is.” 28 likes
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